I am lost to the world with which I used to waste so much time, It has heard nothing from me for so long that it may very well believe that I am dead! It is of no consequence to me Whether it thinks me dead; I cannot deny it, for I really am dead to the world. I am dead to the world's tumult, And I rest in a quiet realm! I live alone in my heaven, In my love and in my song!
wow, she sings nice ... but the version with Janet Baker and Sir Barbirolli is so much more moving and touching. As if Janet Baker would really live what she sings ....
@ytdsgdjgfueyxn537 Merci pour cet incroyable moment de vérité humaine. Tout est juste. Je la passe en boucle depuis deux jours et je rêve de pouvoir donner autant que ces artistes. Merci à eux tous.
Dieser Dirigent, dieses Orchester und diese Sängerin sind in der Lage uns das Kostbarste von Mahlers Musik zu vermitteln: Geist, Sinnlichkeit und Gefühle öffnende, entrückende Musik eines Genies wie Gustav Mahler.
I prefer listening to this without watching it.. I find her movements take away from it, and I think it would be more powerful if she just stayed still and only used her voice.
wow, this note at 4:13 always makes me shiver. I don't know why but it feels different and totally unexpected. I could listen to this just very moment over and over again^^. Does anybody else think the same?
@flamencobunche I listened to it without knowing what the meaning of the song was and at that point(4:13) I felt the deep end of death. Well it says, repose (after death), so maybe...there is hope..after all.
In the uploader's section of below mentioned clip is a very good English translation. I keep coming back to Magdalena because to me it sounds best of all posted! I have not heard the Fleming version for a long time, the one that introduced me to this Lied.
what a wonderful English horn!!! how perfect played with warm intensitity - breathtaking; a main reason at this outstanding performance this Lied really touching souls
Ich bin der Welt abhanden gekommen, Mit der ich sonst viele Zeit verdorben, Sie hat so lange nichts von mir vernommen, Sie mag wohl glauben, ich sei ge--storben! Es ist mir auch gar nichts daran gelegen, Ob sie mich für gestorben hält, Ich kann auch gar nichts sa--gen dagegen, Denn wirklich bin ich gestorben gestorben der Welt. Ich bin gestorben dem Weltgetümmel, Und ruh' in meinem sti--llen Gebiet! Ich leb' allein in meinem Himmel, In meinem Lieben, In meinem Lieben, in meinem Lied!
Mahler's lieder really amazes me. Abbado and orchestra are first class, naturally. The wind solos are wonderful, especially the English horn (does anyone know her name?) There seems to be some disagreement about Ms. Kozena's interpretation here but I find her voice to be lovely and very responsive to the music.
Abbado is one of my favorite Mahler conductors. The soprano has fine interp and intonation but I'm bothered by her vibrato. Seem like she has a case of nerves going???
This is not only an amazing vocal performance, but watching each musician do his/her small solo performance is also a treasure (compared to some other clips here).
I keep coming back to her... Pity there's no Renée Fleming version here (it's how I discovered this song when watching Bride of the wind, a movie about Mahler).
could you tell me which orchestra it is? i saw this first oboist at the berliner philharmoniker and at the royal concertgebouw orchestra now and i like him :D
awful! why does this come in ARTE?! shame on them! for all this people who pay channel view! this woman doesn´t feel Mahler at all! AWFUL!!!!!!! God keep me off other words...
@sergenovique You are soooooo right. The meaning this whole "Lied" is about not minding anything at all what the world happens. This person just wants to be left alone with his love, his music. Beside her exaggerating facial experssions, her intonations and "Akzent" are soooooo WRONG. Frau M. Kozena should go back to school and learn more about German language. It is not about her voice.
Listen to Jessye Norman (von gr8holio on YouTube) or Thomas Hampson on CD for MUCH BETTER interpretations.
@TolleStimme Wow, I know everyone is entitle to his or her opinion, but your viciousness shocks me. I quite love this, and I can°t imagine anyone being so bitterly opposed to it...unless he or she is a failed singer. I°d be interested to know what you think of Brigitte Fassbaender...
A very satisfying performance. Soulful, idiomatic playing by the woodwinds (especially the english horn)and committed, darkly beautiful singing by the lovely Ms. Kozena. I don't buy the observation that her voice is too small. I think she is just singing pianissimo, as required by the score. In any case, bravas and bravos all around, and my thanks to Lelioricconboni for posting this.
