You replaced the live audio with her studio recording of this aria... Pretty pathetic. This woman burned her voice out so fast she was barely a blink on the international stage and will forever be an example of how not to sing.
How come the sync is off? It looks like an old silent film and they're running a vinyl cylinder next to it. Seriously, she's fabulous, I won't miss her next turn in this. I saw Daniela Dessi in this back in 2003 and she didn't have 1/10 the voice of this lady. Isn't Benjamin supposed to be 5 or 6?. I hope his hearing's ok. Superb actress and singer, truly.
Con todo a la Gallardo-Domas por esta producción al ROH se le otorgó el Premio Laurence Olivier! Que es el equivalente a los oscares de las peliculas. Habrá sido por algo...sin duda su interpretación es única en este como en otro de sus roles.
So you wouldn't be crazy if your husband for whom you waited four years for, comes home with another woman, your only the girl on the side, and wants to take your child and send you to be a geisha? you would be fine with that?
She was a loving mother. *was*. besides that, its in a theatre. it's not meant to be on TV or a movie, all of her movements are precise and yet very exaggerated. They have to be.
Except this isn't supposed to be movie-like. This is opera, it's meant for even the people on the highest tier to understand so everything has to be exaggerated.
Yes! but still...she is too much!! but I like opera, yo he visto varias obras de Opera, y ninguna como esta de tan exagerada, I hope you can understand, but I could not translate in my brain very well. I am not an expert on opera, but since childhood I have been able to watch it and appreciate this kind of art.
Cuando Butterfly decide suicidarse lo hace como un acto supremo de amor hacia su hijo, pues reconoce que es la mejor opción para el bien del niño. En mi opinión y desde un punto de vista vocal esta interpretación muestra una Butterfly histérica y no a una madre amante que se despide para siempre de su hijo. Es mucho, mucho grito. De la actuación prefiero no opinar porque obviamente debe someterse a las indicaciones del director de escena.
Pienso que es interesante ver diferentes estilos en la interpretación de un rol tan conocido como este, cierto que es inevitable comparar con los otras también bellas interpretaciones, pero el merito de Cristina es indiscutible.
Respecto al histerismo ... pobre butterflay no es para menos...
todos los interpretes le dan una personalidad distita y propia a los personajes que representan en escena. en este caso, gallardo-domas crea a una cio-cio san un poco loca, solo basta mirar el aria un bel di vedremo de esta misma produccion. pero es su propia interpretacion
another comment. People who made here a negative critic to this artist, who with such humility and such a passion interpret this Butterfly are really ignorant. She is really great, and is ovious that her acting is due to the regist. And the wonderfull is that she makes it with such naturality, although the regie is not good. She makes it divine! Artists like Gallardo Domas keep Melodramma alive, dispite all. Thanks
This is the Villazón in feminine. Too much, so much it is overacting. So much moving that at the end she doesn´t say a shit. And to those guys that deny her going down, obviously you didn´t hear her a few years ago. She is REALLY burning. Too much, too soon.. this role is too big like many others.
I like her voice, I think it's really beautiful. But I didn't like her acting: too affected and dramatized. I know it is the highest point of the opera, but I think her death should be acted more statically. It is just my point of view, though.
Potente y Bellisima voz . A estos sordos que dicen que su voz es "She is singing flat most of the time - it is painful to listen to. This is unnecessary and unacceptable in my view" yo les digo que Gallardo Domas canto Suor Angelica y Mefistofele en el Colon de Buenos Aires, que es un teatrito bastante más grande que cualquiera de los que están acostumbrados a transitar, y la escucharon hasta en la costa de Punta del Este. BRAVA GALLARDO DOMAS UNICA EN SU REGISTRO E INTERPRETACIÓN!!!!!
ihackett - what are you talking about? I heard her last night in Zurich. She sang Manon Lescaut - and I can tell you she has a huge voice - when required. She can also sing very quitely and beautifully. Exactly what is required in Puccini. You can't judge her from a youtube clip.
I saw her at Covent Garden, from the amphitheatre, I would have cast a bigger voice (not necessarily a more beautiful voice)for that size of theatre . Sure a smaller voice sounds large in a medium size theatre. . Puccini orchestration is like Wagner, often the instrumentation is the same pitch as the voice.
It's true, the house in Zurich is not large. Still, I was amazed at how she rode the orchestra in the big g moments. More than could be said for Neil Shicoff, unfortunately. I also found her acting very convincing - which is important to me.
This comment has received too many negative votesshow
She is singing flat most of the time - it is painful to listen to. This is unnecessary and unacceptable in my view. She does not have a big enough voice for the part - she should stick to Donizetti and Mozart. Casting directors - Let's have the real verismo voices back please!!
