Added: 2 years ago
From: scandal32
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  • This song will be played at my funeral.

  • @jessicadawnpena HAH! You know somebody submitted your fb convo about this on failbook? That was you right? "Powerful vibrato is deep, you say?" :D

  • @jessicadawnpena Oh my gosh, really? Yeah that was me! Haha gotta love the internet!

  • Absolutely amazing voice~

  • I love this song. Its the first aria I have ever heard and this rendition was heart felt. Beautiful.

  • @ferroviphile On the CDs' booklet the title is "Dido's Lament". I don't know this language, so I put the title I see on the booklet.

  • @scandal32 lol don't worry he was just joking....you deffinetely DON"T want to put dildo's lament...thats something different and discusting lol

  • @scandal32 It's actually correct, it's "Dido's Lament." It's in english.

  • @scandal32 He's just being an idiot. :-)

  • @scandal32 Dido was queen of Carthage who fell in love with Trojan refugee Aeneas, he loved her back but was destined to found Rome so he left with his ships for Italy and she climbed on the pyre as he left and burned herself to death (according to legend, they were 400 years apart according to history :), Roman poet Virgil (the one who leads Dante in the Underworld in Dante's "Hell") wrote Aeneid about founding of Rome and this is one of episodes. Which inspired a lot of fanfiction ever since!

  • Beautiful voice. Moving.

  • Wich is her vocal register? mezzosoprano contralto or soprano, I´m very interested in this song to sing one day  on my college

  • @Kanae456 It is technically for a mezzo but if you are a soprano it should be managable....you can also get the music in different ranges

  • Nicely performed, but she can't evoke the emotion brought out by Dame Janet Baker's performance.

  • @SammiRiot OR, Ms Jessey Norman! :)

  • There are so many great versions of Dido's lament on You Tube. Some of the ones that are truly great are sung by: Lorraine Hunt Lieberson, Janet Baker, Sarah Connoly, and yes Jeff Buckley! This lament lends itself to highly varied interpretations. Why does any one have to be the best?

  • @cooperdogable : i personaly think the performance by catherine bott is as sober as this aria should be. She gives the most dynamic interpertation ....wait for the remember meeeeeeeee.

  • @cooperdogable : i personaly think the performance by catherine bott is as sober as this aria should be. She gives the most dynamic interpertation ....wait for the remember meeeeeeeee @ 2:40 and even more so @ 3:18..you should listen it alone or in the dark..beautifull..

  • @cooperdogable : i personaly think the performance by catherine bott is as sober as this aria should be. She gives the most dynamic interpertation ....wait for the remember meeeeeeeee @ 2:40 and even more so @ 3:18..you should listen it alone or in the dark..beautifull..

  • Superb ! What a nice vibrato... That's electric !!!!!!!!

  • No dislikes lol, neither should there be any =)

  • We have the early opera singers to thank for the innovation of vibrato. Without this phrasing would just linger without anywhere to go. There is a strong deviation between classical and pop music in many ways. Vibrato is just one deviation. Interpretation in music should be celebrated not criticized. It is rare to enjoy opera in the English language. A beautiful melody soaring from major to minor and back again. A haunting melody that is hard to forget.

  • Wonderful, wonderful voice and performance. Thanks for sharing:)

  • Too much vibrato? No way. As stated below this is Opera. Sure, vibrato isn't "cool" these days, but it is part of the convention. And when this is sung in Hayley Westenra's fashion (no offence to her, she has a pretty voice) it sounds way too "pop"-ie. thin and airy. In an auditorium, without amplification, a healthy powerful voice such as this is appreciated. A vibrato is integral to that sound.

  • Let us just enjoy the work, such critics!

  • Too much vibrato! Too much vibrato! Too many of you make me think of the 1960-70's literary critics, slaves to detail, form, and structure, to the immense detriment of soul, meaning, and also emotion. This is beautiful, and the excessive insistence on the 16th of a second too many spent on one key will never disprove, diminish, or mar the beauty of an interpretation that vibrates (and, maybe, partly because of the vibrato? lol) within as richly as the Autumn wind in a park.

  • vbrato or not, I think this is a very piure and sincere version. Kirkby's legato style is more suited for religious music (Stabat Mater comes to mind) but not really for the high drama that is baroque opera.

  • what a voice...like it!

  • Too much vibrato - yuk

  • @hootersnooter It's something common and necessary in opera to use much vibrato. Listen to any opera, they all use it. ;)

  • @hootersnooter Please, can somebody tell me a version without vibrato, furthermore kirkby's one? Thanks!

  • @filemonybaucis Look for the version of Hamorza on youtube. Can't put the link in here.

  • And just found a second version, more powerfull: Hayley Westenra

  • @Sastaree Thanks for the answer. But I mean a classical barroque version... How about Nancy Argenta's?

  • Utterly utterly amazing - hat doffed to the good lady and Purcell of course

  • Superb. Lyrics are these: When I am laid, am laid in earth, may my wrongs create No trouble, no trouble in, in thy breast. When I am laid, am laid in earth, may my wrongs create No trouble, no trouble in, in thy breast. Remember me, remember me, but ah! Forget my fate. Remember me, but ah! Forget my fate. Remember me, remember me, but ah! Forget my fate. Remember me, but ah! Forget my fate.
  • I adore this woman!

  • Thanks.

  • amazing voice...amazing opera

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