Added: 5 years ago
From: creativebna
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  • i wanna download this album again in downloadmusic .im

  • he is wanking the piano.

  • best interpretation I ever heard!!! The seashore is amazing.

  • T_T so beautiful .. im planning to play this piece for my LRSM exam in 2011. perhaps.

  • too long becomes obnoxious and too much not listen able just not memerable and long

  • A glittering coat of mirrors, not yet coated in the grey etheric tobacco snot that killed Debussy.

  • haha that ending is just pure class

  • Yeah! This is him, Portland's great pianist.

  • I wouldn't compare this guy to Horowitz - his Debussy is certainly favorable to Horowitz, in my opinion.

    But huhm! I can't find any reference to this guy! Like, anywhere! Nothing on iTunes to my knowledge, and not even a Wikipedia article. I like him! Does he have any recordings?

  • Lol at the ending!

  • I have another recording of David Smith playing this as probably world record speed. I also have a recording of him playing Ravel's Toccata at 160+ beats per minute!

  • WAW O.O facinating !!! really this guy is super talented !

  • I can tell this guy was mostly self-taught because of his fingerings. He does a lot of awkward crossing over and "finger-doubling" with his 4 and 5 in the left hand. This was more of my style until my professor worked it out of me.

  • i don't mean to be an ass, but does his fingering have to mean that he was self taught? i had a teacher that was most amazing and yet i still find myself using alternate fingerings. for some it may just be second nature to be unorthodox

  • you are right it has nothing to do...

  • Is he died?

  • aggressive.. like it, nevertheless

  • wow... he has a fast hand.. he is talent

  • Great technique but I'm not feeling this interpretation at all. It's like he's playing everything fortissimo. No dynamics, no subtlety. He seems to approach it more as a sport.

  • There is lots of dynamics in this... You are hearing the buzz of a poor recording.

    If Gieseking played a pppp with an oversensitive mono mic amplified to the max and placed next to the strings of the piano, you would still hear buzz.

    It would benifit you to learn how to see past those kinds of effects, because so many really great recordings (notably by Rachmaninoff and Horowitz, to name just a few) have them.

  • There's a difference between oversensitive mics and playing everything loud... even in old recordings (and yes I've listened to many, particularly Horowitz and Arrau), you can still hear the dynamics even if the actual volume is compressed. I just don't care for the interpretation is all, to each their own :)

  • @thinkpad20 Agreed. Debussy thought the piece was extremely difficult because you must attack the piano in every way possible - his words.

  • @thinkpad20 Wrong.

  • @thinkpad20 this music is brilliant to fell music you need more than a common taste you must feed in the history music is telling and for that you need sensibility!

  • Awesome i love this song

  • omg this is scary. maybe its the music or just how good he is. i think its both.

  • i want to punch that coughing guy in the face. hes buggin

  • This is AMAZINGLY beautiful!

  • I did not know that Truman Capote could play piano.

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  • Technique is OK but stylistically not so good.

    Where are colors, shadings, contrasts and

    other elements so characteristic for impressionism.

  • Bravissimo!

  • Amazing!!!

  • Una verddera joya de interpretacion. Nunca habia oido hablar de este magnifico pianista.

  • what an interesting left hand..it must be comfortable for him playing like that cause it sound wonderful.

  • oh em gee hes good

  • WOW! my words exactly! :)

  • when you play like him you can say whatever u want before doing your show, so u shut up and LISTEN!

  • right?

  • SHIT SHIT HOLY SHIT!!! This is on the same level as Ravel fo sho. 5 stars

  • You should be a music reviewer, UnwrittenPaul, what with your sophisticated eloquence.

    ;-)

  • Haha I know that not be true. But thanks none the less. Now if I could only play this piece. That would fix everything

  • wow!

  • his fingers move so fast!!! its amazing!

  • School doesn't teach manners...Euteve...

    He plays too fast..

  • yes, the coughing is way too annoying...i would've loved to just get up and throw a cough drop at their/his head/s...

  • preferably launched with a wrist rocket(sling shot).

  • yep, that would work just fine. ^^

  • This is ridiculously amazing. My brain wouldn't even be able to function if I tried to play that fast.

  • squeaky clean trills!

  • hall's mentholatum anyone??????????????????

  • fanTAstic.

  • What a coda!

  • I love the ending of the song

  • it's not a song it's a piece:)

  • there is always one who has to be obstinate! lol

  • haha i was just saying:)

  • that was amazing. mesmerizing even.

