So the third is the last note and it´s octave higher? So D minor chord arpeggio is played D, A, and then F octave higher. Should I also practice D, F and then A octave higher?
How should I apply this to chords like Dm7? D, A,C, and then F one octave higher, or D, F, A and the C one octave higher. Both sound good for me but which one is more important to learn first?
Nice lesson; however, I believe that the chord you're refering to as an F# diminished is more properly a D7 over F# bass (F# - C - A). An F# diminished chord would include a D# note (or E flat), which would sound wrong in this context.
@jakollee An F# diminished chord would NOT include an E flat. An added E flat creates F# diminished seventh. This is often improperly called diminished (even in many chord dictionaries!). However, F#, A and C form the diminished triad built on the seventh degree of the diatonic major scale of G. This is correctly called F# diminished. Adding E flat forms an F# diminished seventh. BTW, adding an E, as opposed to E flat, creates F#m7 flattened fifth, often called F# half-diminished seventh.
@pluckylittlefellah You wouldn't find a fully diminished 7th chord in a major key either, only half diminished as you said. But in a minor key the raised leading tone that's common in the harmonic minor creates a diminished triad with a diminished seventh above it, which it is normally a dominant five chord with out the raised 7th. It's has very unique cadential qualities that's very rare outside of classical music.
@rawrgDX I stated that F#, A & C form the diminished triad built on the 7th degree of G major, and that this is called F# diminished. I did NOT say a diminished 7th chord occurs in a major key, simply that adding E flat, jakollee's proposition, forms F# diminished 7th, not F# diminished. I was seeking to clarify. Introducing the subject of extended chords built on the harmonic minor will confuse if major key chord construction is not understood. MAJOR key triads is the focus of the video.
@pluckylittlefellah OK, I yield to your superior knowledge of diminished chords! Nevertheless, in the series of ascending arpeggios you play in the video, it makes sense to me to think of the triad you're calling F# diminished (F#, C, A) as a D7 chord over F# in the bass, which then resolves to the G major. Anyway, I thought it was a nice lesson and thank you for educating me re: diminished chords vs. diminished 7th chords. I'm sure we can agree that Eric Johnson is amazing!
I'm not sure, but this seems all wrong. The way I do it is totally different. I do it with wide stretches on the second and third string plus the notes that are played on the fifth string.
I'm not sure, but this seems all wrong. The way I do it is totally different. I do it with wide stretches on the second and third string plus the notes that are played on the fifth string.
I'm not sure, but this seems all wrong. The way I do it is totally different. I do it with wide stretches on the second and third string plus the notes that are played on the fifth string.
I'm not sure, but this seems all wrong. The way I do it is totally different. I do it with wide stretches on the second and third strings plus the notes that are played on the fifth string.
@freakguitar1 Yes, I concur I have always seen Eric with the red ones, I think he prefers the old ones because he has said he prefers "smooth edges" on his picks for optimal tone.
@stratmanocaster yep! but i think he complaint a lot because dunlop started using diff material :D sick Eric, he even hears differences with batteries in his stompboxes :DDDD
@BradmanIII As far as I know, Eric Johnson used only Fender Stratocaster electric guitars and I'm pretty sure that's not Fender. It doesn't even look like a Fender Strat and the setup of the guitar on this video is completely different from a Fender Strat. Fender's classic Strats only had three single-coil pickups and on the American styles, they had four. No Fender looks like this one in the video. Sorry man, I'm just saying. Plus, I know this is an old conversation, but I had to comment.
Wrong its actualy Open Triads
ColtonSaylor713 1 day ago
Simple concept, excellent execution and insite!
transtremm 1 day ago
So the third is the last note and it´s octave higher? So D minor chord arpeggio is played D, A, and then F octave higher. Should I also practice D, F and then A octave higher?
How should I apply this to chords like Dm7? D, A,C, and then F one octave higher, or D, F, A and the C one octave higher. Both sound good for me but which one is more important to learn first?
Thanks for this tutorial.
Nouakchott 1 month ago
Jesus Christ this is just so difficult to me! It's all so complicated!
dannybazzer123 5 months ago
Nice lesson; however, I believe that the chord you're refering to as an F# diminished is more properly a D7 over F# bass (F# - C - A). An F# diminished chord would include a D# note (or E flat), which would sound wrong in this context.
jakollee 8 months ago
@jakollee An F# diminished chord would NOT include an E flat. An added E flat creates F# diminished seventh. This is often improperly called diminished (even in many chord dictionaries!). However, F#, A and C form the diminished triad built on the seventh degree of the diatonic major scale of G. This is correctly called F# diminished. Adding E flat forms an F# diminished seventh. BTW, adding an E, as opposed to E flat, creates F#m7 flattened fifth, often called F# half-diminished seventh.
pluckylittlefellah 8 months ago
@pluckylittlefellah You wouldn't find a fully diminished 7th chord in a major key either, only half diminished as you said. But in a minor key the raised leading tone that's common in the harmonic minor creates a diminished triad with a diminished seventh above it, which it is normally a dominant five chord with out the raised 7th. It's has very unique cadential qualities that's very rare outside of classical music.
