Yes indeed! Take 18th century French keyboard suites, for example. Francois Couperin, or Jean Phillipe Rameau, to name a couple of composers. The standard opening movement of a suite was the 'ouverture' which was written down -entirely- as whole notes. No grace notes, no ornamentation or trills or modulation. And no real tempo indication. Performers were expected to improvise, which is the cornerstone of tempo di rubato. All repeats were variations on the original as well.
Nice playing! I just think that there's a lot of legato, maybe some parts could be Non-Legato or even staccato.
selamjohannes 5 months ago
娘が現在この曲に取り組んでいますが、 トリルに泣かされています(^^;)
お嬢さん、とても落ち着いて丁寧な演奏ですね。
うちの子も本番でこんな風に落ちつた演奏ができるといいのですが。。。
makoronmama 1 year ago
@makoronmama 様
トリル難しいですよね。
娘にどうやって練習したの?って聞いたら、
ペタルでごまかした・・・ですって(-ω-;)
misonikomi28 1 year ago
@misonikomi28 様
コツをありがとうございます☆
まだ子供ですし、やっぱりペダルの力も借りないと厳しいですよね。
少し入れるようにしてみます(^^)
makoronmama 1 year ago
really good, very well played.
lwpiano 1 year ago
Yes indeed! Take 18th century French keyboard suites, for example. Francois Couperin, or Jean Phillipe Rameau, to name a couple of composers. The standard opening movement of a suite was the 'ouverture' which was written down -entirely- as whole notes. No grace notes, no ornamentation or trills or modulation. And no real tempo indication. Performers were expected to improvise, which is the cornerstone of tempo di rubato. All repeats were variations on the original as well.
sina4 2 years ago
Technically perfect. A bit more tempo rubato would be nice, but otherwise perfect.
sina4 3 years ago 3
Uh... I'm not sure but was there rubato in the baroque period?
stoprainlty 2 years ago