Claudio Arrau is one of the greatest pianists of ever and ever. For me he is the greatest of all pianists. His only way to understand Beethoven is unique, his spirituality and emotionality superb. His musical line ascends to Franz Liszt. The Sonata Opus 11 is not about dead, but about life ! but not this life, some thing transcending it at all...
By the way, I don't think people really point this out much, compared to the "jazz variation", but in this second half of the piece, Beethoven also pioneers ambience.
I wouldn't want to meet Beethoven. it might spoil the magic to see that he was actually an ordinary man, small, nothing outstanding to behold. I would maybe love to be able to view him discreetly from a distance, but actually meet him ? No. let's retain the spellbinding magic of this music for what it is. Superhuman, incapable of being penned by an ordinary mortal.
@stevej061069 I am afraid that more likely it would be Beethoven who get annoyed to unexpectedly encounter ordinary man in exaltation state of mind, who were expecting to see somebody like Schwarzenegger.
Without a doubt, my most favorite movement out of all of Beethovens piano sonatas. As the last note fades out, there is an indescribable sense of mortality as if it is the conclusion of Beethovens life itself.
The best recording I have heard so far however, was done by Ashkenazy.
@Gibson29 Coming back to this recording half a year later, I have to say that it now it surpasses the Ashkenazy recording I love so much. I don't have my CD case here with me but I believe it was recorded sometime between 1974-1982 with the Decca Record Co.
Arrau so gets Beethoven's spirituality. Op.111 to me is Ludwig speaking to God. I wrote and produced a play, "Beethoven: Heaven's Voice," and it boggles my mind that Beethoven overcame so much to create his later works like this one: His deafness, his ill health, troubles with his nephew Karl, money issues. Beethoven, so many triumphs, but this is one of his greatest.
The C-sharps at the 8:35 and 8:43 are Beethoven's farewell kisses. Goodbye Beethoven! You've done more for the humanity than a million Popes and Scientists.
That's what people said, when they heard it back then. It is high art, and not everyone can crack this nut both in playing and understanding. And you are so right! It does not sounds like Beethoven! Because, at that time, Beethoven heard music that we cannot. He was deaf. And what he discovered in this sonata is universe with unlimited possibilities. You need to listen last 6 sonatas. But, I am afraid you need someone to tune you.
@frozenghost233 are you kidding? this is arguably one of beethoven's greatest works (final 5 piano sonatas, final 5 string quartets). those completely separate him from any composer before or since
Quando ha composto quest'ultima sonata, Beethoven era completamente sordo, aveva segato le gambe del pianoforte per sentire le vibrazioni delle note...qui, nell'interpretazione del grande Arrau del secondo movimeto, è il bene che vince sul male...
Close your eyes, and imagine going to a planet where beings manipulate the very air, make it vibrate with art, or rearrange the very composition of the Universe into a language capable of replacing the tension of nations with the tension of two competing waves of pressure.
This never ceases to amaze me. Sheer genius. I have this on record and seeing it doesn't add much for hearing, but it does show Arrau's total immersion into his playing, the commitment, the dedication. At the same time bowing to the masters music and just creating this monument of beauty. It is uncanny and outworldly, downright incomprehensible; but what art it gives us!
In this peace we can just wonder the depth of the greatest of all pianists after Liszt. Technics (not superficial fingerbeatings), profundity, transcendence. Thánks for this video!!!