  • This is not my favorite piece, but its still beautiful

  • WOW. makes me wish i picked piano as an instrument to play instead of the reocorder. WHAT WAS I THINKINKG?? that guy who kept coughing was annoying beyond belief

  • Yes, the coughing annoyed me to no end

  • i don't understand how people manage to cough so much like hell leave the auditorium and get some water. Stop ruining it for everyone else.

  • haha, how do they cough so much!

  • let's be gratefull they don't <2 usually" fart

    Yes, they should stay home or go to a rock concert...or back to school to learn manners..

  • John Cage made a composition for them,

    4' 33'' of silence, so they could cough as much they want.

  • To all of you: as to the coughing bit, you should watch the YouTube video "Loriot Hustensinfonie" (Loriot: coughing symphony). Don't worry - you don't need to understand german in order to enjoy that one. I'm sure you'll have a real good laugh!

  • I didn't find that video. Is it removed?

  • No, it's still there. There are several pages on the list of results for "Loriot" - you'll find it on the second or third page.

  • Actually, all you need to do is type "Loriot Hustensinfonie" into the "search" field, and you'll hit right upon it.

  • O_O how can ANYONE handle all that trilling?!

  • Amazing.

  • cool. o.o

  • what a freakin genious

  • "word"

  • i want to kill that guy coughing

  • @xxxbh4everxxx just do him like bugs bunny and shoot him with a revolver lol

  • He is so amazing! It's absolutely astonishing how good he is!! I love this song, another classic.

  • omg. i wish i was a virtuoso. darnit.

  • wow what a fucking cool ass song!

  • Vielen dank für dieses Video! Ein exzellenter

    Pianist....GRANDIOS!!!!!!!

  • Stunning! Overwhelming!

    Thank you for posting.

  • I see what you mean by rapid and gracefully, reminds me of a strange kind of intricate dance that blows away the amazing sense of hearing.

  • O.O

    He plays so gracefully, yet rappid, it's amazing.

    *continues to stare starry-eyed and jaw on the floor*

  • Truly amazing.

  • He's so "sweet".

  • hehe

  • i think he needs more change in dynamics. but, besides that, it was great! it's like my ultimate goal to play this peice before i graduate high school.

  • I like Claire de Lune & Arabesque #1 much better, but I still like this song.

  • i know what you mean. i love both of those songs much better.

  • It's soothing to me too. I love it.

  • yuo have teh j3zus fing3rz

  • All other versions of this I've heard are way too fast, especially the last climactic section. It totally ruins the piece. This is the perfect tempo.

  • It's good, but I don't like how he keeps switching the fingerings between hands to make it look more difficult.

  • Magnifique!!!!!! L'isle de Joyeux - Debussy Merci beaucoup. - Penny

  • I GOT SHIVERS ALL OVER

  • 1981 is not vintage ^^

  • If you go to a piano concert take a lozenge. Jesus Christ!

  • Before I saw your post I imagined the rather effeminate voice of the pianist exclaiming "oh, you might need a big lozenge in there" to explosive laughter.

  • what does guitar hero have to do with L'isle or this pianist ? Tonally same ff all da way thru!No hint of subltety playing for the peanut gallery .HOMIE DA malo SHEET! I think some lack of imagination the opening trills so big . JUDGEMENT ! . Like he is playing for gallery. Jesus no growth of structure. 2ndsecond subj has no water or light n it. Im sorry this is not da sheet to my mind. SamsonFrancois,Horowitz,Michel­angeli anybody but this!

  • WONDERFUL!!!!!!!!!!!!

    I could practice this same passage for 10 years non-stop and still would not come close to this! Humbling!

  • My Music Teacher was playing a part of this in class. I'm just now getting into Debussy. I find his pieces a lot more enjoyable than things I'm hearing than the romantic period, although that's when more various styles were coming in classical music, but this is definitely style.

  • Debussy is my favorite 20th century composer. His music is so soothing to me. It also wakes my imagination!

  • He has great style when he plays, love it!

  • This pianist is a great poet!! He understood this so lyrical piece, It,s someone like Monique Haas, Walter Giesiking or Lívia Rév playing Debussy. WONDERFUL!!!

  • la fin est merveilleuse

  • I'd never seen this played before, having only heard it on recordings. Now I can appreciate how hard it must be to play.

  • Excellent performance...

    A charming, beautiful debussy that l've seen.

