I also had the pleasure of working with the original sax player on the Bill Doggett hit, Clifford Scott. Clifford and I recorded a few sessions for Class Records in the 60' and also worked in different night club bands during that time. Clifford was a great musician and could write arrangements without going to a piano for reference. I picked up this ability from him.
While I was with Motown during the early 60's and into the late 70's Herman Riley was always a first call sax player. He also played all of the reeds, woodwinds, and was adept at the oboe. We were close friends up to his death in 2---. Terry Evans was also one of the guitarists on many sessions during the time. We also did a number of LA night club.
Good to hear the old standard again. When I played with Bill we sometimes had to play Honky Tonk 5 times a night. It was the largest selling instrumental of all time.
This beat started a Dance Craze in Houston and Dallas in 1958. Every body started dancing to the half-beat to this song turning jitterbug into a new dance called the Whip in Houston, and the Push in Dallas, There was an annual Dance Contest between the Cities as to who had the best Dancers. It happens still to this day. Not from those cities but from all over the South. I went to a Contest in Bossier City at the Horseshoe Casino in 2004. The Next was in Houston in 2005. Lost Contact Since Then.
One of the Best Versions I have ever heard. Bill Doggett and this version are the Ultimate Versions. Been dancing to these versions since 1960. Top that if you will! ! !
No doubt, this is better than Doggett's version, which made the charts. The guitarman in this piece is superb and the sax man has nice gravel tones. And then, there's Jimmy and the B3 doin' the background.
Love it...but I can't believe Jimmy didn't solo--what restraint for the B-3 wildman. I suppose he was letting his band show out a little. Loved it just the same--had the original's "vibe".
This is note for note. Good but the drums are too aggressive. The subtlety of the original is missing. They get an A for effort in trying to duplicate the original, but some of the added accents and more frantic sax spoil the reverie induced by the slow easy groove. The original was by Bill Doggett. You can find it here on YouTube and make up your own mind.
@2consul You know, what's great about music is each artist has their take on a particular song, and the freedom to do so. As an example, I don't expect Micheal Angelo and Picasso to create the same work of art, but their efforts would both be works of arts, none-the-less; and the same can be said for this rendition of the song. How about, just enjoying the music and stop complicating things.
This is note for note. Good but the drums are too aggressive. The subtlety of the original is missing. They get an A for effort in trying to duplicate the original, but some of the added accents spoil the reverie induced by the slow easy groove. The original was by Bill Doggett. You can find it here on YouTube and make up your own mind.
@2consul: I agree, but man they are close to capturing the feel of the original! It's so hard to find a smooth, small kit jazz drummer these days. So they did pretty good with this guy.
Hay cosas interesantes que hace la guitarra -el clima del comienzo- que pierden importancia por todo lo otro. Haría falta un trabajo más fino en esta pieza, tiene demasiado y muy banal.
@DocFuzzB3 The saxophone player is Herman Riley and the Guitarist is Terry Evans. I had the pleasure of working with both of them in and around Los Angeles as well as doing many recording sessions. Herman and I traveled with a few bands during the late 50's and into the 70's.
Yeah, that's Herman Riley on tenor sax. I wonder what happened to him between this performance and the St. Thomas Way post. Beautiful music, beautiful gentlemen. Thanks for the post!!!
I saw Bill Doggett in "67" at Cape Cod, he was there for a week. I remember whoever was playing guitar on lead started with a bar F chord and slid up the neck. I don't think it was Billy Butler, since the guitar was bigger than the person playing it. Great times indeed!!!!!
Hey Trainiac19!! Hope you had a wonderful Thanksgiving! Billy was still with Bill Doggett in"67", so more than likely, that was him. I learned " Honkey Tonk " in F, but since most musicians played it in E because it was easier, I had to learn it in E. Definitly, one of the greatest instrumentals ever composed.
Thats bomb diggety man!! Honky Tonk will never go out of style for us hard gigging sax pros!!!
BrianMitchelBrody 1 day ago
I talked with the guitarist on this video ,Terry Evans just a few minutes ago on the phone and two days ago while at NAAM 2012!
jazz1bro 3 days ago in playlist Favorite videos
I also had the pleasure of working with the original sax player on the Bill Doggett hit, Clifford Scott. Clifford and I recorded a few sessions for Class Records in the 60' and also worked in different night club bands during that time. Clifford was a great musician and could write arrangements without going to a piano for reference. I picked up this ability from him.
NSP2Videos 4 days ago
While I was with Motown during the early 60's and into the late 70's Herman Riley was always a first call sax player. He also played all of the reeds, woodwinds, and was adept at the oboe. We were close friends up to his death in 2---. Terry Evans was also one of the guitarists on many sessions during the time. We also did a number of LA night club.
