Added: 4 years ago
From: cleopatra11
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  • @scottydscottd There is no such thing as "in tune",especially not on the violin. When playing chords, certain notes often need to be tuned out to make the chord sound in tune overall, perfect pitch or no perfect pitch.

  • Amazing.

    

  • I agree !!!

  • This concert is one of Finland's greatest gifts to us.

  • what a violinst, and im a violist but Ive Ioved this mans playing all my life, to me he' s the greatest violinist in world!!!!!

  • I can't myself,I love this soo much

  • le seul regret c'est que la prise de son soit un peu faible

  • Again, i'm listening it. Again, Oistrakh is great (could someone put here a Kogan's interpretation?)

    A poorest "Soviet TV and variety" orchestra" -- but they are OK. With Oistrakh.

    I love this play!

    If anyone gives me an example of Kogan (the father), i'll be grateful.

  • Sibelius concerto is a Concerto for Orchestra and Violin (not Violin and Orchestra).

    Only Oistrakh thought it in a different way.

    Great Oistrakh!

    Thanks for publishing, I have a vinil disk with this perfomance!

  • Oistrakh is the best violinist of all time, period.

  • @danglitis3113 the authority, the command, the sheer mastery. Superb indeed.

  • @danglitis3113 ..paganinni...heifitz...Itzhak perlman... Hilary Hahn.... dont make such a bold statement

  • @indiandude786 .To compare paganinni...heifitz and Oistrakh to ...Itzhak perlman..and, to Hilary Hahn.is perhaps a stretch :):)

  • @Safari528 thats true, but you have to agree that itzhak and hilary are (in my opinion) two of the best violinist of our modern time, but compared to heiftz and paganini they are..not bad but not as virtuosic as they may seem alone.

  • I, probably, heard this insturment. Not in Oistrakh's hands, but in that very concert hall (Moscow Conservatoire).

    Beleive me, it overcomes the orchestra, and enages you!

  • I agree,

    if u want to know the best interpretation, just simply listen to Oistrakh.

    I love it.

  • Magnificent. Astounding. Brilliant. I have no more words... This leaves me breathless.

  • So many silly remarks. Oistrakh was one of the finest fiddlers of the 20th Century.

    His Sibelius, like so many other concertos he performed, is intelligent, moving...profound. To compare him to one violinist or the other is an irrelevancy....he was a wonderful musician. So many of these comments are evocative of the antagonist ex-professor/boyfriend in "Midnight in Paris:...whiny and supercillious. Shut your mouths, close your eyes, open your ears and enjoy this remarkable performance.

  • The best version....

  • stupid audiophiles, and what not, who have never picked up a violin, or studied under a master interpreter, or sat in a room for six hours a day. practicing, or listened to and analyzed not only 20 other interpretations of sibelius, but 20 different recordings of sibelius by oistrakh himself. shut up.

  • yes, he 'owns" this concerto, but i prefer the mature version with ormandy and philadelphia.

  • the one thing I love about the Sibelius is its angst driven first and third movements. Even the second movement is very intense, albeit not as angst driven. I can't recall another violin concerto with so much aggressive force and dark brooding energy.

  • he is an amazing violinst

  • I am hesitant to ever criticize anyone out of the Heistrakhuhin (heifetz, oistrakh, menuhin) order. They seem to know what they're doing generally.

  • @tlcooper93 5 year old girls play with more feeling than Heifetz

  • @scottydscottd You're a goddamn guitarist, not a violinist. I don't care how many years you've been playing, there is no way in hell somebody who isn't even a violinist knows how violins work better than goddamn Oistrakh himself. He is not out of tune, stop being a moron. Try playing on your guitar the notes Eb(on string D), A(string G), and G(string E[high E]). You'll notice that even if you're extremely well-tuned, that chord sounds out of tune. It's a chord from Sonata 2 for solo violin[bach]

  • how can Hilary Hahn have double the views than this perfection?i mean yeah she has amazing technique but she cannot express the character of the piece, compared to Oistrakh , in my opinion

  • This is such an incredible masterpiece. It never fails to reach my heart

  • Great Oistrakh!!! Great Rozhdestvensky!!!

  • Great Oistrakh!!!

