Jaervi has an effective style of communicating with the players. There are facial expressions and body language, even a smile! The Kammerphilharmonie has indeed very devoted musicians. It must be a joy to conduct such accomplished artists. Beethoven is nothing to sweep under the rug either.
Bunkyosan, have you heard all of beethoven's nine symphonies? Obviously, this one and the second sound just as classical as Mozart and Haydn. Doesn't the eighth sound just as classical or more romantic?
@cubsrule2040 I've heard and played all of Beethoven's symphonies. He was the bridge between the classical and romantic eras, so it makes sense that his later symphonies will have elements that were experimental for the times. He was a genius who wasn't afraid to try something new! He was the catalyst for the next generation of music! I love Beethoven:)
so im taking a conducting class. my final is to conduct the final movement of this. of all the videos ive looked up to help me out, this guy is my favorite conductor. most of the other ones i've seen have boring conductors. kudos mr. conductor.
I don't know if watching conductors in concert will help you learn to conduct though. It's basically irrelevant what a conductor does in concert. All of their work is done in rehearsals.
I disagree, what a conductor does in concert is completely relevant! Yes, most of their work -is- done in rehearsal, but as far as technique... you can learn a lot as far as expression - most conductors will be much more expressive for a performance.
They will be more expressive, but it's just a show. Watching a conductor in performance will only help you learn to act like a conductor in concert. Not actually mould an orchestra's performance into your interpretation of a work.
@TombedOrchestra I tend to agree with you that conductors are more expressive during live (i.e. audience is listening (or will be listening (i.e. CD))) performances. Psychologically speaking, when audience becomes a factor (a factor that can pass judgment on the musicians and the conductor), the conductor needs a marginal increase in expressiveness just to maintain the same basic level of attention he gets in rehearsals and to overcome the real distraction caused by the audience factor.
@BrucknerMotet I think some conductors play off the audience and see the audience as a positive rather than a negative factor...not a distraction but a source of inspiration...at least professional conductors, maybe not student or amateurs.
@Elainelps0421 I agree with you. My comment was more directed at the musicians possibly getting distracted at a live performance and the conductor having to work that much harder to vie for the musician's attention as they focus on execution and don't look up from their music stands as much. I agree that both the musicians and the conductor can get extra jazzed by the live audience, in sort of the same way stage actors crave an audience.
@BrucknerMotet Okay...but I still think the same holds true for the professional musician...the audience is more a source of inspiration rather than a distraction. Having the audience there makes them concentrate harder and focus harder....it's what they've been preparing for during rehearsals.
@Elainelps0421 As an instrumentalist, I have had the privilege from around 1980 and continuously thereafter to observe my conductors in action. I've seen that nearly all of us get xtra inspiration and focus when playing before live audiences. With that in mind, I still see the conductor often becomes more expressive than normal to retain full control of the musicians, whose attention and focus is riveted on executing it the way it was rehearsed, with less eyes watching the baton than usual.
@BrucknerMotet Really? With the 16 extra years I've had as an orchestral musician than you, my experience is that we concentrate more on the conductor's movements than less during a performance, but I guess everyone is different.
@Elainelps0421 Elainelps: It probably depends on the frequency of rehearsals and practice, and the nature of the musicians. For professional musicians, I can understand how they would memorize a good deal of the music and not have to split attention between the sheet music and the conductor. I've always been a student or non-professional who at best practices twice a week and rehearses once a week, so I will defer to your superior knowledge, assuming you are or have been a professional.
So interesting ! The trumpet section has American style sound !
yklueup 6 months ago
Nice brass section o.O
94obie 8 months ago
The one thumbs down most have been an accident. This was composed by a legend and performed by professionals.
daosjosh 11 months ago
I like this conductor :) But he looks a lot like my chiropractor lol
Elainelps0421 1 year ago
bravo!!
jasminechurch2010 1 year ago
The best version so far!
freeatliberodotit 1 year ago
Jaervi has an effective style of communicating with the players. There are facial expressions and body language, even a smile! The Kammerphilharmonie has indeed very devoted musicians. It must be a joy to conduct such accomplished artists. Beethoven is nothing to sweep under the rug either.
bernard1422 2 years ago
bravo!!
