Added: 2 years ago
From: Lot2learn
Views: 55,584
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  • Very useful!

  • Thanks a lot for showing this piece. It is the first time in the past few years my chord voicing is developing somewhere. Hopefuly it is somewhere good :)

  • Hey Roger, great vid!

    Could you please tell me the G7 13 #9 Turnaround step-by-step? I can't manage to stop at every single position with my netbook... That would be really helpful to me!

    Keep uploading all this jazz, you are a great teacher!

  • Wow, what a great tutorial, well done and NICE playing

  • Do you know

    youtube.com/user/rkjp56 ?

  • that's not a D major pentatonic over the F minor.....that's an A major pentatonic over the F minor.....don't try to confuse me more than I already am....LOL!

  • @ckdub2 Ha Ha! Thanks for the correction, you're right! ;-)

  • @Lot2learn no problem.... this clip has enhanced my improv approach a great deal.....its amazing that by simply applying C min7, F7, and Gmin7 arpeggio patterns over a Cmin chord [or C pedal] I can sound remotely like McCoy!

  • yesssssssss

  • Sei veramente bravo, complimenti !

  • At 3:25 he is speaking of Melodic and rythmic sequencing, which is the classical name for it. But in Jazz we just call it repition. HOW: Basically, you take a phrase or motive and repeat it, or repeat it at a higher pitch, or repeat it up a half step {good transition to going outside}, or repeat the same rythmn with diferent notes, or repeat the same notes with a different rythmn. WHEN: when you play a phrase thats interesting, or the crowd enjoys repeat it!

  • Incredible playing!

    Really useful after marvelling over McCoy's playing for years!

  • Amazing. The best instruction I've seen. Thanks for posting.

  • here I am again!!!!!

  • I love McCoy, gonna hear him tonight, if I get a ticket (Novi Sad Jazz Festival, Serbia), if not, I hope he will cool enough to attend the jam session after the concert. Anyway, lot2learn, great videos, you're a lot of help, I am mostly classically trained, but good with harmony, so I hope to catch up soon.

  • damn good!!

  • Thank you.

  • @Lot2learn I have the same pleasure to listen to you Roger, each time I come. You 've this little acid taste I love. Sticking tonal, but leaving it just when it needs, not too much, like lemon on a fish:)

  • @OscarTatum Merci! ;-)

  • Thank you so much!

  • Thanks for your comment.

  • is there a method to harmonize a scale with so wath chords? tnx!

  • Roger. Muito obrigado, você é um sábio, pois é grande pianista e compartilha. Grande alma você tem!

  • Thanks for the comment.

  • @Lot2learn

    If the harmony is oriented towards sus chord 4ths why is the melody pentatonic oriented?

    Does McCoy sometimes used a more 4ths oriented melodic line sometimes or mainly pentatonic sequences? thanks

  • @Lot2learn pt 2

    If he's using pentatonic sequences for melody what about using a sequence of the blues scale with the one note extra added. Would that sound good here or in your opinion perhaps corny for this type of piece?

  • fantastic. If you're ever in Yorkshire I owe you a pint!

  • Thanks for your comment.

  • Make mine a Samuel Smith Taddy Porter!

  • Jack Daniels for me :-)

  • god bless you. You really help me more than all books. pls never stop to do that for us....

  • Thanks for your comment.

  • Once again a big thanks Mr Friedman. Love the way those sixteenths fire out. Think I should be exploring those in the pentatonic dept. Thanks again for sharing. This is possibly the best use of hours online I think there is. Well I'm still waiting for the 6ft Russian wife to turn up. Peace

  • Thanks. This is the best inside to Tyner's style I have seen. I can actually hear inside his riffs now. I did download from your site. Your very generous.

  • I appreciate your comment.

  • here I am to learn more

  • Many congratulations for your videos Mr. Friedman! Really helpful! Nice piano sound too... is that from FP-4 or Pianoteq? Thanks again for sharing your knowledge!

  • Grazie! That is the FP-4 set to high sensitivity for touch response - it helps prevent too much triggering of the loudest sample when I play with the attack that this style demands.

  • Great work. I'm as curious as abath07. How were the backing tracks done?

  • Thanks. Band in a Box.

  • Wow, that's completely awesome... not only as a tutorial, but just to listen to!

  • Thanks for the comment.

  • This is tremendously helpful

  • what a great way to get young people excited about jazz piano. Thanks

  • Awesome! So glad you guys are working together I always do better with more analysis, great stuff

  • Roger F. does it again.

  • Thanks NY_Keys. ;-)

  • An excellent master class! How were the backing tracks done?

  • Awesome tutorial Roger! You nailed it. Yet another one of your videos that I am going to have to pause about a thousand times to figure out what youre doin! *****

  • Thanks Jason!

  • I want to play like this when I grow up! Real nice, man.

  • Thank you.

  • Keep on the good work man.....thanks a lot from all of us jazz lovers, you are a real ear opener!

  • Thanks for the comment.

  • What a great video, man you never disappoint! i learned alot!

  • Roger - I really envy your ability to play so fluently and logically in this style. Your lines really 'go somewhere' - so musical over a very limited number of chord/key changes. I'll be studying this very closely!

    *****

  • Man you slam!! I told you a while ago, you don't have a "lot2learn" ! LOL!

  • nice!

  • Blues? Jazz? I don't know but I do know you do it so well. Great work

  • Absolutely great work, thanks also for the the annotations * * * * *

  • Thanks , your tutorial is very didactic and musical, a must for me.

    Pierre

  • Great feel, I love how relaxed but swinging this is.

    *****

  • thank you, wonderful trilogy!

    5*

  • WoW !

  • great vid!

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