Added: 2 years ago
From: BassGuitarMag
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  • Ed, not a question or anything just that, you're awesome at bass. That's all. Haha:)

  • haha, But does it blend? He says so.

  • MWAH MWAH MWAH

  • I know it doesn't have much to do with the video but i need some help.

    I am planning to buy a 5 string and i already have a 4 string.

    I wonder if it is posible and easy to regulary switch from a 4 string to a 5 string without much effort and if a 5 string maybe good for funk rock.

    My influences are the chili peppers and a little aerosmith, i know that Flea and Hamilton don't use 4 strings regulary but i like tuning my E to C.

  • @felporocker - Of course it's possible to switch back and forth. It takes a little getting used to, but it's possible. And yeah, a 5 string is fine for funk rock.

  • @felporocker Flea does usually use a 4 string doesn't he?

  • You can get a 5 string fretless solid ash body for $200 or less...

    If you pay over 1 grand for an instrument.....

  • @boxtrap21 - A $200 bass is worth about that much, if you're lucky.

  • @BassGuitarMag I disagree. There are instruments that are extremely cheap just because they don't have popular brand names on them. I've been playing GUITAR for 7 years, and I have a $200 guitar, which after setting it up and swapping it out with $30 pups (Guitarfetish and guitarpartsonline) it has a killer tone! Same with my other guitars. I suspect it is the same with Bass. Rondomusic is a great place to buy instruments also.

  • @boxtrap21 - Yeah, and I bet it's worth every penny of that $230. Maybe even up to $300. I've played on budget imports, I own several of them. They can be surprisingly good, but they will never compare to a top tier instrument. Good to have something cheap that you don't have to worry about. And frankly, with guitars, I think it's less of an issue. Low frequency vibrations are harder to produce and reproduce with cheap woods and workmanship.

  • @BassGuitarMag I have two guitars worth over 1 grand, and the $230 is just as good as them.

    Mabye guitars are easier to make, but I've still seen people playing some really cheap 6 string fretless basses on youtube and they sound great. But if you have over $1000 to spend on an instrument then go ahead.

  • @boxtrap21 Have fun with that, noob!

  • Hmm..Kinda weird(price,not the bass!).

    You see,according to Tom's website,a 5 string costs $1575 with the normal choices.

    Black Limba body will cost you about $100 more,and I you will need to add some more $ on Black Limba neck.

    So whether he changed the prices since you bought it,or he just gave you a little discount.

    I really want to get one,but I want a 6 string..and they start from $1900!...

    Damn..

  • @MushroomDisorder - Well, he has changed his prices since this bass was reviewed. I did not buy this bass, it was sent to Bass Gear Magazine to review. at the time, the price was as quoted. I owned one of Tom's 6-strings, and it was great, a real bargain really.

  • @BassGuitarMag Yeah,I saw a video or two of you playing a Clement 6 string.

    Too bad the prices got higher..oh well.

    Love your reviews!

  • hey ed, is that flat wound set of strings or round wound you got on? (my guess is round form the look of it) and I'd like to ask also, is it a good idea using roundwound on rosewood fretless fingerboard in the sense that the strings would mess up the fingerboard so so quickly? thx ed

  • @Vizillar2505 - They are roundwounds. I always use rounds on fretless, I like the sound. But over time, they can chew up the board a bit. I have a relatively light touch in the left hand, that helps, plus - I don't play fretless a lot, so I've never had any problems with serious wear on the neck. Your results may vary.

  • OHHHHHHHH YYYYYYYEEEEEEEEEEEAAAAAAAAAHHH­HHH!!!

    Clement basses are just AWESOME!

    And that Black Limba...Awww! So beautiful!!

    Planning on getting a Clement Singlecut(Lise model)with all Black Limba,Bloodwood fingerboard....YEAHHH!!!

    Great vid Ed!

    Keep doing your thing man!

    Real inspiration for me :).

  • Good vid, Ed! There are a lot of things I like about this bass based on this video. First, it's gorgeous! Second, it's not a fortune! Third, it's passive, and fourth, it's fretless! I still don't like the sound of the blend, though. I think it still has an unfavorably pro-J bias on the ADG strings (the lower bobbin of the P-Pup.) When playing a J/J in blend, I hear no bias. That's part of why I love J so much! Are you sure there isn't something to my whole "polarity" theory from our PM thread?

