Added: 3 years ago
From: tomekkobialka
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  • Alkan is every pianists dream musician. He combines the exciting virtuosity of Liszt, the accessible harmonies of Beethoven, and the delicate style of Chopin to create a very unique highly personal style of his own. He is truly a delight to listen to!

  • tommekobialka, I didn’t write this on your channel because here is better for me. I listen to all your music constantly, btw.

    Hamelin does his best to play the music. He is a machine. But the best kind, the kind we enjoy. I love his music, as I could believe liszt or alkan himself could be playing this and we wouldn’t know. He shows us the meaning of the music and has unreachable mastery.

  • I am truly indebted to tomekkobialka for having posted this unique jewel. Piano at its very best. And in spite of all the praise Hamelin receives from the ones who really know pianistics, I think he still deserves a more universal applause. Who else could bring such pieces to life in our days?

  • Is there anything that someone else can play that Hamelin Can't? It seems that even if it's barely humanly possible, he finds it so easy... what the hell!?

  • I am listening to this because people said that it wasn't harder than Islamey. They must be referring to the difficult to grasp russian sound Islamey can convey. This piece technically is not confusing just challenging as heck. Islamey is doable but needs control, this piece has hands that work together better.

  • I take my hat off to Hamelin to master some of the most out-of-the-way, obscure music (not to mention some of the most difficult scores ever written), but this piece (like much of Alkan sounds like fluff to me.

    But I just wonder if it's really worth the time it must have taken to learn this piece. Too many notes, which delivers few musical dividends.

  • Some of the softer parts in the first half remind me of Chopin's Allegro de Concert a little.

  • Chopin's musicality and lyricism mixed with Lisztian virtuosity.

  • sonata - any musical instrumentation with one voice

    concerto (a) - a musical piece that has more than one instrument, with most instruments accompanying a main "solo" instrument

  • Hamelin is an excellent pianist, but the problem I have with his performances, I have listened to, that I always get the impression " this piece is actually too easy for me", and I am not interested in how well one can play the piano or whatever instrument. I want to be bewildered by the music not the performance! I find Ronald Smith's performances compared to Hamelin's more subdued and more expressive.

  • @aslkfja This is exactly how I feel about Hamelin - makes it look so easy that it's almost like it's not worth listening to.

  • @tomekkobialka

    Except some of the works that HMR plays that are leaps and bounds easier have hints of feeling. That is why we listen and hope for more from his music.

  • @tomekkobialka I disagree, wholeheartedly. "Some people", Hamelin said, "feel a sense of visceral struggle missing in my playing, that a given work may not sound difficult enough. To me, it's an element that does not enter into the equation. The important factor is the presentation of music with as few blocks as possible. Nothing should impair the original. I don't feel that people should be listening to me - they should be listening to the music itself. I am only the channel."

  • @madlovba3 To be absolutely honest, I have no idea what was going on in my mind when I wrote that comment. xD That's easily one of the stupidest comments I posted. Of course the music is worth listening to, Hamelin just plays it in such a way to make us enjoy the music in as easy a way as possible.

  • @tomekkobialka Hahaha okay, I'm glad you "changed" your mind! xD

  • @madlovba3 I wonder how Lang Lang would feel reading this...

  • @JesuisChristie He doesn't want to interpret music, he's a showman. I'm not against acting in music, actually, but it has to be in connection with the musical meaning and expression, as it is in case of wonderful musicians like Kissin and Leonard Bernstein, above all. I’m not a fan of Stanislawski, who says “not the performer should cry but the audience.” If the performer is not moved in his heart enough then the audience won’t be moved either. But music is not for watching in general, methinks!

  • @madlovba3 Yeah, Lang Lang's theatricality holds the mentality that he should be more watched than listened to. It's entertaining, but it really detracts from his playing. I think Hamelin is definitely right about this. Or maybe Lang Lang is just a sensitive boy, easily moved like that, haha.

  • @aslkfja whether or not it is true his clarity in expression is astounding.

  • @aslkfja There is only one cure for this--listen to more & more Hamelin. Same thing happened to me. Hamelin's technique is so exceptional that it is natural to get awed by it. It is similar to Welles' Touch of Evil--his camera work & cinematography r so steller u almost forget about the plot. After all compositions do not call for wrong notes, awkward phrasing & other mistakes, & Alkan had technique of the highest order. Once u get over his technique, you'll start to listen to the music.

  • @auerod I always go by what Schoenberg says when it comes to listening to music, and that is to just listen and allow the composition to speak to you.

