Added: 3 years ago
From: Luthval
Views: 1,354
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  • Indeed! As Mark Twain remarked, the difference between the right word and the almost right word is the difference between lightning and the lightning bug. The same may be said of notes. Dowland knew where those right notes were. How he knew -- who can say? Towards the end of his career, the Baroque style was coming in and Dowland didn't like it. Too many notes, kinda like '80s shred rock, if ya know what I mean. Semper Dowland, Semper Dolens.

  • About 80' rock.. lol!!! (Oh it was rock ?)

    Semper... I'd post it but will re-do this magic piece...

    V.

  • A beautiful piece, beautifully played. Have never heard this one. Dowland's melodic sense never fails to amaze me, and I love the contrapuntal dialog between bass and treble, which you handle very well. Bravo, Val!

  • Yes, a small piece, not so many notes but just the ones needed for a very nice melody. that's Dowland's genius ?

    V.

  • A very short piece but so melodious and tender.A real masterpiece played by a real master!

  • Short one but nice isn'it ?

    Val

  • Platement & candidement dit : As sweet as the well known folk song " Big Rock Candy Mountain". Superbe pièce peu connue ! Remarquable interprétation !

    Grand merci, Mr Val !

  • nice one!

    ...as we said:"if short ; twice as good" :-)

    Vicente

  • Yes too short Alas, should perhaps try to make some divisions ?

    Valéry

  • great job .

  • Thanks

  • You really know how to handle those galliards Val!

  • Thanks Ernst ;-)

    V.

  • Typical dowland piece, very nice indeed!

    Liran

  • Yes, you're right, all the Dowland's style in this very short galliard...

    V.

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