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  • 11:00 and beyond - Terror and Wonderment, Uplifted. I can't help but be moved, transported out of this carnal existence into the spiritual realm. That is the best I can do with words.

  • se non che la mia mente fu percossa da un fulgore in che sua voglia venne. A l'alta fantasia qui mancò possa; ma già volgeva il mio disio e 'l velle, sì come rota ch'igualmente è mossa,

    l'amor che move il sole e l'altre stelle.

    Explicit Liber Comedie Dantis Alagherii de Florentia Paradiso Canto XXXIII

  • what an intensity, what a glory ... the whole of it and its final part, specifically, is to me as the approaching of a man to the eternal gates of heaven ... what you can feel here deep within is the process in itself, the final revelation is beyond the process, it's in a different level, no more music (i.e. the process, full, resplendent, the object which reflects itself into the subject), only the silence, to be filled but subjectively...

  • In my opinion the best interpretation ever, and a legendary performance. Bravo!Celibidache seems to have been the only conductor who had understood what 'feierlich, nicht schnell' really means.

  • 7th heaven!

  • THIS is how the coda of the last movement of the 8th should go:

    HOLY AND TERRIBLE, full of the mysterium tremendum of Almighty God , which I firmly believe was Bruckner's goal.

    but why those philistines in the audeince are not stunned speechless and have to defile the thing by their vain applause is beyond me

  • @Strefanasha look at Celibidache's face and you know he thinks about this auditorium

  • I'm always astonished by how committed this orchestra was under Celi... one might not always agree with the man, but that orchestra... wow. Gives "burnished tone" a whole new meaning!

  • Magic. What Celibidache does from 10:53 is beyond this world.

  • Divine

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