  • @aslkfja I would respectfully disagree. What exactly do you mean by "more expressive"? In any event, I would argue that in order to properly "express" the intent of Alkan, one needs a technique like Hamelin's. Somehow, critics (or the general listener) will equate a slower tempo with being "more expressive". I am forever perplexed by this persistant belief that bravura playing is somehow not "expressive". This isn't a Nocturne, for gosh sakes.

  • How petty of 39 people to care about the suposed typo "concerto". You do know in other languages other than english people say concerto?!

    Anyways, enjoy this beautiful piece. I know i will...

  • @xakoviski thankyou someone with a brain. LOL

  • @xakoviski Well you missed the fun part. People like that comment because of franzlisztian

  • Marc-Andre Hamelin: Owner of the world's most overworked metronome

  • omg, no wonder Hamelin was able to play his Chopin-Triple Etude ._. this piece would be really good practice for something like that.

  • Why isn't Alkan widely known? There must be some conspiracy involved.

  • Is that a tiny bit of Quasi-Faust at 4:55?

  • @IICOLEII a sonata is way different from this read wikipedia

  • I've never seen concerto for a solo instrument before. wouldn't this make it a sonata instead?

  • @IlCOLElI Hello, IICOLEII, good question - this piece does rather push the boundaries of acceptable terminology - Alkan is being quite playful, as usual, though you have to admit that this piece is definitely in the style of a concerto - if you look at the accepted etymology of the word 'concerto', id est: conserere certamen (to weave; competition, fight), you can see why Alkan finds the terminology effective here. The piece is very much in the spirit of a concerto, weaving about itself.

  • @VayDooble @IICOLEII I am afraid that I haven't finished yet - character limit - and so I shall continue here. A sonata, on the other hand, is merely a piece which is played rather than sung. However, the term generally means a piece for solo instrument (often accompanied, if it isn't, a piano). The structure is, generally, the same as a concerto - so you could suggest that it is in fact a sonata. However, as explained in the previous piece, it is a solo piano etude, in the spirit of a concerto.

  • you can find piano sheet music @ sheetsearch . com

  • @Ir0nman86 or u could jsut go to imslp.org

  • Epic

  • After probably listening to this all the way through (that includes buying the complete recording) at least ten times, realizing what Alkan was trying to do, realizing just how well he accompllished what is his apparent goal, and then realizing that it was not only as surgically prepared and structured as... well a surgery, but it was beautiful as well, I went from hating it, to liking it, to listening to it over and over in sheer, unbounded fascination and admiration.

  • @MasterAzunai Yes, it took me a while for Alkan too, he is on another level. However I don't know if I understand it enough at this point. I will say, looking and hearing his music, I am reminded of late Scriabin. Scriabin uses some of the effects, but for other purposes. The only thing I really know is that I can listen to Scriabin forever, but Alkan I cannot listen to for a long time. If any one could explain it, thanks in advance. I do think that Alkan is quite a genius.

  • @MasterAzunai I'm glad, because it certainly a lot more than a smattering of the most difficult techniques in piano. That may be an accurate statement, but it is also an organized piece of music, I would say, filled with great themes, development, and a great sense of "orchestra" parts and piano solo parts.

  • Hamelin obviously has the best technique of any living pianist. Absolutely flawless. Absolutely mindboggling. Absolutely divine. Now... How about he play some music and not just this overblown and longwinded pianistic nightmare (I don't hate all of Alkan's music, but this really is nothing more than a smattering of the most difficult notes that he could come up with).

  • Very impressive technique. A little music would have been nice - this refers more to Alkan than to Hamelin, actually.

  • @Spiritakis what is your definition of music?

  • @amxmachine

    A highly organised form of sound, if you must know.

  • great

  • you can find free piano sheet music @ sheetsearch . com

  • @stuffcluster  Just what I was thinking too!

  • something about this piece alters time..i could have sworn i was listening it for like 10 mins but when i check the time it was barely halfway through.

  • now THIS is how you actually break your hands.

  • WOOW...he's quite good :D

  • @muhapeti undisputable

  • my hands hurt just by watching lol this ist amazing and very beautiful

  • 9:14 Black Keys :D

  • Who else than Hamelin...

  • 8:05 - 9:22 Just insane!

  • PArtes de esta canción, me hacen acordar a Tom&Jerry.

  • super piece and superb performance..

  • super

  • fuckin mad alkan lol

  • Amazing. I love the cantabile section.