  • the orchestra plays a little fast! they could take more time and rubato to enjoy the beauty of the piece

  • perfect pitch doesnt make you perfect, and more importantly, ... it doesnt even make you play at least 1/10 as well as David Oistrakh at all. prove me wrong by posting any clips of yours shall i apologize.

  • Perlman & Mintz the best performance

  • It has been my impression that many of the older generation are guilty of this pitch migration, and seem to play 'out of tune' at times. I'm left wondering if this is a nuance of the period's recording technology, the result of an artistic choice.. or bad technique?

  • @steveb89100

    1/ This is a live recording, not a staged one. You cannot expect to have a 100% perfect pitch all the time.

    2/ Ear is not linear. High notes tend to be heard a little underpitched. Heifetz rehearsed "false" octaves to ensure auditor would hear them (perfect octaves are inaudible, since perfectly synchronized) ; it gives you the level of mastering of those artists. Some "out of pitch" notes are intentional (and some may not be, agreed).

  • @steveb89100 And, BTW, the pitch in this recording is amazing :)

  • This isn't the best ever and Vengerov doesn't do poor playing..

    Some take themselfs way to serious, besides, art at his highest form is miles above some bloody competition.

  • poor Vengerov

  • Absolutely the best performance ever. The next best one is several notches down; I am sorry.

  • @scottydscottd Yeah...perfect pitch doesn't mean anything. Did you say half step off? Old recordings all tend to do that. If you didn't notice, the orchestra is "off" too.

  • @scottydscottd I don't care if you have perfect pitch. It doesn't change the fact that you're wrong.

  • @tlcooper93 .... did I not say he's one of my favorite of all time? His intonation is sadly too sharp than is tolerable. 1:33-1:35ish with the chords, my god man. That's not the recording, he is just really out of tune even relatively.. Stop being a faggot

  • @scottydscottd I'm not being a faggot, I am just merely telling you that in the particular spots you said he was out of tune, he actually is in tune, due the way the G and D strings work together. When, I play this piece, it has to be done the same exact way.

  • @tlcooper93 can't fool me :D i've been playing for 14 years man. he's out of tune. its not the way the strings work together. you're delusional lol

  • @scottydscottd Perhaps this is a time in which we must agree to disagree. I have gone to some credible violinists on this video (ex concertmaster of the Cleveland orchestra), and they agree with me. He is not out of tune. I have asked so teachers at New England Conservatory, and they agree with me.

  • @scottydscottd haha you're funny, been playing 14 years, eh? Take a guess at how long Oistrakh's been playing. ;)

  • Another beautiful performance of this great violin concerto is the debut recording on Decca London records made in 1970 by a very young (22 y.o.) Kyung-wha Chung, with Andre Previn conducting the London Symphony Orchestra. She had just won the prestigious Leventritt Competition and her Sibelius is white hot, with an icy minimalist feel appropriate for a Nordic masterpiece, free of all

    Romantic embellishment. As a bonus, it is paired with a superb performance of the Tchaikovsky concerto.

  • Eargasm.

  • Yes I agree,is one of the best's sibelious concerto playing,performance!

    Ginette neveu version is also so good,but here I prefer the David's introduction,is more singing,but we must take in consideration that G.neveu was young when she recorded this,before she had the airplane accident...

    I heard also Ida Heandel's version,the more recent,and is so good Also!

    poicpi

  • It could just be the poor quality, and correct me if I'm wrong, there are little shifts in volume in his playing that aren't very musical at all, and with immense respect for the violin god that is David Oistrakh, it kind of takes away from the quality of the performance, and that's why I enjoy Ferras' and Hahn's performance more.

    This is still amazing though!

  • out of the whole symphony.. 3:09 is my favourite part... :)

  • Exelente y sin gestos payasescos !!

  • vengerovs face when hes playing looks like hes ready to take a load (of semen)

  • tout est parfait...et quelle sobriété...rien en trop , rien d'artificiel.

    c'est LE MAITRE, comme Heifetz, Menuhin, Perlman, etc..........

  • This is very different than Hilary Hahn's interpretation. Much more dramatic...

  • maravilloso!!!!!!!!!!!!!!!!!!!­!!!!!!!! perfecto

  • maravilloso!!!!!!!!!!!!!!!!!!!­!!!!!!!!

  • Peut-être rentre t-il trop vite dans la couleur,mais quelle couleur!

