Every time I heard her performance, I always surprise to her clean voice and the sophisticated techniques hidden behind a camouflage of ease and confidence
Sumi Jo is unique, original, one of a kind, an angel from heaven, with a "bellizima " voce ". She has it all. She is MAGNIFIQUE. Born to sing anything. Fantastica. Thanks for allowing us to enjoy what is called in Italian "Bell Canto".
@rayc287 Great comment. Sad that Lady Gaga(Madonna, etc) is a bigger celeb than artists who have spent a lifetime increasing their talent. And have talent.
If she wasn't good as many are saying, she would not be successful in Europe as she is today cuz they're very strict about bad singers, of course sometimes they make a mistake but in Jo's case I think they've hit the spot! She's phenomenal!
Excellent. Perfect intonation, registration, turn of the top, and wonderfully-done cadenzas, messa di voces, and rallantando. She is on top of her game, and is light years ahead technically of most other coloraturas out there singing at the MET today.
Usually a lot of failed musicians become critics. They have to know a lot about music, but weren't good enough to have a career themselves. The German Coloratura Soprano's teacher always said: "Children, practice! Otherwise you must become a critic!"
so just those should say anything negative about a musician who could do better?
so I should think about a politician only If i would be a better politician
or a doctor?
or I dont have ears?
please leave this foolness.
She is an outstanding singer and sings this Caro nome marvellously too. But I really hate this "why do you say anything dehonesting when u couldnt do better" stuff...
if you don't like it you can say "I don't like it", if you have proofs and enough knowledge to say it's bad then say it, but if you don't, then you have no right to say it because you don't know and it only makes you sad and immature and this world doesn't need that kind of people today, we have much more problems....
i have this movie clip 'yeollin um ak hoi' very clean. in that clip, she sounds like water, sounds like bell. May be other time i'll upload it on Utube.
BEL CANTO IS NOT A TECHNIQUE, IT IS A STYLE. THERE IS TERRIBLE CONFUSION ABOUT THE VOICE AND VOCAL TERMS TODAY.
The vocal works of Mozart, Donizetti, Bellini, Rossini (which influenced Verdi, of course) ask the singer to be capable of legato phrases - REAL LEGATO, not what passes for legato today - (sostenuto) and agility (fioritura) and these are some of the characteristics of the bel canto style that REQUIRE true vocal mastery.
Underlying hum or "arcato": bowed, played with a bow. Jo's singing, like almost any singer today, attempts legato but what you can hear if you listen is uneven pressure on the pitches-creating *dashes*rather than one extremely smooth, seamless line, with one note connecting to the next. The words too must be clean, effortless and even, a"pearl necklace",a flowing stream of notes. For great legato in piano playing, listen to Rachmaninoff. You would swear he is playing with a bow.
you could hear great examples of true legato by listening to singers like Leontyne Price (a good example is "D'amor sull' alli rosee" from Trovatore). Listen to how the phrases are like big arches of sound supported on the breath. Each arch has a "destination" where the next arch begins. As good as Price was, NO ONE could spin a long phrase like Caballe in her prime. Your eyes could almost cross waiting for her to take a breath.
I think u need to clean your ears out! Unlike Sutherlands constant muffling, Jo's attack is crystal clear and sure, her trills comfortable and fluid. Listen again...
Maybe Anna Moffo did, but had a lot more finesse and artistry with it. (And sang it in tune better as pointed out by Lohengrin). Is this a room full of Asians defending their own or what? Damn, ease up...it's America and everyone's entitled to an opinion.
I'm not a musical expert or anything but is it just me or did she slow down and skip 2 notes(among others in the aria) at 3:47, I usually listen to the Joan Sutherland version of this, and 3:47 stuck out like a soar thumb. Also at 2:45 her tempo was noticeably faster, and her notes were more slurred together, but that may very well just be technique or interpretation.
Anyways, there is a noticeable difference between Joan and Sumi, although Sumi is good, Joan, in my opinion is better.
i think ur rite... but i also do think she just slowed down and didnt do that segment of notes like other sopranos....have u heard leontyne price's rendition?
Sumi Jo's unbelievably good but Edita is so .......(couldn't find any adjective to describe her performance) I think Gruberova's the best GILDA ever come.
normally i love sumi jo, but not in this. it's not bel canto enough for me, there needs to be more line in her singing. she halts too much. i still favor anna maffo for this one.
That's kind of the nature of this aria; if you look at the music, there are a lot of rests and staccati. I think she does a beautiful job, although it's a bit faster than other versions I've heard.
Officially??? Bel canto is a broad term with more than one meaning, as you surely must understand, for you say you are a student singer yourself. This Verdi piece demands "bel canto", or "beautiful singing" in line and tone and flexibility, as much as any Handel or Bellini aria.