I forgot how many time I've heard this "lied". Probably more than 100.
Is the best version I've ever heard. I have listen many, for many directors and singers. And this is the best. For me, Abbado is the best Mahler conductor ever (I just bought his 10 Mahler Symphonies set) and this particular lieds, that are so dramaticl, are perfect por Kozena's voice.
And the orchestra is perfect! The cor anglais is sublime. And it's the only version, (I've heard), that plays the first harp note.
I think this version is the best. Baker's version could be technically good but lacks the sensation and dramaticality of Kozena. And the darker tone of her voice is uniquely fit for this piece. Kozena is surely the best in these senses and will always be the best in my view.
@fresia58 you'r right; she is not, but she is married to Sir Simon Rattle. Her voice is much to small for this repertory, listen how tiny her voice in the upper register is.
@confession81 NO. there is a big difference between a piano from a big voice and a small vioce! this is a tiny voice.It's like the difference between a Ferrari at 20km/h or a Fiat 500 at 20km/h
Wonderful orchestra. Especially the warm Alto oboe: very nice of tone and great musical interpretation. Barva! Claudio Abado ofcourse is the master. However the singer does not have a positive contribution. Indeed, strange breath taking places. Wrong vibrato. Overall more acting then she singing.
It's an incredibly emotional performance which put me back in touch with when I first heard this song, by Renee Fleming in Bride of the wind, a movie about Mahler's life. The sadness of that scene and this performance are both very powerful and the words are einfach wunderbahr. One really must understand German to appreciate fully. It would be interesting to see Renee perform this... just wondering if she would be able to get all her breaths in the right place, but who cares!
OK.. the jerking of the head and the eye positions completely ruin this... Not too happy with the placement of some of the breaths either. Definitely not my favorite performance...
@wnerie Does that need more detail ? The head is jerking almost constantly, which destroys any possibility of interpretation. Breaths are placed in odd places, which destroys the phrasing and line of the voice. It's not difficult to hear and see these problems.
No one suffered for his music as did Gustav Mahler. He was a complex, complex human being and one who was despised for everything under the sun, not the least for being a Jew in Vienna. But he persevered where others would would - and did, like his brother Oscar - literally self-destruct.
The Rückert poem set to Mahler's music tears my heart out. Abbado did a good job but the string section was very weak. Oboes were wonderful. I still prefer either Thomas Hampson's or Christa Ludwig's voice.
This is the best orchestral performance I think I've heard. English horn has brilliant control and phrasing. I wish they performed it with a different vocalist.
Ich bin der Welt abhanden gekommen, Mit der ich sonst viele Zeit verdorben, Sie hat so lange nichts von mir vernommen, Sie mag wohl glauben, ich sei gestorben! Es ist mir auch gar nichts daran gelegen, Ob sie mich für gestorben hält, Ich kann auch gar nichts sagen dagegen, Denn wirklich bin ich gestorben der Welt. Ich bin gestorben dem Weltgetümmel, Und ruh' in einem stillen Gebiet! Ich leb' allein in meinem Himmel, In meinem Lieben, in meinem Lied!
Kozena is one of my all-time favorite mezzos, and this one of the most beautiful songs ever written. Great recording, thanks for posting! Anyone have an idea if it's available on DVD / CD / Download anywhere [apparently not in the US :( ]
the orchestra is magical. abbado just understands mahler. rubati, colours - beyond beautiful. as for kozena, i think she manages to sing rather nicely and musically - within the limits of her voice which is limited in range (a mezzo really shouldn't need to artificially darken the low notes as much...) as well as more than problematic in terms of technique (shortness of breath which forces her to divide literally every longer phrase, lack af support, bad posture, flickering vibrato).
What an amazing color of the orchestra, this is the best version I have ever heard. I can only think of Abbado directing this otchestra and Jessye Norman singing this lied. Paradise.
This lied was written in 1901. Makes me remember the wonderful Mahler's Adagietto, from the 5# Symphony...Love Mahler's works...the ten Symphonies...Claudio Abbado, great conductor! Magdalena Kozena is married to the another great maestro, Sir Simon Rattle.
@MrGunterguerrero...REALLY. That's nice of you to tell me this. I enjoyed her singing and had not researched HER, as a person. I was thinking about her, though, because I wondered why I dreamed of her crying with a twisted face... that I was compelled to restrict. I don't care why exactly - but, that was not fair - and she is so smart. Stupid me sometimes, though - obviously she's busy.
