As the poster of this video I would like to emphasize that this video was made from a rather poor VHS record made in 1980. It was posted simply because there are few video examples if her singing in concert. So, the sound quality of this video is quite poor and does do her voice justice at all. Some of her best recordings were made in the late 60's to early 80's but are increasingly hard to find.
Cher Madame she was taught to use her hands in this position to enhance the breathe and control the muscles. That is part of the training and she is quite correct. It is my hope that I have helped you to get rid of hate which poisons the mind and heart.
Can't fault this sincere performance of a beautiful and atmospheric piece. I have sung this for exams and also in my one person show. It demands more of the singer physically as well as vocally. Live performance is of the moment, we give only what we have at that time and expose our vulnerability to the listener. Ms Ameling gives everything to create an atmosphere and leave us wanting to recapture the dream. All this on a brightly lit stage with no props. That's magical.
I got her "after hours" album at an estate sale and after listening a bit I was going to throw it away. I had never heard of her and thought it was some "local" talent that was so-so. Then I googled her and found this (and wiki and other sites detailing her career. I've never liked this style myself, but she is talented.
@hedgechair: I once had the pleasure of sitting in on one of Ms Ameling's guest lectures at the Conservatory in The Hague. She speaks four or five languages fluenty, and when she gets excited about something, she'll continue talking about it in the language the student happens to be singing... She's something special!
Ameling's was the generation of Ilse Wolf and Heather Harper who shared the effortless intake of breath and no air wasted in any note. Singers of the highest skill.
Ameling sang English better than any non-native I have heard by the by.
This lady knows how to take a proper singing breath, an art and necessity which has almost vanished from the face of the earth; "glamor" voice teachers demanding $250 per lesson don't even teach it! Many of these teachers are failed singers themselves; what gives them the right to rip off gullible students? Mr. Baldwin's playing is, as always, superb; not the usual unmusical banging passing for "support" we hear today, and many of these so called accompanists raise the piano lid up all the way!
Ha, ha, ha. Had to laugh at Denyce Graves "blowing Ameling out of the water". Yeah... she's about that subtle. And her French is a joke. Ameling is a refined, intelligent, and profoundly beautiful artist in this repertoire. Few come close to her in these songs of Fauré.
@goldenthroat86 With all due respect, I doubt that. And before you doubt my right to this comment, let me tell you that I am an alumnus of both Curtis Institute of Music and Manhattan School of Music and have heard some of today's top musicians in their student recitals...
@goldenthroat86 If by this you mean that her voice was much bigger, quite true. However, while I admire Denyce Graves greatly, bigger isn't necessarily better. I would prefer to say that each lady has her strengths and is great in her own way...
@philipvanlidth Bigger isn't necessarily bigger...true. It's all about the end result...making music and serving the composer. It's just that Ameling's voice TYPE is very common. A voice like Graves comes along with somewhat less frequency.
That said...I'd rather listen to Ameling ANY DAY over Kathleen Battle....
@goldenthroat86 I think we can agree on the your last remark, although I can remember when that wasn't necessarily so. I was in a production with Kathleen in 1980, when she was still a rather appealing young lady with a voice that carried in any situation, such was its focus. I might add that this was also a quality I prized in Ameling, whose every syllable could be heard clearly over a large orchestra in an outdoor venue. But I haven't heard Kathleen sing in years, and the stories...
@goldenthroat86 At any rate, while Ameling's voice type may seem fairly common, and as far as the category is concerned I will concede it, the actual voice is, at least in my opinion, uncommon within the vocal category. Once again, it is a combination of vocal technique, musicianship and personality that make Ameling unique among her similarly voiced colleagues...
@FashionMarketingDiva the fact that it's highest note is an F maybe? I mean I'm male and I can sing this song with ease. She certainley sounds like a mezzo hear even if she isn't. Either way very well sung I thought
OMG= oh my god. Look, I like Babs as a pop singer and an actress, but she always sings in exactly the same way. I remember that she sang Handel's piangero and the aria from Carmina Burana. Now she sang those sings well, but she sang them just like a pop singer and just as she always had... as if she were on Broadway. And that just won't do pour les melodies francais du 19eme siecle, l'age d'or de l'art lyrique francais. That certainly goes for the slides Handel as well.