You replaced the live audio with her studio recording of this aria... Pretty pathetic. This woman burned her voice out so fast she was barely a blink on the international stage and will forever be an example of how not to sing.
jmahlon 4 months ago
@jmahlon I do not do anything about it, you jerk
Oneguin65 2 months ago
Such a beautiful scene, Cristina is the best chilean soprano :D
WalkyrjeWolfherz 5 months ago
Oh, and the first sub title was written wrong, it's "he who can not live with honor, must die with honor"
bowserjrgirl 11 months ago
It brought me to tears, which is rare, well done!
bowserjrgirl 11 months ago
Stunning! Shameless death scene, spoiled by the mad flapping at the end. What a voice - Bravo
Tegzee 1 year ago
más cruel no pudo haber estado este final... muy crudo....
ades876 1 year ago
How come the sync is off? It looks like an old silent film and they're running a vinyl cylinder next to it. Seriously, she's fabulous, I won't miss her next turn in this. I saw Daniela Dessi in this back in 2003 and she didn't have 1/10 the voice of this lady. Isn't Benjamin supposed to be 5 or 6?. I hope his hearing's ok. Superb actress and singer, truly.
sillyboydeux 1 year ago
Con todo a la Gallardo-Domas por esta producción al ROH se le otorgó el Premio Laurence Olivier! Que es el equivalente a los oscares de las peliculas. Habrá sido por algo...sin duda su interpretación es única en este como en otro de sus roles.
SaludFalla 2 years ago
Does anyone know who directed this?
liamandsarah 2 years ago
Antonio Pappano
asisecanta 2 years ago
Are yawl sure that ain't DJ Peaches?
wotanman 2 years ago
She is great, but I think ser tecnique is not finished.
khothye 3 years ago 2
she looks crazy...not a loving mother...listen to la Scotto and compare the two interpretations... a world apart.
vixoxxzz 3 years ago
So you wouldn't be crazy if your husband for whom you waited four years for, comes home with another woman, your only the girl on the side, and wants to take your child and send you to be a geisha? you would be fine with that?
She was a loving mother. *was*. besides that, its in a theatre. it's not meant to be on TV or a movie, all of her movements are precise and yet very exaggerated. They have to be.
sparkedfireworks 3 years ago
yes! but she looks a little bit crazy, I think she exaggerated her theatrics facial moves, don't you think?
DeyaIV 2 years ago
Except this isn't supposed to be movie-like. This is opera, it's meant for even the people on the highest tier to understand so everything has to be exaggerated.
sparkedfireworks 2 years ago
Yes! but still...she is too much!! but I like opera, yo he visto varias obras de Opera, y ninguna como esta de tan exagerada, I hope you can understand, but I could not translate in my brain very well. I am not an expert on opera, but since childhood I have been able to watch it and appreciate this kind of art.
DeyaIV 2 years ago
@DeyaIV if you don't know or understand much of opera, please don't judge one of them of "exagerated"...
btw, i didn't like her realisation and acting...
gomongio 1 year ago
@gomongio I did not judge, just did comment from my point of view, that is all.
DeyaIV 1 year ago
@DeyaIV ok, no problem then.... misunderstood ur comment...
gomongio 1 year ago
Indrukwekkende opvoering van Christina.. Binnenkort te zien live in het MET. en Kinepolis.
wieke45 3 years ago
Jammer dat Christina vervangen werd door Patricia Racette in de MET.
wieke45 3 years ago
Cuando Butterfly decide suicidarse lo hace como un acto supremo de amor hacia su hijo, pues reconoce que es la mejor opción para el bien del niño. En mi opinión y desde un punto de vista vocal esta interpretación muestra una Butterfly histérica y no a una madre amante que se despide para siempre de su hijo. Es mucho, mucho grito. De la actuación prefiero no opinar porque obviamente debe someterse a las indicaciones del director de escena.
sercub1962 3 years ago
Pienso que es interesante ver diferentes estilos en la interpretación de un rol tan conocido como este, cierto que es inevitable comparar con los otras también bellas interpretaciones, pero el merito de Cristina es indiscutible.
Respecto al histerismo ... pobre butterflay no es para menos...
rinzunza 3 years ago
todos los interpretes le dan una personalidad distita y propia a los personajes que representan en escena. en este caso, gallardo-domas crea a una cio-cio san un poco loca, solo basta mirar el aria un bel di vedremo de esta misma produccion. pero es su propia interpretacion
00af01 3 years ago
justamente he ahi la gracia de gallardo-domas. ¿cómo está una madre que da la vida por su hijo, pero que sabe qe nunca más lo verá?.
NO todas las madres reaccionarian igual, pero muchísimas lo harían como esta mariposa...con una terrible desesperación que llega hasta el alma.
melloli1 3 years ago
The music ends on a sixth! How awkward.
Great piece, though.