  • Bravo!!!!!!!!!!!!!

    

  • I daresay that this is one of my favorite versions, alongside with Christian Ferras's playing of this concerto.

  • 3:24

    i'm still shaking.

  • @iamemod me too :)

  • not exactly in sync. but very nice music

  • In Soviet Russia, you don't play violin, violin plays you !

  • awesome!

  • BEAST.

  • How lucky we are to have heard a brilliant composition, and to have heard it played as surely the would have imagined. And, more generally....those who have had the honour to have heard the great soloists live such as Oistrakh....well...(Nathan Milstein wasn't too bad, either!!)

  • @terrylaw54 -Nor were Heifetz,Elman,Rabin,Menuhin,Hi­rshhorn,and others.

  • The audio and video are out of snc, obviously.

  • Definitely my favorite of all violin concerti.

  • I've listened to many versions of the Sibelius Concerto and this one is by far my favorite. Genius!

  • @baroque2 I've listened to EVERY version of this concerto and while this does stand out in technicality I must say Sarah Chang's interpretation stands out in emotionality.

  • you obviously don't have perfect pitch, you cannot hear well

  • dear god!!!! the way he ends the phrase at 4:47 is unmatched!!!!!

  • i m shivering in the beautiful tone!

  • Complete masterpiece, gives me the chill everytime.

  • 柔らかな音色が飛んでいます!

  • Grazie del video! Emozionante!

    Grande Oistrakh!

  • love this concert so much,thats fantatic performance!!!

  • You know, listening to the first few measures of this, I find a striking resemblance between Oistrakh and Rostropovich. It's as if either of them could bow out a note that lasts forever.

  • I was wondering if anyone could give some advice on this violin training program? It's put out by a violin teacher named Eric Lewis. I was given a violin for christmas and was given a stupid book that I can't figure out. Looking forward to your comments: Here is the link I found on google:w w w (dot) getgoodreviews (dot) com/go/violin_lessons (dot) php

  • I advise you to give the violin away next Christmas (or sooner).

  • sorry, can´t get the link working

    don´t give up, its really fun, you just need the right book, maybe try Sheila Nelson, its for children, so you also have quite a lot of pictures, which really makes things a lot easier! :) so - have fun!

  • Bravo, bravo!

  • 5.45 /orgasm

  • 4:20 makes me cry inside

  • The version of Karajan and Ferras it is also excellent

  • truly amazing. i would love to hear kogans version if he did it and its on YT.

    for 2 storminig modern versions i suggest mintz and josefoviz.

  • i am loving this! the orchestra is also great

  • I saw Josefoviz perform this in Helsinki last summer, I found it to be a bit too modern for my tastes, Maybe im a bit conservative but the style of this piece of music is late romantic, not modern, and playing it like a piece of modern classical music the way josefoviz does misses its soul somehow.

  • oh i totally agree oistrakh is a master of romantic playing. but of the modern soloists leila is one of the most expressive. i wish i could have seen her perform this

  • look at the Man standing on his two feet, just man handling that woman his violin with utter beauty and love and RESPECT. Love this playing.

  • Superb to the max! Bravo!

  • Like the greatest artists, Oistrakh seems to be in a constantly tumultuous relationship with his instrument. His is one of great respect, tenderness, fear even. He's my favorite violinist.

  • i have to say. this guy is owning everyone else on youtube at sibelius 1st mvt.

  • @takushikun yeh. benjamin beilman whos 20 is also very good at this. love both their interpretations.

  • @takushikun Ofcourse :D He is David Oistrakh !!! :D

  • he was THE prodigy among the others, except that he had to learn to become one. He is simply, and farily, the best 20th century violonist.

  • incredible.....!!!!!!!!!!!!!!!­ GOD

  • he is bad ass, wish he was still alive

  • shame the quality of this recording is terrible

  • What makes you say that!!!?. I will admit that Hilary Hahn has a great technique, but saying that it is better than Oistrakh's is insane. Oistrakh has THE greatest technique and intonation. Oistrakh already is the perfect violinist. The only violinists that I can think of that are even close to his level would have to be Jascha Heifetz, Hilary Hahn, Oleg Kagan, Ilya Kaler, and Isaac Stern in that order.

  • @BeneBon actually i believe that Heifetz if he wasn't not better than Oistrakh , he equaled him.