And, I'm sorry to be a nag about these things, but Babs is not stunning in the classicasl rep. She slides, she's flat, she's pinched, and she never rings ever. How is THAT versatile? I know (and play for) at least a dozen singers who don't need amplification to sing in a 1,000+ seat hall. Babs can't do that, despite her good points.
Elly Ameling est une très grande interprète, soit! Mais ici, dans cette mélodie de Fauré,( en gros 1900, style nouille et femme fleur) elle manque singulièrement de sensibilité et d'abandon. Ré-écoutons les paroles! de quel rêve s'agit-il ? Est-elle languide, amoureuse ? Rien de tout cela, on la dirait interprétant" God save the queen", stand up et garde à vous!
I have to agree, the approach to the rhythm is very germanic. She has a lovely sound, sings legato and the french is not execrable. Mais le rythm et les phrase, les cadences, ceux-ci ne sont pas francais
Ameling un mezzo ? Vous voulez rire ! Elle est soprano et a étudié entre autre avec Pierre Bernac à Paris! Elle a réalisé, avec Gérard Souzay, le premier enregistrement intégral des mélodies de Fauré.
Pas français?? Aujourd'hui, vous préférez les singes comme la Bartoli qui grimace sans arrêt ! . . . Caricature des émotions !
she is lder than battle,possible battle have been listen at her,but as a art songs ,just very very high quality singers you can compare with a such treasure,but better not compare,with anyone, she is unique!
IMHO, it was Kathleen Battle who was greatly honoured by being named alongside Elly Ameling. I always think myself very lucky to attend Elly's concerts in 70's, 80's and 90's.
As the poster of this video I would like to emphasize that this video was made from a rather poor VHS record made in 1980. It was posted simply because there are few video examples if her singing in concert. So, the sound quality of this video is quite poor and does do her voice justice at all. Some of her best recordings were made in the late 60's to early 80's but are increasingly hard to find.
AmelingElly 3 months ago
Cher Madame she was taught to use her hands in this position to enhance the breathe and control the muscles. That is part of the training and she is quite correct. It is my hope that I have helped you to get rid of hate which poisons the mind and heart.
HEADSUPBERKELEY 3 months ago
Comment removed
MrJustin2782 4 months ago
This song sounds easy to sing. I can assure you, it is not!
biastg 5 months ago
Can't fault this sincere performance of a beautiful and atmospheric piece. I have sung this for exams and also in my one person show. It demands more of the singer physically as well as vocally. Live performance is of the moment, we give only what we have at that time and expose our vulnerability to the listener. Ms Ameling gives everything to create an atmosphere and leave us wanting to recapture the dream. All this on a brightly lit stage with no props. That's magical.
faithful02u 6 months ago
Bjorling... go find it if you can.
theropodia 7 months ago
I got her "after hours" album at an estate sale and after listening a bit I was going to throw it away. I had never heard of her and thought it was some "local" talent that was so-so. Then I googled her and found this (and wiki and other sites detailing her career. I've never liked this style myself, but she is talented.
RobRoyRed42 8 months ago
magnifique!
Marice2223 11 months ago
Brings back memories of seeing her in San Francisco. A wonderful talent.
Muziclovr1 1 year ago
I hate what she's doing with her hands the whole time.
1mdrsinger 1 year ago
@1mdrsinger
I hate your comment.
dtolbiac 4 months ago
How old is this recording guys????
gharusa 1 year ago
I can see your generous soul just listening to your voice. That's what the world needs.
marupaco 1 year ago
Belle voix,diction impossible:Trop tubé!
abracadabranque 1 year ago
@hedgechair: I once had the pleasure of sitting in on one of Ms Ameling's guest lectures at the Conservatory in The Hague. She speaks four or five languages fluenty, and when she gets excited about something, she'll continue talking about it in the language the student happens to be singing... She's something special!
UeberHilde 1 year ago 2
Ameling's was the generation of Ilse Wolf and Heather Harper who shared the effortless intake of breath and no air wasted in any note. Singers of the highest skill.
