Al Final el beneficiado de este proyecto fuimos nosotros los Venezolanos y nuestro Sistema de Orquestas, el creyo que podia cambiar a la juventud y a una sociedad amante de los SPORTS, Holliwood Estrellas de Cine y Musica Rock, no supo ver el problema desde un punto de vista SOCIAL y COMUNITARIO, para el Yanque toda su sociedad GIRA EN TORNO AL CAPITAL, no queremos Orquestas, eso no vende lo que vende son las MARCAS y sus Agentes de Bolsa que son Atletas Farandula Fashion Lujo Movies & IDOLS.
Hearing this rather morose rendition of the G minor makes me appreciate those who have been successful with this piece - the incomparable George Szell and his Cleveland, which routinely bested Lenny every year in competitions, and Andre Previn as well. If you want to hear an exposition of a composer's work that is actually understandable to non-musicians, catch Previn's rehearsal/observations of Brahms. It accomplishes what Bernstein's predantry never allowed- it actually educates the viewer
Excellent! ! ! My dear, I love Bernstein..., not only for his talent and soul - but so really even now I'd love with Lenny...,If I could resurrect him, of course, but somehow I can't, hahah..., just at this track Mozart, his personal interpretation of course ! (...) "What the eyes see and ears hear this does not hurt" (...) ...
For me, life doesn't get much more pleasurable than listening to this. We should be so grateful, not just to Mozart, not just to Bernstein, not just to the Boston Symphony, but the techies who figured out how to record it and make it available to all of us for free on YouTube. Wow!
If Bernstein loved this, I'm glad to be in such exalted company, because of the final trio of symphonies Mozart wrote, this is the one I most love as well, in part, because for me, it gives a glimpse of what Mozart could have evolved into as a composer had he lived another decade or two. I just picture this train continuing, and running into Beethoven and imaging the result of that impact on both composers and their music.
Bernstein's interpretation of this symphony was just fantastic. I think that stemmed from the fact that Bernstein had a passionate love for this particular work of Mozart. He gave some brilliant lectures on this symphony at Harvard. I don't know if those lectures are available on YouTube or not.
Not many pieces of music can reduce me to an emotional wreck, left speechless at the utter genius of the composer......well.....this is one of them. Got it first on vinyl...wore it out. Bought it again...wore it out again!! 6:11 to the end literally makes my brain tingle.
@GryphonWahle That's simply wrong. Perhaps the style has got old-fashioned because of the evolution of the so-called "historical interpretation", but Mozart himself saw some of his symphonies premiered with orchestras in which a total amount of 40 violinists were playing. And that's not an opinion, that's a fact which can be found in the some of the letters he used to wrote to his father.
7:23 - 7:28 sounds like a last glimmer of hope, in which the flute is begging for forgiveness, only to be answered by frustration. Mozart always seems to have subtle hints of emotion that break free of his near limitless control, and I am convinced that no one understood this better than Bernstein.
i think the tempo here isn't necessarily something that should be debated because, remember, this was done specifically so that he could discuss it before/after. if you watch the other videos related to this, you'll notice that he's talking a lot about the harmonic progressions and whatnot.
I quite enjoy the tempo. I like it faster too, but it's easier to appreciate the harmonic shifts at this tempo. It feels more Mozartean at this speed.
@member2798 I completely agree. I've always thought they took this too fast. Don't know what tempo Mozart had in mind when he wrote it, but it really doesn't matter much does it.
Yes, I think the tempo is too slow. We must see that in the score Mozart writes MOLTO ALLEGRO, so I think it could be a little faster. If not, the repetition (Eb D D, Eb D D, Eb D D Bb) of the beggining of the first theme has to have a progressive crescendo to balance the efect of the repetition and it sounds, in consequence, too much romantic. Compare, if not, the version of Harnoncourt and you'll clearily see how the tempo affects the expression and phrasing.
That makes sense although I prefer it played at a faster speed-the Italian tempo means something like very fast in English so I feel it should be played a bit faster. I think you are right about how people would have thought about it hundreds of years ago, though.
