George Pretre-Philharmonica Orchestra-Royal Festival Hall London
A verry good [also sometimes [too] critical] book is "The Callas Legacy'' from John Ardoin ISBN 0715622218, with all her dates of perfomances and remarks about them.....
This is amazing -- she ripped through this aria with such ease, spanning all those huge phrases with incision and grandeur, also placing the high C in the second verse easily. But you can hear her lose her nerve with those high notes at the end; it seems Gobbi was right, that she lost her nerve more than anything else.
@bear46no Absolutely, since the demise of Callas and Sutherland there has not been a single soprano who can manage these difficult bel canto roles, the current "pretenders" should simply give up as they are an embarrassment!
Beverly Shrills, Canary Gruberova, Lardserrat Fatallé, La Stupida, Off-KeyAnna Netrebko wished they could sing this assoluta role like onlye Callas could; and the only way Tebaldi could sing this was if she was in one of her dreams.
its interesting..i feel similar dramatic satisfaction listening to netrebkos bolena. sometimes ugly ish, but true and divine..transporting. i wish there was room in the youtube critic mind for a range of singing. belcanto doesnt have to be sutherland... much as she was the best. but so was callas. and so is netrebko
@tombwomb Netrebko's assumption of this or any bel canto role disregards literally every single tenet of bel canto singing. Not simply florid Italian tradition, but the schooling whereby singers master every facet of the voice (beginning with breathing) to be used for presenting the music on the page. Netrebko has no rationed breath control and if you watch or listen, she gasps constantly, desperately in the middle of phrases.
Technique aside, she doesn't sing the notes or markings as written.
Époustouflant. Encore ici se confirme la notion que Callas, avec une voix diminuée et un souffle qui s'éouise, comparés a ce qu'ils étaient pendant ses grandes années, réussit èa nous émouvoir mille fois plus que des sopranos contemporaines aux intonations douteuses.... Bravo Maria! Inégalée encore une fois. Merci...
is this from the 27 February 1962 concert at the Royal Festival Hall? have you got any of the other songs on the programme of that performance? this is gem!!! thanks for the post really
Now if Callas could sing this so dramatically and successfully, why oh why do you think Netrebko failed so dismally? Compare the tempi and part of the secret will be revealed. Brava Maria.
Thank you so much, MariaCallasLegend, for posting this excerpt! Callas sounds truly like a force of nature here (being, as always, utterly musical). God bless you, Maria!
62 c'est bian tard dans la carrière de Callas, et l'on sent les limites vocales par rapport à 57, mais quelle surprise, quelle émotion. C'est intense, c'est sublime, et c'est juste stylistiquement et dramatiquement. Mme Gruberova ferait bien d'écouter cela...
Mais (si l'on aime le chant romantique Italien pour l'ensemble de ses composantes) pourquoi opposer Callas, certe hors normes mais nullement idiomatique, à Gruberova incapable de poitriner outrageusement cependant qu'elle orne sur le souffle et nuance sa reprise avec justesse?. Tout l'intérêt de ce type de répertoire ne réside t'il pas dans la multiplicité d'approches qu'il génère?
judging per that brava at the end, this is an inhouse private recording. Listen to that BIG OL VOICE! Incredible that at this sketchier part of her career she can pull this off and like this. God Bless you Maria, we owe you!
its really not so bad......a few "Hollaballoo" in the last bars, bute I didn't know that her voice was in that form so late in her career, much better than her Medea a year earlier...and better as some "Annas" today
i thought it rather insane that she'd be attempting bolena in '62, but she pulls it off marvelously. i think the timber of the voice has changed, but the same dramatic and musical instincts are at work.
"suon festivo" is the portion of the mad scene from Anna bolena that comes before the finale "coppia iniqua" and after the opening sectino of "Al dolce guidami". When Bolen is "roused" from her madness by the celebration sounds of the announcment of the new queen. (....i hope i'm right lol.)
Meines Wissens hat Maria CALLAS
MultiZahl 2 weeks ago
The content of the 27 februari 1962 concert was:
Weber-Oberon-Ocean
Verdi-Macbeth-La luce langue
Rossini-Cenerrentola-Nacqui al affanno
Massenet-Le Cid-Pleurez mes yeux
Donizetti-Anna Bolena-A dolce guidami
George Pretre-Philharmonica Orchestra-Royal Festival Hall London
A verry good [also sometimes [too] critical] book is "The Callas Legacy'' from John Ardoin ISBN 0715622218, with all her dates of perfomances and remarks about them.....
fsmid09 2 weeks ago
Wonderful.
georgerannie 1 month ago
This is amazing -- she ripped through this aria with such ease, spanning all those huge phrases with incision and grandeur, also placing the high C in the second verse easily. But you can hear her lose her nerve with those high notes at the end; it seems Gobbi was right, that she lost her nerve more than anything else.
ghostofyeats 2 months ago
Amazing, she sing with the life in her hands like nobody else!!!
the dedication and feeling for the music is unic.
Gruberova/Netrebeko is a joke when it comes to interpretation compared to Callas'.
bear46no 2 months ago
@bear46no Absolutely, since the demise of Callas and Sutherland there has not been a single soprano who can manage these difficult bel canto roles, the current "pretenders" should simply give up as they are an embarrassment!
TheVaughan5 1 month ago
oh yes yes yes. that is all i can say. yes Callas, YES. lovely. in 44 and in 62...yes. yes. yes.
pointemeout 2 months ago
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Beverly Shrills, Canary Gruberova, Lardserrat Fatallé, La Stupida, Off-KeyAnna Netrebko wished they could sing this assoluta role like onlye Callas could; and the only way Tebaldi could sing this was if she was in one of her dreams.
