Added: 3 months ago
From: mrbibio
Views: 7,182
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (82)

Sign In or Sign Up now to post a comment!
  • I love your music!.. you inspired me

  • What model mic are you using to mic the amp? Wonderful stuff.

  • This is fantastic :}

  • A fantastic piece. It reminds me of being a kid, outside, adventuring, when there's not a worry in the world.

  • I vaguely remember this guy from School. I was friends with his brother in 4th year I think. I remember people talking cause he once brought a guitar to school where other kids brought a football and he was playing some metal tunes on acoustic lol. And once saw him in a jay kay hat I am sure. it has been a long time though. Good to see you have made your fortune Mr Wilkinson. Dont forget us back in Willenhall,

  • i want to learn this soooooooooooooooooooooooooo bad!!!! on the guitar =/

  • Bibio you are such an inspiration to me and the way I make my music, where abouts in the midlands did you come from?

  • @wowwowwiwow Willenhall.

  • I am truly honored that you are making music for us. Thank you, mister Bibio.

  • This can't be the regular EADGBE tuning...right? wrong?

  • @z1reticuli I am megaSTOOPID... shoud've looked at the welcome screen closer...

  • omg omg thats bibio , i saw dis earlier and didnt realize it was you , big fan

  • Your guitars are lovely.... can i have one? :D but seriously always admired your playing!

  • Nice work man, been a fan for years. Apparently you are my double? Or is it the other way round. Keep up the good work Mr Bibz. x

  • Man your music is spot on when i'm doing my art, really inspirational and nice to chill to with some jive

  • Absolutely beautiful. That guitar is a thing of beauty also.

  • Wow super performance, are there Tabs for this song? I would like to learn it

  • love this but can anyone else hear that high frequency OMG MY EARS

  • bliss.

  • that pickguard is super cool. is it custom?

  • @PatGarretson Yeah, my girlfriend made it. She also made the mirror on the cover of Mind Bokeh.

  • That's a really cool sweater

  • Hey Mr Bibio, is that a tube amp your playing with or a tube imitation? 

  • @the70z "Tube imitation" is swearing in my language :) The amp in this video is a 1965 Fender Vibro Champ.

  • @mrbibio I don't know if you will find time to answer this, but I love you guitar tones. So

    I was wondering what kind of amp/effects pedals you use? I really enjoy the analog chunkiness of the sounds, especially in this particular song.

  • Wow amazing <3

  • Hi, Mr. Bibio - this is a silly question, but in the album version of this song, what instrument produces those amazing 70s/urban/city synth sounds? Just a synthesizer (told you this was silly)? I need like an entire CD of just that instrument. Also, I love your music!! Thank you.

  • @tuckey7 Are you referring to the synth at around 3:00? It's just an analogue monophonic synthesiser.

  • @mrbibio Thanks so much for answering my Q. Yeah, that's exactly what I'm referring to.

  • @mrbibio K is for Kelson uses the same effect?

  • @tuckey7 Correct me if I'm wrong Mr. Bibio, but I believe it is the Yamaha CS10. If you look at studio pics you can see the CS10 and DX7 on the desk :)

  • @syzygywell Yes, that was a while back though. Changed the CS-10 for a CS-30.

  • @mrbibio I saw your post about that nice little upgrade, the 30 looks great. I have to say of the few vintage pieces I have the CS10 is the one holding up the best. Question though, you are pretty solidly hardware but mix in logic correct? What vocoder are you using? Thanks again.

  • that happy moment you feel @ 1:57

  • Can you please tell me the notes ?

  • :) !!

  • How about Abrasion? Or maybe Mr. and Mrs. Compost? Those both are a bit to complex for me to figure out by ear. Lovely songs btw.

  • Comment removed

  • Fantastic playing, and such a lovely guitar. Don't you love it when YouTube is this quite? Only nice people posting comments and all a pleasure to read.

  • @Tomisnever Yeah it doesn't happen to often.

  • Oh, It's you. Oh dear, Mr.Bibio sir, you have saved my life with your music. I don't know which song means more.You are the epitome of REAL music. Can't thank you enough.

  • A very merry Christmas and happy new year to you Mr. Bibio. It's really been a pleasure reading your responses. I hope 2012 is a very productive year for you personally and musically. Cheers.

