Added: 5 years ago
From: dancohen
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  • Rejoice!

  • Am I the only one who thinks the piano solo is awesome because I don't understand jazz and I have no idea what he's doing?

  • it became impossible at one point

  • 380 bpm, WHA DA FAW

  • what's such a big deal about a half step move for a solo? jethro tull even does that...

  • Very interesting way to display the sheet music, great job man! :)

    Gotta love that classic jazz

  • HOLY CRAP MOTHER OF GOD ! GOD DAMN IT I WANNA BE COLTRANE !

  • Actually, I was always so grateful for the piano solo because it gave my brain a chance to rest. Kind of like the eye of a hurricane.

  • @TheQualifiedCritic A truly qualified critic, as you claim to be, wouldn't discount a person's MUSICAL LIFE'S WORK on the base of Coltrane being a fraud and thief. Why is it that when you like the musician, it's called "drawing inspiration from" (insert your own rational here), but when it's someone you don't like, they're "stealing" music? It's the same as if I said someone stole the beats they made on fruity loops from Africa... I'm sorry it took you 40 years to learn that.

  • it's sad what music has been reduced to. Jazz Soul R and B Funk Disco.

  • 130 stupid stupid stupid people

  • @crackabottlebeach64 they're not stupid, buddy. The pianOracle understands, they are tone deaf. They are upset about the sheet music; not @ the music they can't hear!

  • großartig!großartig! großartig!

  • just realized why its called giant steps

  • If you can find a better sax man please let me know.(I don't think U can find one).

  • que buen trabajo!!! felicitaciones!!!!! y gracias

  • 0:36 impossible, hahahah

  • thumbs up if you recognized the cadenza @ the begining from john coltrane's cousin mary.

  • just learned the guitar chords to this. DAMN hard song. I love John Coltrane!

  • jazz chords are hard. I ve always played rock and blues and now I moved to jazz and its kinda hard at the beginning till you get all those fingerings in time.

  • in the time that will take to someone to learn playing that solo, John Coltrane will come back from the dead, will look at his written solo and after 5 minuets he will play the whole tune twice as faster backwards.

    such a shame he died so young.

  • you know, this video shows the genius of Coltrane, but it's also a great educational tool to show to young students about what improv is. Good job with the video dude. i'll have to watch all the other ones

  • @inf1nity exactly cant wait to pick this apart and watch the others.

  • piano solo looks amazing! so fast.

  • "If you try to play along" pbbt ok there champ :P

  • To be fair to Flanagan, I don´t think he had much time to practice this. He probably saw in the studio for the first time. This was ground breaking stuff.

  • Poor McCoy...only written as "Piano Solo".

  • I can't even mentally keep up with that! :L

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  • And then there was Coltrane...

  • Who ever made this video!!! THANK YOU THANK YOU THANK YOU THANK YOU....*breaking out and dusting off my alto saxophone* lol im soo serious tho... im finna learn this!

  • una bestialidaaaaad!!!!!

    

  • i love this song. I'm only 20 and i liek this kind of music and i like funk

  • @bmaloy9 well good for you now why dont you get some REAL taste in music you trendy.

  • my lord what is this filth. i could fart out better music than this. horrible, just horrible. im going to return to my phil collins records now, you know, some REAL music.

  • @TheQualifiedCritic

    ಠ_ಠ

    I don't know if you're trolling or just incredibly stupid.

  • @DjPyro44 uh, i am a pro critic of 40+ years experience in the industry.so i guess that makes YOU the troll!

  • @TheQualifiedCritic LOL. You probably never heard about Symphony X or Dream theater if you think Phill collins is a genious

  • @1bol1 pfft dream theater, what a load of wank-a-doodle-do. if i wanted to listen to some guy jerk off over progressive ideas id listen to fripp and king crimson with a spew bucket close at hand. if i want to listen to a bunch of leather clad trannies spewing out jolty, non rhythmic time signatures with no groove id listen to drem theatre with a gun to my head pulling the trigger as soon as that eunuchs pretentious vocals drop in.