Leonard Bernstein is good. Although, when it comes to Mozart he tends to interpret his works on the slower side. Its worth listening to but this is not one of the definitive interpretations. Herbert von Karajan and the Berliner Philhmarmonker are one of the few to own that distinct honor. In some respects I do believe that there is some "less than world-class" music being made here. The interpretation is rather dull and uninspiring.
i agree this piece has a bit more paaion than lenny has given it. mind you he is one of the best, probably the best when it comes to beethoven's ninth or mahler. but this is certainly not one of his best
It wasn't a Karajan specialty either. Karajan lets the notes blur into each other, the strings cloak and cloud all the other instruments - it sounds spongy and bland, much slower than the actual tempo he chooses. I'm talking about his Berlin years of course, his 50s stuff could be good - though never really was much of a Mozartean. Interesting that Lenny chooses a much more appropriate tempo for the piece at the piano, did he fear the orchestra wouldn't be able to keep up with him?
Furtwangler was a complete incompetent when it came to classical/early romantic music. His Beethoven symphonies are appalling, and his Mozart Requiem should be taken of the market it's so bad!
lol. I'm not a flautist, but I'd like to be, so I'm interested - how is she holding it wrong? It looks slanted to me, interfering with where the mouth sits over the... hole. lol
I've been in both marching bands and orchestras from elementary to high school, the only time you are required to hold the flute parallel to your mouth is for marching competitions based on uniformity and presentation points. There isn't a more correct or incorrect way to hold your flute in orchestra type environment.. We also have to remember that these players all auditioned to be there, professional orchestras are very exclusive and only accept top caliber instrumentalists.
whatever position that allows that flutist or any instrumentalist play and sound at their best, is fine by me. That is Doriot Dwyer by the way the first woman to play in an American Orchestra(BSO). So I think she did something right to earn that chair.
Because these are the days on people who are too lazy to learn hard pieces and would rather be happy in their ignornace of being good at simple works.
Herr maestro needs not a score
TheChairoplane 19 hours ago
J'aime la chanson! J'aime écouter de la musique classique!
msflyingpigz1 3 months ago
The first violinsts- playing is class!
reignofdalglish 4 months ago
member2798 Totalmente de acuerdo. La versión de Bernstein es insuperable, el tiempo es perfecto para la obra.
GabrielPadecopeo 5 months ago
the guy looks like peter falk
ArtemisiaxAbsinthium 5 months ago
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Al Final el beneficiado de este proyecto fuimos nosotros los Venezolanos y nuestro Sistema de Orquestas, el creyo que podia cambiar a la juventud y a una sociedad amante de los SPORTS, Holliwood Estrellas de Cine y Musica Rock, no supo ver el problema desde un punto de vista SOCIAL y COMUNITARIO, para el Yanque toda su sociedad GIRA EN TORNO AL CAPITAL, no queremos Orquestas, eso no vende lo que vende son las MARCAS y sus Agentes de Bolsa que son Atletas Farandula Fashion Lujo Movies & IDOLS.
ELTIGRERO86 7 months ago
Il y a cinq personnes qui connaissent pas encore le coton tige.
TheAkasolo 8 months ago
C'est également mon tempo favori
TheAkasolo 8 months ago
guys.... i just watched an episode of simpsons and there was a really sad tune.... and i loved it, anyone know what it was?
FebalanceChaosCrew 8 months ago
@FebalanceChaosCrew That would be requiem mass lacrimosa
GameParodyGuy 3 months ago
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this tempo is great.
Pelleas1007 9 months ago
this tempo is great.
Pelleas1007 9 months ago
great tempo
Pelleas1007 9 months ago
An amazing conductor!!
jdubbari 9 months ago
Great recording, but I like faster, louder and more violent.
HeartGoldMVP 10 months ago
Hearing this rather morose rendition of the G minor makes me appreciate those who have been successful with this piece - the incomparable George Szell and his Cleveland, which routinely bested Lenny every year in competitions, and Andre Previn as well. If you want to hear an exposition of a composer's work that is actually understandable to non-musicians, catch Previn's rehearsal/observations of Brahms. It accomplishes what Bernstein's predantry never allowed- it actually educates the viewer
theBike45 10 months ago
GENIUS!
iguarni 11 months ago 4
What a performance...I really don't know what to say.
Rheinmetall1 11 months ago 3
@Rheinmetall1 I totally agree!!!!!!!!! Nothing to say!
iguarni 9 months ago
Excellent! ! ! My dear, I love Bernstein..., not only for his talent and soul - but so really even now I'd love with Lenny...,If I could resurrect him, of course, but somehow I can't, hahah..., just at this track Mozart, his personal interpretation of course ! (...) "What the eyes see and ears hear this does not hurt" (...) ...
I greet you hot, my all friends !...........
