@hearts0ngs I would have agreed with you in the past, but not since I had radiation on my throat. BTW it is 3 months of total discomfort and screws things up even after recovery. May my words today be sweet and tender, for tomorrow I may have to eat them.
@jhutch1463 I'm sorry about my comment, and I've now removed it. Of course I meant it as a joke, out of frustration regarding noisy concert audiences. But in retrospect, it wasn't 'right speech' for me to make a joke like that.
Every goddamn piece he touches, he imbues such sublime humanism - an innate vulnerability and sensibility. The King of Songs couldn't have played this any better.
@Th0masWarner I heard Lupu play it live a few months ago. Absolutely amazing. I was so caught up in each passing moment of the piece, so rightly played, that I forgot he was even there.
@FirstPublicChannel: ha ragione, ma ci mancherebbe pure che i tempi fossero obbligatori per gli interpreti! Un esempio estremo di velocità esecutive ce lo offre il secondo tempo dell'op. 111 di Beethoven; Bakhaus corre come il "Settebello", mentre Solomon sembra non avere fretta, ma proprio nessuna fretta. Il risultato è che il primo impiega metà tempo circa ! Bisognerebbe sentire cose ne pensa l'autore, per per ora la cosa non è fattibile...dunque siamo noi gli arbitri.
Richter va preso così com'è. Ovviamente non è infallibile neppure lui nella scelta dei tempi. A me -- ma non conto nulla -- sembra troppo lenta questa scansione del primo tempo: si perde la tensione drammatica. Però nella Sonqata op. 42 è un Padreterno...come volevasi dimostrare che l'interpretazione non è una scienza esatta!
Looking at that picture, I thought "Hmm, he kinda looks like John Malkovich. Hey, they should make a movie about Sviatoslav Richter starring John Malkovich!" lol
I thought Sofronitsky's performance was good, but this is something else. I think this justifies the word for perfect. How i wish i could shake the hand of Richter!! What an accomplishment!! And of course, also very thankful to Schubert!
I feel sorry for people who only know the pop music industry, and think they have heard beautiful songs before. Nothing can truly move you as much as classical music can.
@stefthe80 This is really beautifully played. But I think "molto moderato" is supposed to be a bit faster than this? (it's supposed to be faster than "andante", which better describes the tempo here, agree?)
In any case, if this is what Richter thought was right, then it IS. Transcendental music here.. thx for it!!
Finally an interpret who takes the time to breath with music and keeps the tension going. Supremme touch. Thank you for psoting thsi beautiful video of S. Richter !
Nice on it's own right, but it has become a benchmark for al these pianist after him to s-l--o---w----d-----o------w---------n even more... And I have beome a bit allergic for that. No, rather the Clara Haskil performance from 1951...
This is definitely not what I expected his Schubert to sound like...yet on the other hand, this is much more alive, not merely the beat of a drummer, but the irregular pulses of a living being. For a while, I thought that he freed Schubert, but then...Schubert becomes more distant.
To me this conceptually owes a lot to Yudina's Schubert while remaining true to aspects of his faithful Arte-Deco aesthetic in constructing longlines and even phrasings.
Personally I feel this rhetoric is cooped up a lot here.One example is how he handles the section after the beginning of the third minute with the SAME affect as the section before it.
Dear Smith, I expected anything but Richter here. His later interpretations of Schubert are some of the most self-effacing attempts I've ever encountered. Here he is only half-way.
Thank you christophleipzig ! Some people need to learn tempo marks...but it couldn't help them as they without of most important thing...calls IMAGINATION !
a bit hard getting used to the opening tempo, so much slower than most other versions, but once past the opening first repeat, you get a sense of just how profoundly musical, thoughtful and feeling is the performance. Richter exposing elements of it I'd never registered before. I'd love to have this on CD or better yet find it in a used record store in the original Czech (supraphon?) cover. Does anyone know if it was issued on disc at some point?
There are 4 or 5 different Richter's D960 CD recordings that at some time were issued on different labels. You can safely get any of them. The one, which is currently available, I believe, is from Aldeburgh on BBC.
According to a radio broadcast about this, Richter was in a mood so deeply depressive that he played like that. I do agree with this, just listen to it and other performers and you will feel how sad this record sounds compared to others.
Ugghhh now I have to listen to the whole sonata, and I'm gonna have to endure an emo journey
H1dden1s 1 week ago
This is the most sensitive, touching, and pleasing interpretation I have ever heard..Thank you maestro Richter.....
