Red Did a demo of 2 types of video. Uncompressed raw, And The new R3D Codec. They did a speed test of the first video And it was 1.3 GB/s, They Managed to Put it Down To 10MB/s
@PaceyPimp I don't expect anything. Back in 2006 I didn't have a FullHD camera with me at the presentation at the IBC and most certainly didn't carry a 4K-camera (which, back then, where HUGE). Also, YouTube didn't even support HD-uploads back then.
The resolution is nice, but did anyone else notice how shallow the depth of field seemed to be when the subjects moved? One NAB demonstrator themself commented on the shallow depth of field at 4K, and so recommended 2K for "documentaries" that were going to be shown on tv and not the theater if a deeper field was desired. Why should higher resolution cause shallower depth of field? I guess that's a topic for a camera forum....
The camera also allows the sensor to be used in a windowed mode in which the sensor can emulate the active area of a Super 16 film frame while capturing 2048 pixel resolution footage. This allows the camera to be used with Super 16 lenses.
Depth of field is affected by the size of image the lens projects to - thats why 35mm lens adaptors use a ground glass - to project light onto a bigger area, then focused onto the smaller sensor. I guess if you shoot on 2k, then less sensor is used making the surface area of the projected image smaller therefore decreasing dof.
I know I always love the look of digital in low light, much like this presentation. But then the sun comes out! Where are the shots with natural light??? Scare-dy, scare-dy, S-care - -Dy!
Exactly, I'm also curious for the outdoor shots. These images you probably can get the same result with a good DOP and a sony DV camera. It is easy if u have full control over the light to get an amazing image. I wonna see outdoor shots ... anyway i've seen the Peter Jackson images and it look prety good.
This model will never be accessible to the masses. No Autofocus (and a 35mm sensor means you'll need a focus puller.)
In regards to "why 18-50"? Actually that's not "normal to more wide" That's somewhat wide to zoom. You have to remember that this is a Super35mm sized chip and not your standard still 35mm sensor/film. Therefore 18mm is significantly less wide than you would expect and 50mm is actually starting to approach a bit telephoto.
not you too Cerati? You really didn't get the point i was trying to make. Equipment in video production is KEY. Yes, i know 28 Days Later was shot with an XL1. A high quality 3CCD miniDV camcorder. you'll notice they didn't shoot with a Canon ZR500. Do you get that? They chose a really nice camera. Oh yeah and plz don't forget they had this movie color corrected and up-rez'd. by pro's with really nice EQUIPMENT.
WOW. Sean57 really doesn't get it. do u not see the big picture here dude? it's not just about a better camera its about finally being able to capture your vision without having to spend millions. Now you can look Hollywood and stay Indie. yes ppl can spend more time being better DPs but equipment is KEY and if you don't know that by now than u better go home. i c your using the DVX100, why don't you go by a Sony Handycam and pretend to be a pro with that camera. Get it?
Equipment is not key...28 days later was shot with canon xl's and is a much better movie than Episode One, which was shot on Sony HD cameras...which are more expensive...money isn't everything
not you too Cerati? You really didn't get the point i was trying to make. Equipment in video production is KEY. Yes, i know 28 Days Later was shot with an XL1. A high quality 3CCD miniDV camcorder. you'll notice they didn't shoot with a Canon ZR500. Do you get that? They chose a really nice camera. Oh yeah and plz don't forget they had this movie color corrected and up-rez'd. by pro's with really nice EQUIPMENT.
I shoot with a hopped up panasonic dvx100 I build all my own gear and my panasonic does the same exact shit! I GET THE SHOT I WANT AND MOVE ON and dont wait for some miracle moon camera. dAMN IF YOU GUYS WENT OUT AND JUST Be camera guys then youll have more content to keep your brains more in the moment then this pretty little piece, google the film Lumiere and see what creative types can do with the original box cam and no focus or zoom. Sean
sony,panasonic,canon, can easy pack up they shit and leave this industry if they dont come up with anything better. and i hope they will in future realese something for enduser.