  • @TheQualifiedCritic oh you're that kind. The narrow minded kind that in reality doesen't know anything about music at all. pfft "non rhythmic time signatures with no groove". Shows how much you know. Did you even check out Symphony X? I bet you didn't because you expect it to be thesame. What will you say next? that mozart was a mediocre?

  • @TheQualifiedCritic well i guess the culmination of 40+ years experience really, REALLY pays off with your comments.

  • @TheQualifiedCritic lol u gave this video a view you can never take back

  • @shimeonmorpheus it dosent matter how many views i give it or how many fake accounts i start to thumb it down whats done is done and people need to know the truth that coltrane was a thief and a fraud.

  • @TheQualifiedCritic if thats how you feel truly in your heart...well, i have no right to say anything.

  • @shimeonmorpheus im glad you recognize the fact that you are not qualified to comment on the subject. smart man. smarter than your obnoxiously boring name implies.

  • @TheQualifiedCritic well thank your for your compliment, is my name really that boring? well we are not all as lucky as you to be gifted with the talent of inventing pseudonyms, well anyway, thank you for your constructive criticism. have a good day!

  • @TheQualifiedCritic please elaborate.

  • @pineappaloupe he stole all of his ideas from the great scott joplin.. watch?v=pMAtL7n_-rc

  • @TheQualifiedCritic you have not actually proven your point that coltrane stole from joplin. you might be right, but your analysis is not thorough, it lacks specificity. your thesis is significant and should involve more detail,

  • @TheQualifiedCritic Er. No. Using the same logic Joplin stole off Chopin, and Chopin stole off Liszt, and Liszt stole off Beethoven, and Beethoven stole off Bach, and Bach stole off Palestrina, and we all "stole our ideas" from an ape who first learnt to start banging on a drum. The search for origins is the chief preoccupation of a feeble mind. Try looking at what Coltrane ADDS to jazz instead.

  • WOW, awesome!! My favorite parts were the rests popping in. Tons of fun to listen to as well. Thanks for popsting! (^_^)

  • wowowowowow yeah music

  • bassist.

  • Haaaa! Play Along!? Whaaat?! .....I mean I Nailed it!

  • How in the wrold could anyone be able to do entire IMPROV solo on thirds. This guy is an absolute genius.

  • Too bad the chord symbols aren't right throughout the solo, not to mention the one change that doesn't even show up during the head.

  • Best saxophone solo ever.

  • Somebody blow my fuckin brains off, thank you.

  • 3:39 (and...the piano loses it.)

    3:45 John Coltrane (quickly throwing away his cigarette, grabbing his horn, and heading back into the studio): Why the hell did I hire this fool...

    3:54 (Day saved, back in business.)

    Love that moment when you realize that the pianist failed xD.

  • @jimFrobel

    I really doubt that Coltrane called someone a fool just cause he decided not to struggle with the changes for a difference. Especially a pianist. I really really doubt that! :P

  • @jimFrobel

    The Chords that Wyton are playing are:

    Bmaj7 D7 Gmaj7 Bb7 Ebmaj7 Am7 D7 Gmaj7 Bb7 Ebmaj7 F#7 Bmaj7 Fm7 Bb7 Ebmaj7 Am7 D7 Gmaj7 C#m7 F#7 Bmaj7 Fm7 Bb7 Ebmaj7 C#m7 F#7, I disagree strongly with the sentiment that he 'messed up' in the piano solo. Why? Because he stops playing? Or because he holds a whole note?!?!? A solo doesn't have to be a ton of notes!!! It can pull back...

  • @calico992 I will be the first one to agree that a solo need not be straight eighth notes throughout. But please don't do Tommy Flanagan the dishonour of defending his solo; the guy was so embarrassed by it that he went on to re-record the song at a faster tempo later. He had to _earn_ that solo. The fact that he happened to cheese it on one of the most incredible bebop recordings of all time is rather unfortunate, but just because it's a great work overall doesn't mean he's immune.