I think Beethoven must have grinned when he wrote this sonata."I'll bequeath mankind music they won't be able to play during my lifetime, apart from it's content. Untill Claudio Arrau is born":-) This has such depth and nuance in unwinding the material. Always get tears in my eyes from 5.32 and somewhere at 6.38. This is simply unbelievable and touches...just touches... thank you posting this
«Permaneció tumbado, sin conocimiento, desde las 3 de la tarde hasta las 5 pasadas. De repente hubo un relámpago, acompañado de un violento trueno y la habitación del moribundo quedó iluminada por una luz cegadora. Tras ese repentino fenómeno, Beethoven abrió los ojos, levantó la mano derecha, con el puño cerrado y una expresión amenazadora, como si tratara de decir: «¡Potencias hostiles, os desafío!, ¡Marchaos! ¡Dios está conmigo!»
my favorite beethoven piece..I heard this played live about 3 years ago by one of my teachers and when he was done..i looked around and everyone in the hall was tearing up including me a little..there was about 5 seconds of just silence after he finished it before all the clapping. It is the most memorable recital i have ever heard still to this day. I also think this piece is the one that symbolizes the bridge from the classical to romantic period of music..anyone else agree? LUV U BEETHOVEN!
not just to romantic period.. there's some parts that connects to other periods.. i heard somewhere he wrote the last 5 sonatas not only for his time but for all eternity
To me it shows the mortality fading away and the uncertainty of tommorows. Well played, though you can hear the influence of Alfred Brendel in this performance, usually you can't, Arrau is his own interpreter. It is a sad and beautiful movement.
The recapitulation quality of the 5th variation represents a profound reminiscence, summation, and resolution, if carefully considered. The last fully realized variation of the theme, the perfect cadence ending Var5 proper marks the beginning of the apotheotic coda section - flash, fade, and solute which closes the sonatas. This simple turn on the theme's closing cadence is, a heartbreak made ironic by its triumph.
by the 'perfect cadence at the end of Var5 proper' I mean 6:45, including its harmonic turns from 6:45 to 6:55, and the coda would of course be the rest of the piece. What a sublime chart
6:50 {C-AAGF A-FF(Dm)-F(dim)-F(G7)} is pretty much the moment im talking about in all these posts (see below). I apologize for my lack of concision. 6:50 is a triumph, because for the very first time in the fifteen otherworldly minutes of the movement, that final cadence you've heard basically unchanged 8 times (with varying drama in between) awakens and takes stride in the harmonic rhetoric of the coda. A powerful moment with juggernaut momentum and overwhelming emotional context.
This is my favorite of the sonatas! Beethoven takes the opening theme and keeps transforming it and building on it - and when you think it can't possibly get better Beethoven keep going until the breathtaking end. If that isn't enough, in the beginning there a moment where you hear the birth of ragtime or stride piano!
N'étant généralement pas un grand fan d'Arrau, je suis d'autant plus à l'aise pour m'extasier sur l'arietta (plus que sur l'Allegro, quoique très bon aussi).
Une chose me frappe: alors que tant de pianistes -et non des moindres- sont complètement passés à côté du point d'inflexion magique de la 5° contre variation (2'32") Arrau, lui, la met en exergue de façon presque caricaturale; c'est trop pour moi, mais à tout prendre je préfère ça à passer complètement à côté comme Nat Bachaus et autres...
Played very profound but sometimes a little bit slow. I prefer the version of Stephen Bishop-Kovacevic, an even more mystic one. Beethovens most meditative sonata, the quintessence of all 32. Indeed breathtaking. Thanks for posting this precious stone.
Filmed in Paris, 1970. No more information is available in the EMI Classics (classic archive) DVD box .[DVB 4928399]. This recording may not have been extracted from my EMI source reference.
Breathtaking. Like water flowing. The op. 111 is arguably Beethoven's greatest piano sonata, and Arrau plays it better than anyone (with the possible exception of Michelangeli, depending on tastes).
I agree. I'm not an Arrau fan (despite he's my favourite in Brahms..). Here, i have the impression to touch the essence of Beethoven and his spiritual meaning. I've heard only once something very similar: Sviatoslav Richter in a rare live recording. Thanks you Spexter1337
I'm Italian: Beethoven calls the Arietta: "adagio molto semplice e cantabile". Literally means: slow, very simple and SINGABLE. So mrxaxeguy is right. Of course its's very simple, but this is not the palce to talk about it.
