Added: 4 years ago
From: Onegin65
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  • Absolutely sublime.

  • Brava - The best rendition - they are no better voices.

  • Desde que canta "Vissi d'arte" mi cara es así: ' =D '

  • Yes, her voice is "heavenly." This early Tibaldi is among the greats in opera. If you want feeling and emotion beyond this pure vocal beauty, listen to Callas. They are, at their prime, the two greatest sopranos, in my opinion.

  • Ungeheuer.

  • This is Tebaldi at her best vocally and artistically. If you listen to her 1959 recording of same the voice is diminished. This recording and the best of Callas are the two best of this aria. Here we can see why Toscanini said "She has the voice of an angel."

  • Einfach nur schön.Renata tebaldi einfach großartig!!!!

  • RENATA CI MANCHI !!! IL PIU' GRANDE SOPRANO ITALIANO DI TUTTI I TEMPI.

  • Tebaldi is one of my favourite singers-have seen her and many of the "greats" live at Covent Garden-saw her though ay the Royal Albert Hall in a recitall with Franco Corelli in1973-she is AWESOME -BUT in this aria there is only one Diva ---Callas

  • @kennetti76 i agree with you completely. on a technical level, this version surpasses callas on dynamics alone and the ease at which she sings; but her histrionics are as though she's singing, not from the heart; but from her head which works for some arias, but not as tosca singing into vacuous oblivion asking why her lord has forsaken her. it needs that extra something that is lacking here; though both singers are legendary in their own right

  • Un poema.

  • nur die Götter können so schön singen.

  • Deus existe. Só Deus poderia criar um ser humano com essa voz, com essa alma, com esse sentimento...

  • I love how easy everything is... what a special voice.

  • Una delle arie che davvero paiono composte per Renata Tebaldi. Dal lato interpretativo vi si scorge una passione intensa ma non scompostamente esibita. Vocalmente si lambisce la vera e propria perfezione, nell'articolazione verbale, nella fluidità liquida del canto, nel fraseggio da manuale, nel calore e nel colore superbamente belli del timbro. La smorzatura, impalpabile e misuratissima, dopo la generosa emissione di "perché Signor..." apre a sensazioni uditive di autentica celestialità.

  • .. Osea que para trasmitir algo hay que inventar fuera de la partitura? no sera que en Puccini ya esta todo escrito y lo demas son exageraciones melodramáticas de dudosa inventiva? A mi me gusta Puccini y no tanto las composiciones sobre ideas de Puccini de otras sopranos que antes de los 40 ya estaban terminadas y encerradas en un depto escuchando sus discos mientras Tebaldi cantaba en el Met

  • That she couldn't sing Puccini but sings it like Mozart,, is a misconception of what this aria is about. It shouldn't be sung dramatically or dripping with sentimentality, but pure, she sings it the way Puccini wanted it sung.

    Tebaldi can sometimes let out a flat note BUT 100 times more important: She knew how to interpret music. Most singers don't.

  • Very moving, beautiful, elegant. I miss Tebaldi loads.

  • Heavenly sound.

    Unsurpassed.

  • Perfect. Wonderful. Moving.

    THAT'S RENATA TEBALDI.

  • Renata's diction (eg.1:10) is perfect here, in the 1961 version the mature Renata expresses this feeling with colour and warmth and understanding-Tosca-she now knows what it feels like to be spurned by men, rejected and how little men understand how a woman will sacrifice anything to be loved and wanted, even if she has become a product of the man's desires and casts her own needs aside.

  • The 1961 version from Germany, (I think Suttgart)is the best for me.The best complete Tosca I heard and the sound of the DVD is fabulous

  • Mr. Hawkes, you couldn't be more wrong, time stops literally at the beauty of the her voice in this great piece. She is absolutely golden.....

  • Brrrrrrrrrrrrrrrrrrrrrrrr

  • Beautiful. Plain and Simple.

  • During her debut in the early fifties at the SF Opera, I believe that Tebaldi was granted the last encore allowed in that house for this aria. Personally heard the story from Mr. Robert Weede, the Scarpia in that performance. Was a magical moment to hear him describe it.

  • You are stupid operaficinado -

    This is the best version of this aria.

    Rich and powerful also gorgeous sound.

  • I totaly agreee with you

  • operaficionado - you should have your ears clean once a while. I think you deaf.

    This is most beautiful rendition on this aria.

  • You're brain is flat. Go listen to someone else.

  • If that's the only thing you can hear from Tebaldi at her glorious best, then you can't know very much about beautiful singing. You're in the tiny minority of people who are imbecilic enough to even mention pitch. Go spend some time at La Scala, and mention that idiotic remark, and see what you get. They'll eat you alive. Move on asshole.

  • The only thing that's flat here is your brain-that's if it's operating on a significant level, which I highly doubt.

  • grazie oneghin per questo bellissimo post.

  • Perfection. What a stunning voice Tebaldi had.

  • The best rendition of this aria.

    The voice is so beautiful.

    Very young Tebaldi at her best.

    Thanks for posting this.

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