  • @jimFrobel I don't get it, what makes you say he/she failed?

  • @mvute @jimFrobel He (Tommy Flanagan) sort of trickled off at the end of his solo. He's having a tough time keeping up with such weird chord changes and improvising, so he just starts to play the chords. But let's give the guy a break. Flanagan was no slouch and all of this material was brand new to him

  • @aeestela I know, I know; it was a joke xD. Man, people get so defensive about people they don't even know ><.

  • @jimFrobel That was a very unique tune at the time and they did not have much rehearsal. Very few musicians event today would be able to improvise over those changes on first sight. Coltrane had been working on the changes for months.

  • @lsmith869 Agreed.

  • @jimFrobel i think what you are hearing at 3:39 to 3:53 is a minor 7th which is by no means "losing it", actually using that as a transition to Bb from C is an amazing idea and one of the greater concepts as for as jazz piano is concerned of its time. you should consider yourself lucky to be able to hear such an amazing piece of art rather then complaining about it. just sit back and listen.

  • @mastermeh5252 Exactly! No one "lost it". this is a beautiful, amazing, transcendant piece of music. i ran out of superlatives

  • @mastermeh5252 It's frustrating to me that so many people so zealously came to the defense of Flanagan in this. I just posted that comment cause it's one legend surrounding this piece. The reality is, from _any_ objective standpoint, Flanagan cheesed it. But *that's ok*. If anything, it makes this more valuable: Coltrane's solo probably wouldn't mean nearly as much if it wasn't juxtaposed with Flanagan's cheese. And it speaks to the very nature of jazz itself: you can't be perfect all the time.

  • @jimFrobel Fool Alert! Coltrane's solo would have been as grandiose even greater if you had put Art Tatum on the keys. 1st off, Tatum composed the piece based on a concepts and patterns that a friend (Yusef) had shared with him. 2nd, Piano and Sax are 2 completely differently interpreted instruments, thus making the cheese in one's solo COMPLETELY irrelevant to the other's solo (see Summertime, where Tyner owns the piano sol basically throughout). *the pianOracle has spoken.

  • @jimFrobel 3rd, Flanagan was most likely hit by the "oh shit" effect, as Coltrane was known 4 just showing up to gigs w/out rehearsal & putting music in front of artists. Drums had it good; sucked for piano.. Maybe Flanagan would have done fine, except for a previously never seen pattern of chords thrown in his face just a few minutes before a recording. I'm not defending Flanagan, as I still personally think he sucks for not having tried harder and been so technical w/ his improv.

  • Comment removed

  • @jimFrobel Good Joke, but keep in mind there was no pianist at the time who was familiarized with playing Coltrane changes at such a speed. Poor Flanagan did his best, being a great pianist himself... But yeah, everytime I heard this tune at the piano solo, im waiting for John to end his cigar and restart his solo

  • @jimFrobel (pianist didn't fail)

  • @jimFrobel damn dude this is pretty viby but funny!

  • @jimFrobel what the FUCK are you talking about? are you an idiot?

  • @Aerovistae Nope.

  • @jimFrobel you should read the story behind the incident at the recording involving the pianist. Apparently, when he practiced the song before recording, he thought the tempo was that of a ballad. Needless to say when they started recording he probably had a heart attack. Decades later the pianist re-recorded the song just so he could vindicate himself. I think his name is Tommy Flanagan

  • @iyequertu54 Yep, that was Flanagan. And you're right about the legend. and the re-visit. Flanagan probably had to live with the scar of this recording for the rest of his life...poor guy ><. If he had nailed that solo, he probably would be a household name like Coltrane today.