  • Hey Bibio,

    The bassline for Jealous of Roses is awesome. It's my favorite part of the entire Ambivalence album. I can't tell you how many days that got me through at my shitty job washing airplanes in the blazing heat over the summer. Any chance you could post up a video or tabs on how it was done? I've figured it out partially by ear, but would love to see it played.

    Thanks for your music and its been great reading your responses!

    Best from America.

  • Hello Bibio. im a very big fan of yours and i just wanted to ask you who your biggest influences are, you have such a beautiful way of keeping your songs very simple yet complicated and the chord progressions in your songs are amazing.

    im sure your a very busy man. thank you for the amazing music!

  • @livekevintokyo Too many influences to list all of them, and not all are musical influences. But I guess big influences on the way I play guitar include Steve Reich, Nick Drake, The Incredible String Band, Joao Gilberto and theme tunes from the old British children's TV programmes I grew up watching.

  • Hi Bibio, I have a question for you that I haven't seen in any interviews you've given. What is your vocal chain when recording in recent releases such Lovers' Carvings, Old Friends, Take off Your Skirt? (I know you are using a vocoder in the first part) I'm sure there is some variance but I'm just very fond of how you get your voice to fit with everything else you are doing. It's one of the more difficult parts of recording for me. Cheers.

  • @syzygywell There's no 'one size fits all' formula really. Getting vocals to sit in the mix ain't always easy. Lovers' Carvings is probably 5 years old now, and I can't remember if I did anything in particular when recording that. It was probably a cheap condenser mic going into a behringer mixer via a drawmer compressor. Pretty sure the only microphone used on Old Friends was a single Coles 4038 ribbon mic, and the same goes for Take off your skirt, and Take off your shirt for that matter.

  • Comment removed

  • You mentioned the usage of tube/valve and tape processing. Was that done in the post, or was it printed that? Cheers for being an approachable guy. Speaks volumes on your personality. If you ever do a gig in SanFran, I'd be happy to share my favorite hiking spots with you. Mi casa es su casa. BTW - I did a cover of mr. & mrs. compost on YouTube. Check it out! Was I close?

  • @mapletree2009 I've seen your covers, they are very accurate and well made. As for the tube/tape process - there's no fixed formula. I often track stems to tape, but I also start many things off on tape. Quite a few tracks from the mush albums started as jamming in the garden with a cheap cassette recorder and a guitar.

  • Right on! 1/4", 1/2" tape? Nagra? Are you recording everything on your own, or do you go into a commercial studio? Your synths, all analogue, or to you dabble with the virtual ones, like Reaktor? I think I heard somewhere online, that you - or somebody else (maybe BoC) - had removed an old projector preamp and linked it into the signal chain, as a way of getting a saturated warble effect. Ever try that? There are no boundaries in your music - that's something that keeps me listening.

  • @mapletree2009 I do everything myself, from home. I've never used Reaktor and I don't use soft synths/soft samplers, I'm a hardware guy - the less mouse clicking the better for me. The only analogue synth on Amb Ave and Mind Bokeh was a Yamaha CS-10, which I later replaced for a CS-30. The nagra is very clean with great preamps, it doesn't produce warble. I don't see how you could get warble from a preamp alone as tape warble is a mechanical imperfection caused by the capstan and pinch roller.

  • @mapletree2009 When I say I don't use soft synths - I have done in the past when I couldn't afford an analogue synth, but I'd play it through a tube guitar amp to give it warmth, but after getting the CS-10 there was no going back. Analogue synths vs soft synths is like a vintage tube amplifier vs a software amp modeller. Both have their place, but analogue is the real McCoy. Software/digital is often best when it's not trying to be analogue. Unprocessed soft synths sound plasticky to my ears.

  • oh my god thank you so much for making a video live!!!!!!!!!

  • Thanks for sharing sir. What kind of microphone is that there?

  • @AmateurJunglist It's a Coles 4050 stereo ribbon microphone, a fairly new design. It's actually two separate mono microphones held together in a Blumlein configuration with a magnetic shock mount, you can change the stereo width by rotating the angles of the mikes, or separate them completely and have them spaced apart. A beautiful bit of British engineering.