Ameling sang English better than any non-native I have heard by the by.
hedgechair 1 year ago
This is no doubt the best Faure interpretation by a female voice. Her cycle with Gerard Souzay is outstanding.
kyaume21 1 year ago
This lady knows how to take a proper singing breath, an art and necessity which has almost vanished from the face of the earth; "glamor" voice teachers demanding $250 per lesson don't even teach it! Many of these teachers are failed singers themselves; what gives them the right to rip off gullible students? Mr. Baldwin's playing is, as always, superb; not the usual unmusical banging passing for "support" we hear today, and many of these so called accompanists raise the piano lid up all the way!
billyguns2 1 year ago 9
Ha, ha, ha. Had to laugh at Denyce Graves "blowing Ameling out of the water". Yeah... she's about that subtle. And her French is a joke. Ameling is a refined, intelligent, and profoundly beautiful artist in this repertoire. Few come close to her in these songs of Fauré.
Marg002 1 year ago 6
Beautiful dress, beautiful voice, beautiful artistry. Thank you. Lorna
lornabegbie 1 year ago
I've heard undergraduate recitals at Oberlin that were better than this!
goldenthroat86 1 year ago
@goldenthroat86 With all due respect, I doubt that. And before you doubt my right to this comment, let me tell you that I am an alumnus of both Curtis Institute of Music and Manhattan School of Music and have heard some of today's top musicians in their student recitals...
philipvanlidth 1 year ago
@philipvanlidth Well...I attended Denyce Graves' senior recital at Oberlin. I think you can safely say at age 21 she blew Ameling out of the water!
goldenthroat86 1 year ago
@goldenthroat86 If by this you mean that her voice was much bigger, quite true. However, while I admire Denyce Graves greatly, bigger isn't necessarily better. I would prefer to say that each lady has her strengths and is great in her own way...
philipvanlidth 1 year ago
@philipvanlidth Bigger isn't necessarily bigger...true. It's all about the end result...making music and serving the composer. It's just that Ameling's voice TYPE is very common. A voice like Graves comes along with somewhat less frequency.
That said...I'd rather listen to Ameling ANY DAY over Kathleen Battle....
goldenthroat86 1 year ago
@goldenthroat86 I think we can agree on the your last remark, although I can remember when that wasn't necessarily so. I was in a production with Kathleen in 1980, when she was still a rather appealing young lady with a voice that carried in any situation, such was its focus. I might add that this was also a quality I prized in Ameling, whose every syllable could be heard clearly over a large orchestra in an outdoor venue. But I haven't heard Kathleen sing in years, and the stories...
philipvanlidth 1 year ago
@goldenthroat86 At any rate, while Ameling's voice type may seem fairly common, and as far as the category is concerned I will concede it, the actual voice is, at least in my opinion, uncommon within the vocal category. Once again, it is a combination of vocal technique, musicianship and personality that make Ameling unique among her similarly voiced colleagues...
philipvanlidth 1 year ago
Very nicely sung. The arrangment was just a little faster than others I have heard. I wish I could sing like that!
MustaffaCuppa 1 year ago
A fine singer,but not on this one.
paulostroff99 1 year ago
Oh Lord. Ameling is absolutely NOT a mezzo. Where do you get that from this recording?
FashionMarketingDiva 1 year ago
@FashionMarketingDiva the fact that it's highest note is an F maybe? I mean I'm male and I can sing this song with ease. She certainley sounds like a mezzo hear even if she isn't. Either way very well sung I thought
Muzikman127 1 year ago
belle voix,, belle technique, mais désolée! l'esprit français n'y est pas! C'est allemand, tout ce que vous voulez...mais ce n'est pas du Fauré
cavendishable 2 years ago
c'est quoi, l'esprit francais?
handelviola 2 years ago
Cavendishable, si la prononciation n'est pas parfaite, ça ne signifique pas qu'il n' y ait pas l'atmosphère de Fauré.
As-tu jamais écouté cette "chanson" par Barbra Streisand ?
firsa62 2 years ago
OMG, you mean Babs sings this song?!? Eeeww!!! Oh, that's right, she recorded that awful "classical Barbara" albumb when I was a kid.
lagunagreg 2 years ago 3
Yes, lagunagreg, IT was exactly what I meant. I adore that album....and I adore Barbra and her stunning versatility!
