When you get a distance from "classical" music, you can see more clearly in a way. Many classical musicians need to get out and listen to folk music, etc. - though it might take years to clear out the cobwebs. Bravo to you for being a real musician.
At last, someone plays this like music. I haven't played classical music for a while and it is interesting to hear this piece played by many other well known classical players who, with no apparent awareness, walk all over the music but seem to be satisfied with a certain clerical exactness.
Dear Peter : I agree with Raymond's comment (rsmullyan) below. I have no real problem here with the piano being out of tune - you should hear mine! Real musicians can listen through anything to the overall intent anyway - yes?
I adore Brahms, the somewhat structural ambiguity and his entwining ideas, their content always commensurate with their length. You understand his temperament well, his introversion, his conversation with self. B minor also happens to be my favourite key! A pleasure Peter!
i understand, don't feel as if i'm insulting, i was simply trying to give you some pointers since i know you're in it for the van cliburn competition - pretty stiff competition, anyway, i hope you do well, i wish you all good luck
by the way, all your transitions are by complete silence, experiment with something different, the transitions need to be smoother, around 708 more left hand, although it may be the recording quality, around 727 keep up your energy, you start this section all fiery and then lose your energy, the scales should be more like waves of sound than scales, although you
dont bang at 221, 245 careful, are your wrists relaxed? it would help with clarity of notes around 3 30, its very musical, i like your phrasing for the most part, its boring around 530, contrast your phrases, or make the phrases part of one giant phrase,
Beautiful expression. I enjoyed listening. Your phrasing is very relaxing to listen to. You speak like a poet. Crisp pedaling... I prefer it in this piece maybe more than say Op. 119 #1.
Y'know, these things are funny. As positive as the comments here are, my feeling is that your performance is being perhaps somewhat underappreciated. To me this deserves the highest and widest praise. Perhaps in the middle it goes off into the dream world a little too far, but then again, is there such a thing as too far?
ThatRachGirl prefers a more classical interpretation, but Brahms was one of the last great romantics, and so your superb romantic interpretation is just what is called for. Peter, I have heard you play before, But I didn't realize that you are THAT good!
Whoa, the piano's out. You seem to take to it pretty well, though. Love the darkness, the overall feel. My personal taste would prefer a more classical Brahms with less rubato. But everyone's opinion is unique, so don't take me too seriously. The last thing I would want is to interfere with your grand idea (since it is plain you've put a lot of thought into this). It's just something to think about.
The d minor modulation at 1:56 especially made me sit still and listen. Amazingly well done.
Thank you for posting this wonderful composition. You give it the "agitation" it requires in just the right places. It is a personal interpretation but I've found that to be true of almost all Brahms! Good luck. Bob Ekelund
When you get a distance from "classical" music, you can see more clearly in a way. Many classical musicians need to get out and listen to folk music, etc. - though it might take years to clear out the cobwebs. Bravo to you for being a real musician.
friend1823 10 months ago
At last, someone plays this like music. I haven't played classical music for a while and it is interesting to hear this piece played by many other well known classical players who, with no apparent awareness, walk all over the music but seem to be satisfied with a certain clerical exactness.
friend1823 10 months ago
Dear Peter : I agree with Raymond's comment (rsmullyan) below. I have no real problem here with the piano being out of tune - you should hear mine! Real musicians can listen through anything to the overall intent anyway - yes?
I adore Brahms, the somewhat structural ambiguity and his entwining ideas, their content always commensurate with their length. You understand his temperament well, his introversion, his conversation with self. B minor also happens to be my favourite key! A pleasure Peter!
PhillipLWilcher 1 year ago
i understand, don't feel as if i'm insulting, i was simply trying to give you some pointers since i know you're in it for the van cliburn competition - pretty stiff competition, anyway, i hope you do well, i wish you all good luck
chrstfntc2875 2 years ago
by the way, all your transitions are by complete silence, experiment with something different, the transitions need to be smoother, around 708 more left hand, although it may be the recording quality, around 727 keep up your energy, you start this section all fiery and then lose your energy, the scales should be more like waves of sound than scales, although you
chrstfntc2875 2 years ago
dont bang at 221, 245 careful, are your wrists relaxed? it would help with clarity of notes around 3 30, its very musical, i like your phrasing for the most part, its boring around 530, contrast your phrases, or make the phrases part of one giant phrase,
chrstfntc2875 2 years ago
tune your piano before you record, it sounds horrible,
chrstfntc2875 2 years ago
Nicely done!
doelman 2 years ago
What beautiful playing! Immensely musical, no doubt due to your impeccable pacing and phrasing. Thanks for this performance.
jes9015 2 years ago
Beautiful expression. I enjoyed listening. Your phrasing is very relaxing to listen to. You speak like a poet. Crisp pedaling... I prefer it in this piece maybe more than say Op. 119 #1.
wildejag 2 years ago
I'm returning for a second comment.......
Y'know, these things are funny. As positive as the comments here are, my feeling is that your performance is being perhaps somewhat underappreciated. To me this deserves the highest and widest praise. Perhaps in the middle it goes off into the dream world a little too far, but then again, is there such a thing as too far?
Thank you for this great performance.
larchmontmark 2 years ago
ThatRachGirl prefers a more classical interpretation, but Brahms was one of the last great romantics, and so your superb romantic interpretation is just what is called for. Peter, I have heard you play before, But I didn't realize that you are THAT good!
rsmullyan 2 years ago
Whoa, the piano's out. You seem to take to it pretty well, though. Love the darkness, the overall feel. My personal taste would prefer a more classical Brahms with less rubato. But everyone's opinion is unique, so don't take me too seriously. The last thing I would want is to interfere with your grand idea (since it is plain you've put a lot of thought into this). It's just something to think about.
The d minor modulation at 1:56 especially made me sit still and listen. Amazingly well done.
ThatRachGirl 2 years ago
très bon piano, mais peut-être à cause d'une mauvaise prise de son, le chant de la main droite est souvent trop superficiel.
littorine 2 years ago
Wonderfully musical, dramatic, dark, powerful. Great choice and great performance!
MichaelWilliamsTO 2 years ago
I love this performance. Your playing is fearless, exciting, and tells a story. I'm amazed by how easily you present Brahms' wildly varying moods.
hbasarab 2 years ago
An emotional, empathetic and beautiful interpretation. I didn't feel bothered by the piano. I've found, what I need in music.
robertpetoe 2 years ago
Very good performance !
About the piano, it needs at least a good tuning...
Good luck in the competition
unamyzarc 2 years ago
Superb!!!
equitater 2 years ago
Thank you for posting this wonderful composition. You give it the "agitation" it requires in just the right places. It is a personal interpretation but I've found that to be true of almost all Brahms! Good luck. Bob Ekelund
bobekelund 2 years ago
Wonderful performance, with great expressiveness and range.......lots of "controlled explosiveness" and overall a fine impression of spontaneity.
By the way, I'm an old acquaintance of your teacher and his wife Debbie......feel free to say hi from Mark Cannon!
larchmontmark 2 years ago 2
ups first comment..
zeus needs the olymp
boris becker a center court
this guy a true piano
thx for posting
good luck in the competition
PeterStuttgart 2 years ago