Claudio Arrau is one of the greatest pianists of ever and ever. For me he is the greatest of all pianists. His only way to understand Beethoven is unique, his spirituality and emotionality superb. His musical line ascends to Franz Liszt. The Sonata Opus 11 is not about dead, but about life ! but not this life, some thing transcending it at all...
mariibr12 1 month ago
7:47 - 8:50 - A heck of a lot harder than it looks... It's like the death of me
mrcpianist 1 month ago
By the way, I don't think people really point this out much, compared to the "jazz variation", but in this second half of the piece, Beethoven also pioneers ambience.
GlennMagusHarvey 5 months ago
2:33-2:44 oh my goodness so magical
6:54-7:08 once again, so magical
GlennMagusHarvey 5 months ago 2
I wonder how much that room is vibrating from about 6:56 - 7:08.
Gibson29 6 months ago
The ending makes me so happy :D
JocastaViridian 6 months ago
no one plays it better.
cirosuperiore 7 months ago 2
A wonderful interpreter to play the greatest of all musics.
oilorio82 7 months ago in playlist Beethoven
At 9:31 Beethoven closes a chapter in the development of piano pieces, and opens a page for the other composers.
Laudan08 7 months ago 2
I wouldn't want to meet Beethoven. it might spoil the magic to see that he was actually an ordinary man, small, nothing outstanding to behold. I would maybe love to be able to view him discreetly from a distance, but actually meet him ? No. let's retain the spellbinding magic of this music for what it is. Superhuman, incapable of being penned by an ordinary mortal.
stevej061069 8 months ago 10
@stevej061069 I am afraid that more likely it would be Beethoven who get annoyed to unexpectedly encounter ordinary man in exaltation state of mind, who were expecting to see somebody like Schwarzenegger.
Alpasonic 3 months ago in playlist Sonata 32 Beethoven
to play a piece like this must be almost too much for the heart. So extraordinary. I love you Beethoven.
TheJoyfulPianist 8 months ago 3
@TheJoyfulPianist It is hard to hold back tears when listening to or playing this.
GlennMagusHarvey 5 months ago 4
Ist dies etwa der Tod?
felipilloo1984 8 months ago
M-A-E-S-T-R-O!! de mi chile lindo :D!!
enzitox28 9 months ago
Also, starting around 5:30 or so, has got to be the greatest "outro" of any piece of music ever written.
Gibson29 10 months ago
Arrau has such beautiful piano hands, nice long thumbs and proportionate fingers.
Gibson29 10 months ago
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Without a doubt, my most favorite movement out of all of Beethovens piano sonatas. As the last note fades out, there is an indescribable sense of mortality as if it is the conclusion of Beethovens life itself.
The best recording I have heard so far however, was done by Ashkenazy.
Gibson29 10 months ago
@Gibson29 Coming back to this recording half a year later, I have to say that it now it surpasses the Ashkenazy recording I love so much. I don't have my CD case here with me but I believe it was recorded sometime between 1974-1982 with the Decca Record Co.
Gibson29 6 months ago
Arrau so gets Beethoven's spirituality. Op.111 to me is Ludwig speaking to God. I wrote and produced a play, "Beethoven: Heaven's Voice," and it boggles my mind that Beethoven overcame so much to create his later works like this one: His deafness, his ill health, troubles with his nephew Karl, money issues. Beethoven, so many triumphs, but this is one of his greatest.
sunpowernatural 10 months ago
I want this to be the last song I ever hear.
quarknugget 10 months ago
@quarknugget Yes, it's all about death, isn't it?
ilkinond 9 months ago
@ilkinond Hell yes.
quarknugget 9 months ago
The C-sharps at the 8:35 and 8:43 are Beethoven's farewell kisses. Goodbye Beethoven! You've done more for the humanity than a million Popes and Scientists.
toneeeeeee 11 months ago 6
Franchement ... la meilleure interprétation !! les autres le jouent trop rapide a mon gout !
La, c'est... divin !
Je l'ai écouté pendant longtemps avant de m'endormir ou seul dans le canapé dans le noir et vous êtes envahi de sentiment de beauté étrange !