Yes, yes, of course I understand what you mean. It is good, though, to start using "bel canto" as a technical term for a certain style of composition that requires florid/coloratura singing in the baroque/classical meaning... which ends with Rossini. Of course Verdi must be "beautiful singing", as every singing should be :)
She is marvelous. I have always preferred Elizabeth Futral cover of this song, but that is a personal choice. You know how you acknowledge great talent, but sometimes you just prefer other performers? It's just a tone thing for me.
Compared with the other performers of Caro Nome (even Maria Callas), Sumi Jo's voice in this opera is much more relaxing and confident. A real diva...
My goodness - those floated high pianissimi. UNBEATABLE. Have just compared her with Christine Schafer (effortful) and Ileana Cotrubas (a lovely performance, but no piasnissimi...) THANK you for sharing
Her voice is so delicate. It brings tears to my eyes. I've heard Jesse Norman and K. Battle live at the SF Opera. But Mss Jo is the best.
Operahawk1 3 months ago
Every time I heard her performance, I always surprise to her clean voice and the sophisticated techniques hidden behind a camouflage of ease and confidence
ralphmei 6 months ago
@ralphmei
Well said.
That apparent easy comes from hours and hours of practise, plus of course the boundless talent that she exhibits with every wonderful performance.
She is the best!
rmcinuk 6 months ago
Bravo, Sumi! The opera lives long because of those like you. It's heavenly.
jcyoo52 8 months ago
Sumi Jo is unique, original, one of a kind, an angel from heaven, with a "bellizima " voce ". She has it all. She is MAGNIFIQUE. Born to sing anything. Fantastica. Thanks for allowing us to enjoy what is called in Italian "Bell Canto".
Tenorbravo 10 months ago
When she sings, she glows and becomes the most beautiful and enchanting person in the world.
I am truly captivated, galvanized! Sumi Jo is a work of art.
corationgson 10 months ago 3
@corationgson
I sense another hopless devotee here!
Totaly agree with every word
rmcinuk 9 months ago
The "Ugly American's" raise there heads again....as an American I apologize to the rest of the world for some of our uneducated people.
rayc287 1 year ago 3
@rayc287 Great comment. Sad that Lady Gaga(Madonna, etc) is a bigger celeb than artists who have spent a lifetime increasing their talent. And have talent.
Operahawk1 3 months ago
scusate ma nn mi piace!!!!! w callas e tebaldi 4ever
MyDona78 1 year ago
Love IT!!
rigoletto,,....
sthephaf 1 year ago
che fine ha fatto il tempo e la danza ritmica con l'orchestra? Voto:4
AmantePura 1 year ago
Ya I'd tap that.
Oh ya she has a skilled mastery over her voice or whatever.
BonePhone 1 year ago
If she wasn't good as many are saying, she would not be successful in Europe as she is today cuz they're very strict about bad singers, of course sometimes they make a mistake but in Jo's case I think they've hit the spot! She's phenomenal!
lipera 1 year ago 2
infernal. gracias.
mostrodelalaguna 1 year ago
Sumi is the best Gilda in 20 century no doubt
ocakavanie 1 year ago 2
Sublime sweet perfection!!!
Marcelisa 1 year ago 2
Ela é linda, fantastica. Adoro ve-la cantando. Magnifica. Maravilhosa.
abbirolli 1 year ago 2
please listen this from leyla gencer watch?v=2G1Bdr32kHk
kullifulusi 2 years ago
Excellent. Perfect intonation, registration, turn of the top, and wonderfully-done cadenzas, messa di voces, and rallantando. She is on top of her game, and is light years ahead technically of most other coloraturas out there singing at the MET today.
tvbates 2 years ago 6
beautiful
noball12 2 years ago 5
This is a great rendition; very clear and precise. I love Sumi Jo-- she's very talented! Thank you very much for posting this!
LittleMongoosie 2 years ago 6
but it is true that she is the best. you see, she has taken the 1st international puccini award. see who is the 2nd international puccini award.
sumimimi0 2 years ago 2
Those who can, do.
Those who can't, criticize.
NKWIAM 2 years ago 34
Usually a lot of failed musicians become critics. They have to know a lot about music, but weren't good enough to have a career themselves. The German Coloratura Soprano's teacher always said: "Children, practice! Otherwise you must become a critic!"
silvr94 2 years ago 5
@NKWIAM If people would just speak for themselves without putting their words in the mouth of The God of Opera, then much of this could be avoided.
To be honest, though, an echo chamber of praise is not an interesting discussion.
