Added: 3 years ago
From: millhouse23
Views: 5,712
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  • And just to be clear I really didnt mean any offence here. I think your a very talented, fast, strong and impressive kenpo blackbelt Mr.Miller. Just I didnt like this technique here at all.

    Full salute

  • What technique are you doing here? The first move looks like 5 swords, but i dont regcognise the other 2 moves! If its an alternate version of 5 swords I cant see myself why its better than the original, which after 13 years of training with the IKKA, I can tell you works everytime! Especially the uppercut! I would Never use what your showing here on the street, that last strike especially looks too weak. Flashy'ness aside I'll stick to that which Master Parker prescribed, No offence intended!

  • Wow....did I just find a Kenpo video that Nerdswers hasn't posted on? Good little clip!

  • My opinion is your application is brutally effective and I pity the buzzard who is on the end of your application in a street altercation...A fellow Kempo black belt and fellow Born Again Christian. (MIchaud/Cerio Kempo lineage)

  • you make the same sound effects like a guy from my studio. funny haha.

  • Just one of my bad habits, LOL.

  • haha, I like to tell him that its like an added insult to injury if u ever get into a fight wit a guy LOL

  • i wouldnt call it a bad habbit, i think the "sound effects" help us remember to breathe while we strike =)

  • Thank-you, my friend. Good call.

  • Not a bad habit. Paul Mills does the same thing and he's amazing.

  • I agree. Mr. Mills is great. In fact, a lot of the greats make that sound. It's just something I picked up along the way I guess, LOL.

  • I think it looks good for a 4th. I have seen his teacher do the same thing and he is very close.

  • Mr. Miller could you tell me what tech. this is? I'm sorry, but I don't recognize it...

    Freestyle?

  • It's not a written technique. I don't spend all our class time on the Ideal Phase. I like to keep a combative mode by playing around with things that attack the skeleton. You really can't tell what I am doing here, but I am stopping his punch with a vertical punch to the shoulder joint, then I load by catching the mandible with a ripping motion and I drop a hammerfist on the clavicle. On the angle of departure I am doing a forearm strike. Just playing with our great system to teach principles.

  • makes sense, thanks for the explanation.

    Would you get a bit of rebound from the hammerfist to the forearm strike?

  • You most certainly could. The only problem with that in this situation would be going from a vertical plane to a horizontal; if he drops his height, which he should if you drop the hammer properly, you will not want a quick rebound or you may deflect off the top of his head. There should be a short pause to allow his reaction to take place. Also, focusing on a rebound would take away some power in the hammer. Put all you have in the hammer, then go.

    Thanks for the comments and questions.

  • I see you are a YouTube troll so your opinion is invalid. Come to my school and show me how it's done. I'll await your visit.

  • shogunkata's account is closed...no surprise...

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