  • @jimFrobel i guess it was hard for the pianist to challenge this tune without preparation - after the first recording flanagan proved that he can play this tune very well ;)

  • @mazaunschirm You are absolutely right; Coltrane brought this to the studio with no rehearsal! And you are also correct; Flanagan would re-visit this tune later, taking it at a faster tempo, and nailing the solo.

  • @jimFrobel the piano is fine

  • @jimFrobel The pianOracle sure realized that jazz piano solo FAIL. In dude's defense, those who know how Coltrane would do, know he was notorious for throwing sheet music right in front of qualified musicians whom he chose to work with due to their ability to improvise well on the spot. If you play any instrument, imagine being thrown this revolutionary set of chords 5 mins before your gig w/out prior practice and asked to improve over it on the actual record on the 1st take!

  • I need this transcribed for bass. is there any way i can get that.

  • lol i like how the piano solo just shows a 48 bar rest

  • coolest shit ever

  • Giant steps I take,

    Shoo bop,

    To head to a new place,

    here I go,

    Walkin low,

    Giant steps,

    We're not done yet!

  • Bahahahahahahahahaha "Piano solo continues"

  • im trying to listen to real music, get that karmincovers bitch out of my face

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  • This song is known to be one of the hardest songs ever composed

  • @SexyBeast1332 Too bad that complexity of harmonic structure has nothing to do with the songs actual quality.I'm not trying to start an argument here,but I must say that I'm really disappointed after hearing this composition.Especially 'cause every jazz fan(and some of them have degrees in jazz composition) told me how "great" it is and how revolutionary it was for jazz music back in the day.Anyways,have fun!Cheers:)

  • @vekkifixx That comment was such a debbie downer

  • @Beenyad ...and I'm sorry for that.I was just stating my opinion,that's all.And,FYI,I didn't hit the dislike button.Actually,I can't remember the last time I did that.Cheers:)

  • @vekkifixx lol its all good man but it was such a contrast to every other comment

  • the best part about this solo is it's almost completely improvised!

  • Piano solo bahaha

    

  • 128 tone deafs. this is not for you

  • Comment removed

  • Great clip. Thanks!!!

  • Very very Cool!!!!!

  • Did he ever play this live?

  • This is pretty cool. I do kind of wish the camera were stationary and the notes would pour out on the page...but that may just be my preference. Nice job.

  • WoW!!!! Thanks!

  • VERY cool. Thank you for doing this.

  • something about the resting at "Piano Solo" was hilarious after all the mind bending shit that just went down

  • Can someone please explain to me why jazz sounds like a mess of notes (when it really is not)?

  • @nappyroots89 listen to it again and again and it starts to make sense, and then the next song gets easier, and so on...

  • @geoffreybeene that's what my friend just told me but i still don't know why it sounds like that. like what is happening? (i understand theory btw also)

  • @nappyroots89 probably because you are listening to either bebop or hard bop. there are others like swing, funk, blues, and so on, that do not sound like "a mass of notes" However, as geoffretbeene said, the more you listen to it, the better it gets, and you start to feel each notes and rhythms, and it fets much, MUCH better

  • @nappyroots89

    the same way Shakespeare sounds Greek to the casual listener.  you have to understand the foundations of an art to better approach the heights of an art.

  • @feralmusic : Well said.

  • @nappyroots89 u ever talk to some one who is really smart...and shit just pours out of them from all angles ....same thing..

  • @nappyroots89 You have an untrained ear.

  • fantastic.

  • YESSSSSSSS

  • If anyone actually wants to learn how this song is constructed, the short answer is that it's kinda in 4 keys at once.  There's lots of good web pages and Youtube videos that go into way more detail.

  • @ZeppelinRules - This transcription is transposed from the version I have which has three chordal centers a major third apart (B, Eb and G). It's not in 4 keys at once, although the "sheet of sound" Coltrane created may give that impression at times. ii- V7- I applied to above keys, and the solos operate in the upper structures of the chords for the most part.

