She is a wet dream of every coloratura that exist on this Earth; not liking her means those 3 people have no ears or they think they have ears, but those are amputated organs no one needs!
" Sul mio labbro incantator Sta il sorriso dell' amor Nel mio sguardo è una magia Che fa l' alma trepidar. Garzuncel t' invola al dardo che tant' altri in duol lasciò . . .
Son la fiamma, son la luce Che affascína, che seduce; Son la rosa a cento spine Che ti dice : « Non toccar ! »
" Sul mio labbro incantator Sta il sorriso dell' amor Nel mio sguardo è una magia Che fa l' alma trepidar. Garzuncel t' invola al dardo che tant' altri in duol lasciò. . . . . . . .
Son la fiamma, son la luce Che affascína, che seduce; Son la rosa a cento spine Che ti dice : « Non toccar ! »
" Sul mio labbro incantator Sta il sorriso dell' amor Nel mio sguardo è una magia Che fa l' alma trepidar. Garzuncel t' invola al dardo che tant' altri in duol lasciò. . . . . . . .
Son la fiamma, son la luce Che affascína, che seduce; Son la rosa a cento spine Che ti dice : « Non toccar ! »
I often prefer renditions in which the artist successfully expresses him/herself through singing and doesn't lose sight of the libretto, but, Wow! who doesn't enjoy such spectacular vocal fireworks?!
The secret of great singing is spontaneity which is non-existent today on any operatic stage. Galvany carried it to extremes, nevertheless, she surpasses all the sopranos on the professional stage today
apart from alle the reactions abt her astonishing voice, isn't it also peculiar that nobody knows if she died in 1918 or in 1949 ??? That puzzles me even more!
Grandios the high and coloratur, the best I had heard all times. She belongs in the golden age of the gigantvoices like Tetrazzini, Dal Monte etc. Absolutly the top a men could sing. A voice for the heaven !
What do you mean "in spite of"? That's the whole point! LOL this is virtuosismo to the extreme, but always perfectly executed and in balance. 796824 is exactly right.
This record NOT Fonotipia, but G.&T. 053165 (mx.1399 1/2 c). Maria Galvany make records for Huges & Acosta cylinders, Puerto & Novella cylinders, G & T, Pathe freres (both: cylinders & disc form) and Edison cylinders. She not made records for Fonotipia.
The somewhat tasteless oramentation can distract from the incredible vocalism we hear here. Galvany was beyond virtuoistic and seemed to have a very solid technique aside from her interesting liberties.
This recording may be a camp classic, but Galvany, notwithstanding her insane picchetati and very flat high E-flat here, was a good singer in a good day. She left some very good records.
You mean "deaf to the fact..." Seriously though, I am neither blind nor deaf, and perhaps was too harsh in my criticism of Galvany's exuberant talent. I agree it is a remarkable recording, though, on balance, Galvany is not one of my favorite singers compared to other old-timers such as Galli-Curci, Tetrazzini, Melba, Sembrich, etc. I've also been listening to early singers for many years. I wonder whether you have any Alice Verlet recordings in your collection.
I've posted a number of Galvany's recordings but not this one, since you already have it available. I've been a coloratura soprano record collector since age 9, and without a second's hesitation, I can say that this is my number one favorite of my 12,500 discs and cylinders. THANK YOU for posting this. I never tire of hearing it.
There is nobody on the face of the earth who can duplicate these vocal pyrotechnics! Like Tetrazzini, she sang joyously! A bunch of 12-in. Edison Diamond Disc record-masters sit in storage that were never issued! She was a slip of a girl with a short career. Her life was difficult as time went on.
I remember first hearing this weird recording about 40 years ago. I thought then it was mildly entertaining and at times amusing, but no more than a display of virtuosity sounding like a caricature of a coloratura soprano. I have not changed my opinion.
This is a REMARKABLE recording. Those who take exception to the quality of her ultra- high register are blind to the fact that most of Galvany's performances date from the dawn of recorded sound. Dazzling stacatti! If only she had remained in circulation until the microphone era, circa 1925.