Sorry...what's the meaning of "OMG"?
firsa62 2 years ago
Hi Firsa,
OMG= oh my god. Look, I like Babs as a pop singer and an actress, but she always sings in exactly the same way. I remember that she sang Handel's piangero and the aria from Carmina Burana. Now she sang those sings well, but she sang them just like a pop singer and just as she always had... as if she were on Broadway. And that just won't do pour les melodies francais du 19eme siecle, l'age d'or de l'art lyrique francais. That certainly goes for the slides Handel as well.
lagunagreg 2 years ago
lagunagreg, I don't agree with You.....IN TRUTINA is not sung in the exact same way as, for ex., SOMEWHERE.....or MY MAN.......
Anyway this in only an opinion.... ;-)
firsa62 2 years ago
And, I'm sorry to be a nag about these things, but Babs is not stunning in the classicasl rep. She slides, she's flat, she's pinched, and she never rings ever. How is THAT versatile? I know (and play for) at least a dozen singers who don't need amplification to sing in a 1,000+ seat hall. Babs can't do that, despite her good points.
lagunagreg 2 years ago
Babs is far better than Ameling in this song.....she has got a "warm" interpretation...and in fact she's also an actress...
firsa62 2 years ago
Elly Ameling est une très grande interprète, soit! Mais ici, dans cette mélodie de Fauré,( en gros 1900, style nouille et femme fleur) elle manque singulièrement de sensibilité et d'abandon. Ré-écoutons les paroles! de quel rêve s'agit-il ? Est-elle languide, amoureuse ? Rien de tout cela, on la dirait interprétant" God save the queen", stand up et garde à vous!
cavendishable 2 years ago
cavendishable, je suis d'accord avec toi!
Ici il y a la voix, la technique mais le coeur...mhm...
firsa62 2 years ago
Hi Cav,
I have to agree, the approach to the rhythm is very germanic. She has a lovely sound, sings legato and the french is not execrable. Mais le rythm et les phrase, les cadences, ceux-ci ne sont pas francais
lagunagreg 2 years ago
This has been flagged as spam show
@agunagreg __
Ameling un mezzo ? Vous voulez rire ! Elle est soprano et a étudié entre autre avec Pierre Bernac à Paris! Elle a réalisé, avec Gérard Souzay, le premier enregistrement intégral des mélodies de Fauré.
Pas français?? Aujourd'hui, vous préférez les singes comme la Bartoli qui grimace sans arrêt ! . . . Caricature des émotions !
jean1938 2 years ago
@cavendishable Qui sont les meilleurs chanteurs pour l'esprit français? J'etudie la musique de Chausson et Hahn a l'universite. Merci beaucoup!!!
AshleyTAdamsOnline 1 year ago
It's so clean... she's a fabulous performer.
urgrad03 2 years ago
This is up a tone, isn't it? Gorgeous.
Caramellatta 2 years ago
This comment has received too many negative votes show
Hi Cara,
I don't think so. Ameling is a mezzo.
lagunagreg 2 years ago
Comment removed
jean1938 2 years ago
she is lder than battle,possible battle have been listen at her,but as a art songs ,just very very high quality singers you can compare with a such treasure,but better not compare,with anyone, she is unique!
mmisaku 2 years ago
its absolutely wunderbar! her technique reminds me of Kathleen Battle's, soubrettes.
SMMHELDENTENOR 2 years ago
IMHO, it was Kathleen Battle who was greatly honoured by being named alongside Elly Ameling. I always think myself very lucky to attend Elly's concerts in 70's, 80's and 90's.
AKI0YK 2 years ago
yes, thats what I meant!
I have never seen anyone sing the way KB does: its so physical.
Ameling too, you can actually see the whole body and face working...
funny old world the singing one...Te Kanawa looks comparatively still when siinging, Bartolis eyes eyes
yet all producing glorious and sopunds and in most cases art!
SMMHELDENTENOR 2 years ago
I love her! She is just perfect!
eveningthought 2 years ago
Her connection and sustainability between registers is phenomenal. So expressive.
aschnit0 2 years ago
Her clean phrasing is just to die for. Thank you!!
purrrforma 2 years ago
Yes, I love you!
PhillipLWilcher 3 years ago
Too wonderful for words : the song (oh the song!!), your singing of it and Dalton Baldwin at the piano. What a marriage of musical minds.
I send you my love and blessings!
I believe Dalton Baldwin knows my friend Ned Rorem - yes?
PhillipLWilcher 3 years ago
Such wonderful phrasing! Thank you for posting.
zimnochmusic 3 years ago