But, I should add, these songs from the "Songs and Dances of Death" cycle are the most pessimistic ones ever. How ever, he is realist- does not believe in the afterlife, resurrection, re-incarnation,...
@DustBGD89: I disagree with you here! The words of Arsjéñiy Goljeñíshchjev-Kutúzov deal with this particular, present-day age: they don't address what the age to come deals with, which is an entirely different matter.
According to G.P. Vishñévskaja (see her autobiography), Musórgskiy was a believer (Orthodox Christian), at least to some extent. Who apparently didn't believe was the orchestrator of these songs, D.D. Shostakóvich, which is apparently why he emphases matters with the brass and percussion - and in the last piece, the 'col-legno' string accompaniment right after the singer introduces the figure of Death.
Mussorgsky`s songs are just too special. He broke all XIX century`s tradions and cleared path to XX century and contemporary music- both with harmonies and form on the one, and with the vocal technique on the other side.
@DustBGD89 Mussorgsky is ****ing fantastic. An amazing composer, I was in awe the first time I heard the coronation scene of Boris Godunov, I travelled from London to Hamburg just to watch his opera Khovanschina. This man was a genius and a greatly under appreciated one. I wrote an essay on him last year and his vocal techniques and settings are decades ahead of their time. A brilliant man.
exactly these are the last 2 songs of the cycle composed by Modest Musssorgsky between 1875-77 and orchestrated by his country fellowman admirer and also great composer Shostakovich, this bass interpreter is really good with a dark voice exactly was is needed for Mussorgsky kind of music
this is very nice. but it's not just "trepak", it's the 3rd and 4th songs of the cycle, the last one is "the field marshall." thanks for posting this.
But, I should add, these songs from the "Songs and Dances of Death" cycle are the most pessimistic ones ever. How ever, he is realist- does not believe in the afterlife, resurrection, re-incarnation,...
DustBGD89 2 years ago
@DustBGD89: I disagree with you here! The words of Arsjéñiy Goljeñíshchjev-Kutúzov deal with this particular, present-day age: they don't address what the age to come deals with, which is an entirely different matter.
[Contd...]
LJBSasha 1 year ago
[...contd.]
According to G.P. Vishñévskaja (see her autobiography), Musórgskiy was a believer (Orthodox Christian), at least to some extent. Who apparently didn't believe was the orchestrator of these songs, D.D. Shostakóvich, which is apparently why he emphases matters with the brass and percussion - and in the last piece, the 'col-legno' string accompaniment right after the singer introduces the figure of Death.
LJBSasha 1 year ago
Mussorgsky`s songs are just too special. He broke all XIX century`s tradions and cleared path to XX century and contemporary music- both with harmonies and form on the one, and with the vocal technique on the other side.
DustBGD89 2 years ago 2
@DustBGD89 Mussorgsky is ****ing fantastic. An amazing composer, I was in awe the first time I heard the coronation scene of Boris Godunov, I travelled from London to Hamburg just to watch his opera Khovanschina. This man was a genius and a greatly under appreciated one. I wrote an essay on him last year and his vocal techniques and settings are decades ahead of their time. A brilliant man.
aarandir 1 year ago
Super.bravo Mussorgsky,bravo Hvorostovsky!!
Teqdor 2 years ago 4
exactly these are the last 2 songs of the cycle composed by Modest Musssorgsky between 1875-77 and orchestrated by his country fellowman admirer and also great composer Shostakovich, this bass interpreter is really good with a dark voice exactly was is needed for Mussorgsky kind of music
beethomozart 2 years ago
this is very nice. but it's not just "trepak", it's the 3rd and 4th songs of the cycle, the last one is "the field marshall." thanks for posting this.
StarRaft 3 years ago 3