I became aware of Norma Procter indeed through Rule Britannia at the Last Night of the Proms 1970-something. The impression she made on me as a young teenager should have rung alarm bells for my mother... . Gorgeous voices.
Thanks andigrim! Norma Proctor's Mahler was legendary, but i would cherish hearing some Brahms. Back in the late 1980's i slipped into the audience of a masterclass she was giving to young female singers at the RNCM. The class was mostly on Brahms lieder and her advice was as moving as her singing. I believe she taught for many years at Leeds College of Music. I was told that ill health brought her impressive international career to an early end. A pity!
This may come as a surprise to those who only know Norma Proctor through 'Rule Britannia' at the Proms. She was a really fine singer and it would be nice to see more of her performances posted on youtube. Sheila Armstrong ( the soprano) was lovely too!
What a sublime performance. I have to say I had never really appreciated Norma Proctor's artistry before. What a voice! Not at all for baroque purists of course, and not at all what I was expecting of Stokowsky, either, who I thought would be too 'hammy'. Who is singing in 'Come unto Him?' Sheila Armstrong?
I had forgotten Norma Procter's contralto voicehad was so touching.From the 50s to the 70s she was a fabulous oratorio singer. Her soft refrain of the first lines is meltingly wonderful. Only Janet Baker was so glorious. I remember Bernard Haitink streaming tears at a Prom in (I think) 1968 when she sang in his Britten's Spring Symphony. Rarely recorded,she overlapped with Ferrier, Morrison and Baker. Her Mahler was wonderful:happily caught on Horenstein's superb recording of Mahler 3. Thanks!!
I became aware of Norma Procter indeed through Rule Britannia at the Last Night of the Proms 1970-something. The impression she made on me as a young teenager should have rung alarm bells for my mother... . Gorgeous voices.
tarstan 1 year ago
@tarstan Should have?
andigrim007 1 year ago
Thanks andigrim! Norma Proctor's Mahler was legendary, but i would cherish hearing some Brahms. Back in the late 1980's i slipped into the audience of a masterclass she was giving to young female singers at the RNCM. The class was mostly on Brahms lieder and her advice was as moving as her singing. I believe she taught for many years at Leeds College of Music. I was told that ill health brought her impressive international career to an early end. A pity!
Tenortalker 1 year ago
This may come as a surprise to those who only know Norma Proctor through 'Rule Britannia' at the Proms. She was a really fine singer and it would be nice to see more of her performances posted on youtube. Sheila Armstrong ( the soprano) was lovely too!
Tenortalker 1 year ago
@Tenortalker I will try to clean up few Lieder by Brahms and Mahler
from an LP I still have.
I love her voice and personality!
andigrim007 1 year ago
Quelle merveille!
77Opera 1 year ago
Oh what a glorious voice. A new one to me... Thanks so much for this posting. The sound quality is extraordinary....
MrIV74 1 year ago
not only does Norma have a unusually beautiful regal tone she and Sheila Armstrong had amazing vocal and breath control. perfect pitch and legato
great singing and very musical. Wish I could reach such heights of vocal mastery.
rausy 2 years ago
What a sublime performance. I have to say I had never really appreciated Norma Proctor's artistry before. What a voice! Not at all for baroque purists of course, and not at all what I was expecting of Stokowsky, either, who I thought would be too 'hammy'. Who is singing in 'Come unto Him?' Sheila Armstrong?
chokedad 2 years ago
What agreat voice! Thanks Norma!
madgeson 2 years ago
What an amazing voice. Norma Procter has a sound that's very similar to Maureen Forrester's. They both have that regal, totally gorgeous unique tone.
Thanks for uploading this.
lmspr 2 years ago
I had forgotten Norma Procter's contralto voicehad was so touching.From the 50s to the 70s she was a fabulous oratorio singer. Her soft refrain of the first lines is meltingly wonderful. Only Janet Baker was so glorious. I remember Bernard Haitink streaming tears at a Prom in (I think) 1968 when she sang in his Britten's Spring Symphony. Rarely recorded,she overlapped with Ferrier, Morrison and Baker. Her Mahler was wonderful:happily caught on Horenstein's superb recording of Mahler 3. Thanks!!
sirchpy 3 years ago