  • buon esecutore....ma van halen tecnicamente nn lo vede nemmeno

    bam

  • the comments you teenagers put here r  just embarrasing for yourselves.the sound quality is not reat here. thisis a fine conception.I learned something from 4:20 on so i think I better go and listen to complete performance.

  • this is like van halen shredding but on classical piano

  • guitar hero is for fags

  • I agree. I don't play Guitar Hero but it's popular right now, that's the only reason I brought it up.

  • What a pity the recording quality is so bad. But you can still hear what a good performance this is. I had not heard of him before. What a shame! He should be more well known.

  • he plays it like a Lizst piece.  No subtlety but he has a lot of technique, just not enough.

  • i can totally hear what you're saying

  • agreed...

  • I agree with playgued.... this lacks color and adds bravura for the sake of it, not for the character in the music.

  • Dont ever mock Bach again please :]

    if you hate Bach..then Listen to His Mass in B minor

    "Gloria en Excelsis Deo

  • Hey man, don't go out saying crap about Bach. Without Bach's great music you wouldn't have any of what you hear here... I would like to see any of your modern music share the same mathematical and musical perfection that only Bach could achieve.

  • Bach is without a doubt one of the greatest musicians of all time and tasteless repetitive modern music will never compare. not saying all of it sucks it just doesn't have as much substance

  • also i find it interesting that you're calling others dumb when your spelling is atrocious.

  • yo i think jute-w/e person is reading alil too into it, "the way he stands up" ??? w/e. tight song

  • this is nice, but i prefer clair de lune ^-^

  • the way he show off, stand up like that at the end, and the way he plays it ... I mean, i'm not for critizising since i know how hard it is to perform that kind of masterpiece correctly ... But man ... I don't know but he must be a little too proud of himself and i think it tends to be hearable in his play ...

    C'est tellement pas comme ça que je veux entendre du Claude Debussy, putain !!

  • emphatique, maniéré, des mouvements inutiles, superficiel...

  • His hands move so smoothly and effortlessly.  Beautiful piece, beautiful playing.

  • well, i don't know enough to not like it

  • I absolutely loved it when he slammed the final chord and just stood up and walked away from the piano. :-)

  • I absolutely loved it when he slammed the final chord and just stood up and walked away from the piano. :-)

  • my favorite interpretation so far. he's so skilled

  • yes - its a good piece but I think that the performer has used for too little emotion and feeling - mainly is the first few bars.

  • amazing performance, amazing performer, amazing piece of music, i used this piece as a warm up before the hello round at a piano competition(i played a different piece) than this, it is definately worth learning, watching this performance is worthwhile for any musician.

  • mono, bad recording, poor video, and yet still sends shivers. Easily one of the greatest works of Dubussy when done right, and this is done well.

  • OmG. trills....!!

  • wonderful! great skill

  • Beautiful......but a bit clumsy.

  • Ignoring the minor audio problems, wonderful performance! I've always enjoyed listening to this piece, and this is the first time I've seen it performed! I can learn a lot from watching the fingers.

  • There's only one Rachmaninov, nobody can be compared with him.. NOBODY!! The only way to be compared is somehow on interpretation but to be treated as equal nopp!! no parallel with ANYBODY!! just play Rachmaninov and you will see what I'm talking about.

  • I find comparisons of his style with Horowitz's or Rubinstein's are incongruous with his style of playing; he is too unique for such dichotomies to be drawn. To each his own. I find his playing great, anyway.

  • interpretation is good, especially the start - the most original one i've heard. a bit slow in the bit after the intro tho. but it was a good pace, in the section after.

  • Excellent piece, I found free sheet music for it on SheetMusicFox DOT com and absolutely love it!

  • It sounds as if he's technically quite secure in tackling this massive ontaking, but seriously....who did the sound recording in this? Either David has no conception of distinguishing volume or some sound engineer did a pretty lack-luster job at recording this. I mean come on, it sounds as if the entirety of the piece is played fff!

  • watch Patricio Molina 's videos

  • I've listened to several of his videos here, and find his playing uniformly excellent. Too bad the quality of the sound reproduction is so poor, but the wonderful control and brilliant articulation he achieves coimes through along with a touching enthusiasm for the music. The world missed something very fine and deserving in its failure to recognize the spendor of David Smith's talent.

  • Where has this man David Smith been all these years, and why haven't we heard more from him? He has an unfortunate speaking voice, which may account for his not achieving the reputation he obviously deserved.