Mozeroscar 2 years ago
natural trumpets at modern pitch.
no one would expect to find them in a modern orchestra
cubsrule2040 3 years ago
Bunkyosan, have you heard all of beethoven's nine symphonies? Obviously, this one and the second sound just as classical as Mozart and Haydn. Doesn't the eighth sound just as classical or more romantic?
cubsrule2040 3 years ago
This sounds so Mozart and Haydn-y because it was written around their times.
ThaSchwab 2 years ago
It sounds like Beethoven.... but I know what you are saying... hee hee... : )
NiceVideos11 1 year ago
@cubsrule2040 I've heard and played all of Beethoven's symphonies. He was the bridge between the classical and romantic eras, so it makes sense that his later symphonies will have elements that were experimental for the times. He was a genius who wasn't afraid to try something new! He was the catalyst for the next generation of music! I love Beethoven:)
Elainelps0421 1 year ago
PERFECTION! There is no other way to put it... Zinman is also good but not quite like this one.
najaraknov 3 years ago 10
Is this conductor Christoph Eschenbach?
h7910101 3 years ago
it´s paavo järvi!! eschenbach is much older...
niedavgeige 3 years ago
so im taking a conducting class. my final is to conduct the final movement of this. of all the videos ive looked up to help me out, this guy is my favorite conductor. most of the other ones i've seen have boring conductors. kudos mr. conductor.
austinj86 4 years ago 3
I don't know if watching conductors in concert will help you learn to conduct though. It's basically irrelevant what a conductor does in concert. All of their work is done in rehearsals.
pianoAndEngineering 4 years ago
On the contrary, the conductor must perform just as much as the ensemble.
ZDrums24 3 years ago 3
I disagree, what a conductor does in concert is completely relevant! Yes, most of their work -is- done in rehearsal, but as far as technique... you can learn a lot as far as expression - most conductors will be much more expressive for a performance.
TombedOrchestra 3 years ago 6
They will be more expressive, but it's just a show. Watching a conductor in performance will only help you learn to act like a conductor in concert. Not actually mould an orchestra's performance into your interpretation of a work.
pianoAndEngineering 3 years ago
@TombedOrchestra I tend to agree with you that conductors are more expressive during live (i.e. audience is listening (or will be listening (i.e. CD))) performances. Psychologically speaking, when audience becomes a factor (a factor that can pass judgment on the musicians and the conductor), the conductor needs a marginal increase in expressiveness just to maintain the same basic level of attention he gets in rehearsals and to overcome the real distraction caused by the audience factor.
BrucknerMotet 1 year ago
@BrucknerMotet I think some conductors play off the audience and see the audience as a positive rather than a negative factor...not a distraction but a source of inspiration...at least professional conductors, maybe not student or amateurs.
Elainelps0421 1 year ago
@Elainelps0421 I agree with you. My comment was more directed at the musicians possibly getting distracted at a live performance and the conductor having to work that much harder to vie for the musician's attention as they focus on execution and don't look up from their music stands as much. I agree that both the musicians and the conductor can get extra jazzed by the live audience, in sort of the same way stage actors crave an audience.
BrucknerMotet 1 year ago
@BrucknerMotet Okay...but I still think the same holds true for the professional musician...the audience is more a source of inspiration rather than a distraction. Having the audience there makes them concentrate harder and focus harder....it's what they've been preparing for during rehearsals.
Elainelps0421 1 year ago
@Elainelps0421 As an instrumentalist, I have had the privilege from around 1980 and continuously thereafter to observe my conductors in action. I've seen that nearly all of us get xtra inspiration and focus when playing before live audiences. With that in mind, I still see the conductor often becomes more expressive than normal to retain full control of the musicians, whose attention and focus is riveted on executing it the way it was rehearsed, with less eyes watching the baton than usual.
BrucknerMotet 1 year ago
@BrucknerMotet Really? With the 16 extra years I've had as an orchestral musician than you, my experience is that we concentrate more on the conductor's movements than less during a performance, but I guess everyone is different.
Elainelps0421 1 year ago
@Elainelps0421 Elainelps: It probably depends on the frequency of rehearsals and practice, and the nature of the musicians. For professional musicians, I can understand how they would memorize a good deal of the music and not have to split attention between the sheet music and the conductor. I've always been a student or non-professional who at best practices twice a week and rehearses once a week, so I will defer to your superior knowledge, assuming you are or have been a professional.
BrucknerMotet 1 year ago