Added: 3 years ago
From: philarmonic9
Views: 22,515
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  • allow me to clear things up. Strauss wrote it for the D clarinet. Today, we use the Eb clarinet. Modern orchestras that play this usually transpose it for the Eb clarinet. There's no easy way to tell the difference between a D and Eb just by looking at it.

  • No, sorry to argue. Strauss wrote for D CLARINET. >I checked the score. Some orchestras might use the Eb in a transposed version, but that's cheating. Strauss knew his clarinets, he scored for the D in a lot of his operas. As well as the Eb, the C, the Bb of course, the A, the basset horn in F, the bass and even the contrabass.

  • Think Strauss scored for the rare D clarinet here...

  • @papoocanada Eb clarinet, not D.

  • hah, the ending of that piece is hilarious!

  • Haha I know! it's like... poor little till got pillaged by the judge... then , wait no, he's back! look sun, tills in the window for more nasty deeds!! ... go till go! and he runs off...

    hah.

    good old... postlude..

  • Hmm... From what I've read about Strauss's own interpretation, the postlude is supposed to be kind of a moralizing conclusion, that Till's attitude doesn't pay off. Kinda like saying "Poor little Till got what he deserved". So sorry - he dies definitely ;P And the energic ending notes seem to be just a late-romantic cliché..

    This interpretation makes this piece seem quite naive, but it's still hard not to love it ^^

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