  • this is my first time seeing animated sheet music, and under the influence of marijuana and this song it cracked me up. dont know why but i look at the chords and giggle.

  • How did he choose the chords for this song?

  • @themanimal07 By listening to his heart.

  • @TheRyanK2 lool if that's what you think... then you don't know coltrane

    I can't tell you how he did, but I'm sure it's some complex stuff...

    Lydian chromatic concept of tonal organization maybe?

  • @oumo  You may be referring to the work of George Russell. The answer would be no, this tune predates Russell's theory.

  • @themanimal07 he probably imagined the melody in his head and because he probably had a good ear he very well knew what he was doing.

  • my eyes are singing. :D

  • Just spare a thought for the bassist, the drummer and the piano....they did an equally outstanding job....

  • @nish147 Its awesome they didnt even rehearse or anything John gave them the chart in the recording studio and they took a few takes and published the best one....Amazing. Justin Dicioccio told me that the reason for the piano players breaks in his solo is because the chord changes are so fast and they have no relationship with eachother.

  • holy crap it loox like a train. maybe ill just play the first 36 seconds

  • Killer animation for the piano solo!

    J/K

    I love this video.

    So much fun to watch.

    I really like how the rests are also animated rhythmically.

    Pretty cool!

  • -I like the concept of reading the notes appearing while you hear them.

    -Giant Steps is one of Coltrane's classics.

    -Without Coltrane, my world of saxophone playing had been a different one.

  • "Playing at Iridium Jazz Club, New York on Nov 13, 2011"

    wut?

  • Ah... Middle school kids, teasing me, making fun of me for liking jazz. They will never get it.

  • すごい努力! この動画作るのたいへんだったろうに。

  • Alot of Chord Progressions!

  • ColeTrain! Baby! WHOOOO! anybody play gears of war 3 yet

  • Comment removed

  • Ahh, jazz. Why work hard when you can just pick a signature and go full autistic?

  • @mudchair16 What does this even mean

  • @MrHeavanell I think he means jazz players are autistic in that their hands just randomly spaz out while they are playing, that is what it sounds like I guess but in a good way, Coltrane does play really fast

  • @RobBrooksMusic He doesn't really spaz. He knows exactly what he's playing.

  • @RobBrooksMusic I know but you said what does he mean, I guess before I liked listening to this kind of music it did sound like a load of nonsense being randomly played

  • This is so fun to play on sax. :)

  • My thoughts on this: This is pretty easy I bet I could play this no problem

    0:36 happens: OH SHIT scratch that

  • @Redeye1524 Yep. I COULD learn it note for note, but that still doesn't mean that I would have the same understanding of the music. Just a talented parrot.

  • @TheSocialistsParty same here! but hey, it's a start.

  • The epic solo over the fermata at the end isn't transcribed!

  • !!!!! xox

  • These chords are sick. It's just substitutions on top of subs in Coltrane's signature key changes (in thirds instead of usual fourths n fifths). Awesome!

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  • Listening to this is my homework. I have the most awesome teacher ever :D

  • Learned the whole song with this animation. I'm applying to berklee college of music this year for guitar and just wanted to know if anybody familiar with the college's standards can tell me if you think playing this song in the audition is good enough to get in? Pls somebody answer

  • @49591994 this is one of coltrane's classics. However, I'd say if you're auditioning on guitar, and you have the opportunity to do another song in addition, I'd say go with a classic standard that you know that EVERYONE knows. you know? just for the familiarity. When I auditioned for Jazz voice to Cornish college of the arts, I did Cry Me A River. And I got in, so yeah! :D

  • @tOtAlLyInLoVeWiThEd hey do you currently go to cornish? I'm about to apply there for bass and it'd be nice if you can give me some pointers on the audition process. 

  • this is just friggin AWESOME!!!! please do more!

  • THIS SHIT IS SOOOO FUCKIN' AWESOME MAN, NOT ONLY IS THE ANIMATION GOOD BUT IF IT WASN'T FOR THE SONG, IT WOULDN'T BE WORTH LOOKING AT!!!!!