NSP2Videos 4 days ago
Awesome--good ole foot stomping music. Nice, and vibrant.
eltoro145383 4 days ago
how did r'n'b go from THIS to jay-z and rihanna???
aemuntean 5 days ago
LOVING MINUTE 4:37 WHEN THE ORGAN PLAYER IS SO INTO THESE IMPROVISATIONS HIS FACE MAKES HIS OWN.
QUALITY MUSIC!!
gmlapuri1 1 month ago
Good to hear the old standard again. When I played with Bill we sometimes had to play Honky Tonk 5 times a night. It was the largest selling instrumental of all time.
saxophonistatlarge1 1 month ago
This has been flagged as spam show
@bobjazz11 the guitar player is my Terry Evans with Herman Riley on the saxophone.
iluvjazz7 1 month ago
you are the mannnnnnnnnnnnnnnn
OneCarLows 1 month ago
Jimmy Smith is great, but nothing bets the orignal
brob0747 2 months ago
Nothing can top an original! Billy Butler, hats off!
walt7500 3 months ago
This beat started a Dance Craze in Houston and Dallas in 1958. Every body started dancing to the half-beat to this song turning jitterbug into a new dance called the Whip in Houston, and the Push in Dallas, There was an annual Dance Contest between the Cities as to who had the best Dancers. It happens still to this day. Not from those cities but from all over the South. I went to a Contest in Bossier City at the Horseshoe Casino in 2004. The Next was in Houston in 2005. Lost Contact Since Then.
jbones61 3 months ago
One of the Best Versions I have ever heard. Bill Doggett and this version are the Ultimate Versions. Been dancing to these versions since 1960. Top that if you will! ! !
jbones61 3 months ago
0 dislikes, but who could dislike this??
jorgeubaque 3 months ago in playlist Variadito
No doubt, this is better than Doggett's version, which made the charts. The guitarman in this piece is superb and the sax man has nice gravel tones. And then, there's Jimmy and the B3 doin' the background.
teltuker1104 3 months ago
Jimmy and the fellas definitely had their own things to say about "Honky Tonk"!
909kong 4 months ago
Herman Riley on the saxophone.
wwp1948 5 months ago 2
Made my night!
smaloker 5 months ago 2
As far as I can find it is Lou Donaldson on altosaxo
bobobekker 5 months ago
The man on guitar is Terri Evans and the man tenor sax I will look for you in our collection me and my brother where at that concert
bobobekker 5 months ago 2
They captured it, not easy to do!
kapacon 6 months ago
Truly classic!
theruss213 6 months ago
O M G
arikmusic 6 months ago 2
I am Moved.
DraggDaddy 7 months ago
Fuking awesome
titoratm 7 months ago
Effertless mastery
ModernSaxDotCom 7 months ago
200 x 0
pabofranco 7 months ago
Masterful performance!!!
justplainjamtracks 7 months ago
Type MYPRIZE instead of YOU in youtube and hit enter
maxolina 8 months ago
J.S. and the boys doin' Bill Doggett justice!!! Primo, absolutely primo!!!
lophatmike 8 months ago
you just don't monkey around with honky tonk. play it like bill did.
mroldiesman1 8 months ago
Herman Riley, Tenor and Curly Evans, guitar.
ghairraigh 8 months ago
the best
bobledoc 9 months ago
and then they had the nerve to tell me that they think that as a mutha I ain't fit ...
well it's just another peyton place and they're a bunch o harper valley hypo critz
anycush 9 months ago
YES YES I LOVE THIS 04-12-2011 SATURDAY 3:46 SHOUT OUT FOR SACRAMENTO WHERE I LIVE! THIS IS WHERE IT IS AT ! YOUNG ONES NEED TO LISTEN TO THIS !
50nicepink 9 months ago
p e r f e c t ! (:
liorzilka 9 months ago
I'm feelin' it myself.
@ 2consul Note the LOOK on Jimmy Smith's face at :51. And the drummer is the only guy where Jimmy is looking.
docpablo53 9 months ago
3:51 ouhhhhhh yeahhhhhh babyy
schlappadudaaffe 10 months ago
Right now, Bill Doggett is smiling- totally true to the original- real nice.
Jangis 10 months ago
Love it...but I can't believe Jimmy didn't solo--what restraint for the B-3 wildman. I suppose he was letting his band show out a little. Loved it just the same--had the original's "vibe".
garyguitar 11 months ago
Sorry. I meant to delete "note for note". I have no idea as to why my post appears twice.
2consul 11 months ago
This is note for note. Good but the drums are too aggressive. The subtlety of the original is missing. They get an A for effort in trying to duplicate the original, but some of the added accents and more frantic sax spoil the reverie induced by the slow easy groove. The original was by Bill Doggett. You can find it here on YouTube and make up your own mind.
2consul 11 months ago
@2consul You know, what's great about music is each artist has their take on a particular song, and the freedom to do so. As an example, I don't expect Micheal Angelo and Picasso to create the same work of art, but their efforts would both be works of arts, none-the-less; and the same can be said for this rendition of the song. How about, just enjoying the music and stop complicating things.
cjfl1962 6 months ago
This is note for note. Good but the drums are too aggressive. The subtlety of the original is missing. They get an A for effort in trying to duplicate the original, but some of the added accents spoil the reverie induced by the slow easy groove. The original was by Bill Doggett. You can find it here on YouTube and make up your own mind.