@zobrioth My friend zobrioth, I made my comment about this Mahler's lied. About the Czech pretty and talended mezzo-soprano Magdalena Kozena, as you know, was formerly married to one French baritone, and her marriage ended after she began a relationship with the conductor Sir Simon Rattle...and about her " gesture " as people said, don't forget she is an opera singer, so she's and actress ! So, she's busy of course.
The music plays so nicely here this composition. She's only singing sometimes - I think I like her instrument - hear her voice say this. Always that composer takes away with the strings - but... that conductor explains it all so well - and she's so nice I think. Her faces are unwilling to accost me. If working soon, she will know what else to do.
Je suis aussi une admiratrice de janet baker, mais justement je reconnais qu'il est difficile d'en donner une version
personnelle. Je crois qu'elle a réussi. Elle ne l'imite pas. Elle prend le risque de rompre le légato, de bousculer le rythme. Certains passages sont vraiment émouvants : bruts et et inattendus. Malheureusement elle cède un peu trop souvent au lyrisme suave de la variété. (Voir son expression théâtrale à la fin : )
I've been used to other interpretations too but this one is really one of those sincere and moving ones.... it's just wonderful to see other artist's "experiences" with this piece that ultimate inspires the heart of the listeners. Really lovely!
I agree. Why all the gesture? Just stand, concentrate, also seek to speak the text correctly!!!! All the side stuff does is cover up the issues she has with her vocal technique. There is a wonderful version here with Bruno Walter and Kerstin Thorberg -> INCREDIBLE!!
Pako, I do agree that Janet Baker's recording, with Barbirolli and the Halle Orchestra, is the best, hands-down. However, I find Kozena's rendition quite moving as well, though there are several disappoints in terms of her phrasing.
Odd: for some people, this lied tells us about despair... for me it is about renouncing the world willingly and the bittersweetness of that choice. :)
She is an artist, really, but in my opinion she didn't finish training the whole instrument and unfortunately has to limit the expression of her artistry.
unsuppressable gestures must be accepted - such as Gould's conducting hands. But this woman is affected! You can tell she rehearsed the movements at 4:30 and 5:20 all too obvious. That is disgusting.
Instead she should have tried to get the vowals right: Himmel isn't Hümmel and Lieben isn't Leben. (and these clear vowals are no specific for the German language! But "ch" as in "nichts", which she gets wrong also, admittedly is).
Nobody equals Magdalena Kožená in this stunning performance. The orchestra is perfect. Abbado respects and emphasizes the chilling string-glissando at the end.
I don't agree. It lacks in maturity and depth. Too many gestures, expressions, movements where just dignity, intimacy and concentration would be enough...
The gestures, expressions and movements of Kožená give her performance of this romantic Lied an extra dimension. Look at her face in the final minute. She suffers.
Ohhh wie schön - danke schön für dieses extrem schöne Video. Ich habe es leider nicht live gesehen, nur ineiner Aufzeichnung auf arte. Thank you sooo much for these video. Really. You make me very happy. :)
Lo divino en Mahler
Quijotemanchado1 1 week ago
glc23l4 1 week ago 2
I think this performance is quite intense and sublime. I was deeply touched by it.
Gatltonian 2 weeks ago
Very nice. Very intimite. A little strange eyes :). Great cor Anglais!
doeevennormaalman 1 month ago 2
I think this is better than Jessye Norman's version. This singer has such a beautiful tone.
lispectorando 1 month ago
I heard Renee Fleming sing this at Carnegie Hall and almost cried
mysticality27 1 month ago
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6sushi66 1 month ago
Sublime. Thanks.
DrPeiches 1 month ago
Very touching .... I do love her
RobertoFioriniLI 2 months ago
wow, she sings nice ... but the version with Janet Baker and Sir Barbirolli is so much more moving and touching. As if Janet Baker would really live what she sings ....
takeox 2 months ago
Wonderful. Thank you for uploading this.
bogorzelak 2 months ago
@ytdsgdjgfueyxn537 Merci pour cet incroyable moment de vérité humaine. Tout est juste. Je la passe en boucle depuis deux jours et je rêve de pouvoir donner autant que ces artistes. Merci à eux tous.
SYLVIEBOYER 2 months ago
Superbe!