Get behind what? There's nothing from RED to get behind? If you want to get behind something how about something that exists like a Varicam, Viper, or 4K Dalsa Origin!
In the everlasting struggle between aestheticism and functionality, they seem to have chosen to go for the latter first and worry about the former later. One might call the current design-choices "industrial", but to call it "ugly as hell" is "superficial". :D
You've got to be lame to believe that Jim Jannard would spend massive amounts of time getting suggestions on elements that go into the camera from the videography community, massive amounts of money in development, and a whole lot of hours working on vaper-ware. By the way, hot-shot digital cameras don't have to be much else but censors and lenses. Look at the Silicon Imaging camera Mini.
SI's camera is far more than sensor and lens. SI is very pulic about the camera, and what they are doing. Do a little reading and you'll can learn all about it. It's NAIVE to believe that's all it takes is a sensor and lens.
If the camera is revolutionary, please present it. Oh wait, it doesn't exist! The RED ONE didn't shoot those images - a sensor hooked up to a lens on a bench did. If you can't pick it up and shoot with it, it DOES NOT blow anything out of the water! I'm in line like everyone else. Bring on the camera, I'll believe it when I see it, until then it's vaporwear.
DP101 what are you talking about???? Have you been following this from the begining or have you just tuned in the last 5 minutes? You should tell sony to keep their money when they ask you to post crap. See you next year with my Red camera.
I noticed all the footage was very short. Is this because the data rate is so high? What's the real world story on data transfer and storage for Red? Thanks for uploading this footage, BTW.
The Red captures RAW-footage at 323MB/s, 24fps, 12-bits linear, but they are working on a VBR wavelet compression-codec (Redcode RAW) that turns that into 27MB/s, 24fps, 10-bits logarithmic.
@Junyo Actually Youre Wrong And Right. Red Did a demo of 2 types of video. Uncompressed raw, And The new R3D Codec. They did a speed test of the first video And it was 1.3 GB/s, They Managed to Put it Down To 10MB/s
Thanks for posting the video! It proves what I've been saying for months. Redco won't exibit, or post REAL engineering charts with verifiable images. If they are for real what are they afraid of? How about something lit with flat light? How about daylight? Why no Q&A @ IBC? I heard about the folks who walked out in the middle of the screening in LA. Guess in reality it's more like 2010, have a nice wait.
I actually have Q&A footage in which nearly all of your critizism is addressed. I'll post that footage after IBC has finished and I have some time again.
it says $17500 in this add but the web site quotes it @ $25k large
whats the real price and where can we get it at $17500 ???
gingerbreadmanquan 4 months ago
@gingerbreadmanquan the latest red one is 25,000 $ with improved sensor 14 MEGAPIXEL MYSTERIUM-X.
10mism 4 months ago
is this the same camera rick ross shoot their vlogs with? im trying to find out what they use so i can get that camera and use it...
bbllaakkee5460 7 months ago
Red Did a demo of 2 types of video. Uncompressed raw, And The new R3D Codec. They did a speed test of the first video And it was 1.3 GB/s, They Managed to Put it Down To 10MB/s
ConnorsworldAU 1 year ago
AS LONG AS THE WIRE'S DONT OVER HEAT YOU CAN GO UP AS HIGH IN HIGH DEAF AS YOU WANT.
andrew49848 1 year ago
what can a info red camera not see throw please get back at me if you know what does! THANKS:)
Peta659 1 year ago
why didn't you upload it in 4k instead u upload it at the shittiest 240p and expect us to c the cameras resolution
PaceyPimp 1 year ago
@PaceyPimp I don't expect anything. Back in 2006 I didn't have a FullHD camera with me at the presentation at the IBC and most certainly didn't carry a 4K-camera (which, back then, where HUGE). Also, YouTube didn't even support HD-uploads back then.