Graet point. If she sang TODAY and wanted to, she could have toned things down a bit. No one singing today ,even if they wanted to, could heat things up like Galvany. This is one of my favorite recordings of anything.
too bad for the audio quality...
Kardinale3000 1 week ago
She is a wet dream of every coloratura that exist on this Earth; not liking her means those 3 people have no ears or they think they have ears, but those are amputated organs no one needs!
This only can make a listener speechless!
rubyedelman 5 months ago
Theres no way! This can't be real!! :O ??????
sweetpepper36 5 months ago
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" Sul mio labbro incantator Sta il sorriso dell' amor Nel mio sguardo è una magia Che fa l' alma trepidar. Garzuncel t' invola al dardo che tant' altri in duol lasciò . . .
Son la fiamma, son la luce Che affascína, che seduce; Son la rosa a cento spine Che ti dice : « Non toccar ! »
Liricantando 10 months ago
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" Sul mio labbro incantator Sta il sorriso dell' amor Nel mio sguardo è una magia Che fa l' alma trepidar. Garzuncel t' invola al dardo che tant' altri in duol lasciò. . . . . . . .
Son la fiamma, son la luce Che affascína, che seduce; Son la rosa a cento spine Che ti dice : « Non toccar ! »
Liricantando 10 months ago
This has been flagged as spam show
" Sul mio labbro incantator Sta il sorriso dell' amor Nel mio sguardo è una magia Che fa l' alma trepidar. Garzuncel t' invola al dardo che tant' altri in duol lasciò. . . . . . . .
Son la fiamma, son la luce Che affascína, che seduce; Son la rosa a cento spine Che ti dice : « Non toccar ! »
Liricantando 10 months ago
I think shes Ricardo Mutis Nightmare...
Its funny- and impressing
OLIVCHEN77 1 year ago
I often prefer renditions in which the artist successfully expresses him/herself through singing and doesn't lose sight of the libretto, but, Wow! who doesn't enjoy such spectacular vocal fireworks?!
RoyKa2010 1 year ago
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If anyone thinks Galvany was only a bag of tricks please listen to this.
FERNANDO DE LUCIA & MARIA GALVANY - Sonnambula "Prendi l'anel ti dono"
Her tone is bright - her legato is smooth and her intepretation sensitve .
65attila 1 year ago
Comment removed
65attila 1 year ago
Un usignolo!
gcarlos03 1 year ago
I love this performance. If this does not make you smile- you need professional care.
65attila 1 year ago
The secret of great singing is spontaneity which is non-existent today on any operatic stage. Galvany carried it to extremes, nevertheless, she surpasses all the sopranos on the professional stage today
MrSkylark1 1 year ago
apart from alle the reactions abt her astonishing voice, isn't it also peculiar that nobody knows if she died in 1918 or in 1949 ??? That puzzles me even more!
jcriedijk 2 years ago
@jcriedijk She died in 1927 Join in to Maria Galvany facebook group !
Liricantando 11 months ago
Grandios the high and coloratur, the best I had heard all times. She belongs in the golden age of the gigantvoices like Tetrazzini, Dal Monte etc. Absolutly the top a men could sing. A voice for the heaven !
WQ673 2 years ago
She was AMAZING!!!!!!!!!!!!!!
KasiaGliwski 2 years ago 5
In spite of sometimes excessive ornamentation, she's still terrific!!
7inga7 2 years ago 4
What do you mean "in spite of"? That's the whole point! LOL this is virtuosismo to the extreme, but always perfectly executed and in balance. 796824 is exactly right.
LE3C 2 years ago 2
They knew how to sing in the Golden age
They do not today
796824 2 years ago
This record NOT Fonotipia, but G.&T. 053165 (mx.1399 1/2 c). Maria Galvany make records for Huges & Acosta cylinders, Puerto & Novella cylinders, G & T, Pathe freres (both: cylinders & disc form) and Edison cylinders. She not made records for Fonotipia.
alechorseman 2 years ago
The somewhat tasteless oramentation can distract from the incredible vocalism we hear here. Galvany was beyond virtuoistic and seemed to have a very solid technique aside from her interesting liberties.
janejones11 3 years ago 2
Oh my god... This is amazing! How can reaching such high notes be possible at all? O_o My throat hurts when I hear it.
