Added: 3 years ago
From: amdubin
Views: 2,828
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  • Absolutely fabulous!

  • This Isham Jones tune was played on "The Uncanny Film Festival and Camp Meeting" in 1971 as a backing for a silent film shot by a University of Tulsa student . The show's closing theme was Jones' "Why Can't This Night Go On Forever?"

  • Thax everyone for introducing me to Isham Jones.

    I m very glad to download it through FreeYouTubeConverter now.

    Cheers, Mark

  • wow. what a great sound. thanks for posting this

  • this machine must have cost a fortune in 1929. Its a beauty.

  • Best $10.00 you ever spent I think............

  • Thanks so much for this video!!! In 1970 I found an identical Radiola in a thrift shop for $10.00, and it worked!! The tone arm on mine was different; it was straight with a horse shoe shaped head that held the steel needle. Weighed a ton! I had this machine for years, until two stupid movers dropped it down the stairs. Ah well, nice to see its litter sister playing.

  • That is a great record player and radio. Nice sound considering it's age. Gary

  • Great song! Great machine! Great sound! Love the Radiola!

  • Love that Mason Dixon valentine, gentle to the ladies all the time....yes sir.....this really swings!!

  • Love the upbeat sound of this era.  Great Isham Jones song, and that Radiola looks and sounds great. I just found a Radiola 17 radio and posted it.

  • amdubin, Internet Archive has this song uncredited in a great collection of public domain 1920s jazz. You might want to weigh in over there with your information: search for /Free_20s_Jazz_Collection

    Thank you for this upload. I was searching for credits - and your Radiola 47 sounds wonderful!

  • i love the song!

  • This was recorded at Victor's Camden studio. The original master remains nearly flawless, and if you're able, locate a re-recording...hearing it is like walking back in time. The speed and precision of this orchestra is astounding. Do a fox trot to this one. You'll get your heart rate elevated.

  • Isham Jones Big Band from 1932 on Victor. Jones recorded primarily for Brunswick from 1924 - 1931, then switched to Victor with a largely enhanced Band, and hotter arrangements. Gordon Jenkins (of Frank Sinatra fame in the early 1950's after Axel Stordahl) is Jones Orchestrator for all the Victor Sessions and this period not to mention te Full Audio Spectrum sound of the "New" Othophonic Process, which helped to sell this Radiola/Elecrola Combo. Great sound and Fidelity. Love this Record!!

  • fabulous rendition and sound!

  • Nice player I wish it was mine - good tone and nice recording to....

  • Love the Radiola Adam! It sounds like it really packs a punch. Thanks for sharing :-)

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