I have this one too Mark. Bought it from a collector back in '67. I've always been impressed with 2 things that jump out at me.
1. Loose informal groove - very relaxed
2. On a technological level, now didn't many of those early American Deccas have a nice CRISP fidelity response. They must have been using those Western Electric ribbon mics too!
The early ones sure did - then their pressings slowly worsened as the 30's turned to the 40's.
The Decca Sunbursts were of relatively higher quality - got a couple of Earl Hines orchestra 1st pressings on Decca Sunburst labels (1934-1935) & they're out of this world!
All I know is, before I started using elliptical needles (before elliptical stylus' were available for 78's, actually), many of the Decca 78's I've got from the 1940's had an irritating "fuzz" to them.
I have this one too Mark. Bought it from a collector back in '67. I've always been impressed with 2 things that jump out at me.
1. Loose informal groove - very relaxed
2. On a technological level, now didn't many of those early American Deccas have a nice CRISP fidelity response. They must have been using those Western Electric ribbon mics too!
JCJasion 2 years ago
The early ones sure did - then their pressings slowly worsened as the 30's turned to the 40's.
The Decca Sunbursts were of relatively higher quality - got a couple of Earl Hines orchestra 1st pressings on Decca Sunburst labels (1934-1935) & they're out of this world!
SwingMan1937 2 years ago
It seemed that the grooves were actually wider on some from the early 40's and a very wide diameter needle was needed.
JCJasion 2 years ago
All I know is, before I started using elliptical needles (before elliptical stylus' were available for 78's, actually), many of the Decca 78's I've got from the 1940's had an irritating "fuzz" to them.
SwingMan1937 2 years ago