  • i do think this is a bit harsh for this piece..

    i hope david smith denies whoever calls him a rachmaninoff or horowitz, because they were probably conked on the head before saying that.

  • Smith's pianistic facility is every bit the equal of Rubinsein, Horowitz, Rachmaninoff, etc. In that regard he has few peers. Smith is an underservedly neglected pianistic genius. Dod you read what Rubinstein and Hoffmann had to say about him?

  • Oh sorry, i dont mean to say that hes being a jerk to say that hes like rachmaninoff etc. David smith's got more than a lifetime of talent, and im in total respect for him. But he has his very own individual talent, not horowitz's or rubenstein's.

  • Reputable critics have compared David Smith favorably with those great pianists and both Rubinstein and Hoffman praised him extravagantly when he was still a student of Karol Lesnewski (sp?). They both said he was destined for greatness. I find it sad that he didn't have much of a career.

  • This is not blogging site.

  • ???

  • Frankly...listening to this song again, I think Smith does a very good job with the piece! However, I don't think how he plays it would be considered a traditional interpretation of the piece. In general, Debussy's works are much more focused on ambiance and melodic blends rather than the virtuoso style Smith plays the piece with.

  • L'Isle Joyeuse is one of Debussy's most virtuosic pieces. It is said to be inspired by a painting called Embarcation pour Cythere. I believe that artist was Corot, but the subject matter of the piece has to do with Bacchanalian revels------sexual orgies accempanied by much drinking to put it more bluntly.

  • Because he gives the piece a much more virtuosic interpretation, people will claim that it is against Debussy's musical style, and music scholars may not like how he plays the piece... But to anyone else (even with musical backgrounds), the piece is well played and also a strikingly different interpretation of a difficult piece as compared to many other famous performers.

  • It is well played, but I feel that this piece requires a more delicate touch than what Smith gives it. It's all there technically, but it could be so much more if he used more volume contrast...

  • madex99, i bet u suck :p

  • a girl played this piece at a piano-competition and because of her performance i didn't win. what to say - i hate this work^^

  • sorry but it's not liszt, it's debussy: where is the music? it sound's like gymnastic not like music.

  • I'm not sure I understand you correctly? Liszt it definitely is not, and I'm glad. Liszt to me is more like someone practicing scales and arpeggios rather than music. Debussy's piece influenced every film composer in the world! It's magnificent music!

  • Mmmmm, i would rather say that it's a quite different aesthetics. and that the interpretation of this guy points too much on the virtuosity of the piece, which is not important at all in debussy's writing (colors and melting of tonalities are much more important). from what i ear, he has an articulation which would fit better a piece from liszt. it's not the point of which composer is the best, rather style

  • You give me the impression that you are not used to listen to Debussy. His music is not (usually) easy to understand at first audition, but once you "discover" it you will be in love with his work.

  • Hey, forget my previous comment. I guess I understood what you said. You meant that he is playing this as if it were Lizst and not Debussy. In this sense you are right. This piece is more like a feather flying in the air and not like a hammer beating on the keys.

  • Pfft! I could play this with my toes!

  • omfg o_o

  • Absolutely wonderful performance from a pianist I was unaware of. I can't understand why everyone posts such negative comments on youtube, I get the impression they just want to stroke their own egos. There is no correct way to interpret a great work of art. What great artists like Mr. Smith, Rubinstein, Horowitz ect. are able to do is make everything about their performance sound proportioned and inevitable.

  • Furthermore, Rachmaninoff's technique is still considered to be one of the, if not THE very, best. Mr. Gunn, though reliable, blundered at least a little in his analysis: Mr. Smith's playing was very good; Rachmaninoff's was remarkable.

  • Alas I must be alone on this page in not enjoying Rachmaninoff's piano playing, notwithstanding my love of his work as a composer! I have never felt Rachmaninoff gave of himself as a pianist in the way he did as a composer (perhaps it shouldn't be surprising given the different attributes needed for each). By contrast I feel David Edward Smith conveys a warmth and tremendous passion (regardless of the slips) that isn't present in most pianists' interpretations, including Rachmaninoff's.

  • This piece is beautifully played, and Mr. Smith quite lucidly extracts Debussy's melody and tones well. His interpretation is one of the best I've yet to hear, and, coupled with a fine technique, the piece is well depicted. A comparison to Rachmaninoff, however, is clearly controversial as one can see from the posts. Rachmaninoff had a tonality and power that elicited the utmost perfection from whatever piece he played.