  • Am I the only one who went crosseyed after the 0:48 mark or so ???

  • And this doesn't even show articulation (appogitora, sostenuto, staccato, slurs, etc.)

  • i picture the guy doing the piano solo as a robot with smoke coming out of it and nuts and bolts flying off and falling apart trying to keep up with him

  • @Stunsuch his solo is pretty dang sweet nonetheless. Mellow against John's volcanic riffs.

    :)

  • @Stunsuch

    haha!

  • Everytime I hear this song I have a seizureaz;sdkfjvawhlkaalwlwall­sllelflaslehlghhghgggkjjkjjgdf­y

  • 374 bpm, holy crap.

  • @TheNando777 where are you getting 374 bpm from? i'm thinking its more like 292 to the quarter note.

  • I quite like that someone's done this, but it's pedagogically useless. Supposing that I wanted to learn Coltrane's solo in Giant Steps, I would need the hard copy transcription of it plus the CD or a digital file that I could stop and playback with total precision on a bar-by-bar basis, which is not the case with this video.

  • @lexo30: Or, transcribe it yourself. The exercise in the process would get you much more familiar with the tune and the solo than merely learning someone else's transcription. Here's a hint: the tonal centers are B, Eb, and G (major 3rds apart) with their respective ii - V7 - I chords. Use the upper structure triads to solo over. Add genius and stir.

  • @donnellobrien Good idea. I actually have the Aebersold book about learning Giant Steps (I know that applying the Aebersold method to Coltrane is a bit stupid but what can I say, I don't have any other access to tuition) so I already know the chords. But I might just have a go at transcribing it into Sibelius. Thanks for the tip.

  • @lexo30 : Aebersold is a good tool. Nothing stupid about it. Keep me posted - I'd like to hear what you come up with.

  • @donnellobrien can u explain the chord progression?

  • @shimeonmorpheus - Hello~ it is a tune based on three chordal centers a major third apart: B, Eb and G with ii-V7s to each.The opening melody, interestingly, outlines a G major 7th chord (F#, D, B, G), then repeats the sequence with an Eb Major seventh (D, Bb, G, Eb). In order to return to the beginning of the melody, Coltrane expresses part of the sequence (Mi, Re, Sol in Eb; Mi Re Sol in G; Mi Re Sol in B; Mi, Mi, Sol in Eb. Sol, Sol in B. I never get tired of this tune.

  • @shimeonmorpheus @shimeonmorpheus agree ,just wanted to add that the idea of a chord progression is to return to the original tonal center, Rock n roll songs usually have only one tonal center.More traditional jazz "standards" cycle through tonal centers based on cycle of fifths(Sweet Georgia Brown)or half steps(So What)but Coltrane was revolutionary in dividing up the octave into 3 equal parts(tonal ctrs exactly a major fifth apart).Another ex. is "Have You Met Miss Jones"

  • @shimeonmorpheus agree ,just wanted to add that the idea of a chord progression is to return to the original tonal center, Rock n roll songs usually have only one tonal center.More traditional jazz "standards" cycle through tonal centers based on cycle of fifths(Sweet Georgia Brown)or half steps(So What)but Coltrane was revolutionary in dividing up the octave into 3 equal parts(tonal ctrs exactly a major third apart).Another ex. is "Have You Met Miss Jones"

  • "Sometimes I wish I could walk up to my music as if for the first time, as if I had never heard it before. Being so inescapably a part of it, I'll never know what the listener gets, what the listener feels, and that's too bad." - John Coltrane

  • @twrobalin Those are my exact thoughts when I think about Pink Floyd composing their legendary Dark Side of the Moon.

    Anyway, nice sounding tune here. :)

  • I'd love to watch it if it were available to watch via mobile.

  • Nice. I like this. Now, can you do your magic on WAVE by Antonio Carlos Jobim?