Still, criticizing this woman is just kind of a joke to me...
hymnofashes 2 years ago 2
she might be one of the best singers on earth!
too bad that people come and criticize
that assholes couldn't do better
KriBlackRoson 2 years ago 13
so just those should say anything negative about a musician who could do better?
so I should think about a politician only If i would be a better politician
or a doctor?
or I dont have ears?
please leave this foolness.
She is an outstanding singer and sings this Caro nome marvellously too. But I really hate this "why do you say anything dehonesting when u couldnt do better" stuff...
golaxo 2 years ago
haha exactly!
finally someone understands....
if you don't like it you can say "I don't like it", if you have proofs and enough knowledge to say it's bad then say it, but if you don't, then you have no right to say it because you don't know and it only makes you sad and immature and this world doesn't need that kind of people today, we have much more problems....
KriBlackRoson 2 years ago
yep. dunno about you guys, but i'm totally with herbert von karajan on this - sumi jo's voice is really "a voice from above"!
duhhh86 2 years ago
Wow
thewickedzirenita 2 years ago
i have this movie clip 'yeollin um ak hoi' very clean. in that clip, she sounds like water, sounds like bell. May be other time i'll upload it on Utube.
Thisdayno1 2 years ago
gaddddd... unbelievable voice!!!!!!!
dreamworld6 2 years ago 5
Maravillosa, She's a Godest!
vsm18 2 years ago 4
Que es lo feo del final? A mi me parecio genial esta version de Sumi jo :)
ritavila 3 years ago 2
A mi tambien me parecio genial, las sopranos ligeras pueden hacer con su voz lo que les da la gana!!!!
acitipo 2 years ago
Except for the non-ending, this was OK. The conducting is sluggish. The whole thing doesn't make much musical sense. But her voice is beautiful.
AulicExclusiva 3 years ago
NOT FAIR.
colinmochriesbuddy 3 years ago
God knows I adore Sumi, but does anyone else think her high notes sound whiny in this?
gibraltarrr 3 years ago
this absolute fucken great performance makes that bad quality of a video more than worth watching and listening =D
Johnoooh 3 years ago
BEL CANTO IS NOT A TECHNIQUE, IT IS A STYLE. THERE IS TERRIBLE CONFUSION ABOUT THE VOICE AND VOCAL TERMS TODAY.
The vocal works of Mozart, Donizetti, Bellini, Rossini (which influenced Verdi, of course) ask the singer to be capable of legato phrases - REAL LEGATO, not what passes for legato today - (sostenuto) and agility (fioritura) and these are some of the characteristics of the bel canto style that REQUIRE true vocal mastery.
LE3C 3 years ago 6
could you define "real legato" please? thanks.
gibraltarrr 3 years ago
Underlying hum or "arcato": bowed, played with a bow. Jo's singing, like almost any singer today, attempts legato but what you can hear if you listen is uneven pressure on the pitches-creating *dashes*rather than one extremely smooth, seamless line, with one note connecting to the next. The words too must be clean, effortless and even, a"pearl necklace",a flowing stream of notes. For great legato in piano playing, listen to Rachmaninoff. You would swear he is playing with a bow.
LE3C 3 years ago 3
you could hear great examples of true legato by listening to singers like Leontyne Price (a good example is "D'amor sull' alli rosee" from Trovatore). Listen to how the phrases are like big arches of sound supported on the breath. Each arch has a "destination" where the next arch begins. As good as Price was, NO ONE could spin a long phrase like Caballe in her prime. Your eyes could almost cross waiting for her to take a breath.
BeauTenor 3 years ago 2
I think u need to clean your ears out! Unlike Sutherlands constant muffling, Jo's attack is crystal clear and sure, her trills comfortable and fluid. Listen again...
senilangakali 3 years ago 3
Was this shot with a camera phone from 5 years ago? like the sound but one of the worst quality videos ive seen on you tube.
tubeninja1 3 years ago
Maybe Anna Moffo did, but had a lot more finesse and artistry with it. (And sang it in tune better as pointed out by Lohengrin). Is this a room full of Asians defending their own or what? Damn, ease up...it's America and everyone's entitled to an opinion.
02kissme 3 years ago
@02kissme Its NOT America, you twat... Its the whole world. Youtube is available everywhere, idiot.
luap42 1 year ago
Anna Moffo used the same ornaments/cadenze!!
silvr94 3 years ago
@silvr94 La Moffo vivio hace 40 años atras estamos opinando de la Sumi Jo.
acitipo 1 year ago
para mí, la moffo está la mejor gilda. pero encuentro sumi jo también buena.
silvr94 1 year ago 2
This comment has received too many negative votes show
Looks like an example of the Suzuki method gone bad....much too labored and sluggish for this aria....both by Sumi and the orchestra.