  • @AUDEPrecords - Well, I think it's the proximity of the J coil with the treble coil of the P, but as you know... I'm not really a PJ fan. I think this bass sounds best with one or the other pickup.

  • did anyone else see ass ear?

  • What's the best fretless clement for metal?

  • @tylerwylie haha

    Wait, that was a joke, right?

  • @tylerwylie It really doesn't matter. As long as it's a Clement it will be brutal.

  • @Shinyfilm It was a joke, citing the commonly asked question on Bass forums, "What's the best X,Y,Z for metal"

    @squiresuzuki Yes.

  • @tylerwylie I'm in on the joke. Talkbass member :)

  • Hey Ed, I am in the market for a Fretless Bass. Never own one so I would like your advice on what string I should get. Some people are saying stick with round wound others say flatwound. What's your take on that?

  • @DonaldWaughMusic - I have always used roundwounds on fretless. I am not concerned with fretboard damage because: 1) I have a light touch with my left hand 2) I don't play fretless all that much anyway 3) I prefer the sound

  • Haha, "thats worth playing"... is that a subtle jab at Wishbass?

  • @michaelbraunbass - Obviously not subtle enough.

  • Thanks for the help

  • OK...American Standard

  • @bag12 The only G&L I've played is the JB Rustic, check out the demo. It was a way more expensive bass than the Am. Std so it's not really a fair comparison, but I really liked it. The Am Std are very good basses too, I'm not partial to that particular neck profile, I prefer the neck on the new Am. Special, more like a 70's neck.

  • Thanks, one more question, how do the fender JB deluxe and G&L JB USA match up?

  • @bag12 - Fender is active, G&L is passive.

  • Hey Ed, Im looking for a bass around 1000, I play mostly jazz and funk, so I want a bass with clean tone and some punch for slap, what should I get?

  • @bag12 - Well Clement basses are typically more than $1K, but you might inquire to see what he's got. Otherwise, look around my demos... maybe you'll see something you like.

  • Ed ur pro rofl.

  • Hey Ed, whats the neck profile like? The bass also sounds like it sustains very well for a bolt on, or is that just because its fretless?

  • @DMBassNVox - It was so long ago, I don't remember the neck profile vividly. Bolt-ons are perfectly capable of having good sustain, if they're well made!

  • @BassGuitarMag oh okay. thanks for the info!

  • How do you think this would sound with two jazz pickups in the 60s position?

  • @slappingpopping - Like a Jazz bass.

  • i have played 5 string bass;s with a 32 in scale lenght, and they sound great. also you should do a review of us masters bass there great

  • @Mrsfatblackchick - I've played a US Masters, it was nice. I never see them anywhere though. There is a guy here in Texas that makes high quality short and medium scale basses - Birdsong. I'd like to try those out.

  • @Mrsfatblackchick - And actually... the guy that built this bass - Tom Clement builds lots of 32" scale 5 AND 6 strings, haven't tried one though.

  • May I ask something about this bass: does this bass go well with hard rock/metal, and if so, would it sound good with a distortion/overdrive effect?

  • @mcg413 - Well, I wouldn't choose a fretless bass for hard rock/metal, but that's me. You could certainly do it, but I would probably use something with frets.

  • Wood porn? Doesn't melt my butter. Dig the bass though.

  • I wonder if Epoxy coated fretboard is an option?

  • @pleximanic - Ask Mr. Clement, he can be reached through his website: clementbass (dot) com. I once had both epoxy and non-epoxyed fingerboards on the same bass - the epoxy makes the bass sound brighter, taking it off made it sound warmer and more natural. I preferred it without. Some people are concerned that their strings will chew up the board, and while that will happen with roundwounds, some rounds are more destructive than others. It also helps if you play lightly with the left hand.

  • @BassGuitarMag

    I want it epoxyed for the tone, the Jaco ,Gary Willis kind of tone, you know !

    A light touch is key on a fretless or any electric bass !

    Thanks

  • yeah!!!

  • Is this your funniest review or what?!

  • gotta love that wood porn ;D

  • I never cease to be amazed by your playing and versatility, Ed :) Who would you say are your main influences?

  • @eaterofcandy - Thanks. I have a lot of different influences, Jaco, James Jamerson, Jerry Jemmott, Chuck Rainey, Marcus Miller, Larry Graham, Stanley Clarke, to name a few.

  • How do you get these basses and what happens to them after the demo?

