Added: 5 years ago
From: Onegin65
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  • You can hear that Caballe was - at her prime - u nbelievable....And you can hear that Carreas had started to sing a repertoire which was not good for his voice!

  • I think they are both in better voice here, especially Carreras, than at the MET Centennial Gala, which was in 1980.( date?) His voice is so much clearer here.

  • Jose has it everything, of course, not only charm and angel´s voice, but also impeccable looks. I look for the general impression of a singer´s performance, not if he now and then sings or doesnt sing a high note, and jose carreras has so much passion when singing, such sweet voice, he expresses so much emotion with his voice, why to talk about his higs c´s or technique so much?

  • some singers arent slim, yet they have a great voice and much of charm... so there is quite enough for me to admire, such as Caballé. if there is an opera singer who is like caballe than he or she can be overweight:-) i don´t mind if he or she sings like she does.

  • I am getting quite tired of hearing people remarking about Caballe's size!! criticize the singing if it is not to your ear but not what she looks like. opera is about listening and admittedly Caballe was never a great physical actress but vocally few can surpass her and if you look at her face the eyes tell such a lot!! she was one of the most important voices in opera and her legacy is unique, brava Montse!!!!!!!!

  • Wow, exciting but uneven. Caballe is superb, despite her obvious physical unsuitability to the role, the horrible wig, the mature age. Carreras, even in young age, seems strained, cannot sustain the slow tempo (yes, VERY slow), and avoids the high note in the last "Amor!".

  • Carreras es uno de mis cantantes favoritos de todos los tiempos. Que lastima que empezo a cantar este repertorio tan dramatico siendo tan joven, no era necesario. Por que no quedarse con Rodolfo, Edagardo y hasta Cavaradosi? Hasta que estuviera mas maduro. En fin, el mal ya esta hecho.

  • Que viva España, Viva Cataluña y que vivan por siempre CABALLÉ Y CARRERAS!

  • Spain could be proud with two magnificent voices,it's one of the best duetos"Vicino a te"that I've heard in my life.Thanks for Carreras and Caballe.

  • Así se hace honor a la profesion ... cuando un cantante se sube al escenario es para darlo todo ! incluso mas alla de sus límites y si al día siguiente no queda nada mas no importa. El público de esa noche es el privilegiado ! Fantásticos ámbos !

  • What are you people talking about???Carreras is great here

  • He's out of gas by the end, but is she ever spectacular. Brava La Superba.

  • Definitely this was too much for Carreras, you can see him really but really uncomfortable, his voice is just not there. Caballe did this really well, it is very hard.

  • i agree, it´s too hard for carreras voice, and i think is not the best caballe...

  • I agree; he skips parts at the ends of phrases for some necessary rest to enter the next phrase.

    The conductor could have helped both a bit though; the tempo is extremely low which makes it quite difficult to sustain....

  • This duet makes great singers greater.

  • muy buenos cantantes solo con la desgracia de ser catalanes

  • My favourite duet, with my two most favourite singers! Bravo!

  • I love her voice from 4:54-5:03.  It is spot on. I love the sound of her high notes.

  • One of my favorite duets ny two of my favorite singers. Caballe wonderful as always. Carreras sounds like a God in this clip.

  • Caballe said about Tebaldi that she had the most pefect voice and she just wanted to be liker her. Tebaldi admired Caballe. Caballe is very good here.

  • The best vocal shape of Carreras I've ever heard for dramatic repertuare; Signora Caballe is mavellous even

    if it's not exactly part for her type of voice. Baravi!!!

  • Great Singers! any criticism is hateful!!! Surely those named"conoiseurs" have never been on stage singing !!!

  • fantastic!

  • the sincerity of the carreras voice in this role,is increadible!

  • Here's a clue for you...don't listen if you don't like. That way you can spare us your hateful comments...

  • Additionally, Tebaldi was a big fan of Caballe, referring to her as one of the few lirico-spintos who still preserved the piano...

  • Great artists...

  • Yes, Carreras pushs. The term "spinto" as I'm sure your know means push. That's what this music demands. If you can't bear his singing, listen to someone else. Caballe was at one time the best soprano in the world. Sadly she declined with age, but here she is still very credible.

  • Obviously you dont know what you are talking about either. Tebaldi sang this stupendously and so did MDM.

  • You are clueless. No one sang great for their entire careers and many sang too long BUT in their prime no one could touch Tebaldi nor MDM

  • True, but there are choices a singer makes that affect the longetivity of their art. Virginia Zeani once told me that she doesn't understand how Del Monaco was able to sing but she would never advise a young tenor to do what Del Monaco did. Singing incorrectly, limits how long you can continue.

  • This is one of the heaviest duets in the Italian repertoire. Normally the part of Chenier is associated with tenors like Del Monaco, Corelli, Tucker, or Vickers. Here Carreras, singing over his head, shows them what a beautiful lyric voice can do in this music.

  • is erotic and exciting!

  • pure passion...

  • Verismo art? I don't think so...lots of screaming from both.Sorry.

  • Great passion. These are the King and Queen of Barcelona singing in their native land. This is too wonderful. All verismo tenors and sopranos listen to this rendition to learn pure verismo art.

  • I love these two best, beautiful, great artists....

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