Au départ si comme moi vous n'etes pas très habitué au classique, c'est une oeuvre un peu difficile mais après plusieurs écoutes ... vous planez !
jeflehardi91 11 months ago
2:34 omg
etiennegirard1 11 months ago
There IS a God in Heaven - and He created Beethoven with a lot of love and care, so that he could tell us what Heaven is like.
dubitz11 1 year ago 6
danke!
yusukeundisolde 1 year ago
That's what people said, when they heard it back then. It is high art, and not everyone can crack this nut both in playing and understanding. And you are so right! It does not sounds like Beethoven! Because, at that time, Beethoven heard music that we cannot. He was deaf. And what he discovered in this sonata is universe with unlimited possibilities. You need to listen last 6 sonatas. But, I am afraid you need someone to tune you.
brimelka 1 year ago 3
doesnt sound like beethoven. I dont like this one very much.
frozenghost233 1 year ago
@frozenghost233 are you kidding? this is arguably one of beethoven's greatest works (final 5 piano sonatas, final 5 string quartets). those completely separate him from any composer before or since
iambanzo 1 year ago 4
@iambanzo I sorta disagree. But, every artist or musician has their own opinion.
frozenghost233 1 year ago
Beethoven's last piano sonata, and perhaps the last piano sonata.
felipilloo1984 1 year ago
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if i could meet one person in history. him. no hesitation
me too, to say thanks.. as long as my time machine could bring me back here :D
dripglass 1 year ago
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Beethoven was a negro.
Well the boy did have rhythm, lol
dripglass 1 year ago
Ludwig and the universe. The Einstein of all music.
gordonsta2 1 year ago 2
quien es ateo despues de escuchar esto?.. Dios nacio en Bonn
op111emdh 1 year ago 2
Beethoven was a negro.
clindt 1 year ago
@clindt OK
gouloum2222 1 year ago
@clindt would you deign to expound on that?
buggfire 1 year ago
Quando ha composto quest'ultima sonata, Beethoven era completamente sordo, aveva segato le gambe del pianoforte per sentire le vibrazioni delle note...qui, nell'interpretazione del grande Arrau del secondo movimeto, è il bene che vince sul male...
canummare 1 year ago
Sublime!
gerardbedecarter 1 year ago
my favorite is from 7:40
it seems so pure and.....clean
sorry that's difficult to find a word to describe the last part
billywongting 1 year ago
The greatest piano movement among all 32 piano sonatas.
roozbehab 1 year ago 4
I loooove the left hands playing beginning at 2:54 - this wonderful unbelievable wave. Beethoven wrote music like I am - it is my music.
When 25 I started playing piano with his moonlight sonata. I never had piano lessons but I *wanted* to play it and i got it.
I hope one far day I will have the honor to play this sonata - his master piece ...
Thank you Ludwig, for all the moments you took me out of my life up to the stars.
And thank you Claudio - he would have been very satisfied with you :-)
drube 1 year ago 18
@drube
Why didn't you start with the Appasssionata? ;-)
walti945 1 year ago
Comment removed
walti945 1 year ago
@drube Very nice thought, very nice...everything is a matter of "wishing"...it gives hope...thanks!
iaquil 1 year ago
@roozbehab : Certainly!
gerardbedecarter 1 year ago
@roozbehab it is great. although for me it is 2nd favorite of those works, i prefer the final movement to the 31st piano sonata
iambanzo 1 year ago
Close your eyes, and imagine going to a planet where beings manipulate the very air, make it vibrate with art, or rearrange the very composition of the Universe into a language capable of replacing the tension of nations with the tension of two competing waves of pressure.
Open your eyes - you're there already.
jeffamarie 1 year ago 3
Frivolity after piety,
shock after frivolity,
ailment after shock,
piety after ailment,
steadiness after piety.