PiroozAzDirooz 3 months ago
Dieser Dirigent, dieses Orchester und diese Sängerin sind in der Lage uns das Kostbarste von Mahlers Musik zu vermitteln: Geist, Sinnlichkeit und Gefühle öffnende, entrückende Musik eines Genies wie Gustav Mahler.
Ein Schwelgen in Musik und Musikalität.
Danke für diesen Schatz
Helmutzin 3 months ago 2
ÇA à mon enterrement !
PatateRoussoiste 3 months ago
I prefer listening to this without watching it.. I find her movements take away from it, and I think it would be more powerful if she just stayed still and only used her voice.
MsBryce93 4 months ago
wow, this note at 4:13 always makes me shiver. I don't know why but it feels different and totally unexpected. I could listen to this just very moment over and over again^^. Does anybody else think the same?
flamencobunche 4 months ago
@flamencobunche I listened to it without knowing what the meaning of the song was and at that point(4:13) I felt the deep end of death. Well it says, repose (after death), so maybe...there is hope..after all.
incazzatabarks 4 months ago
@flamencobunche here are some for you
- when the singer sings "Ich leb' allein" (I live alone) at 4:34, the note when she sings "-lein" at 4:38
- the oboe note starting at 5:07, the oboist really does an amazing crescendo... just wow
- and the chord starting at 5:28... chilling
richivinsky 3 months ago
@flamencobunche I think the same. 4:13 is extraordinary.
tsalazarst 3 months ago
@flamencobunche yes and 4:22 amazing my friend
lovewareareyou 2 months ago in playlist Mahler - Ich bin der Welt abhanden gekommen
@ytdsgdjgfueyxn537 She is a Mezzo soprano
swankified77 4 months ago
The English Horn is beautifully played by Emma Schied. (Budapest Festival Orchestra, Mahler Chamber Orchestra)
hautboisification 4 months ago 2
What a... whoaaaa ... I mean... :O
PatateRoussoiste 4 months ago
Seriously.....how could there be any dislikes???? this is so breathtaking it makes me cry every time I listen.
danakathomson 5 months ago 3
@danakathomson I just thought the same thing. This is such a divine performance!
ian1856 2 months ago
In the uploader's section of below mentioned clip is a very good English translation. I keep coming back to Magdalena because to me it sounds best of all posted! I have not heard the Fleming version for a long time, the one that introduced me to this Lied.
watch?v=vTqbTP5qy7k
NovaScotiaChick 5 months ago
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I totally agree,the girl playing English horn is a top notch musician!!! and Kožená's interpretation is angelic ,awsome performance !!!!
menzel290563 5 months ago
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menzel290563 5 months ago
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menzel290563 5 months ago
what a wonderful English horn!!! how perfect played with warm intensitity - breathtaking; a main reason at this outstanding performance this Lied really touching souls
pega17pl 5 months ago
jacob830722 5 months ago
English horn ;)
FilmComposeRaHoppe 5 months ago
Mahler's lieder really amazes me. Abbado and orchestra are first class, naturally. The wind solos are wonderful, especially the English horn (does anyone know her name?) There seems to be some disagreement about Ms. Kozena's interpretation here but I find her voice to be lovely and very responsive to the music.
lamazopa21 5 months ago
Abbado is one of my favorite Mahler conductors. The soprano has fine interp and intonation but I'm bothered by her vibrato. Seem like she has a case of nerves going???
flylooper 5 months ago
extraordinary....luv it , thx for posting
muekam 6 months ago
This is not only an amazing vocal performance, but watching each musician do his/her small solo performance is also a treasure (compared to some other clips here).
I keep coming back to her... Pity there's no Renée Fleming version here (it's how I discovered this song when watching Bride of the wind, a movie about Mahler).
NovaScotiaChick 6 months ago
This is just pure quality. Bravo Magdalena et al.
andyuk 7 months ago 2
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magnifique ....
katell27 8 months ago
magnifique ....
katell27 8 months ago
could you tell me which orchestra it is? i saw this first oboist at the berliner philharmoniker and at the royal concertgebouw orchestra now and i like him :D
jabba987654321 8 months ago
@jabba987654321 I do believe this is the Lucerne Festival Orchestra. Claudio hand picked this orchestra for his special performances of Mahler.