02kissme 3 years ago
It is good to make fun of the Suzuki method. But this woman sings well.
ehasl 3 years ago
It amazes me how soft she can sing such high notes. I LOVE this woman. By far my favorite opera singer, next to Maria Callas. Beautiful.
karrington2008 3 years ago 3
jeanette macdonald sings this song better/
pastsecrets 4 years ago 3
Comment removed
rix657 1 year ago
@pastsecrets
I don't think so. I quite like Jeanette Macdonald's movies, but a great singer she was not. She's not in Sumi Jo's league I'm afraid.
rix657 1 year ago
I'm not a musical expert or anything but is it just me or did she slow down and skip 2 notes(among others in the aria) at 3:47, I usually listen to the Joan Sutherland version of this, and 3:47 stuck out like a soar thumb. Also at 2:45 her tempo was noticeably faster, and her notes were more slurred together, but that may very well just be technique or interpretation.
Anyways, there is a noticeable difference between Joan and Sumi, although Sumi is good, Joan, in my opinion is better.
djRaydiation 4 years ago
No, she did not skip any notes at 3:47, but she did take way more liberties with the rhythm than most singers.
Burgundia1980 4 years ago
that's what's so fun about this aria, most performers take far more liberties, decorating it up and such.
mom2grace08 3 years ago
i think ur rite... but i also do think she just slowed down and didnt do that segment of notes like other sopranos....have u heard leontyne price's rendition?
kenndogg 3 years ago
she's vesion is the best. both voic and tecnique
luyan1234 4 years ago 2
I totally agree...
senilangakali 4 years ago
Sumi Jo's unbelievably good but Edita is so .......(couldn't find any adjective to describe her performance) I think Gruberova's the best GILDA ever come.
gokjooo 4 years ago
I agree completely!! No one can surpass Gruberova!
RachieLizOpera 4 years ago
Sumi Jo... is so amazing but i love more kimera's version in the lost opera
chelseafg 4 years ago
normally i love sumi jo, but not in this. it's not bel canto enough for me, there needs to be more line in her singing. she halts too much. i still favor anna maffo for this one.
hollabelle 4 years ago
That's kind of the nature of this aria; if you look at the music, there are a lot of rests and staccati. I think she does a beautiful job, although it's a bit faster than other versions I've heard.
thewoot78 4 years ago
Why bel canto? Verdi is not bel canto anymore. It officially ends with some Rossini/Bellini...
senesino83 4 years ago
i just mean legato, but relax, she is still one of the most beautiful singers in the world!! i think i prefer anna moffo though.
hollabelle 4 years ago
Officially??? Bel canto is a broad term with more than one meaning, as you surely must understand, for you say you are a student singer yourself. This Verdi piece demands "bel canto", or "beautiful singing" in line and tone and flexibility, as much as any Handel or Bellini aria.
CharlotteinWeimar 3 years ago
Yes, yes, of course I understand what you mean. It is good, though, to start using "bel canto" as a technical term for a certain style of composition that requires florid/coloratura singing in the baroque/classical meaning... which ends with Rossini. Of course Verdi must be "beautiful singing", as every singing should be :)
senesino83 3 years ago
Sutherland is always the best, yet Jo has done an amazing job.
kngiht84 4 years ago
I agree. Joan Sutherland.
missykunde 4 years ago
I used to think no one could beat Anna Maccianti but this one is very good too. *applauds*
Cenayon 4 years ago
I like to hear all of Sumi Jo. She is amazing!
renic17 5 years ago
Ah! She's soo good! brava! I'm going to see you at your Feb recital in NYC! wee!
Nivri80 5 years ago
Hello,
thanks for sharing this.
Low video quality gives better sound quality and it can be still seen that she's a pretty one ;-)
It can also be seen that she really enjoys singing and I think she is best when she's allowed to show this and to let it hear.
hpeterh 5 years ago
She is marvelous. I have always preferred Elizabeth Futral cover of this song, but that is a personal choice. You know how you acknowledge great talent, but sometimes you just prefer other performers? It's just a tone thing for me.
Iareto 5 years ago
Compared with the other performers of Caro Nome (even Maria Callas), Sumi Jo's voice in this opera is much more relaxing and confident. A real diva...
moizestefan 5 years ago
My goodness - those floated high pianissimi. UNBEATABLE. Have just compared her with Christine Schafer (effortful) and Ileana Cotrubas (a lovely performance, but no piasnissimi...) THANK you for sharing
gleong 5 years ago
marvellous instrument!
adremoid 5 years ago
Those pianissimo high notes are virtually impossible...gosh..but she does them like they're NOTHING. *Adores*
operaticxingenue 5 years ago
bellisimo
meryfuriosa 5 years ago