  • who ever played this is a god

  • really fast lol

  • Type- Douze Études Dans Tous Les Tons Mineurs, Op 39: No 08. Part 1 into youtube to here the first movement. It's amazing. I thought this movement was good but the first movement is breathtaking. 

  • I noticed that there were a little over 750 views for the first movement. DO YOU KNOW WHAT YOU'RE MISSING! ? That movement alone made this concerto my favorite piece out of all the repertoire I've listened to. Here's the audio plus music.

    youtube.com/watch?v=5hQ1D-6nZ7­c

  • hamelin is so underrated it should be a crime. how do you even begin a piece like this it just seems so impossible.

  • this is a polonaise, isn't it?

  • @organgrind No, it's Allegretto alla Barbaresca from Alkan's concerto for piano solo.

  • easy!!!! ....that's just me warming up

  • Sounds Gypsy like

  • @cedricrlongreen You REALLY love this piece, don't you? :D

  • @tomekkobialka lol yeah and I listen to the first movement almost everyday haha

  • @tomekkobialka yes. And me and the first movement are engaged.

  • @tomekkobialka That can only be a good thing :P

  • You all should hear the 1st movement. Unearthly amazing.

  • I wonder wonder what would it be like to be in Alkan's brain for a day...

  • We can't really compare this with Schoenberg...

  • nur in UK = schreiben ? ! ja ! verruckt ! warum = ? ich finde das so spielen = sehr Spezial = kalität = übermann, wunderschön = für hören. . .. Bravo, kongratülieren. Danke.

  • I've got to play this! You have no idea how many times I watched this video lol...My only concerns are 1:48-2:00 & 3:00- 3:02 . The rest is just incredibly difficult lol don't think I'd be able to play it exactly this fast though : (

  • @cedricrlongreen That's exactly what I said two years ago when I posted this video, and I still haven't gone past 0:21

  • @tomekkobialka yesterday is dawned on me that this is only the first movement. Now I know I wont learn it haha I thought this was a single movement piece cause it was difficult enough but there's more?!!! Could you upload the rest like you did this one? Pweeez

  • @cedricrlongreen Ooooooo... you should see the first movement! This is the third and final movement. KastlesucksTDOTS uploaded the first movement (which is 30 mins long btw and just as difficult!), first part can be found here: /watch?v=5hQ1D-6nZ7c . I've already uploaded the 2nd movement in two parts, first part: /watch?v=3lnkXpw6rjc

  • @tomekkobialka Oh.........My..........God. I listened to 1st movt.................words can not express how I feel about that movement. I words can express how I feel about the whole concerto. It's my favorite piece of music. Thank you because I never would have known this existed if you didn't post this on youtube.

  • my dead grandma can play this with only her pinky

  • Comment removed

  • This is my fav Alkan peice

  • This is the first time I've heard this piece and....HOLY S******* I love it!!

  • Am I the only one that thinks this is a crosss between a hungarian rhapsody, and a Chopin polonaise?

  • 2:29 - 2:35

    A moment of heavy metal guitar solo, piano style.

  • WOAH HE IS USING A TONAL CENTER! THAT'S ODD!

  • @300musicmaster You've obvioulsy just learnt that term not long ago! :p

  • @tomekkobialka not really, being a composer (in training :P ) i was just shocked that he had SOME tonality (in the beginning of the piece) then it becomes quite atonal (which i love btw, that's like all i write (correctly i might add :D ))

  • @300musicmaster Does it become atonal? It sounds pretty tonal to me (F-sharp minor then A major (relative major of course)), but then you're the one with training in composing so I'll look up to you :D

  • @tomekkobialka lol yeah. I think he meant really dissonant. Like Ravel's Jeux d'eau, because atonal is more like Gyorgy Ligeti. Now that's atonal.

  • @tomekkobialka wats a tonal center LOL hi noob pianist here.

  • @Piggywarz A tonal center is kind of like a key signature. Its the key (or certain notes) it "revolves" around, so to speak.

  • @tomekkobialka This piece does not become atonal at all - Alkan utilizes scales and sequence all over the piece. Balkan & possibly klezmer scales

  • @300musicmaster yea it is, the shock was mainly from the fact that before hand i was listening to Preludium to an Imanginary Symphony :P so yea and i sorta wrote the becomes atonal thing before i realized that i was talking about another Alkan piece... i was tired when i replied :P opps! but regardless, it's an amazing piece!