Amandacelkins 8 months ago 5
nichts geht über fischer-dieskau aber trotzdem schöne version :)
jabba987654321 8 months ago
Unvergleichlich. Das Abhandenkommen ist anwesend in Stimme und Antlitz.
h39st 9 months ago
I just listened to the Janet Baker version but I much prefer this one!
NovaScotiaChick 9 months ago
phenomenal!
ruizt 9 months ago
Great voice expression and beautiful english horn solo too!
elbandidomuerto 9 months ago
Awesome!
elbandidomuerto 9 months ago
Her Akzent is notwrong at all. Its quit good!
Sorcerer2k 9 months ago
Kožená ist eine wunderschöne Sängerin. Sie wird nie der Welt abhanden kommen.
nbtothepower 10 months ago
listen! maybe the voice is broken tiny and "shy" because of the content? Read the text. "I am died" She probably understands more than us of mahler.
Audiofreund2 10 months ago 8
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ziticka 10 months ago
awful! why does this come in ARTE?! shame on them! for all this people who pay channel view! this woman doesn´t feel Mahler at all! AWFUL!!!!!!! God keep me off other words...
sergenovique 10 months ago
@sergenovique You are soooooo right. The meaning this whole "Lied" is about not minding anything at all what the world happens. This person just wants to be left alone with his love, his music. Beside her exaggerating facial experssions, her intonations and "Akzent" are soooooo WRONG. Frau M. Kozena should go back to school and learn more about German language. It is not about her voice.
Listen to Jessye Norman (von gr8holio on YouTube) or Thomas Hampson on CD for MUCH BETTER interpretations.
TolleStimme 10 months ago
@TolleStimme Wow, I know everyone is entitle to his or her opinion, but your viciousness shocks me. I quite love this, and I can°t imagine anyone being so bitterly opposed to it...unless he or she is a failed singer. I°d be interested to know what you think of Brigitte Fassbaender...
ian1856 2 months ago
of course I think it is a matter of taste, but please, this definitely isn't an ugly voice
giupel73 11 months ago
A very satisfying performance. Soulful, idiomatic playing by the woodwinds (especially the english horn)and committed, darkly beautiful singing by the lovely Ms. Kozena. I don't buy the observation that her voice is too small. I think she is just singing pianissimo, as required by the score. In any case, bravas and bravos all around, and my thanks to Lelioricconboni for posting this.
s
blakley42 11 months ago 2
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fresia58 1 year ago
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haha, I understand
The voice is not only tiny and fix but very ugly
fresia58 1 year ago
@fresia58 this kind of a comment should have been done by a very ugly person...
universalis7 11 months ago 2
I forgot how many time I've heard this "lied". Probably more than 100.
Is the best version I've ever heard. I have listen many, for many directors and singers. And this is the best. For me, Abbado is the best Mahler conductor ever (I just bought his 10 Mahler Symphonies set) and this particular lieds, that are so dramaticl, are perfect por Kozena's voice.
And the orchestra is perfect! The cor anglais is sublime. And it's the only version, (I've heard), that plays the first harp note.
milouribebotta 1 year ago 4
Here, she's perfect. Everything.
This is probably my 98th listening. Still can't find anything remotely wrong.
Thank you so much for the uploading!
RedCapWoodpecker 1 year ago
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A student version. The great Kathleen Ferrier can cope with this music. This girl has signed a great contract with Deutche
Federicopera 1 year ago
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Federicopera 1 year ago
I think this version is the best. Baker's version could be technically good but lacks the sensation and dramaticality of Kozena. And the darker tone of her voice is uniquely fit for this piece. Kozena is surely the best in these senses and will always be the best in my view.
universalis7 1 year ago 2
Quel chant poignant ! Magdalena Kozená est magnifique. Merci
saturne46 1 year ago
Where's the legato? Kind of harsh in my view.
ibrokemyfingerbowlin 1 year ago
Please listen to Dame Janet Baker's interpretation of this. It is sublime.
LaFilleDeLaRue 1 year ago
Broken voice, useless body movements, is she so reputed to sing with Abbado?!
fresia58 1 year ago 2
@fresia58 you'r right; she is not, but she is married to Sir Simon Rattle. Her voice is much to small for this repertory, listen how tiny her voice in the upper register is.