2consul 11 months ago
@2consul: I agree, but man they are close to capturing the feel of the original! It's so hard to find a smooth, small kit jazz drummer these days. So they did pretty good with this guy.
kapacon 9 months ago
Hay cosas interesantes que hace la guitarra -el clima del comienzo- que pierden importancia por todo lo otro. Haría falta un trabajo más fino en esta pieza, tiene demasiado y muy banal.
Abemol 1 year ago
thats FRANK WILSON on DRUMS and jimmy and HERMAN RILEY on sax and TERRY EVANS on guitar
michaelfellblues 1 year ago
cool blues great playing could listing to all night
dambust56 1 year ago
You're right about the sax player. A greatly underrated guy. The guitar player is not Burrell but is Carl Lockett.
lastofthebarons 1 year ago
@lastofthebarons no the guitar player is terry evans with herman riley sax and frank wilson drums
michaelfellblues 1 year ago
Herman Riley playing sax and Kenny Burrell on guitar.
ocnoreen 1 year ago
@ocnoreen not Kenny Burrell
jplent 1 year ago
This has been flagged as spam show
It looks like Terry Evans from LA. on guitar (Mid 70's - early 80's?)
JazzGuitarBook 1 year ago
It looks like Terry Evans from LA. (Mid 70's - early 80's?)
JazzGuitarBook 1 year ago
Jimmy is stickin to the original! This is the way way Hoky Tonk is suppose to be.
DocFuzzB3 1 year ago 10
@DocFuzzB3 The saxophone player is Herman Riley and the Guitarist is Terry Evans. I had the pleasure of working with both of them in and around Los Angeles as well as doing many recording sessions. Herman and I traveled with a few bands during the late 50's and into the 70's.
NSP2Videos 4 days ago
I believe that's Carl Lockett on guitar.
waldo2384 1 year ago
@waldo2384 You believe wrongly, my friend... but not sure who it is.
EddieLandsberg 1 year ago
Oww... an Otto Link mouthpiece.....
judahprince 1 year ago
Jimmy sitting in with Bill Dogget's band.
judahprince 1 year ago
Just fabulous all around. /bow
GuruSY 1 year ago
blow that sax baby!
ModernSaxDotCom 2 years ago 2
Hot DAMN....I forgot how great Jimmy Smith really was...
This COOKS!
CrudeDude 2 years ago 5
@CrudeDude
I heard Jimmy Smith went to culinary school ...MASTER CHEF lol
Saxman11290 1 year ago
Yeah, that's Herman Riley on tenor sax. I wonder what happened to him between this performance and the St. Thomas Way post. Beautiful music, beautiful gentlemen. Thanks for the post!!!
2dasimmons 2 years ago 2
Many imitators, but no one else can produce this magic. Billy Butler--WHEW!!!!!
TRAINIAC19 2 years ago
Most of the time this tune is played in G, however, it was originaly played in F.
msaintpc 2 years ago
I saw Bill Doggett in "67" at Cape Cod, he was there for a week. I remember whoever was playing guitar on lead started with a bar F chord and slid up the neck. I don't think it was Billy Butler, since the guitar was bigger than the person playing it. Great times indeed!!!!!
TRAINIAC19 2 years ago
Hey Trainiac19!! Hope you had a wonderful Thanksgiving! Billy was still with Bill Doggett in"67", so more than likely, that was him. I learned " Honkey Tonk " in F, but since most musicians played it in E because it was easier, I had to learn it in E. Definitly, one of the greatest instrumentals ever composed.
msaintpc 2 years ago
superbe, back in time
misshelene59280 2 years ago
The tenor man is Herman Riley fo' sure. he gets announced by jimmy in another clip
DottoreFunk 2 years ago
Clifford Scott - Sax
Billy Butler - Guitar
These two co-wrote Honky Tonk with Bill Doggett.
This is some rare footage! It's a treat to see footage of Billy Butler playing.
payperdue 2 years ago 3
Man....This is the stuff baby!!
msaintpc 2 years ago
Great tenor man!
bigsaxman 2 years ago
great!
MrSoft85 2 years ago
he's a bad MothaFucka !
saxcrobaticfanatic 2 years ago 2
yes, that's Terry Evans. He's still in Los Angeles ... working a Disneyland gig, I think
Doodlinlounge 3 years ago
tenor sax...herman riley
guitar ..terry evans
and don't we love that evans smile?
kokonutz32 3 years ago
Are you shure about Terry Evans? He doesn't look like the one that I know...
jcayer2 3 years ago
maybe not Herman Riley. Isn't it the altoist Curtis Peagler on tenor ?
Markus
schorschadel 3 years ago