  • @BeneBon -Did you perhaps forget Milstein,Elman,Menuhin.There are a number of others,but you would not even know their names-Neveu was one that even beat Oistrakh in a major competition. Does Kreizler ring a bell or Rabin,or Hirshorn. Write me again when you have some idea of what you are talking about. If this is not enough I shall name you another 1/2 dozen or more then.

  • to ridesnowboard15: I happen to agree with you (internal pulse). You put it very politely; it is too bad that the general audience of youtube is very judgmental and immediately boos anyone who happens to disagree with usually exaggerated positive comments. Regarding intonation: he performed in the times when people were not as obsessed with sterile cleanliness as they are now. (Some of his performances are much sloppier that this one.) Overall, let's face it, he was pretty good :)

  • It's a shame we have to hear about Hilary Hahn or Ferreras every two or three seconds.

  • i think that its matter of likes and dislikes and thats ok but i think that at that level you cant say that he has problems whit intonation, because just like him there are not many violinist that make history because of his perfect musicality and i think that the only way to get that musicality its being almost perfect in technique....again, there are likes and dislikes, luck.

  • I can see your point. If one looks at his intonation as being expressive, as in exaggerating the intervals, then his intonation would not be a problem. I however find his playing to be musical, but it just does not capture my attention.

  • increible!!!

    stupenda interpretacion....exelente♀♪♥

  • Comment removed

  • 1:40-1:50===AWESOME

  • this is the best perfomance of sibelius violin concerto

  • It's incontestable, Oistrakh is a god.

  • BEST SONG EVER !

    s2

  • Look at Vengerov and compare with master David Oistrakh!!!

    Vengerov is totally stripped off! No monkey-faces he can do will rescue his poor playing!

  • lmao...don't you have anything better to do than run from vid to vid and put down Vengerov? What, did he sleep with your girlfriend? I mean, what gives? You are out for blood. LMAO! Get a life already before the big L becomes stamped on your forehead permanently!

  • lol! That's exactly what I've been trying to put into words for a long time!!!

  • @maxhansendk

    My dear, Please, it's no t right to give wrong ideas, I mean it's not right to compare Oistrakh with Vengerov. Time changing and style of music changing to, like ancien, baroque, impress, romantic, modern romantic etc.

  • @maxhansendk that's stupid. I'm a fan a Oistrakh too but to call Vengerov's playing "poor" is ridiculous.

  • @TonicMike No I don´t think it is wrong to label Vengerov´s playing as poor.

    You must consider all of the "PR-hype" surrounding Maxim. They portray him as the master of the violin...

    Well, he is not! Leonid Kogan And David Oistrakh is two of many, many violin players that plays way better then "smugface" Vengerov.

    Ever heard of Michael Rabin?

    If you listen to Rabin you will know that he is in another league than Vengerov.

    Sadly our society works that way. Most "hyped" artist is overrated.

  • @maxhansendk Well it sounds like you have some kind of personal thing against Mr. Vengerov. I'm a die-hard Oistrakh fan and I just don't think that it's necessary to put down another artist to praise him. We can agree to disagree but I believe that your assessment of Mr. Vengerov's playing is an exaggeration. You call him "smugface" but this leads me to believe that you haven't ever met him. He's actually a very kind and generous person. He helps many students in addition to performing.

  • @maxhansendk Excuse me but Vengerov is one of the greatest violinists ever, even if you don't like his "smugface"! If he isn't so great, why is he one of the most expensive violinist of 20th century!

    It's pkay you don't like him, but please don't call him "overrated"!!

  • @SquarePoxProductions What does price have to do with anything? I personal don't like Vengerov i think his interpretation of Sibelius fails and Bach. I also don't like the way he moves and make those ugly faces distracting me from great music. This is personal opinion, and he is not the greatest of this century. Gil Shaham, Hilary Hahn, and many more are way better than him. True, 19th century violinists will blast Vengerov out of this planet. Sorry buddy, its my opinion.

  • @ericgable u mean 20th century?

  • @maxhansendk Humble Oistrakh would disagree!

  • Can not be compared!Are different periods. long time ago the way of playing was different from today!

  • Superb

  • the master of a masterpiece

  • I have commented about this Oistrakh/Rozhdestvensky version before, but can't hold myself... will comment again! This video seems to become better and better every time I watch it. This playing is probably better than Sibelius himself could expect from his marvelous concerto. Thank you very much for sharing with us all.