Junyo 1 year ago 8
@Junyo so do an update in 4k now that youtube supports it
PaceyPimp 1 year ago
@Junyo It would be a good idea to re-upload this video because not only does YouTube support HD video, it now supports 4K Video ...
AACJenius 6 months ago
soo...would a 60 second video at full 4K resolution be like 100 YB? (search Yottabyte on wikipedia)
bakonfreek 1 year ago
@bakonfreek it's about ten to the fifteenth gigabytes
bakonfreek 1 year ago
I think it's beautiful.
GeorgeMaier 1 year ago
I think it's beautiful
mrbusters 1 year ago
i don't give a crap on what it looks like i only care on how good it is, ppl r only going to see what pix i send out not of my camera
sd9800 1 year ago
better Than Imax?? wtf?
ThePencil901 2 years ago
Bravo! historical document! 2006!!
sergiohd51 2 years ago
4K is amazing, I saw a demo at the apple store while I was in San Fran, it was amazing!
Nicsho 2 years ago
BULLSHIT, You 'r talking about 4K in YOUTUBE resolution and tell us, watch te details ...
Funny
Arsenaloid 2 years ago
hes talking about the fact that there is much more than super high resolution in the camera
ankin8 2 years ago
I love 4K RED, but saying ''watch the details'' while it's in youtube ...doesn't fit
Arsenaloid 2 years ago
The resolution is nice, but did anyone else notice how shallow the depth of field seemed to be when the subjects moved? One NAB demonstrator themself commented on the shallow depth of field at 4K, and so recommended 2K for "documentaries" that were going to be shown on tv and not the theater if a deeper field was desired. Why should higher resolution cause shallower depth of field? I guess that's a topic for a camera forum....
OrmEmber 3 years ago
"The resolution is nice, but did anyone else notice how shallow the depth of field seemed to be when the subjects moved?"
Depth of Field is an aperture issue, this has nothing to do with the camera it's self.
EXAMPLE:
f22 gives you more Depth of Field then f5.4
TheNewAngryDummy 3 years ago 2
I think it's the other way around. The lower the f value the bigger the opening and the bigger the out of focus area.
mmcho 3 years ago 8
Hello mmcho, yes, that's what I just said.
Only in reverse!
TheNewAngryDummy 3 years ago 2
from wikipedia:
The camera also allows the sensor to be used in a windowed mode in which the sensor can emulate the active area of a Super 16 film frame while capturing 2048 pixel resolution footage. This allows the camera to be used with Super 16 lenses.
wsplatinum 3 years ago
Depth of field is affected by the size of image the lens projects to - thats why 35mm lens adaptors use a ground glass - to project light onto a bigger area, then focused onto the smaller sensor. I guess if you shoot on 2k, then less sensor is used making the surface area of the projected image smaller therefore decreasing dof.
iliketojumplargeobje 2 years ago
higher res more light= shallow DOF
steliber 2 years ago
Depends on aperture, focal length and distance to subject.
archades54 2 years ago
I know what I'm gonna ask my mom next Christmas
isocrate27 3 years ago
DUKESTEIN RULES!!!!!
embrodak77 3 years ago
This camera is tight I wish I had some extra cash for one of these but its a little more than a high end pannasonic
nwmedia2007 3 years ago
I know I always love the look of digital in low light, much like this presentation. But then the sun comes out! Where are the shots with natural light??? Scare-dy, scare-dy, S-care - -Dy!
jegonus 4 years ago
Exactly, I'm also curious for the outdoor shots. These images you probably can get the same result with a good DOP and a sony DV camera. It is easy if u have full control over the light to get an amazing image. I wonna see outdoor shots ... anyway i've seen the Peter Jackson images and it look prety good.
quietapplaus 4 years ago
This model will never be accessible to the masses. No Autofocus (and a 35mm sensor means you'll need a focus puller.)
