Added: 1 year ago
From: apriatin
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  • Bach is so badass. I never realized just how amazing and Romantic Bach's music truly is.

  • 2 People working on this piece got depressed after hearing this :P

  • This is the most "romantic" interpretation I've heard, since the violinist phrases the piece with an unusual flow and melodic line, particularly in the third and fourth sub-sections. Most players leave strict Bach phrasing and dynamics, which subdues the melody Heifetz emphasizes. Indispensible!

  • Fantástico!

    

  • прости всех нас за то что такие люди умирают

  • While he plays, he is totally relaxed. And still, it is fantastic.

  • That one dislike is Hitler's punk ass

  • In many sense, this is the most odd, amazing, and unique interpretation I have heard. There isn't anything that has been recorded that sounds similar when you take into account the bowing, fingering, phrasing, tempo, sound - EVERYTHING is one of a kind. The liberty Heifetz takes to make it his own is astounding and I believe no serious violinist can get by playing the Chaconne without listening to or even studying such a phenomenal interpretation. That said, I would not want to emulate it, haha.

  • What a badass.

  • does anyone know where this was recorded at..?? i bet it was abby road studios, in london..just saying, if anyone dose know where it was recorded at, pleases let me know

  • ce sera le seul morceau qui donnera le seul indication pour tous les joueurs d'etre les meilleurs

  • Comment removed

  • heifeitz moves this piece along with command: He plays it like the King of Violin, timeless renditions like this, born of discipline, style and song, even during the twilight of his life, like a solid oak that one day fell over without warning, it gave the world its strength and shade for three quarters of a century, on ly to be taken in the end by God who saw his fair reflection.

  • Like he's good but not amazing, Itzhak, Hilary, or even Joshua could play this with emotion.

  • @Juicylemons1 You only watch somebody's facial expression to determine if he/she is playing with emotion right? Use your ear please. His other Bach stuff might be just so so, but his Chaconne is truly amazing.

  • He's not as good as PEOPLE MAKE HIM OUT TO BE

  • I hate to disagree but I must. He is of course dead but my late teacher had the pleasure of being in the major London Orchestras and recorded with him - he rarely made any retakes in concerto recordings - not like the recordings by numbers one hears today.

    The players you mention are all excellent and indeed I agree not everyone can be good at everything - it is horses for courses but in the 1970's I collected about 40 recordings of his and they still give me great pleasure. Best wishes Les

  • @lesclarinet so is concerto recordings the studio they did this at??

  • @Juicylemons1

    Heifitz is considered to be, myself included, to be one of the greatest, if not the greatest violinist, that ever was. - Itzahk Perlman

    When it comes to the violin, [Jascha] Heifetz is always a big inspiration. Some people say that he's cold , which I don't agree with at all. - Joshua Bell

    And are there any recording from the mid 1900's that sound better than recordings from the 21st century?

  • what a performance, very moving indeed.

  • great stuff !

  • A BEAUTIFUL PIECE OF MUSIC ON THE VIOLIN!!!

  • One thing is for sure about Heifetz's tone... synthetic core strings were created because everything previous couldn't hold up.

  • @PaperGrape Heifetz uses gut string with steel E. He never and forbid his students to use synthetic string...

  • @PaperGrape Heifetz never used synthetic strings. He used Tricolore gut Silver-wound G's, Plain gut D's and A's, and Goldbrokat E's.

  • @thesock339 The implication wasn't that he used them, but that no one could match his sound and they were the 'answer' Which is a complementary remark about Heifetz's tone, not a thesis on why synthetic cores were created...

  • That would my 1,000,000,000 take!

  • @alfafc sure it would keep dreaming

  • It's good to be god

  • i just can't appreciate this on violin as much as on the piano (rubinstein's version, particularly)

  • @Yodavid1

    You're kidding

  • Actually guys I think he did record several takes but chose the best in his opinion - he asked his wife about it and she agreed.

    He would not have been 100% happy with that take.

    Millions would.

    He is for me a humble rather poor clarinettist the pinnacle of achievement.

    I learnt so much from listening to him.

    I have many of his recordings and still love them despite the wonderful players that have emerged since. I also love Menuhin,Gitlis, and all the great players for their dedication.

  • @lesclarinet Yes, he usually takes 3 times and choose the best. AND, unlike the players now, he doesn't edit it.

  • On a different filmed performance of this piece you can hear the producer say: "take 1" and hear Heifetz reply: "Ah, there'll only be one take"!

  • First take, bitch

  • It´s brilliant how you can see the smile on his face when he starts the first bar.

  • Love it forever!

  • First take!

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