19andoverlol 3 years ago
Simplemente FANTASTICA!!!
melloli1 3 years ago
love the set ESPECIALLY
loved her singing...I just didn't like the look that they gave Butterfly
offtobroadway 3 years ago
Not an attractive voice; more importantly, not nearly enough light and shade in the singing.
mdieterk 3 years ago
M'ha fatto piangere!!! Brava. Grande interprete!
FabyEDDMAC 3 years ago
This comment has received too many negative votes show
eeeeeeeeeeeeeeeeeeeeeeeeeew she sucks alagna dick
Fundudehh7 3 years ago
on one part, i paused it and i heard her voice crack
Fundudehh7 3 years ago
I saw her in this same staging at the Liceu in Barcelona, and she was just GREAT. It´s true that there are better voices, but she touched me DEEPLY.
This scene is a bit overacted, but we´re talking about theater after all. I completely agree with MmeFigaro. The key word is MELODRAMMA.
One of the best opera performance I have ever seen!
octavian 3 years ago
another comment. People who made here a negative critic to this artist, who with such humility and such a passion interpret this Butterfly are really ignorant. She is really great, and is ovious that her acting is due to the regist. And the wonderfull is that she makes it with such naturality, although the regie is not good. She makes it divine! Artists like Gallardo Domas keep Melodramma alive, dispite all. Thanks
MmeFigaro 3 years ago 2
GREAT!!!
MmeFigaro 3 years ago
It was wonderful until she did her little staggering around thing.
Fallingstar423 3 years ago
This is the Villazón in feminine. Too much, so much it is overacting. So much moving that at the end she doesn´t say a shit. And to those guys that deny her going down, obviously you didn´t hear her a few years ago. She is REALLY burning. Too much, too soon.. this role is too big like many others.
ezayi 3 years ago
I like her voice, I think it's really beautiful. But I didn't like her acting: too affected and dramatized. I know it is the highest point of the opera, but I think her death should be acted more statically. It is just my point of view, though.
natashkk 4 years ago 2
i agree, but you do have to take into account that she's having to convey strong emotion to an entire audience.
but it is a bit dramatic.
but i think overall she did wonderfully.
glasskimono 3 years ago
The ritual suicide of japanese women is supposed to be cutting the throating instead of the gut, traditionally.
scorpioncarmen 4 years ago
she's burning out fast...here is evidence as to why.
jmahlon 4 years ago
and she's not NEARLY old enough to have her voice in such shaky condition...
rrkrum 4 years ago
area musical preciosa!
es hermosa
aunque el niño deberia actuar mas porque asi no
tiene sentido! =)
pekiitaa15 4 years ago
Potente y Bellisima voz . A estos sordos que dicen que su voz es "She is singing flat most of the time - it is painful to listen to. This is unnecessary and unacceptable in my view" yo les digo que Gallardo Domas canto Suor Angelica y Mefistofele en el Colon de Buenos Aires, que es un teatrito bastante más grande que cualquiera de los que están acostumbrados a transitar, y la escucharon hasta en la costa de Punta del Este. BRAVA GALLARDO DOMAS UNICA EN SU REGISTRO E INTERPRETACIÓN!!!!!
Lavro504K 4 years ago 2
Wonderlul. She sings Butterfly in April in Wien, and I suppose that I will be present there...
woytynowska 4 years ago
oh my, sublime performance
marrieter08 4 years ago
Brava!!!!
mariavelasco 4 years ago
ihackett - what are you talking about? I heard her last night in Zurich. She sang Manon Lescaut - and I can tell you she has a huge voice - when required. She can also sing very quitely and beautifully. Exactly what is required in Puccini. You can't judge her from a youtube clip.
owenboi66 4 years ago
I saw her at Covent Garden, from the amphitheatre, I would have cast a bigger voice (not necessarily a more beautiful voice)for that size of theatre . Sure a smaller voice sounds large in a medium size theatre. . Puccini orchestration is like Wagner, often the instrumentation is the same pitch as the voice.
ihackett 4 years ago
It's true, the house in Zurich is not large. Still, I was amazed at how she rode the orchestra in the big g moments. More than could be said for Neil Shicoff, unfortunately. I also found her acting very convincing - which is important to me.
owenboi66 4 years ago
This comment has received too many negative votes show
She is singing flat most of the time - it is painful to listen to. This is unnecessary and unacceptable in my view. She does not have a big enough voice for the part - she should stick to Donizetti and Mozart. Casting directors - Let's have the real verismo voices back please!!
ihackett 4 years ago
Yeahm Your view is not good..
cek1111 4 years ago
wonderful
nikolaimedtner 4 years ago
Very beautiful acting!
Just like I remember at the Met!
gamesport88 4 years ago
Amazing,thanks por posting.
christiancoloma 4 years ago
My God, how obliterating! Easy to see why Gallardo-Domas basically owns this role right now. Her voice is perfect for Puccini. Thanks for posting...
blevarela 4 years ago