Added: 2 years ago
From: operalover9001
Views: 13,004
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  • I find the tempo perfect. And Lucia Popp was a superlative Handelian.

  • Very good performance perheps only supplanted by Kirkby´s one!

  • Always a pleasure to listen to.

  • She's a really great singer. I wish she sang it in italian.

  • Breathtaking beauty and elegance. Perhaps Fritz Wunderlich thought so too. He was in the cast as Sestus in this 1965 performance in Munich.

  • I really like the faster tempo and Caesar as a bass-baritone, even though they're kind of stylistically incorrect (especially the latter).

  • Fabulous voices both.

  • Charming, but the far-too-fast tempo detracts from the almost overbearing sensuality of the music. Listen to the Sills/Rudel version. This is almost a jingle.

  • A pity the voice is so distant. But of course dear Lucia makes you forget that with singing of this quality. She was lost to us far too early.

  • One of the great soubrette soprano's of her day and a lovely lady as well. This from Munich Opera.

  • WOW..just WOW

    anybody has the german words (lyrics) of this aria not the italian?

  • @zulfakarz

    Kleopatra:

    Ich bete euch an, ihr Augen,

    Ihr Liebspfeile,

    eure Blitze

    erfreuen meine Brust,

    Um Erbarmen bittet euch

    mein trauriges Herz

    das euch stehts

    sein allerliebstes nennt.

  • A lovely interpretation. I love this aria. What year would you say this was recorded? Thanks for posting.

  • I'm relying on memory here, but I think the year is 1966. The cast here was stellar, and although it's sung in German, it holds up quite well. Popp is recorded in a somewhat unusual way that makes the performance seem a bit mysterious and distant. Still, the beauty of the singing is breathtaking.

  • A wonderful theme, I like a lot, greetings, 5 ***** Pinkis.

    Martin

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