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  • sounds like the old tv stations i would wake up at night and they were offline.

  • maybe this is the instyle mysic of the aliens.

  • and now we know where Nintendo got their music

  • @whiskeywoopin so deep........

  • My question is why are all the numbers of the Solfeggio frequencies in the same column when the individual numbers are in a block format such as on a keyboard?

  • This is so-o-o-o-o cool!

  • Tis is So-o-o-o-o cool!

  • Thank you. You've created a very powerful tool. I loop the playback and let it play in the background at a low volume and already feel the effect, the alignment of energy centers after one night of sleeping with it playing.. Thanks again

  • Does this have anything to do with the modern western styled musical scale?

  • @Maverickk21 nevermind, I read the description

  • thx...

  • my cat has just freaked out when i put this on...why`s that ?

  • I love listening to these frequencies, but it confuses my cats. lol

  • huh... dont know if anyone else saw.. but... the digital root (add up all numbers in a number until you have a single digit number) for all frequencies shown is either 3, 6 or 9.. yall familiar with marko rodin?

  • so interesting because there are alot of people expereiencing

    the 11 11 syndrome And remember 911 equalls 11 twin towers equal

    11 flight 92 is 11 new york city is 11 letters new york state 11th into the union

    etc.....and fibonacci code starts at 1 , 1 which is 11

  • so interesting because there are alot of people expereiencing

    the 11 11 syndrome And remember 911 equalls 11 twin towers equal

    11 flight 92 is 11 new york city is 11 letters new york state 11th into the union

    etc.....

  • i dont get it wtf is this

  • @sfan26 Healing frequencies

  • Some of these sound like an old school Atari game being played.

  • @DriftAnime Someone just lost at Pitfall... XD

  • this is amazing, really like your work man

  • it is strange that your three core (middle) numbers are spaced 109 numbers apart but the rest are not, what would happen if you use the middle numbers as your base and and spaced all your numbers the same (the last are also 109 apart but not following the middle numbers)

  • When you tune a guitar to A=417, the notes go as follows:

    174=F# (2nd fret E string of a bass guitar)

    285=D (open D string of a bass guitar)

    396=Ab

    417=A

    528=C#

    639=E

    741=G

    852=A

    963=B

  • This means that there are two perfect major keys you can play in: D and A, which means there are two perfect minor keys you can play in: F#m and Bm.

    All of the possible chords in these keys cause harmonics to ring out of a stringed instrument tuned this way. The most prominent being the A major chord, the root of the solfeggio, which causes the instrument to ring out a rich sounding major third harmonic of 417+528 hz.

  • I have also found that the harmonics ring no matter what octave the notes are played on but they ring the strongest on their intended octave.

    The best way to make a guitar ring out is to tune it to A=417, put a capo on fret 2 and play an open G Major chord.

  • This is good work on the ancient solfeggio and I like your tidy scientific approach. keep it up. Looking forward to the "harmonic analysis" of multiple performed tones. Oh yeah thanks for the useful info and references in the description box ;-)

  • btw, i didn't realize how much 417 sounded like Ab lol

  • Thanks everybody for the advice ;P i did ear tune A string to 417 and everything else to, its like detuning to C standard the sound is completely different but same concepts apply (ex: The position of all the chords power, bar, minor, major etc.) its actually alot of fun to play with and writing melodies with this turning, im going to look farther into it :D

  • they cannot be attained using A440 as a reference point. they can only be found using the JUST INTONATION system.

  • What are these frequencies as music notes?

  • hey there, Im a musician. none of these notes can be found in standard tuning, whcih is A=440hz. If you tune your instrument slightly flat so that A=417hz, you can play them all. For example, if you play 417 + 528 at the same time, they create a beautiful sounding major 3rd harmony!

    Peace

  • So if i were to de tuned by half steps would that work? Or should i change the setting on my tuner?

    Thanks a lot for the advice ; P

  • Oh hey, sorry i meant to reply to this earlier. In this video I'm using samples created using a tone generator at the exact fequencies. In some others I'm only using a "closest match" within standard tuing, which means they're obviously not precise. But I have a rough guide... its no replacement for exact pitch, but if you just want to play around it'll work for that. I'll post it in the next comment...

  • The first numer refers to the interval in the scale, and after the colon it's the colest note or notes, to the solfeggio. Most aren't precise...I think 1-2 note coincide with standard tuning but it differs more and more the higher the pitch. The intervals with two notes were kind of borderline, so I use one or the other depending on other elements. Anhow....

    1 F-3

    2 C sharp-4 or D-4

    3 G-4

    4 G sharp-4

    5 C-5

    6 F sharp-5

    7 F sharp-5

    8 G sharp-5

    9 A sharp-5 or B-5

  • hrm i made a mistake in this i'm sure. it's roughly correct, though.

  • @TekkGnostic

    its weird - 174, 417, 741 and then 285, 528, 852.. if u catch my drift

    divided into three sections. there is 111 increase between notes

    174 + 111 = 285 + 111 = 396

    417 + 111 = 528 + 111 = 639

    but then it is 396 + 21 = 417

    and 629 + 112 = 741

    so the notes increase by 111 Hz, except in those 2 jumps - which occur when changing between the Low and Mid, or Mid and High notes

  • @Palmatronnobs

    that's wild, i hadn't noticed that pattern... but tons of others... the more you look, the more patterns there seems to be..

    have you ever checked out Rodins vortex mathematics? have found it especially helpful, when combined with numerology some incredible patterns emerge..

    gonna have to experiment around more with these ideas, thanks :)

  • It wouldn't be exact. If you can tune by ear, tune your A-string to 417 on this video, then tune every other string to it as normal.

  • Then, put your capo(if u have one) on fret 2 and strum the open G chord. If you get it right, a harmonic tone will ring out of your guitar to the pitch of 528HZ, creating a beautiful sound along with your G chord. It also works over E minor, because this is the "relative minor" of G major. If you don't have a capo, play A major and F# minor. This has worked on every instrument I've tried it on! Cheers and good luck!

  • i want a synthesizer for Christmas. :)

  • Good work

    Has anyone on the UMMCorg channel seen this?

  • Hrm, not that I'm aware of, although I'm not familiar with the channel. I'll have to check it out.

  • Great work. I've been wanting to hear them individually yet together without any other sounds. This clarifies many questions I had. However, my main question is how does one transpose or even compare them to the diatonic pentatonic scales? Also, how are they generated and tuned in acoustic instruments? Thanks if you know and thanks if you don't.

  • When reduced to single digit numbers you will find that 3 6 9 is repeated.

    174 HZ = 1+4+7 = 12 = 1+2 = 3

    285 Hz = 2+8+5 = 15 = 1+5 = 6

    396 Hz = 3+9+6 = 18 = 1+8 = 9

    417 Hz = 4+1+7 = 12 = 1+2 = 3

    etc. etc.

    This relates to the work of Vortex based mathmatics where the 369 represents 3 and 6 as pole opposites and 9 as the axis.

    It all ties together and is the truth behind the foundation of creation.

  • thanks

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