  • @300musicmaster Yea... I don't know if I can agree with you at all. It's as tonal as any Chopin (which is to say, completely).

  • @300musicmaster if you think this is atonal listen to wild mens dance

  • @huzzzzzzahh i have, Leo Orienstein (sp?) is my favorite composer currently :D (my favorites change often)

  • @300musicmaster Really? sonata no. 4 mvt. 4 is my favorite by him, also his ballade for saxophone and piano

  • 7:14 and 8:30... look close and you'll see a triple-sharped note! There's another one around here somewhere, too...

  • the 4 people who rate thumbs down are  stupid lozers

  • i love the theme from 1:05 to 1:47 especially, even though it's all brilliant

  • I have Jack Gibbon's interpretation of the First movement, which seems to have been removed from youtube. Does anyone want me to upload it?

  • @lordsummat YES. YES.

  • those who "dislike" this, dislike music

  • Jack Gibbons was right. this takes repeated listening to appreciate it fully. After about the 5th listen I suddenyl realized how awesome each and every section is.

  • Can I just remind everyone listening, this is one Piano and two hands only. I've just conquered Liebestaume but clearly that was Mont Blanc with Everest to go!

  • No one can polish those syncopated rhythm to perfection @ 00:40-00:41 & 00:54-00:55 like MAH. Alkan could be forgotten again in the 1990s without Hamelin... He brought him to shiny glamorous CDs in 44 kHz and 16 bits...

    He is the only who could depict Alkan's madness, despair and seclusion. Gibbons coudn't. Feel like cry where Alkan's condition was the maddest - 1:48-1:53, 3:07-3:17, 4:26-5:10, 8:43-8:47.

    The whole piece is a long fall into the whirlpool or the precipice of insanity.

  • @f1f1s

    Don't see any insanity there - just excitement, "romantic longing" and lots of irony/humour.

    Like when he builds slowly into an exciting climax and then after a few seconds BAM, we're at the initial calm theme again.

  • Am I the only one realizing the typo? Concert for solo Plano?

  • @FranzLisztian Am I the only one realizing your typo? No 'o' at the end of concert...:)

  • @tomekkobialka

    I must say you got me there

  • @tomekkobialka

    And in a more related message for the video - I love this concerto. I want the entire symphony by hamelin as well

  • @tomekkobialka My goodness, you are a douche-bag! The guy just tried to help when he pointed out your typo.

  • @gilbertoagostinho there was no typo

  • @gilbertoagostinho I was only joking, of course! And I'm just helping HIM ny pointing out his typo...

  • @FranzLisztian ..as in liszts..concerto for piano solo...maybe you should change your name ????

  • I love the chords at the beggining

  • It sounds as if Chopin, Horowitz, Godowsky, and Schumann started out with something pretty and simple, then took turns trying to make it more and more difficult until it became this.

  • the ending reminds me of something from chopin..

  • @thunderillusion Your right! i didnt go back and see what it was but it sounds to be like the ending of The Black key etude No.5

  • wow,, this probably would be the hardest piece that is ever writtem on piano! harder than feux follets and even in mazeppa!

  • Hamelin must have been so exhausted aftet playing this. My god, that was fantastic.

  • I ain't dying before trying this one

  • Love the modulation to E-sharp major at 7:14, with an f triple sharp in the lower staff on the second measure of the page. :D Alkan was truly daring!

  • @HandyTheXxxX I like 8.41 to 8.44 - wild. btw, everything from 6.56 onwards is unbelieveable.

  • Bravo!!!! The composition is apsolutelly briliant and beautiful!

  • wow this is AWESOME!!

  • That's it. I can't take it. After 17 years of toying with the idea of learning this piece I started working on it 2 days ago. This is a staggering performance by Hamelin as usual, but sometimes i wish he would stop worrying about pianistic blemishes and just rip. Like so many Alkan works, there is a combination violent, almost mocking fury combined with an innocence of sarcasm and wry humor. The pianist i think needs to spill their guts and just bring out the wildness of this piece.

  • This piece is amazing! I do believe I have found a gem in the works of Alkan.

  • It's staggering how harmonically complex the left hand part is compared to other Romantic pieces in this time period.

  • can you imagaine how fun this would be if you could play it? .listen to that voice at the sostenuto cantando section 2:17. genius in every respect: originality virtuosity and in musicality.

  • HAIL

  • It's like CHOPIN on Acid!

  • Amazing Luke!

     Can't believe your learning to play this, sounds like a difficult piece to master...

