Added: 3 years ago
From: 1michelemichele1
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  • Such a criminally misunderstood album.

  • Here's comes that awful feelin' again...

  • @TheSimonRowell Honestly most people don't like Up either, personally I think Automatic For the People is really overrated, but almost every R.E.M. album is good.

  • かっこいいいいいいい!

    

  • MONSTER and automatic for the people are what got me into r.e.m :)

  • ok, monster has got to be their sexiest album. All their stuff is good, but this is just torture. too. sexy. for. studying.

  • This really should have been a single.

  • @johnnyasteroid Too off for the times. I always thought of this one and Let Me In and potential singles.

  • @themooddisorders sorry for the wording.  ....as potential singles.

  • grunge !

  • Could there possibly be more buzzing sound? Irritating.

  • @ScottAln05

    I got a fever and the only prescription is more buzzing sounds!

  • i have to say this is one of the best REM songs ever and ive been a fan of the band for over 25 years!!

  • Welcome the ugly animal

  • This song worms its way into your head so badly.

  • a Zep like riff, super repetitive right into your brain!

  • @BaronM very Monkees, also to me

  • I so miss guitar-based rock music like this.

  • Put pepper in my coffee !

  • As a teenager I liked the sound, but didnt fully understand the album. Now that I am older and have more experience with people, it makes perfect sense and I can relate.

  • i love this album plain and simple

  • boom, boom, UNCLE MAN.

    freaking amazing.

  • It's 'On command'

  • @bfdhvcnvvbjdn it will always be UNCLE MAN to me.

  • @WadabawSleeve Lmao!!! You and me both. I was just going to make a comment about how it sounded like Uncle Man to me, back in the day. I see you beat me to the punch. And I agree! UNCLE MAN!

  • This song is sooooo primitive! I love it this way......sounds ancient...... Great music

  • aww shit, when he says "on command", i thought he was saying Uncle Ben..like the rice dude....lol

  • I fell in love with REM in my teens around the time they released Monster. Seen them 7 times in concert. I don't understand those who hate on Monster so much. A truly underrrated album.

  • Yes, one of their most underrated songs. Musically, it punches it's way through a sludge of fuzzed-out guitar, distorted vocals and lyrical sarcasm. The whole song burns with repressed anger, violence and erotic tension (like a lot of the songs on Monster).

    Personally, B4 Monster came out I never really thought of Michael Stipe & Co as doing "raunch" particularly well, if at all, . But with this album and parts of Hi Fi they really nail it... so to speak. ;)

  • Kind of T-Rex sexy/ raunchy ... "Get It On" ; "20th Century Boy"

  • On a catalog basis, REM kicks U2's preachy ass

  • hey man, all my favorite bands are preachy.

  • @themooddisorders I like REM but you are delusional

  •  they're both great to me. i got into music heavily cause of both bands.

  • @themooddisorders So True

  • @themooddisorders not even close

  • @themooddisorders

    Close call though, U2 made 5 great albums, Unforgetable Fire, Joshua Tree, Achtung Baby, Zooropa and All that you can leave. REM made Document, Fables, LRP, Out of Time, Automatic, Monster, New Adventure's and controvertially and i do not care UP. |I make that about 7 - 5 to REM.

  • @TheSimonRowell For me...

    R.E.M.: Murmur, Document, Green and Automatic for the People.

    U2: War, The Joshua Tree, Achtung Baby and All That You Can Leave Behind.

    Tie?

  • @themooddisorders no, not even close

  • define "grunge" dick face. there is no such a thing as "grunge". it isn't some thing in itself. it's just a stupid fuckin media creation. lots of so-called "grunge" bands were influenced by r.e.m in the eighties. nice try.

  • grunge = home grown garage bands that write their own music, with an alternative sound and a southern rock vocalist. did i mention lots of plad? thats about all grunge amounts to. but really i think you hit the head on the nail when you said its a media creation. but even still its a term to define bands with this style and sound. every day new subcategory's of music are being made. so why knock a term. or is it the anti conformist in you speaking out?

  • Sorry for making such a mess

  • Heh, you haven't. They're interesting comments, thanks for posting 'em

  • yea dude, keep posting such insightful stuff. thumbs up!

  • but close to the themes he discusses through them: alienation and paranoia in the age of Internet and media saturation, loneliness and inadequateness reinforced by imagery promoted and multiplied by TV, distrust with the government, sex as an act devoid of any deep meaning. Just my thoughts :)

  • yeah,i know what you mean here...i think it's called achtung baby/zooropa--a.k.a----ZOO T.V.! U2 already been there done that.

  • I know and love both those albums too.

  • you're a good man.

  • what? in what terrific way is this even close to U2?

  • and Let Me In (a song about Kurt's demise, centered around, I think, the impossibility of communicating that human beings often explore, alienation) Even in the latter song, in which Michael puts lots of feeling, there's not a feeling of bareness, the language is still poetic and impressionistic. I think Michael is very distant from the characters

  • You (voyeurism, fantasies created by a lonely and depressed mind, maybe stalking too) and Let Me In (a song about Kurt's demise, centered around, I think, the impossibility of communicating that human beings often explore, alienation)

  • Great song... I always loved that arrogant swing it has :)

  • What I love about this song is that, musically, it very much has that arrogant swing. Lyrically, though, it's full of doubt and insecurity. Putting those two elements together is really potent, and you see that again and again throughout the whole album. Kind of reminds me of In Utero in that regard.

  • I agree with you.. it's certainly REM's most paranoid, insecure and sarcastic album. I wouldn't compare it to In Utero, though, there's a big difference between the two in terms of delivery and meaning of those feelings... Luckily for us, Michael is much more detached and cold about them (he's telling stories) while Kurt was at least very near to the pain and angst he described on that album.

  • Oh yeah, I just meant in the apparent friction between the music and the lyrics. For both, the music is blazing and confident, while the lyrics are full of insecurity. And you're right about Stipe's telling stories throughout the album. So many of the songs have to do with identity, after all. So he's trying on personas, any of whom might be close to the real him, but it's finally impossible to know which one is the realest.

  • That contradiction, like you pointed out before, turns the song into a very disturbing one. The sarcasm the narrator imbues his story with is just appalling. There's this oppressive feeling that he's enduring his humiliation with a sense of anger towards his humiliator, but also of incredible self loathing and self disgust. Perhaps, one of the most disturbed songs in the whole album, along with I Took Your Name (identity theft, paranoia, a general feeling of late-night gloom)

  • Right, and that's what makes it such a compelling song. If, I don't know, Noel Gallagher came up with this riff, the song would've been about his dick. I Took Your Name is lyrically interesting, though by that point in the album I kinda wish Peter could have found another effects pedal. I mean, there've been, what, two, three other songs with the repeater at that point?

  • Is the repeater the same as the tremolo? He really got a fascination with that one on this album.

  • Playing this on guitar is better than sex

  • This song ROCKS! One of my favorite songs ever.

  • Cool Stuff

  • This is one of Monster's best songs in my opinion

  • This song is excellent~

  • Brilliant. Very underrated

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