EinFremderAusElea 1 year ago
This never ceases to amaze me. Sheer genius. I have this on record and seeing it doesn't add much for hearing, but it does show Arrau's total immersion into his playing, the commitment, the dedication. At the same time bowing to the masters music and just creating this monument of beauty. It is uncanny and outworldly, downright incomprehensible; but what art it gives us!
dajohnthomas69 1 year ago
In this peace we can just wonder the depth of the greatest of all pianists after Liszt. Technics (not superficial fingerbeatings), profundity, transcendence. Thánks for this video!!!
Oxenoverborragia 1 year ago
love watching his hands... so relaxed and natural, like he's just letting his fingers drop onto the keys.
drawcomics 2 years ago 2
As Martha Argerich said once.. Claudio Arrau set an unbeatable standard on Beethoven...
Ray0X0 2 years ago
In all of music there is nothing more transcendent than this piece. And no performer of it more transcending than Arrau.
semieuphoric 2 years ago 3
what did beethoven get in return from us for this priceless gems?
i'm sure never enough
cirosuperiore 2 years ago 2
Let me tell you: just 30 ducats for this sonata.
HilarioGP 2 years ago
I think Beethoven must have grinned when he wrote this sonata."I'll bequeath mankind music they won't be able to play during my lifetime, apart from it's content. Untill Claudio Arrau is born":-) This has such depth and nuance in unwinding the material. Always get tears in my eyes from 5.32 and somewhere at 6.38. This is simply unbelievable and touches...just touches... thank you posting this
dajohnthomas69 2 years ago 5
What trills!
yonoid818 2 years ago 3
A great realization of one of Mankind's greatest treasures: Beethoven's farewell to the piano.
sequoianorcal 2 years ago
This is not music. Is a miraculous peace and happiness message for us.
Thank you, Mr. Beethoven.
Thank you, Mr Arrau.
Thank you, Spexter1337.
grakelonio 2 years ago 4
beautiful
MissLovett93 2 years ago
2:54 is just miraculous.
joesullins 2 years ago
@joesullins
Yes - this wonderful wave ... I always cry when getting to this.
What a music!
drube 2 years ago
Whenever I think of pianists and trills I think of Arrau, who had the best trill of them all.
billyguns2 2 years ago 2
Just listen to Beethoven pumping in the final of his last Symphony and then listen to what happens from 00:40 to 03:05.
clindt 2 years ago 2
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arrau was a noob
shadishadyshadi 2 years ago
why?
stagesix6 2 years ago
how about no
shadishadyshadi 2 years ago
there's no such word in the dictionary except for youtube devils who insists on defining such term
libetta 2 years ago
if i could meet one person in history. him. no hesitation
Anjro0 2 years ago 37
Beethoven or Arrau?
I will meet both :)
Desmonddd2002 2 years ago 2
@Desmonddd2002:
Ludwig van Beethoven = Genius on musical composition
Claudio Arrau León = Genius on expressive interpretation
Ray0X0 1 year ago 3
Comment removed
fanofnigelssensation 1 year ago
@Anjro0 beethoven or arrau?
AllUserNamesTaken111 1 year ago
@Anjro0 me, too
xiameister 1 year ago
@Anjro0 me, too
xiameister 1 year ago
@Anjro0 beethoven or arrau??
aschscha 1 year ago
@Anjro0 if you mean Beethoven, Ditto!
VivaRenata 9 months ago
@Anjro0 Claudio Arrau, or Beethoven?
fightinboner 8 months ago
@Anjro0
Beethoven or Claudio Arrau?
TheChaos92 8 months ago
kuerti is also a sublime interpretation
TheManSAberi 2 years ago
La parte desde el minuto 7:40 debe ser realmente complicada de lograr en buena forma!, pero Arrau lo toca como si fuera fácil hacerlo.