SAMARA3365 1 year ago
@SAMARA3365 that is called pianissimo
confession81 10 months ago
@confession81 NO. there is a big difference between a piano from a big voice and a small vioce! this is a tiny voice.It's like the difference between a Ferrari at 20km/h or a Fiat 500 at 20km/h
SAMARA3365 10 months ago 2
@SAMARA3365 Man with big voice doesnt have to be a singer. Nobody cares about big or small, but about a quality and musicality of singer.
HoneyAndRue 6 months ago
Aber nichstdestotzotz sieht Abbado aus wie ein magersüchtiges Model....
S0NNABEND 1 year ago
@S0NNABEND Der Mann is 78. Mal sehen wie Sie aussehen ...
rieske2000 3 months ago
let's not forget the brilliant cor anglais..... beautiful playing.
orichalcum1 1 year ago 3
The odd breaths are because of Abbado's very, very slow tempo. It would take a Jessye Norman to get through those long phrases without a breath.
2Dawgz 1 year ago
@2Dawgz Thomas Hampson's version is even slower, I think. That first breath is a little weird.
GeoffDeibel 1 year ago
I closed my eyes and listened : she has a wonderful voice this lady !
aquacryl 1 year ago
Wonderful orchestra. Especially the warm Alto oboe: very nice of tone and great musical interpretation. Barva! Claudio Abado ofcourse is the master. However the singer does not have a positive contribution. Indeed, strange breath taking places. Wrong vibrato. Overall more acting then she singing.
repelsteeltje12345 1 year ago
喔我的天哪...
victor7788 1 year ago
It's an incredibly emotional performance which put me back in touch with when I first heard this song, by Renee Fleming in Bride of the wind, a movie about Mahler's life. The sadness of that scene and this performance are both very powerful and the words are einfach wunderbahr. One really must understand German to appreciate fully. It would be interesting to see Renee perform this... just wondering if she would be able to get all her breaths in the right place, but who cares!
NovaScotiaChick 1 year ago
OK.. the jerking of the head and the eye positions completely ruin this... Not too happy with the placement of some of the breaths either. Definitely not my favorite performance...
dbrel 1 year ago
@dbrel could you explain in more detail?
wnerie 1 year ago
@wnerie Does that need more detail ? The head is jerking almost constantly, which destroys any possibility of interpretation. Breaths are placed in odd places, which destroys the phrasing and line of the voice. It's not difficult to hear and see these problems.
dbrel 1 year ago
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there are 7 arsenic bacteries
from other world
magawym1 1 year ago
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magawym1 1 year ago
Wundervoll!
Phiz192 1 year ago
senza parole
danielbream 1 year ago
absolutely perfect...
austinviola 1 year ago
Es ist erstaunlich was Mahler aus diesem mittelmäßigen Rückert-Text gemacht hat.
Tobias15111985 1 year ago
The Orquestra and Abbado!!!!!!!! what a treat, what a class....what an inspiration!
colonia3059 1 year ago
Very artistic! Thank you!
andromedam1profile 1 year ago
I prefer this version to others. I, to my own surprise, like Ms. Kozena's voice more in this song than Christa Ludwig's.
SpottyDorsord 1 year ago
What a music! Even if you know it by heart, you keep being deeply moved by such text&music match.
As flylooper, I am not totally convinced by the singing but she is convincing nevertheless.
English horn is wonderful. Like all the winds.
Thanks for posting this.
huahuacha 1 year ago
@Fafner1976 Great news!
jjsoetekouw 1 year ago
Her voice talks directly to my soul.
PiosRodamanArt 1 year ago
No one suffered for his music as did Gustav Mahler. He was a complex, complex human being and one who was despised for everything under the sun, not the least for being a Jew in Vienna. But he persevered where others would would - and did, like his brother Oscar - literally self-destruct.
The Rückert poem set to Mahler's music tears my heart out. Abbado did a good job but the string section was very weak. Oboes were wonderful. I still prefer either Thomas Hampson's or Christa Ludwig's voice.
flylooper 1 year ago
This whole rendition gives me the chills each time. Excellent winds and brass!! So well done.
ScarlettLime 1 year ago
This is the best orchestral performance I think I've heard. English horn has brilliant control and phrasing. I wish they performed it with a different vocalist.
jballs25 1 year ago
@jballs25 agreed what gorgeous English horn playing!
cornonatural 1 year ago
nofilleronlykiller 1 year ago
Kozena is one of my all-time favorite mezzos, and this one of the most beautiful songs ever written. Great recording, thanks for posting! Anyone have an idea if it's available on DVD / CD / Download anywhere [apparently not in the US :( ]
ollibygolli 1 year ago
@ollibygolli DVD and BluRay are set to be released next month...