  • @WoWintosh - The basses I review get sent to me by either the magazine I'm working for (in this case, Bass Gear) or by the manufacturer. After I'm done, I send them back - most of the time. Occasionally I will buy it if I really like it.

  • great job :)

  • That's a beast of a Fretless. Amazing Sound.

  • "the F word" LOL

  • mmm

    wood porn

  • Yeah the round wounds sound amazing on the fretless basses i use them too.. bye the way its a pleasure to know that U R THE ED FRIEDLAND :D i purchased ur book of bass improvisation long time ago and u have no idea how that helped me and developed my whole music skills.. thank u soo much and GBU

  • @freshprince159 - Thanks. Same guy. Glad to be of help.

    Me? I always use rounds on a fretless.

  • @BassGuitarMag i cant find any of your books here think i need help with it :)

  • as an owner of a 4 string fretless clement single cut, i can say it is lovely

  • haha G# the bargain note!

  • I love how it sounds, I want a fretless bass, it's my dream

  • sick review, for a sick bass

  • Man you are one versatile player; funk, jazz, blues, rock, + slapping, fingerstyle, picking, etc etc.

  • bargain note ... no extra charge ... LOL! Nice review, thanks!

  • @Pudsy440

    Free G#! haha.

  • How do u keep your intonation so precise!!!!

  • Hey man you're doing some really amazing work on reviewing. Any chance on getting your hands and wisdow on Mayones or Warwick basses? Thanks for your videos, all the best!

  • Lovely bass and sound. The pickups are passive? Will definitely look into Tom Clements basses for a future purchase.

  • You wouldn't regret it, he builds a great bass!

  • wood porn :)

    it really is beautiful.

  • i owned a clement in 2004 if anyone needs an opinion they are increbile and he is amazing person. i can show u a mp3 of mine  with a solo and groove in it.

  • The "F" world is the Best

  • that is awesome, wish they come to import them into the UK.

    Thank's ED =]

  • Ah, but they do make it to the UK!! Mine safely arrived in Guernsey! Packed really well, no issues at all

  • Tom makes these one bass at a time. He builds to order but does have a few on hand for direct sale. I should have my 183 in about two weeks!

  • My Clement Arrived yesterday.

    One word - Awesome!

  • why do all the fretlesses you review have rounds?

  • Mainly because that the way they come in, but I always use rounds on my own fretless too. I prefer the sound, that's all.

  • I posted a Facebook page for Clement Basses. Just do a Facebook search for 'Tom Clement Basses'

  • Thanks Ed wasn't sure what he meant. Looking forward to your build.

  • OHHHH YEAH.

  • Comment removed

  • how was the action on this bass? and did it have side dots?

  • The action is adjustable, so you can put it wherever you like. Yes, it has side dots.

  • "Unilaterally focused"?

    please explain? Thanks .t

  • Well, he probably means that he thinks boutique instruments are somewhat purpose specific. Like, only a jazz guy would want this, or something like that. Of course, it's his opinion, and we don't have to agree. YT brings out all sorts of opinions, at least this guy is not a jerk about it like many, so let it roll!

  • This isn't going to turn into a dedicated boutique bass channel, is it? That would be disappointing...

  • @norin02

    Seeing this bass costs less than most "factory" basses new, I wouldnt consider it boutique. Not the price, at least. The rest? Yes.

  • Well, that's exactly my point.

    Sure the price is very reasonable considering what it is, but has this channel been subsidized by his new contract?

    It wouldn't be so bad if most boutique basses made were so... Unilaterally focused.

  • Subsidized by my new contract? Not sure what that means. I review what my editors assign me. I am but a humble servant. People much higher up the food chain determine what gets sent my way.

  • I know you don't really have any control in what you review - in no way am I bashing you; you do amazing work on these reviews.

    I'm just hoping that your editors don't stick to just boutique basses now.

  • No worries. I've done lots of Fenders, Music Mans, G&L, regular working stiff basses... so there's a balance. Soon you'll be seeing the Fender 50th Anniversary Jazz bass, so hopefully that works for you!

  • Nice sound, ugly looking.

  • As far as tapewounds try the Deep talkin' Labellas get them from Carvin they are a great string and price. Enjoy...tom

  • @clementbassdotcom Oh absolutely. I love the Labella nylons. Rotosound Trubass 88s are also good, but a much more "woody" tone.