  • Please, don't kill me, swine flu!

    I have to listen to this for centuries!

  • hahaha you're funny! you must be asian? haha :):):)

  • No, i'm brazilian. =]

  • don't worry

  • @YuriDante please excuse my ignorance, but exactly for how many centuries do you plan to live? :))))))

  • Oistrakh never lived in anyone's shadow! He shone with his own light, people loved him, he was fully acclaimed and he was called king of violinists, and all that because he WAS the king ;)

  • @cleopatra11 hahaha tht is true and heifetz was considered the god of violinists, but in all they are all great violinists

  • @dogpaw814 -Well said.Yes,there were many greats-those two among them.

  • @cleopatra11 the only kind of people who will live in abyone's shadow is stuents who are not fairly good = =

  • God, what a stupid thing to say. oistrakh was one of the most amazing violinists that EVER lived. I am a professional for over 30 years and I can guarantee you that MOST violinists preferred him over Heifetz, for many reasons. In any case, they were both great players and neither walked in ANYONE'S shadow. EVER!

  • I didnt mean that heifetz was better, thats an opinion, i'm just saying that you can't argue that heifetz was more famous, and was a household name. so yes, fame-wise and probably accumulated wealth-wise, he did live his shadow

  • Well most of Oistrakh's career was behind the iron curtain, so Heifetz was the household name in America, but not in other parts of the world

  • The best performance I've found of this masterpiece. Too bad audio and video are not in sync. : /

  • Definetly is a mistake when people reffers to him as the king David, they should reffer to him as the God of violinst just perfect everynote perfectly pitched a bow control absolutaly uncomparable a perfect dsound and with such expression!!, I just love oistrakh playing and I always will be sad about never being abble to listen him in a live concert!!,

    THE BEST VIOLINST EVER, just uncomparable

  • the best.....

  • Let me just add that Sibelius heard Oistrakh play this concerto himself and Sibelius said OIstrakh's interpretation was exactly what he wanted.

  • Source?

  • Several sources. Please look up the relation between oistrakh and sibelius if you feel so inclined.

  • I am not saying that in any way shape or form that I could ever touch Oistrakh's talent... with that said, I cannot get into this interpretation at all. It just feels like his flourishing through everything so quickly it's hard to feel the emotion and it's more so just virtuosic display and he feel really disconnected from the orchestra (such as the violin/viola duet).

  • I disagree, he is aggressive, not unaware of the emotions evident. This isn't even a virtuoso interpretation, it is very sentimental.

  • kavakos guys....nothing better

  • he was recently in atlanta playing the sibelius with the aso, and this was the first time i ever heard him

    he had me on the edge of my seat shaking, smiling, crying, he took me on so many rollercoasters with his performance...i will never forget it.

  • He died many years ago,could it be that you heard his son Igor?

  • nono sorry

    i was replying to crazy77town who was referring to leonidas kavakos :]

  • ...his Brahms has ear splitting double stops...first heard him in 1962, as a kid, and thought....I cannot live without his recordings. Bought them all. I like his Poeme, too.

  • conductor holds the mic with his left hand:d

  • somthing makes me think the mic is on him

  • Comment removed

  • que clasicos

  • man šķiet ka viņš ir nofilmēts bez skaņas un spēlē nevis viņš bet kāds cits...

  • Wow, the sound on this vid is f*&^ing UNBELIEVABLE!!!!

  • pretty much. I'm still trying to figure out how they mic'd it...

  • It's really good--the soloist is crystal clear! although the winds in the orchestral passages are maybe not loud enough.

  • 0:45 Open G.

  • wow guys, if robo does not like the way oistrakh does it. dont cut off his head for it. maybe we are closer to socialism than i expected.

  • Listen, I'm sorry you guys don't agree with my opinion, but I'm glad you have your own. That's the world we live in. I played this piece in Youth Symphony with a soloist from the Seattle Symphony. The way he did it totally took my breath away. It was so beautiful, it almost made me cry. I'm not expecting anyone to change their opinions, just respect mine.

  • me ha parecido espectacular

  • wow, dont open a music book never ever in your life though...fcking stupid...useless..

    what this dudes have in mind