In regards to "why 18-50"? Actually that's not "normal to more wide" That's somewhat wide to zoom. You have to remember that this is a Super35mm sized chip and not your standard still 35mm sensor/film. Therefore 18mm is significantly less wide than you would expect and 50mm is actually starting to approach a bit telephoto.
GavinGreenwalt 4 years ago
damn... that is one NICE camera... hope that is produced for the mass and easily available at normal camcorder prices!!!
nagarjun424 4 years ago
hmm...i wouldn't consider 17,500 bucks a "normal camcorder price" ;)
oh, and that's without the lenses. :D
gieppo 3 years ago
Great review! submitted to our review website.
digicams(dot)com
CuteLolitas 4 years ago
Why did they change the zoom? 18-85mm sounded pretty good, what are you going to do with an 18-50mm? That's just normal to more wide.
I guess it doesn't matter because i can't afford it anyway.
pmcgb 4 years ago
not you too Cerati? You really didn't get the point i was trying to make. Equipment in video production is KEY. Yes, i know 28 Days Later was shot with an XL1. A high quality 3CCD miniDV camcorder. you'll notice they didn't shoot with a Canon ZR500. Do you get that? They chose a really nice camera. Oh yeah and plz don't forget they had this movie color corrected and up-rez'd. by pro's with really nice EQUIPMENT.
svaripath 4 years ago
WOW. Sean57 really doesn't get it. do u not see the big picture here dude? it's not just about a better camera its about finally being able to capture your vision without having to spend millions. Now you can look Hollywood and stay Indie. yes ppl can spend more time being better DPs but equipment is KEY and if you don't know that by now than u better go home. i c your using the DVX100, why don't you go by a Sony Handycam and pretend to be a pro with that camera. Get it?
svaripath 4 years ago
Equipment is not key...28 days later was shot with canon xl's and is a much better movie than Episode One, which was shot on Sony HD cameras...which are more expensive...money isn't everything
Cerati 4 years ago
not you too Cerati? You really didn't get the point i was trying to make. Equipment in video production is KEY. Yes, i know 28 Days Later was shot with an XL1. A high quality 3CCD miniDV camcorder. you'll notice they didn't shoot with a Canon ZR500. Do you get that? They chose a really nice camera. Oh yeah and plz don't forget they had this movie color corrected and up-rez'd. by pro's with really nice EQUIPMENT.
svaripath 4 years ago
Except for about five shots, Episode One was shot on 35mm.
bhTDMC 4 years ago
It was shot with an xl1s, yes, but with $30,000 PANAVISION LENSES, to a D1 UNCOMPRESSED taped deck, and uprezzered/cc'd by professionals.
AmazingShoestring 4 years ago
but do you make money with equipment, or talent. you can give a monkey the hands of god and what would resolt
mariocarl 4 years ago
I shoot with a hopped up panasonic dvx100 I build all my own gear and my panasonic does the same exact shit! I GET THE SHOT I WANT AND MOVE ON and dont wait for some miracle moon camera. dAMN IF YOU GUYS WENT OUT AND JUST Be camera guys then youll have more content to keep your brains more in the moment then this pretty little piece, google the film Lumiere and see what creative types can do with the original box cam and no focus or zoom. Sean
sean57 5 years ago
hmm all very controlled and safe. wheres the exteriors?, the bright sun?
what are you afraid of red?
wingrove 5 years ago
sony,panasonic,canon, can easy pack up they shit and leave this industry if they dont come up with anything better. and i hope they will in future realese something for enduser.
dd240sx 5 years ago
This stuff IS the future and RED is ALL OVER it. Get on board or get behind
Karlwireless 5 years ago
Get behind what? There's nothing from RED to get behind? If you want to get behind something how about something that exists like a Varicam, Viper, or 4K Dalsa Origin!
DP101University 5 years ago
too bad the camera is ugly as hell.