  • Wonderful review as always Ed. Man, I'd love to hear this thing with some nylon tapewounds. Fretless P-bass pickup and tapewounds are such a wonderful combination.

  • its active or passive ?

  • Passive, with Nordstrand PJ pickups

  • As it is a true custom bass, you can specify (pretty much) any pre that you want!

  • omg look at the grain on that thing. ouch.

  • Thanks for playing some Jazz on a fretless, please do that more often since a lot of jazz players like fretless basses!

  • Okay, check out the Lightwave Sabre demo, there's some Jazz in that one too.

  • @BassGuitarMag

    I already did. I really appreciate that!!

  • Great vid, great bass!

    Ed, have you touched on playing a fretless bass in any of your DVDs?

  • No, I haven't, I'd like to at some point.

  • sorry ment to say "the" economy

  • i checked out some of his bases on the internet

    very reasonable pricing

    he mentioned that he dropped his prices due to the downturn in he economy

    i love them

  • There ain't nothing wrong with the "J" word.

  • the rate you've been putting out these videos lately is superb! and the quality  is better than ever! Thank you for doing a great job!

  • I've been a busy man, and lots more to come. Thanks for watching.

  • Sounds awesome Ed!

  • amazing

    love the sound

    i'll definetly go to the website, you've convinced me

    keep it up

  • Thanks for the jazz content warning.

  • Forewarned is fore skinned.... I mean.... forearmed.

  • I think I like the Sabre VL5 more for the price. Can I have it?

    Another good review Ed.

  • Great review and that Clement bass has a wonderful tone and some great design features. Thanks for bringing it to our attention.

  • Thanks Ed for the great video about my bass. I just got a u-tube account so I can keep tabs on what you are up too. Thanks again..tom

  • This may sound noob but what are the point of fretless board?

  • The tone of the instrument will change quite drastically, and you can slide notes more cleanly than with frets. You can slide harmonics, and do really nice vibratos. Basically, you are not bound by the pre-determined intonationpoints that frets give you.

  • how did you get your sterling bass to hang from a curtain? are you playing in front of a green screen?

  • I can't give away trade secrets... it's my special process....

  • I am pretty sure that you have smashed the whole 34" scale weak B string myth at this point Ed.

  • dude nice review of this bass

  • What a cool axe!

    *****

    ~R

  • nice bass

  • That beard doubles your awesomeness.

  • Great review Ed!

    That's a sweet axe for the price!

    I thought the Clement's were more expensive than that. Thanks for bringing that to our attention.

    Peace!

  • Tom informs me that this particular bass is actually $1500 not $1350 as reported. The extra pickup and wood adds to the cost a bit, but still... $1500 for that? Such a deal!

  • And on top of that, Tom is a pleasure to deal / work / communicate with. Can't give him enough props.

  • It sounds good but its damn ugly.

  • At first, I wasn't nuts about the shape, but I grew to really like it. I think it looks cool, and the wood... is stunning. And... the sound really kicks ass.

  • I can't help it, but it looks like a big peanut.

  • Is it you that has 10 fingers, a liver, and that uses real cat-gut strings (still attatched to the cat)?

    OHHH YEAHHHHHH.

  • is it you that you have three tobias pre gibson tobias basses?

  • Huh?

  • Great Review for a great Bass built by a great guy!

    Mine's nearing completion and I can't wait!!!

  • Think I would go for the lightwave before that

  • Totally different beast, they both have great qualities.

  • Indeed I just prefer the tomne on the lightwave. Thanks for the reviews by the way. Any chance of some EBS reviews i just got a 210 neogorm combo and man its something else.

  • were the strings flatwound on this one?

  • No, Stainless rounds.

  • Thank you for your quick response!

    I have a fretless Spector with flatwounds and a passive EMG-HZ on it, but i can't really get that mouch "mwah"-sound out of it. Are the strings a big part of the sound, or do you think I'm just "doing it wrong"? :)

  • @rickysaur One way to get the bass to really mwah is to set the truss rod straight so that as you slide the string will fret out across the fingerboard. It's a delicate operation and takes time to discover the sweet spot between too much and too little but once you do you're set for life.

    Also playing with an aggressive attack will help if you don't have the relief in such a way

  • It's a combination of how the fingerboard is planed, the straightness of the neck, the nut height, the string, the way you play it, the amp, basically - everything or anything.

  • Thanks for all the uploads this month. Very unique basses.

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