Added: 1 year ago
From: illdoitagain
Views: 12,695
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  • Great lesson!

  • Hey you should post a vid on bossa nova, its really fun to play as a guitar player

  • Thanks!!!

  • I disagree too.

  • I most def disagree there's this dude on YouTube that sound way more professional then this dude. You can hardly hear him and his guitar

  • Yea, definitely, this is the best single lesson on youtube if you want to sound more advanced!

  • That was a GREAT lesson. I haven't yet run across the method yet of how you built that Dm7 from a C scale even though I know the Dorian mode for figuring out scales.

    I'm not even 3 minutes into the video!

    Thanks!!

  • Great...Great lesson. It have gave a better understanding....

    Thanks...And thanks  a lot

  • Great lesson about fourth build chords man! Thank you!

  • Can you explain 2 things for me plz?? 1. How do you if its a cmaj7 or cminor? and 2. (not related to video) whats like a F/G#?

  • @CustodioRichmond an F/G# chord is an inversion chord, meaning it's just an F chord, but the chord starts with G# as the first note played. Typically though, F is made up of F A C notes, which is what you would be playing, but just adding a G# as the first note played.

    Knowing if something is Major or minor is something you'll have to learn on your own. It's pretty fundamental and I suggest hiring an instructor to help you with this.

  • @CustodioRichmond Cmaj7 and Cm have different notes, and different sounds. For chord labels with a slash (such as F/G#), the stuff to the left of the slash is the chord, the stuff to the right of the slash is the bass (the lowest note of the chord). If a bass player is in the room, you can ignore the stuff to the right of the slash.

  • Great lesson this open my mine a lot about jazz comping

  • amazing... thanks for your time to put this here... you made it a lot easier :P

  • Excellent presentation! (Man I wish I had your right hand.) This is an interesting subject. I have never heard this explained so well. I quite worrying about chord names a long time ago. Enharmonic spelling can be a pain sometimes. Am7-C6 same notes. Now I just play the melody and think of the harmony I want to hear(which changes depending on my mood).

    You have given me some interesting ideas. Thanks for posting this. It goes straight to my favorites.

    Your Son was digging this also :-)

    allen

  • great!

  • Well done, I have always used stacked 4ths without the real reason it works.

  • Great lesson. Thanks

  • love your playing. enjoyed your posting over past couple of years. keep them coming. thanks

  • great lesson! very friendly video, i love it. You play so well. Keep it up!

  • watching this video, I get the impression that that fingerboard is screaming, "I'm ebony, damn it!"

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