tom should really publish this... I have this on my mp3 player and listen to it a lot... often It will just start playing in my head and I try to remember what song it is. Then I remember.. Oh! its Brier Blues! haha
that was cool, thanks. Who do you think inspired that improv the most? I listen to a bit of Bessie Smith, but her piano song's aren't quite as complicated as that
@DaMJBM I hear a little bit of Jelly Roll Morton and Clarence Williams stylistic touches in this, amongst MANY other influences. Tom could tell you much better than I could. The tune is a good one, and at least one of the choruses sounds (probably coincidentally) like "Them Doggon'd Trilfin' Blues" by Will Skidmore (1917), which happens to be one of my favorites!
Other than learning music theory and playing this type of music a whole heck of a lot, I'm not sure. There certainly are plenty of books about music theory, and jazz or blues, and lots of blues publications and recordings to learn from. Tom has been playing this kind of music since before you were born, so he's got a bit of a head start on ya...!
Well, in this case, it was to help Tom to transcribe the music should he care to. There's another video of Tom improvising a faster number yet to be posted, parts of which were shot by holding the camera over his shoulder.
Someone commented about that aspect of this piano last year. My only guess is that it gives you better leverage to hit those notes for certain chords when your finger must be extended (e.g., middle fingers when spanning an octave or more). But then why not a tapered white key too? Who knows why they did it that way...
Take a look at the construction of the keyboard. The whites are flat, and fit under the faceboard. If the blacks weren't tapered, they'd interfere. It they were made like a letter 'L' (with a notch to fit under the faceboard) they'd be weak.
@ianjcameron We're referring to how long and slow the tapering is on this piano compared to most others. Most pianos, the black key extends almost all the way to the board, with a sudden drop at the end. This piano's black keys, however, have that long, gradual tapering which is very unusual.
i would be immenselyy grateful if you ask tom for some advice on how could i sight-read without looking at the keyboard. how does he knows where each key is?
Tom has said that his earliest piano lessons as a little boy had a strong emphasis on sight-reading. Knowing where the keys are is no different than how a blind pianist does it, I imagine: After enough practice, the person simply knows his way around a keyboard.
To add to this, I think that if you practice blindfolded, you become a better pianist because you become more familiar and efficient with the instrument.
God, I would give so much to be able to just sit down and play like this.
amplimax 1 year ago
Anyone have a transcribed copy of this?
Sylvanas590 1 year ago
Are there any books or websites that he can recommend me to learn this style?
primolander 1 year ago
This is awesome! I hope to be able to improvise like this someday.
scrowley524 1 year ago
tom should really publish this... I have this on my mp3 player and listen to it a lot... often It will just start playing in my head and I try to remember what song it is. Then I remember.. Oh! its Brier Blues! haha
LudwigVonKoopa64 1 year ago
Thank you Tom.
Are you sure you're just not moving your fingers and it's really a pianola? I saw your feet moving.
uh
lolocowboy 2 years ago
wow thats really good
GinWizard3 2 years ago 2
that was cool, thanks. Who do you think inspired that improv the most? I listen to a bit of Bessie Smith, but her piano song's aren't quite as complicated as that
DaMJBM 2 years ago
@DaMJBM I hear a little bit of Jelly Roll Morton and Clarence Williams stylistic touches in this, amongst MANY other influences. Tom could tell you much better than I could. The tune is a good one, and at least one of the choruses sounds (probably coincidentally) like "Them Doggon'd Trilfin' Blues" by Will Skidmore (1917), which happens to be one of my favorites!
KawhackitaRag 4 months ago
is there a theory book i could buy, or some type of scales and cords in particular that could help me with this type of improv?
aardvark2468 3 years ago
Other than learning music theory and playing this type of music a whole heck of a lot, I'm not sure. There certainly are plenty of books about music theory, and jazz or blues, and lots of blues publications and recordings to learn from. Tom has been playing this kind of music since before you were born, so he's got a bit of a head start on ya...!
Keeper1st 3 years ago
I so appreciate your camera's full attention to the hands and keyboard. I can't learn much from faces and backs.
ragtimedanny 3 years ago 5
Well, in this case, it was to help Tom to transcribe the music should he care to. There's another video of Tom improvising a faster number yet to be posted, parts of which were shot by holding the camera over his shoulder.
Keeper1st 3 years ago
That's quite a fascinating blues by Tom.. I hear a lot of influences in there. The 'black' keys look odd, tapering down towards the ends!
ragtimemax 3 years ago
Someone commented about that aspect of this piano last year. My only guess is that it gives you better leverage to hit those notes for certain chords when your finger must be extended (e.g., middle fingers when spanning an octave or more). But then why not a tapered white key too? Who knows why they did it that way...
Keeper1st 3 years ago
@Keeper1st
Take a look at the construction of the keyboard. The whites are flat, and fit under the faceboard. If the blacks weren't tapered, they'd interfere. It they were made like a letter 'L' (with a notch to fit under the faceboard) they'd be weak.
ianjcameron 1 year ago
@ianjcameron We're referring to how long and slow the tapering is on this piano compared to most others. Most pianos, the black key extends almost all the way to the board, with a sudden drop at the end. This piano's black keys, however, have that long, gradual tapering which is very unusual.
Keeper1st 1 year ago
tom is amazing!
i would be immenselyy grateful if you ask tom for some advice on how could i sight-read without looking at the keyboard. how does he knows where each key is?
thank you!
luistamez 3 years ago
Tom has said that his earliest piano lessons as a little boy had a strong emphasis on sight-reading. Knowing where the keys are is no different than how a blind pianist does it, I imagine: After enough practice, the person simply knows his way around a keyboard.
Keeper1st 3 years ago
Thank you very much!
luistamez 3 years ago
To add to this, I think that if you practice blindfolded, you become a better pianist because you become more familiar and efficient with the instrument.
KawhackitaRag 3 years ago
Great job with the vid Ron...I like the improv Tom did...nice and steady with lots of variations...ah to have those nice long fingers!!
idasynco 3 years ago
Good job Tom! This is the kind of things we do in my band for the moment. Not as complex but kinda the same. Alot of fun to just sit'n improvise.
Maturkus 3 years ago