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FRANZ PETER SCHUBERT ( 31 January 1797 – 19 November 1828) was an Austrian composer.
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Posthumous history of Schubert's music -- Some of his smaller pieces were printed shortly after his death, but the manuscripts of many of the longer works, whose existence was not widely known, remained hidden in cabinets and file boxes of Schubert's family, friends, and publishers.
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Posthumous history of Schubert's music -- Even some of Schubert's friends were unaware of the full scope of what he wrote, and for many years he was primarily recognized as the "prince of song", although there was recognition of some of his larger-scale efforts.
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Posthumous history of Schubert's music -- In 1838 Robert Schumann, on a visit to Vienna, found the dusty manuscript of the C major symphony (the "Great", D. 944) and took it back to Leipzig, where it was performed by Felix Mendelssohn and celebrated in the Neue Zeitschrift.
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Posthumous history of Schubert's music -- The most important step towards the recovery of the neglected works was the journey to Vienna which Sir George Grove (widely known for the Grove Dictionary of Music and Musicians) and Arthur Sullivan made in the autumn of 1867.
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Posthumous history of Schubert's music -- The travellers rescued from oblivion seven symphonies, the Rosamunde incidental music, some of the Masses and operas, some of the chamber works, and a vast quantity of miscellaneous pieces and songs. This led to more widespread public interest in Schubert's work.
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Posthumous history of Schubert's music -- From the 1830s through the 1870s, Franz Liszt transcribed and arranged a number of Schubert's works, particularly the songs.
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Liszt, who was a significant force in spreading Schubert's work after his death, said Schubert was "the most poetic musician who ever lived." Schubert's symphonies were of particular interest to Antonín Dvořák, with Hector Berlioz and Anton Bruckner acknowledging the influence of the "Great" Symphony.
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Posthumous history of Schubert's music -- In 1897, the publisher Breitkopf & Härtel released a critical edition of Schubert's works, under the general editing of Johannes Brahms, enabling a wider dissemination of his music.
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Posthumous history of Schubert's music -- In the 20th century, composers such as Benjamin Britten, Richard Strauss, and George Crumb either championed or paid homage to Schubert in their work. Britten, an accomplished pianist, accompanied many of Schubert's Lieder and performed many piano solo and duet works.
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In 1897, the 100th anniversary of Schubert's birth was marked in the musical world by festivals and performances dedicated to his music. In Vienna, there were ten days of concerts, and the Emperor Franz Joseph gave a speech recognizing Schubert as the creator of the art song, and one of Austria's favorite sons. Karlsruhe saw the first production of his opera Fierrabras
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Commemorations -- In 1928, Schubert week was held in Europe and the United States to mark the centenary of the composer's death.
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Commemorations -- Works by Schubert were performed in churches, in concert halls, and on radio stations. A competition, with top prize money of $10,000 and sponsorship by the Columbia Phonograph Company, was held for "original symphonic works presented as an apotheosis of the lyrical genius of Schubert, and dedicated to his memory". The winning entry was Kurt Atterberg's sixth symphony.
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Commemorations -- In 1977, the German electronic band Kraftwerk recorded a tribute song called "Franz Schubert", which can be found on the album Trans-Europe Express.
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