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  • Much glamour in the pictures, the recording isn't worth anything. As much trip in yacht!

  • She negotiates the coloratura passages like they are NOTHING.

  • this is so damn fun to sing

  • breaking glass is dependent on frequency and intensity of the pitch and not so much on power.

  • Comment removed

  • I have a question for all people: is it true she could break glasses with the power of her voice?

  • I have an answer for you: you're idiot!

  • I don't understand your answer, it was simply a question

  • get a hammer if you wanna break glasses

  • Don't you know? If you have enough power and enough hig notes, you can do it!!! But it was only a question

  • @doremicde you are right! you have to have a certain way to deliver the high notes. so I think NO questions are dumb, so petruflorin, YOU are the idiot!

  • What's the image at 4:35? Why did you put in the image only her hands?

  • Just pure magic .......

  • Correction - it's actually 1958 during summer recording sessions for two recital albums released by EMI . Rescigno recalls that during the cabaletta he took it at a much faster pace than they rehearsed it. Callas looked at him from the podium, her eyes wide with alarm, but like the trouper she was, she gripped the stand and threw herself into it to see what would happen. And this amazing thing was recorded. First take. No retakes. Here it is. Wonderful!

  • Yes in this aria is magnificent. Her talent and passion made this miracle.

  • Magnificent!!!

  • this is NOT from 1972, that's impossible.

  • You are correct. It is from 1959. Same orchestra and conductor though.

  • Tanks at all for their opinions.

  • sans voix en ecoutant ce sublime chant....

  • I love it!

  • OMG her voice...

  • Que bonitoo!!

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