TheLastMan25 5 years ago
In the everlasting struggle between aestheticism and functionality, they seem to have chosen to go for the latter first and worry about the former later. One might call the current design-choices "industrial", but to call it "ugly as hell" is "superficial". :D
Junyo 5 years ago 18
@Junyo Is the TONKA of cameras, love it!!!
bluepicis 1 year ago
@Junyo honestly I like the industrial look, makes this camera stand out even more and helps it be a modular camera
NickWeber333 1 year ago
@TheLastMan25 Wow I thought this was one of the most beautiful cameras I've ever seen. The machining is stunning.
Deanzsyclone 1 year ago
@TheLastMan25 it looks bad ass, and what if it looks ugly, its the quality that counts the most man
javieralza 1 year ago
You've got to be lame to believe that Jim Jannard would spend massive amounts of time getting suggestions on elements that go into the camera from the videography community, massive amounts of money in development, and a whole lot of hours working on vaper-ware. By the way, hot-shot digital cameras don't have to be much else but censors and lenses. Look at the Silicon Imaging camera Mini.
kfdan 5 years ago
SI's camera is far more than sensor and lens. SI is very pulic about the camera, and what they are doing. Do a little reading and you'll can learn all about it. It's NAIVE to believe that's all it takes is a sensor and lens.
DP101University 5 years ago
Red is a revolution in cinema videography. Anyone who has been following the developments on forums dedicated to videography
is very excited about Red. This presentation on YouTube does not
really do the footage justice but you can clearly see that the quality
of the imagery is excellent. This camera equals 35mm film and blows
the competition in high end HD cameras out of the water!
kfdan 5 years ago
If the camera is revolutionary, please present it. Oh wait, it doesn't exist! The RED ONE didn't shoot those images - a sensor hooked up to a lens on a bench did. If you can't pick it up and shoot with it, it DOES NOT blow anything out of the water! I'm in line like everyone else. Bring on the camera, I'll believe it when I see it, until then it's vaporwear.
DP101University 5 years ago
blows them out of water maybe out of this universe
dd240sx 5 years ago
DP101 what are you talking about???? Have you been following this from the begining or have you just tuned in the last 5 minutes? You should tell sony to keep their money when they ask you to post crap. See you next year with my Red camera.
lamontdp 5 years ago
I noticed all the footage was very short. Is this because the data rate is so high? What's the real world story on data transfer and storage for Red? Thanks for uploading this footage, BTW.
TeddyLeper 5 years ago
The Red captures RAW-footage at 323MB/s, 24fps, 12-bits linear, but they are working on a VBR wavelet compression-codec (Redcode RAW) that turns that into 27MB/s, 24fps, 10-bits logarithmic.
Junyo 5 years ago
@Junyo Actually Youre Wrong And Right. Red Did a demo of 2 types of video. Uncompressed raw, And The new R3D Codec. They did a speed test of the first video And it was 1.3 GB/s, They Managed to Put it Down To 10MB/s
ConnorsworldAU 1 year ago
DP101-- why so negative? What screening in LA? What are you talking about? Was there a screening that the public did not know about prior to IBC?
goldyprog 5 years ago
Thanks for posting the video! It proves what I've been saying for months. Redco won't exibit, or post REAL engineering charts with verifiable images. If they are for real what are they afraid of? How about something lit with flat light? How about daylight? Why no Q&A @ IBC? I heard about the folks who walked out in the middle of the screening in LA. Guess in reality it's more like 2010, have a nice wait.
DP101University 5 years ago
I actually have Q&A footage in which nearly all of your critizism is addressed. I'll post that footage after IBC has finished and I have some time again.
Junyo 5 years ago
Execellent Job Jim,Ted and the Rest of The Red team.It was worth the wait.Case of Fine Cigars on me.: )
futurereduser 5 years ago
Cool! I'll be at the IBC monday and tuesday!
mjaydb 5 years ago