Bigbug123456 3 weeks ago
Am I the only one who thinks Richter looks a bit like John Malkovich...?
gauja89 1 month ago 2
@gauja89 Actually yes you are right definitely! but I rather like to say Malkovich looks like Richter
hobbes186 3 weeks ago
Compare this to Claudio Arreau's interpreation! A. is also a master but wow - Richter's interpretation is much more lyrical, sensitive, gripping!
fisc05 4 months ago in playlist Schubert Piano Sonatas
Comment removed
hearts0ngs 6 months ago
@hearts0ngs I would have agreed with you in the past, but not since I had radiation on my throat. BTW it is 3 months of total discomfort and screws things up even after recovery. May my words today be sweet and tender, for tomorrow I may have to eat them.
jhutch1463 3 months ago
@jhutch1463 I'm sorry about my comment, and I've now removed it. Of course I meant it as a joke, out of frustration regarding noisy concert audiences. But in retrospect, it wasn't 'right speech' for me to make a joke like that.
hearts0ngs 3 months ago
As well as such deeply expressive playing, some of the legato in this performance melted the air it was so sweet
hearts0ngs 6 months ago
@Th0masWarner Lupu is amazing... I heard Ax play it live, he also does an amazing job with it.
OrangeSodaKing 6 months ago
Every goddamn piece he touches, he imbues such sublime humanism - an innate vulnerability and sensibility. The King of Songs couldn't have played this any better.
jojobruin 6 months ago
Why so slow? The key word is 'in search of lost time'.
monk2516 6 months ago
Wait.... who has criticised Richter for his rhythm? Richter IS the master of rhythm.
qwertical 7 months ago
@Th0masWarner I heard Lupu play it live a few months ago. Absolutely amazing. I was so caught up in each passing moment of the piece, so rightly played, that I forgot he was even there.
jlynem 7 months ago
@FirstPublicChannel: ha ragione, ma ci mancherebbe pure che i tempi fossero obbligatori per gli interpreti! Un esempio estremo di velocità esecutive ce lo offre il secondo tempo dell'op. 111 di Beethoven; Bakhaus corre come il "Settebello", mentre Solomon sembra non avere fretta, ma proprio nessuna fretta. Il risultato è che il primo impiega metà tempo circa ! Bisognerebbe sentire cose ne pensa l'autore, per per ora la cosa non è fattibile...dunque siamo noi gli arbitri.
HANNIBAL1936 9 months ago
Richter va preso così com'è. Ovviamente non è infallibile neppure lui nella scelta dei tempi. A me -- ma non conto nulla -- sembra troppo lenta questa scansione del primo tempo: si perde la tensione drammatica. Però nella Sonqata op. 42 è un Padreterno...come volevasi dimostrare che l'interpretazione non è una scienza esatta!
HANNIBAL1936 9 months ago
@HANNIBAL1936 io lo trovo bellissimo invece. Poi è "Molto moderato", e il tempo non è scritto alla metà, come tutti lo suonano.
FirstPublicChannel 9 months ago in playlist jazz-richter sviatoslav-19
That is a wonderfully slow and beautiful interpretation, thanks for posting it.
stpd1957 1 year ago
Looking at that picture, I thought "Hmm, he kinda looks like John Malkovich. Hey, they should make a movie about Sviatoslav Richter starring John Malkovich!" lol
yonoid818 1 year ago
@yonoid818 I guess too! John Malcovich rocks!
BERTELONI 1 year ago
I thought Sofronitsky's performance was good, but this is something else. I think this justifies the word for perfect. How i wish i could shake the hand of Richter!! What an accomplishment!! And of course, also very thankful to Schubert!
TheCannibalHaddock 1 year ago
I feel sorry for people who only know the pop music industry, and think they have heard beautiful songs before. Nothing can truly move you as much as classical music can.
tzjc24 1 year ago
@tzjc24 well said.
nevertheless123 1 year ago
my god this is slow.....and still...my god, how Beautiful!!!
driemaaldrommels 1 year ago 2
during live concerts why is there always one person who coughs???>_<
SuperUkrainian10 1 year ago
Is this a live recording? 31 november 1961?
Myau76 1 year ago
Oh, there are different ways to the ultimate goal of music.
iplongnin 1 year ago
"deconstructed" in a marvellous way.
rhizom123 1 year ago
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rhizom123 1 year ago
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rhizom123 1 year ago
I am actually not smart enough to post here, but anyway... this is call moving!
btw anyone noticed the Piano is sharper (opposite of flatter) than usual?
platmosic 1 year ago
Vladimir Horowitz once said: "Of the Russian pianists, I like only one, Richter."
Although Master Horowitz is a genius, I just couldn't agree more.
Ruimanuk 1 year ago
Quite possibly one of the finest performances in Richter's career! This is how Schubert was meant to be played. Thank you for uploading.
davidjb100 1 year ago
I prefer it a bit faster, but because of this pace, he makes every note come out perfectly. Eccelent!
LOHCWijf14 1 year ago
marvelous :)
AnnMarry19 2 years ago
Sublime playing.
lewars1912 1 year ago
tempo is perfect!
BugaDotCom 2 years ago
My word... What an EXPLOSIVE performance. This man is absolutely magnificent.
advisorC101 2 years ago 5
They sometimes criticise Richter because he is too slow, sometimes because he is too fast; I think that he often is "just in time"!
MrPakired 2 years ago 22
At any speed, he shows amazing technical
and artistic abilities with tone always clear:
master at his wondrous gift of suspending
time and pounding with such
elemental fiery energy
that his passion is extremely palpable.
A true masterpiece.....
willistara 2 years ago
amazing
ThePandoralulu 2 years ago
This comment has received too many negative votes show
The starting part sounds a bit like titanic...