NEBESHIKU 3 months ago
Even in the twilight of her carrier Callas was a miracle!
zurriussII 3 months ago
Even in 1962, Callas is 100 times better than any siner of today, beginning by the barbie doll Netrebko
Faust075 3 months ago 7
its interesting..i feel similar dramatic satisfaction listening to netrebkos bolena. sometimes ugly ish, but true and divine..transporting. i wish there was room in the youtube critic mind for a range of singing. belcanto doesnt have to be sutherland... much as she was the best. but so was callas. and so is netrebko
tombwomb 3 months ago
@tombwomb Netrebko's assumption of this or any bel canto role disregards literally every single tenet of bel canto singing. Not simply florid Italian tradition, but the schooling whereby singers master every facet of the voice (beginning with breathing) to be used for presenting the music on the page. Netrebko has no rationed breath control and if you watch or listen, she gasps constantly, desperately in the middle of phrases.
Technique aside, she doesn't sing the notes or markings as written.
coryisawake 3 months ago
Époustouflant. Encore ici se confirme la notion que Callas, avec une voix diminuée et un souffle qui s'éouise, comparés a ce qu'ils étaient pendant ses grandes années, réussit èa nous émouvoir mille fois plus que des sopranos contemporaines aux intonations douteuses.... Bravo Maria! Inégalée encore une fois. Merci...
debislo 4 months ago
is this from the 27 February 1962 concert at the Royal Festival Hall? have you got any of the other songs on the programme of that performance? this is gem!!! thanks for the post really
Tsuwan 4 months ago
@Tsuwan yes!i have the whole concert that had realised on cd!But never has published the anna bolena cabaletta!
MariaCallasLegend 4 months ago
@Tsuwan i will post all her arias!
MariaCallasLegend 4 months ago 3
@MariaCallasLegend you are a star!
Tsuwan 4 months ago
Now if Callas could sing this so dramatically and successfully, why oh why do you think Netrebko failed so dismally? Compare the tempi and part of the secret will be revealed. Brava Maria.
MrAndredekock 4 months ago 2
@MrAndredekock and the fact that Maria could actually sing...
jorgepda 4 months ago
Thank you. It is lovely,,,and orginal, unique and magnifique..Maria the one and only of the 20th Century.
Tenorbravo 4 months ago
the definitive ANNA BOLENA OF ALL TIME!! FOR SURE!!!...
turtledove74 4 months ago
Thank you so much, MariaCallasLegend, for posting this excerpt! Callas sounds truly like a force of nature here (being, as always, utterly musical). God bless you, Maria!
MCSQUARED31 4 months ago
62 c'est bian tard dans la carrière de Callas, et l'on sent les limites vocales par rapport à 57, mais quelle surprise, quelle émotion. C'est intense, c'est sublime, et c'est juste stylistiquement et dramatiquement. Mme Gruberova ferait bien d'écouter cela...
opera751 5 months ago
@opera751
Mais (si l'on aime le chant romantique Italien pour l'ensemble de ses composantes) pourquoi opposer Callas, certe hors normes mais nullement idiomatique, à Gruberova incapable de poitriner outrageusement cependant qu'elle orne sur le souffle et nuance sa reprise avec justesse?. Tout l'intérêt de ce type de répertoire ne réside t'il pas dans la multiplicité d'approches qu'il génère?
BEVER29 5 months ago
judging per that brava at the end, this is an inhouse private recording. Listen to that BIG OL VOICE! Incredible that at this sketchier part of her career she can pull this off and like this. God Bless you Maria, we owe you!
ViardotVSGrisi 5 months ago
Thank you for sharing this wonderful video clip. Viva Maria. Always magnifique, original and unique.
Tenorbravo 6 months ago
its really not so bad......a few "Hollaballoo" in the last bars, bute I didn't know that her voice was in that form so late in her career, much better than her Medea a year earlier...and better as some "Annas" today
OLIVCHEN77 7 months ago
please more from this concert!!!!!!!!!!!!!!!!
jovi1715 8 months ago
i thought it rather insane that she'd be attempting bolena in '62, but she pulls it off marvelously. i think the timber of the voice has changed, but the same dramatic and musical instincts are at work.
diuscorvus 1 year ago
Callas sounds like she is in decent voice! Thanks ... again for another rarity
kgarmaker123 1 year ago
chi dirige Pretre? purtroppo non cè molto stile donizzettiano, peccato perché la voce ha ripreso molto qui, si vedein fine concerto...
galehout 1 year ago
Thanks so much again
distefano13069609 1 year ago
Grazie, soprattutto del documento visivo. !!
MrPipposiculo 1 year ago
Thank you dear friend! The suon festivo was not inluded in the concert right?? Thanks again!!!!
distefano13069609 1 year ago
@distefano13069609 Yes!!
MariaCallasLegend 1 year ago
@MariaCallasLegend Yes it WAS inluded or WAS NOT? :)
distefano13069609 1 year ago
@distefano13069609 what do you mean by" suon festivo"?
MariaCallasLegend 1 year ago
@MariaCallasLegend
"suon festivo" is the portion of the mad scene from Anna bolena that comes before the finale "coppia iniqua" and after the opening sectino of "Al dolce guidami". When Bolen is "roused" from her madness by the celebration sounds of the announcment of the new queen. (....i hope i'm right lol.)
magicmonkichi 1 year ago
@magicmonkichi "tempo di mezzo" or "materia id mezzo"...concerted sections between "numbers"
ViardotVSGrisi 5 months ago