Absolutely exceptional possibilities O_o
inuitka 3 years ago
ahahahaah i topini di cenerentola mentre le fanno il vestito x il ballo!!!! ahahahaha
longlifeluke 3 years ago 2
Ma è veramente possibile fare queste cose?
lantis323f 3 years ago
outstanding! a miracle! ginocchio!
Coloraturissimo 3 years ago
This recording may be a camp classic, but Galvany, notwithstanding her insane picchetati and very flat high E-flat here, was a good singer in a good day. She left some very good records.
AulicExclusiva 3 years ago
@AulicExclusiva
This is Camp Brilliant Delight.
Regards-John.
65attila 3 days ago
coloratura on crack
zamyrabyrd 3 years ago 4
Anyone knows where to get a decent quality mp3 of this recording?
agnellodei 3 years ago
Returned for another hearing. FIVE STARS!
gmmix 3 years ago 2
You mean "deaf to the fact..." Seriously though, I am neither blind nor deaf, and perhaps was too harsh in my criticism of Galvany's exuberant talent. I agree it is a remarkable recording, though, on balance, Galvany is not one of my favorite singers compared to other old-timers such as Galli-Curci, Tetrazzini, Melba, Sembrich, etc. I've also been listening to early singers for many years. I wonder whether you have any Alice Verlet recordings in your collection.
meltzerboy 3 years ago 2
I've posted a number of Galvany's recordings but not this one, since you already have it available. I've been a coloratura soprano record collector since age 9, and without a second's hesitation, I can say that this is my number one favorite of my 12,500 discs and cylinders. THANK YOU for posting this. I never tire of hearing it.
gmmix 3 years ago 2
This is so full of joy. Helps on a depressing day. Like it or not musically what she does is vocally phenomenal.
63Attila 4 years ago 2
There is nobody on the face of the earth who can duplicate these vocal pyrotechnics! Like Tetrazzini, she sang joyously! A bunch of 12-in. Edison Diamond Disc record-masters sit in storage that were never issued! She was a slip of a girl with a short career. Her life was difficult as time went on.
gmmix 4 years ago 2
What impresses me is the power of her low register.
sevoflurane 4 years ago
amazing what voices could do back in those days...
drdre333 4 years ago 4
she´s natalie dessay´s wet dream
niklausse 4 years ago 14
@niklausse Hahahhahah LOL
Bigman240 2 months ago
Wonderful, I so love this woman. Please make a video with her amazing rendition of Mozart's Der Holle Rache.
alexmacias 4 years ago 2
I remember first hearing this weird recording about 40 years ago. I thought then it was mildly entertaining and at times amusing, but no more than a display of virtuosity sounding like a caricature of a coloratura soprano. I have not changed my opinion.
meltzerboy 4 years ago
Caricature as you want, you still have to be able to sing those evil notes!!!
And you have to think that the recording is probably not relevant of how it really sounded.
It's, I think, impossible today to have a voice so natural and focussed. I wish I could have that, even for just an hour...
freespiritQC 4 years ago 6
This is a REMARKABLE recording. Those who take exception to the quality of her ultra- high register are blind to the fact that most of Galvany's performances date from the dawn of recorded sound. Dazzling stacatti! If only she had remained in circulation until the microphone era, circa 1925.
gmmix 4 years ago 3
freespiritQC
Graet point. If she sang TODAY and wanted to, she could have toned things down a bit. No one singing today ,even if they wanted to, could heat things up like Galvany. This is one of my favorite recordings of anything.
Regards-John
65attila 2 years ago
because they cant do what they did in the past,they are just managing to sing the notes!
hobo1975 2 years ago
wow the stacatti im so impressed that how the women voice
can make so beautiful sound s
like birds
mdancer01 4 years ago 7