    Yes, it cheers me!

  • very enjoyable!

  • LMAO....this is RIDICULOUS....I mean that in an awe-struck way.

    How does this compare in difficulty to Rachmaninoff's 3rd concerto or 1st sonata?

    I wonder if even Argerich (who mastered the Rach3) could play this.

    Which begs the question - why isn't Marc-André Hamelin more famous? He's really quite an obscure pianist.

  • This is definately harder than Rach3, and is the most pre-modern piano piece other than Mereaux's etudes. Some modern, atonal music is more difficult than this.

    Argerich never played Alkan, but she is an incredible pianist and I'm sure she would be capable of playing this, although probably not with Hamelin's speed and accuracy (her interpretation might actually be better). Hamelin's technical skill is inhuman.

  • @llamasownyou ...and there are no parts where the pianist can relax. Immense difficulties on almost every page. 121 pages. The first movement i think is one of the greatest pieces of musical architecture ever penned. This piece can easily stand next to any piece of the Romantic movement. I totally agree with you. Can you imagine walking on stage and having to confront this piece. I would damn near soil myself.

  • @llamasownyou i know of only one other pianist who could achieve this clarity. Arturo Benedetti Michelangeli.

  • @brianCIM don't forget stephen hough and yuja wang.

  • @Aul1kki Stephen Hough is one of the best pianists on the face of the earth. I heard him in recital several years back and not only was the playing amazing, but he answered questions from the audience for about an hour. He had to get up at 5:30 AM to catch a flight to Minneapolis and he was so gracious and humble. have you heard "The Piano Album". Amazing! His Dohnanyi Capriccio completely blows every other recording out of the water. it took me many an hour to master it!

  • @brianCIM yeah, yeah, pretty amazing guy! Though so is hamelin.

  • @brianCIM

    I prefer Raymond Lewenthal's Dohnanyi Capriccio, not as technically polished but much more raw (perhaps because it was live).

    Interestingly enough he was a Nyiregyhazi fan...

    And interesting story: when he was in his youth and had just finished playing in a competition, he spoke about Alkan to Nyiregyhazi , who promptly went to the piano and played the fastest and clearest first movement of this Concerto for Solo Piano Lewenthal had ever heard.

  • @RabidCh is it on youtube? i definitely must hear this.

  • @brianCIM

    If you are referring to Lewenthal's Dohnanyi Capriccio, yes.

    You also might want to hear the one by Lympany, despite limited sound quality.

  • @brianCIM - have you listened to Hough's performances of the Hummel A-minor and B-minor concertos? brilliant.

  • @1980NewWave yes i own the recording. A supervirtuoso who is actually a good MUSCIAN. Quite a rarity these days.

  • I agree. His performances of Alkan, Rubinstein, Gershwin, Henselt, and countless other composers; They are of the same caliber as names like Richter, Horowitz, Ashkenazy, Cortot, Rubinstein, Kempff, Gilels, etc.

  • @1980NewWave he doesn't play famous tunes

  • F*** Ravel and Islamey. This piece is my Ferrari F40 - nitrous and turbocharged.

    Great Piano used in this recording too.

  • lol

    i agree

  • A player piano would explode trying to play this piece the way Hamelin does it.

  • you're so right. :D

  • Did Hamelin sell his soul to the devil for musical talent, or did the devil sell his soul to Hamelin for musical talent?

  • Seeing the score and hearing his seemingly effortless playing helps me understand the towering virtouso Mr. Hamelin is...clearly one of the greatest pianists of the 21st Century.

  • Higher difficulty =/= better piece.

    However, this is a piece that I love, not for its difficulty, but for its sound.

  • I just noticed that the fingerings of the second-to-last measure indicate it to be played as a scale, but everyone just does a glissando.

  • Yeah because it's easier

  • Truly, it takes a monster of the caliber of Hamelin to give such an amazing piece the performance it deserves.

    One of the most ridiculous pieces I've ever heard, Liszt can eat his heart out.

  • I looooooooooooooove it !

  • Why is no-one commenting on this? It's still the most amazing recording on You Tube. Nothing has changed!!

  • ..can I also point out that 94 notes are played in the right hand between 2.29 and 2.35. That is very close to 16 notes per second.

  • @Jim341046 You don't say! :)

  • OK you're not to shabby with the maths. I'm just advising those that are. Here's a teaser for you. I was born 25th April 1973. Can you tell me the day of the week I was born without a calculator?