Dum..dum..da-dum-dum, da duuuum dum dum...right?
Lity10 2 years ago
This comment has received too many negative votes show
richter is amazing but he looks like a bum in this pic.
ironledtallicafloyd9 2 years ago
@ironledtallicafloyd9 Looks like John Malcovichy american actor I guess.
BERTELONI 1 year ago
Il n'y a pas plus magique interprétation que celle de Richter. La tristesse est là comme l'a certainement voulu Schubert. Merci Mr. Richter.
TheLamsing 2 years ago 19
@TheLamsing En effet il y a pas plus magic,mais il y en a qui est aussi magic(Sofronitsky^^)
loboris1995 5 months ago
Profoundly beautiful, this really moves me
vanderbilt887 2 years ago 3
He got the tempo down.
morvensky 2 years ago
its molto moderato, so its supposed to be that slow
stefthe80 2 years ago 2
@stefthe80 This is really beautifully played. But I think "molto moderato" is supposed to be a bit faster than this? (it's supposed to be faster than "andante", which better describes the tempo here, agree?)
In any case, if this is what Richter thought was right, then it IS. Transcendental music here.. thx for it!!
michsmlo 1 year ago
First time I hear found it is little bit slow but the more I hear the more I like it
I like his intepretation of Schuber's last sonata ,each note speaks . It is a great historical recording . Thank You
yilingseele 2 years ago 3
my mentopr told me once, and I believe in it a lot... ''in order to understand an interpretetion you must listen to it at least 15 times''
: )
and itr stands... :D for me at least xD
alexilmagnifico 2 years ago
Finally an interpret who takes the time to breath with music and keeps the tension going. Supremme touch. Thank you for psoting thsi beautiful video of S. Richter !
embenadorfinearts 2 years ago 3
Nice on it's own right, but it has become a benchmark for al these pianist after him to s-l--o---w----d-----o------w---------n even more... And I have beome a bit allergic for that. No, rather the Clara Haskil performance from 1951...
Greetings,
Rolf
(on Twitter as @otterhouse )
otterhouse 2 years ago
This is definitely not what I expected his Schubert to sound like...yet on the other hand, this is much more alive, not merely the beat of a drummer, but the irregular pulses of a living being. For a while, I thought that he freed Schubert, but then...Schubert becomes more distant.
caijpp 2 years ago
Dear Joyce,How did you expect this to sound?
To me this conceptually owes a lot to Yudina's Schubert while remaining true to aspects of his faithful Arte-Deco aesthetic in constructing longlines and even phrasings.
Personally I feel this rhetoric is cooped up a lot here.One example is how he handles the section after the beginning of the third minute with the SAME affect as the section before it.
ClassicalMusicReview 2 years ago
Dear Smith, I expected anything but Richter here. His later interpretations of Schubert are some of the most self-effacing attempts I've ever encountered. Here he is only half-way.
caijpp 2 years ago
If you want to hear it played so slowly it sounds comatose, listen to the Maria Yudina. I find Richter's playing of this absolute perfection.
marlylovesjewels 3 years ago 3
I've never heard the 1st movement of this sonata played so slowly but it sounds wonderful
yourforte 3 years ago
It's not slowly at all, it's just well done WITHOUT PANIC ......
sam0xin 2 years ago 3
Of course it's slow. But wonderful, nevertheless.
yourforte 2 years ago
Yes, this is "molto moderato".
christophleipzig 2 years ago 2
Thank you christophleipzig ! Some people need to learn tempo marks...but it couldn't help them as they without of most important thing...calls IMAGINATION !
sam0xin 2 years ago
a bit hard getting used to the opening tempo, so much slower than most other versions, but once past the opening first repeat, you get a sense of just how profoundly musical, thoughtful and feeling is the performance. Richter exposing elements of it I'd never registered before. I'd love to have this on CD or better yet find it in a used record store in the original Czech (supraphon?) cover. Does anyone know if it was issued on disc at some point?
kellnergram 3 years ago
Is this particular recording available anywhere on CD?
kcostell 3 years ago
There are 4 or 5 different Richter's D960 CD recordings that at some time were issued on different labels. You can safely get any of them. The one, which is currently available, I believe, is from Aldeburgh on BBC.
mltube 3 years ago
Regis 1972 RCC 1049 get it from Crotchet webshop.... great CD
heot2008 2 years ago
According to a radio broadcast about this, Richter was in a mood so deeply depressive that he played like that. I do agree with this, just listen to it and other performers and you will feel how sad this record sounds compared to others.
iinocent123 3 years ago 2
Unfortunately unlike Rubinstin but like Kissin, Richter, in my opinion, has the right tempo. Great recording.
davidsch87 3 years ago 3
I heard it last night in bed, with my girlfriend besides me.
Hmmmmm
tristankovic 3 years ago
When was this performed and recorded?
saimacc 3 years ago
In Prague, 1972.
aewanko300 3 years ago
I couldn't understand why this version was never uploaded. Great job, this is one of myn favourites!
seaio18 3 years ago