  • 808 views. as in roland tr? heeeeell yeah!

  • (If you haven't already) Could you record a video of "All The Flowers" whenever you have the time? That's one of my most favorite guitar lines of all time. One I really want to learn.

  • Hey Bibio, quick question: On the studio version of this song, an additional guitar part comes in when you sing, "Maybe they're telling us..." Is that guitar part in the same DGDGBD tuning? Thanks!

  • @scottollerdocs There is a second harmony part throughout the song, including the waltzing intro, but yes there is a kind of african high life influenced third guitar harmony part towards the end. I can't remember the tuning, I wrote this song 4 or 5 years ago. If it's not open G, it's standard. I often have to go back and relearn my own songs because I write so many I sometimes forget them. It makes it harder when I can't remember what tuning I used and so there's a lot of trial and error.

  • @mrbibio This is late, but it's definitely open g. So, I remember you stating in an interview that you're every bit as good as Leo Kottke. Is there a connection in palm of your wave and lovers carvings being in open G and the fact that Kottke played mostly in open g? By the way, you can't become a legendary guitarist if your music isn't rock or folk, just look at Zappa and Prince.

  • @sweeneyandroid I didn't say I was as every bit as good as Leo Kottke, I said I didn't think some of my guitar tracks were any less technically developed than a Leo Kottke track in terms of finger picking style. I learned finger picking and used open G before I discovered Kottke. Kottke can play slide guitar way better than I can, so I don't think I'm as good as him in that department. Anyway there's more to music than virtuosity, creative ideas are more important to me than just speedy fingers.

  • @sweeneyandroid Also, what are you stating is definitely open G?

  • @mrbibio Sorry about the drunk comment. I don't know for sure, but I've tried to play Palm in open G and I came close to some of the phrases, obviously I can't say that it is in open G definitely. I just had an inkling that your playing style on your older stuff was influenced by Drake and Kottke, because when I think of great fingerpicking in odd tunings they come to mind. I agree with musicality vs technicality, I'm a huge fan of your style, and I'd always take a Bloomfield over a Slash.

  • @sweeneyandroid Palm is in open G. I will upload a video of that eventually. I'd like to record some videos outside but it's too cold at the moment, some of the chords are a bit of a stretch for frozen hands :)

  • i love watching you struggle, stretching for the root notes during the bridge ;) that part is hard!

    

  • how did you came up with this sound? is a chorus? is it a tremolo? is it a tape delay? so bright, so warm :)

  • @lucasdimitri In this video I'm using a small amount of vibrato from a pedal, but the album version wasn't done that way. The album version had a lot of valve/tube & analogue tape processing to get it to sound that way, and the vibrato was done after recording. It's also the guitar, the amp and the style of playing that contributes to the tone. On the album version it was the same guitar in this video but going through a Fender Blues Junior amp, which I no longer have... and I kind of miss...

  • You rock!

  • wow thanks for sharing love this song.

  • Great video, thanks for uploading! The chords (especially the ones that start at 0:24) and the sound of your guitar are so soothing. Can't wait till you upload Palm of your Wave. That song can still bring tears to my eyes no matter how often i listen to it. Thanks for your inspiring music.

  • would be awesome if you publish some tab's on youre homepage or somewhere else ,i would love to play youre songs... and btw cool outfit ;-)

  • really inspiring ! Love it

  • Wow I'm really grateful you are doing this. You have so much lovely music from your older catalog too but I'd so appreciate Haikuesque and Palm of Your Wave (both versions). Thanks again Stephen!

  • Comment removed

  • @syzygywell Thanks. I have recorded Haikuesque and the album version of Palm, I will upload these when I get chance, busy in the kitchen making Lancashire hot pot right now...

  • @mrbibio perfect! I'm so happy to hear it.

  • @mrbibio you are awesome!!! im so glad you are doing when she laughs. oh and sweet glasses.

  • @mrbibio Hoping to see that video, Haikuesque has one of the most beautiful guitars I've heard. I've tried to rip it off in the past with no success (I was basically doing a D shape on the 2º capo). Thanks for these videos, you're great!

  • Yes, sir! You are awesome, sir! )

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more