Ray0X0 2 years ago
«Permaneció tumbado, sin conocimiento, desde las 3 de la tarde hasta las 5 pasadas. De repente hubo un relámpago, acompañado de un violento trueno y la habitación del moribundo quedó iluminada por una luz cegadora. Tras ese repentino fenómeno, Beethoven abrió los ojos, levantó la mano derecha, con el puño cerrado y una expresión amenazadora, como si tratara de decir: «¡Potencias hostiles, os desafío!, ¡Marchaos! ¡Dios está conmigo!»
Sobre la muerte de Beethoven, 27/03/1827.
Ray0X0 2 years ago
and i can't wait to play this for my senior recital in two years!
mlr2107 2 years ago
What institution are you studying at?
timpanitimptim 2 years ago
florida state starting next fall
mlr2107 2 years ago
my favorite beethoven piece..I heard this played live about 3 years ago by one of my teachers and when he was done..i looked around and everyone in the hall was tearing up including me a little..there was about 5 seconds of just silence after he finished it before all the clapping. It is the most memorable recital i have ever heard still to this day. I also think this piece is the one that symbolizes the bridge from the classical to romantic period of music..anyone else agree? LUV U BEETHOVEN!
mlr2107 2 years ago 7
not just to romantic period.. there's some parts that connects to other periods.. i heard somewhere he wrote the last 5 sonatas not only for his time but for all eternity
aspacguy1 2 years ago 3
esta pieza la compuso un extraterrestre
cdera01 2 years ago 2
Preciosa parte 2:54
marcolinoz 2 years ago
"beatiful in c minor beethoven's favorite key full of energy and lonliness"
the Variations are in C Major.
largemoose 2 years ago
"The recapitulation quality of the 5th variation represents a profound reminiscence, summation, and resolution"
it always sounded to me like Beethoven was reconciled with himself.
largemoose 2 years ago
Al minuto 2:01 si affaccia l'ombra della 9° sinfonia... .
FirenzeRegna2 3 years ago
They (great piano performances) don't come much better than this.
gordonsta2 3 years ago
well I think is the best version! Is incrediblee!
mestreliszt 3 years ago
listen to michelangeli's one please
ANDREBARO92 3 years ago
To me it shows the mortality fading away and the uncertainty of tommorows. Well played, though you can hear the influence of Alfred Brendel in this performance, usually you can't, Arrau is his own interpreter. It is a sad and beautiful movement.
whenultra 3 years ago
Well, sadly, Brendel wasn't humble enough to have classes by Arrau...
Oxenoverborragia 1 year ago
beatiful in c minor beethoven's favorite key full of energy and lonliness
snowyyyyyyyy 3 years ago
The recapitulation quality of the 5th variation represents a profound reminiscence, summation, and resolution, if carefully considered. The last fully realized variation of the theme, the perfect cadence ending Var5 proper marks the beginning of the apotheotic coda section - flash, fade, and solute which closes the sonatas. This simple turn on the theme's closing cadence is, a heartbreak made ironic by its triumph.
Anjro0 3 years ago 3
great analysis, thanks for sharing
mrvexingparse 3 years ago
by the 'perfect cadence at the end of Var5 proper' I mean 6:45, including its harmonic turns from 6:45 to 6:55, and the coda would of course be the rest of the piece. What a sublime chart
Anjro0 2 years ago
6:50 {C-AAGF A-FF(Dm)-F(dim)-F(G7)} is pretty much the moment im talking about in all these posts (see below). I apologize for my lack of concision. 6:50 is a triumph, because for the very first time in the fifteen otherworldly minutes of the movement, that final cadence you've heard basically unchanged 8 times (with varying drama in between) awakens and takes stride in the harmonic rhetoric of the coda. A powerful moment with juggernaut momentum and overwhelming emotional context.