rawrgDX 8 months ago
@rawrgDX I stated that F#, A & C form the diminished triad built on the 7th degree of G major, and that this is called F# diminished. I did NOT say a diminished 7th chord occurs in a major key, simply that adding E flat, jakollee's proposition, forms F# diminished 7th, not F# diminished. I was seeking to clarify. Introducing the subject of extended chords built on the harmonic minor will confuse if major key chord construction is not understood. MAJOR key triads is the focus of the video.
pluckylittlefellah 8 months ago
@pluckylittlefellah OK, I yield to your superior knowledge of diminished chords! Nevertheless, in the series of ascending arpeggios you play in the video, it makes sense to me to think of the triad you're calling F# diminished (F#, C, A) as a D7 chord over F# in the bass, which then resolves to the G major. Anyway, I thought it was a nice lesson and thank you for educating me re: diminished chords vs. diminished 7th chords. I'm sure we can agree that Eric Johnson is amazing!
jakollee 8 months ago
Top Notch Musician !
coversolo 8 months ago
can I get something on the keyboard for salvation is here?
lifeismeant2belived 11 months ago
Really enjoyed this guitar lesson True Fire TV and Guitar Instructor really has some top notch guitar teachers
loving these videos
Marty
MartyGuitaring 1 year ago
Cool! thank you!
ludwig1300 1 year ago
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I'm not sure, but this seems all wrong. The way I do it is totally different.
I do it with wide stretches on the second and third string plus the
notes that are played on the fifth string.
rockhaven321 1 year ago
This has been flagged as spam show
I'm not sure, but this seems all wrong. The way I do it is totally different.
I do it with wide stretches on the second and third string plus the
notes that are played on the fifth string.
rockhaven321 1 year ago
This has been flagged as spam show
I'm not sure, but this seems all wrong. The way I do it is totally different. I do it with wide stretches on the second and third string plus the notes that are played on the fifth string.
rockhaven321 1 year ago
This has been flagged as spam show
I'm not sure, but this seems all wrong. The way I do it is totally different. I do it with wide stretches on the second and third string plus the notes that are played on the fifth string.
rockhaven321 1 year ago
This has been flagged as spam show
I'm not sure, but this seems all wrong. The way I do it is totally different. I do it with wide stretches on the second and third string plus the notes that are played on the fifth string.
rockhaven321 1 year ago
This has been flagged as spam show
I'm not sure, but this seems all wrong. The way I do it is totally different. I do it with wide stretches on the second and third strings plus the notes that are played on the fifth string.
rockhaven321 1 year ago
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rockhaven321 1 year ago
Comment removed
rockhaven321 1 year ago
I'm sorry but this video sounds boring. I'ma go to bed. JK hhahahaaha lol. Nice vid.
vickrdable 1 year ago
Johnson uses the red jazz 3`s and he uses the old ones before they started using a different material.
freakguitar1 1 year ago
@freakguitar1 Yes, I concur I have always seen Eric with the red ones, I think he prefers the old ones because he has said he prefers "smooth edges" on his picks for optimal tone.
stratmanocaster 1 year ago
@stratmanocaster yep! but i think he complaint a lot because dunlop started using diff material :D sick Eric, he even hears differences with batteries in his stompboxes :DDDD
freakguitar1 1 year ago
crap tone. haaa
DavidMackey11 1 year ago
lol, Arpeggiated Arpeggios
9erMatthew 1 year ago 32
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dualisticnature 1 year ago
this vdo is excellent. Thanks
comeonmakemyday 1 year ago
Is that a Godin Freeway model guitar?
rick39guitarist 1 year ago
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sunyfl 1 year ago
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sunyfl 1 year ago
This has been flagged as spam show
@rick39guitarist
Tom Anderson Guitar
sunyfl 1 year ago
@rick39guitarist if u read the desciption, it said eric johnson special addition stratocaster
BradmanIII 1 year ago
@BradmanIII Trust me, that's not an Eric Johnson Strat.
ljguitar91 1 year ago 21
@BradmanIII As far as I know, Eric Johnson used only Fender Stratocaster electric guitars and I'm pretty sure that's not Fender. It doesn't even look like a Fender Strat and the setup of the guitar on this video is completely different from a Fender Strat. Fender's classic Strats only had three single-coil pickups and on the American styles, they had four. No Fender looks like this one in the video. Sorry man, I'm just saying. Plus, I know this is an old conversation, but I had to comment.
classiccarfanatic07 9 months ago
@classiccarfanatic07 well Eric Johnson doesnt only play Fender strats hes played on Gibson SG's and crap aswell
patchesmaiden 9 months ago
good stuff!!
oxdpt99 1 year ago
does G over B mean a B chord with a G in the bass or a G chord with B in the bass
tapeworm489 1 year ago
@tapeworm489 G chord with a B in the bass
oxdpt99 1 year ago
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@tapeworm489 G chord with a B in the bass
oxdpt99 1 year ago
good lesson!
VLombardi01 1 year ago
Awesome! Thank you!!!
B0TT3HA 2 years ago
YEAAAAAH!!
tedybear335 2 years ago