Fafner1976 1 year ago
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ollibygolli 1 year ago
@Fafner1976 Thanks for the heads-up!
ollibygolli 1 year ago
@Fafner1976 , i loved this rendition! are you sure this is coming out in dvd?? would love to get a copy of this!!
themastroiannis 1 year ago
@themastroiannis It is out already, I got it. BluRay version is out as well (got that too, was shipped but not here yet).
Fafner1976 1 year ago
amazing vocal!
strobelodge 1 year ago
oh crap...she lost me at the first breath in the first phrase, instead of going through. And what is "nichts" with a vowel like "it"?
nohpiano 1 year ago
the orchestra is magical. abbado just understands mahler. rubati, colours - beyond beautiful. as for kozena, i think she manages to sing rather nicely and musically - within the limits of her voice which is limited in range (a mezzo really shouldn't need to artificially darken the low notes as much...) as well as more than problematic in terms of technique (shortness of breath which forces her to divide literally every longer phrase, lack af support, bad posture, flickering vibrato).
wwwoyzeck 1 year ago
Great music, great performance!!! it touches my soul deeply.
lipati 1 year ago
What an amazing color of the orchestra, this is the best version I have ever heard. I can only think of Abbado directing this otchestra and Jessye Norman singing this lied. Paradise.
cantanteporsiempre 1 year ago
Happywandi457, in my opinion this a unique version of a masterpiece. Though
Abado has strange way to express music in his gestures, Kozena, the orchestra
and Abado got the feeling of this marvelously: It is a treasure . . .
happywandy457 1 year ago
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pitschi2001 1 year ago
Capolavoro!!!
prodesica 1 year ago
Magdalena tiene algo muy personal.
Con Abbado que dirige esta obra, una de las mas bellas de Mahler, esta muy bien con la voz de Magdalena.
estoy feliz de poder oírla una y otra vez,
Cuando paso este vídeo en Arte, olvide quedarme lo, y tengo por esto una gran alegria.; doy mis tante grazie a LelioRiccoboni.
Es una maravilla. No quita nada a las otras interpretaciones que no son muchas. porque este es diferente.
Admiro la cara de Magdalena natural sin make up, y ella es muy bella.
joanabanyeres 1 year ago
This lied was written in 1901. Makes me remember the wonderful Mahler's Adagietto, from the 5# Symphony...Love Mahler's works...the ten Symphonies...Claudio Abbado, great conductor! Magdalena Kozena is married to the another great maestro, Sir Simon Rattle.
MrGunterguerrero 1 year ago
@MrGunterguerrero...REALLY. That's nice of you to tell me this. I enjoyed her singing and had not researched HER, as a person. I was thinking about her, though, because I wondered why I dreamed of her crying with a twisted face... that I was compelled to restrict. I don't care why exactly - but, that was not fair - and she is so smart. Stupid me sometimes, though - obviously she's busy.
zobrioth 1 year ago
@zobrioth My friend zobrioth, I made my comment about this Mahler's lied. About the Czech pretty and talended mezzo-soprano Magdalena Kozena, as you know, was formerly married to one French baritone, and her marriage ended after she began a relationship with the conductor Sir Simon Rattle...and about her " gesture " as people said, don't forget she is an opera singer, so she's and actress ! So, she's busy of course.
MrGunterguerrero 1 year ago 2
The music plays so nicely here this composition. She's only singing sometimes - I think I like her instrument - hear her voice say this. Always that composer takes away with the strings - but... that conductor explains it all so well - and she's so nice I think. Her faces are unwilling to accost me. If working soon, she will know what else to do.
zobrioth 1 year ago
Jessye Norman for ever!!!!!!!
giorgioot 1 year ago
3:55
chrizosthemis 1 year ago
Je suis aussi une admiratrice de janet baker, mais justement je reconnais qu'il est difficile d'en donner une version
personnelle. Je crois qu'elle a réussi. Elle ne l'imite pas. Elle prend le risque de rompre le légato, de bousculer le rythme. Certains passages sont vraiment émouvants : bruts et et inattendus. Malheureusement elle cède un peu trop souvent au lyrisme suave de la variété. (Voir son expression théâtrale à la fin : )
alexandmilesme 1 year ago
I've been used to other interpretations too but this one is really one of those sincere and moving ones.... it's just wonderful to see other artist's "experiences" with this piece that ultimate inspires the heart of the listeners. Really lovely!
darnmat 1 year ago
I agree. Why all the gesture? Just stand, concentrate, also seek to speak the text correctly!!!! All the side stuff does is cover up the issues she has with her vocal technique. There is a wonderful version here with Bruno Walter and Kerstin Thorberg -> INCREDIBLE!!
mwk12kev 1 year ago
So affected and yet so unnatural and un-feeling....