Anjro0 2 years ago
this is incredible, what a life
derhawk 3 years ago
My favourite piece of music ever too. No question. I cry every time.
eliotswann 3 years ago
its like looking up at the sky on a clear night and seeing all the stars of the universe stretching out to infinity
sjwright76 3 years ago 33
@sjwright76
FOGGOT!
brassmonkeyjew 1 year ago
@sjwright76 Nice thought, very nice.
iaquil 10 months ago
This is my favorite of the sonatas! Beethoven takes the opening theme and keeps transforming it and building on it - and when you think it can't possibly get better Beethoven keep going until the breathtaking end. If that isn't enough, in the beginning there a moment where you hear the birth of ragtime or stride piano!
crcummings46 3 years ago
is like beethoven want to say goodbye to every one , this sonate is gold, beethoven is a genius
thegoddescomposer 3 years ago 3
I like Arrau's performance the best of the others I've heard. Mitsuko Uchida plays it nicely too.
WhiteAbenaki 3 years ago
pazzeskamente bello!!!!!!!! magnifika interpretazione!!!!!una kapacità straordinaria nell'utilizzo delle varie gradazioni sonore!!stupendo!
cuorevio 3 years ago
beatiful
victorjara23 3 years ago
this movement played by arrau is actually my favorite piece of music ever.
juanma88ct 3 years ago 5
Beethoven was the man!!!!!
AlexPhisicalT 3 years ago 3
This movement is very very spiritual.
BachFong11 3 years ago 3
He savours every each note.
aldebussy 3 years ago
N'étant généralement pas un grand fan d'Arrau, je suis d'autant plus à l'aise pour m'extasier sur l'arietta (plus que sur l'Allegro, quoique très bon aussi).
Une chose me frappe: alors que tant de pianistes -et non des moindres- sont complètement passés à côté du point d'inflexion magique de la 5° contre variation (2'32") Arrau, lui, la met en exergue de façon presque caricaturale; c'est trop pour moi, mais à tout prendre je préfère ça à passer complètement à côté comme Nat Bachaus et autres...
TONICOSWORTH 3 years ago
Thanks a million for posting this video!
Greatest Beethoven sonata ever.
orcamocha 3 years ago
Thank you. It's incredible to listen to this music...other world...fascinating, extraordinary
zungitus 3 years ago
Thank you! Beautiful.
centaurdo 4 years ago
....bravo, maestro,.......
juancillo 4 years ago
Played very profound but sometimes a little bit slow. I prefer the version of Stephen Bishop-Kovacevic, an even more mystic one. Beethovens most meditative sonata, the quintessence of all 32. Indeed breathtaking. Thanks for posting this precious stone.
pollekepetaatekop 4 years ago
Arrau, lo mejor
claudibilis 4 years ago
how come barely anyone likes classical music? All these people listen to rap... Jesus whats up with people
lordlactose 4 years ago 7
thanks for uploading this .. i've been waiting a long time after seeing the 1st mvment -) does anybody know where/when/what he was playing for?
redrothko 4 years ago
Filmed in Paris, 1970. No more information is available in the EMI Classics (classic archive) DVD box .[DVB 4928399]. This recording may not have been extracted from my EMI source reference.
Greetings!
khalamath 2 years ago
Breathtaking. Like water flowing. The op. 111 is arguably Beethoven's greatest piano sonata, and Arrau plays it better than anyone (with the possible exception of Michelangeli, depending on tastes).
LeChukc 4 years ago
I agree. I'm not an Arrau fan (despite he's my favourite in Brahms..). Here, i have the impression to touch the essence of Beethoven and his spiritual meaning. I've heard only once something very similar: Sviatoslav Richter in a rare live recording. Thanks you Spexter1337
lhiram23 4 years ago
this is no song you moron!
vodkaweiser 4 years ago 3
beethoven called this an aria, with variations.
an aria is a song.
and arrau certainly plays with the most singing touch.
tremendousOt 4 years ago 2
I'm Italian: Beethoven calls the Arietta: "adagio molto semplice e cantabile". Literally means: slow, very simple and SINGABLE. So mrxaxeguy is right. Of course its's very simple, but this is not the palce to talk about it.
wanderer300 4 years ago 2
Great to finally see the rest of the song ;D.
mraxeguy 4 years ago
Marvellous!
smudgepots 4 years ago