Added: 2 years ago
From: Mustel1887
Views: 3,556
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  • lovely....I love Dubois and your playing is simply inspiring...thank you for sharing...

  • That was just so beautiful and how I EVER wish I was able to have a Lizst Organ be able to fit where I live.

  • Une pièce magnifique sur un instrument qui l'est tout autant ! Congratulations for this nice moment ! (do you speak french or english in fact ?)

  • A fascinating piece!

  • Just noticed your deft use of the Prolongement ... does it cover the whole keyboard on this instrument, or only part of it?

  • Hello Niels, the "Pedal Point" on this instrument only affects the lowest octave (C-C) of the lower manual. It is activated by pushing a lever between the player's knees to the left, and de-activated by pushing it to the right.

  • Suspected as much, not least because I've recently met an electronic piano with the "third pedal", and realised how dangerous it can be. The Prolongement on the Lindeman looks like a draw-stop knob mounted vertically; you flick it forward to activate it, and there's a kick-flap to turn it off when you haven't time to reach for the knob.

  • A truly gorgeous piece, and so well matched to the instrument! those block chords are stinkers to read and to play for someone at my low level, so it's a delight to hear them negotiated with aplomb. Thank-you for posting the recording, and please carry on.

    btw, have you come across J. R. Quignard? wrote with a thoughtful ear for both harmonium and organ, indicating both registrations.

  • Thank you for your comments. Je ne connais pas la musique de Quignard, je vais devoir chercher!

  • Your videos are just one of the many reasons I love youtube. I take it you are the restorer of your reed organs? I notice it just takes gentle pumping to maintain the reservoir. I have rebuilt a few myself. You are an excellent musician. Thanks for sharing this. Gary

  • Gary, thank you very much for your kind comments. I have restored about two dozen American reed organs, but so far I've used only two of those for videos: the Mason & Hamlin melodeon (Opel) and the Wilcox & White parlor organ (Crist & Wels). Luckily I've met several people who do wonderful restorations and tuning; I prefer to focus on the music written for these instruments. Thanks again.

  • Superb!

  • Hello! The lower manual (b/c break) has three full ranks: 8' English Horn/Melodia, 16' Contra Basso/Corno, 4' Viola/Piccolo; one-octave 16' SubBase, treble 8' Seraphone, which combines with Melodia for a Voix Celeste. The upper manual (alto e/f break) has an 8' Diapason/Keraulophone rank, a two-rank 2' Eolian Harp in the bass, 4' treble Flute, 16' treble Clarinet. Two separate tremolos, Octave Coupler, Manual Coupler, four Forte stops, Knee Swell, knee-operated Pedal Point, and Full Organ.

  • I watched all the videos you posted from this instrument. It does have quite the variety of options, including the pedal point and the flexibility of two manuals. I would be curious to know more of the ranks within the organ, how many and at what octave disposition. From what I gather, it has two separate tremelo effects; the paddle wheel as well a flapper type. Are there shutter stops or are the shutters only controlled by the knee swell? Is there a full organ knee pedal as well?

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