She should see and listen Janet Baker
PakoChile 2 years ago
Pako, I do agree that Janet Baker's recording, with Barbirolli and the Halle Orchestra, is the best, hands-down. However, I find Kozena's rendition quite moving as well, though there are several disappoints in terms of her phrasing.
KozenaFan 1 year ago
Odd: for some people, this lied tells us about despair... for me it is about renouncing the world willingly and the bittersweetness of that choice. :)
alejandra379 2 years ago
She is an artist, really, but in my opinion she didn't finish training the whole instrument and unfortunately has to limit the expression of her artistry.
SieglindeMoos 2 years ago
Magnifique interprétation de ce chant du désespoir. Bravo à Kozena, Abbado et l'orchestre. Et merci pour cette vidéo.
saturne46 2 years ago
Abbado and the Orchestra genius.
The poor and love for sure better Kozená prevails, if the reshuffle brought forward at least 10 percent of the voice.
Thank you for the upload!
Franziskanus1 2 years ago
Sorry....it doesn't look and feel natural to me. I value her very high among today's singers but this.........No.
ksj818 2 years ago
Also, she lacks in breath. I think that is why she rushes through many phrases way ahead the orchestra.
sabadabaduz 2 years ago
unsuppressable gestures must be accepted - such as Gould's conducting hands. But this woman is affected! You can tell she rehearsed the movements at 4:30 and 5:20 all too obvious. That is disgusting.
Instead she should have tried to get the vowals right: Himmel isn't Hümmel and Lieben isn't Leben. (and these clear vowals are no specific for the German language! But "ch" as in "nichts", which she gets wrong also, admittedly is).
sabadabaduz 2 years ago
Nobody equals Magdalena Kožená in this stunning performance. The orchestra is perfect. Abbado respects and emphasizes the chilling string-glissando at the end.
jjsoetekouw 2 years ago
I don't agree. It lacks in maturity and depth. Too many gestures, expressions, movements where just dignity, intimacy and concentration would be enough...
unavoltatanto3485 2 years ago
The gestures, expressions and movements of Kožená give her performance of this romantic Lied an extra dimension. Look at her face in the final minute. She suffers.
jjsoetekouw 2 years ago
Excuse me: Kathleen Ferrier's rendition is unsurpassable.
alejandra379 2 years ago
Yes, beautiful, but too much vibrato and her German is not perfect.
jjsoetekouw 2 years ago
Ι never quite understood why Ferrier is considered such a good interpret of Mahler.
amadeuswebern 2 years ago
@alejandra379 Don't forget Dame Janet Baker's with the Halle Orchestra and Sir John Barbirolli...
KozenaFan 2 years ago
I know!!!! it is really beautiful in its simplicity!!! :)
alejandra379 1 year ago
Could anyone post the other Lieder from that cycle sung by Kozena ? Especially "Um Mitternacht" ?
Schwanzlurch75 2 years ago
Beautiful beyond words. Thanks for posting!
KozenaFan 2 years ago
Well THIS is wonderful!! Thanks for posting!!
terezqa 2 years ago
Which orchestra? Year?
Wonderful voice, great conductor, great tune. Thank you.
bowedmyhead 2 years ago
Lucerne festival orchestra 2009
leverkuhn67 2 years ago
Thank you!!!! I was hoping to see and listen to this!!!!
alejandra379 2 years ago
...bin gestorben, als ich es gehört habe. leider auch nur in der Aufzeichnung . Wie wunderschön!
mille grazie
mariakatjuscha 2 years ago
Ohhh wie schön - danke schön für dieses extrem schöne Video. Ich habe es leider nicht live gesehen, nur ineiner Aufzeichnung auf arte. Thank you sooo much for these video. Really. You make me very happy. :)
Nibelungenfrau 2 years ago