Annahola1 11 months ago 31
For me, life doesn't get much more pleasurable than listening to this. We should be so grateful, not just to Mozart, not just to Bernstein, not just to the Boston Symphony, but the techies who figured out how to record it and make it available to all of us for free on YouTube. Wow!
mnemko 11 months ago 6
ELGORITHM FUTUR GRAMMY AWARD
ELGORITHM 1 year ago
ㄱㄴㄷㄻ
k9nubfeiw0 1 year ago
the raving rabbids version was better
luigyariobros123 1 year ago
I like this
pointreyes6 1 year ago
If Bernstein loved this, I'm glad to be in such exalted company, because of the final trio of symphonies Mozart wrote, this is the one I most love as well, in part, because for me, it gives a glimpse of what Mozart could have evolved into as a composer had he lived another decade or two. I just picture this train continuing, and running into Beethoven and imaging the result of that impact on both composers and their music.
ryoushii 1 year ago
bernstein plays it more vienesse, as it was composed; karajan plays it more like a german hammer (good in his style).
rodstartube 1 year ago
Bernstein's interpretation of this symphony was just fantastic. I think that stemmed from the fact that Bernstein had a passionate love for this particular work of Mozart. He gave some brilliant lectures on this symphony at Harvard. I don't know if those lectures are available on YouTube or not.
tylerofdenmark 1 year ago
@tylerofdenmark I was able to obtain these lectures from my music professor on VHS, astonishing...
Celolapia1 1 year ago
@Celolapia1 Oh my bad I see them now... Please forgive my, um, retardation ;)
tylerofdenmark 1 year ago
Anybody know where i could get the piano score for this ?
gentat1 1 year ago
Beutyiful
meyerjohannes 1 year ago
wtf is up with the flute posture at 0:40? lol
DualThunder 1 year ago
@DualThunder when you're in the Boston Symphony Orchestra you can do whatever you want.
moose1252 1 year ago
a 00:40 plays fidel?? ah ah
manilio91 1 year ago
Not many pieces of music can reduce me to an emotional wreck, left speechless at the utter genius of the composer......well.....this is one of them. Got it first on vinyl...wore it out. Bought it again...wore it out again!! 6:11 to the end literally makes my brain tingle.
gh103 1 year ago
When Mozart Symphony played by a full Romantic size orchestra, the string section just seemed a bit too heavy for me.
Ch3ckm4t3 1 year ago
@Ch3ckm4t3 I totally agree. I say there are about 40 too many string players playing there.
GryphonWahle 1 year ago
@GryphonWahle That's simply wrong. Perhaps the style has got old-fashioned because of the evolution of the so-called "historical interpretation", but Mozart himself saw some of his symphonies premiered with orchestras in which a total amount of 40 violinists were playing. And that's not an opinion, that's a fact which can be found in the some of the letters he used to wrote to his father.
SuperZeroo 1 year ago
@Ch3ckm4t3 You're kind of right.
Dodo251 1 year ago
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If my band conductor was at this performance, she would literally kill the flautist because she's playing her flute at a 45 degree angle...
TheKevinV08 1 year ago
Comment removed
TheKevinV08 1 year ago
One of the best masterpiece in music history!!!! Mozart in the legend!
iguarni 1 year ago
greater Mozart
barbavassilis 1 year ago
great leonardo
barbavassilis 1 year ago
what a touching...................... in ma soul
TheLetMAnn 1 year ago
perfec perfect Leonard Bernstein was a genius!!!!! Count off Mozart!
iguarni 1 year ago
perfect descending line at 3:54. listening him lecture about this and then hear the performance is so refreshing.
thejazztenor 1 year ago
What?? Where are the other three movements???
mario54671 1 year ago
Sounds grand. This is a conductor who got inside the music.
colourfulwithaU 1 year ago
Haha i love the conductor
shyjaa 1 year ago
Went our mind feeling weakness, music like this gave us new energy and recovery HUGE PUSH.. Very good. Thanks
louielamson2000 1 year ago
ese ruco se parece a magneto de los X-MEN
joeljamh 1 year ago
Listen very closely you can hear; "Maria!" (at 7:13)
hymnistic 2 years ago
Where that sound come from? The sky.....nothing like Mozart....
cagalvis 2 years ago
so fucking passionate I love it!
Barnaldomort 2 years ago
Horn angle FLUTE! :)
matthewR77 2 years ago
Boston Symphony at this moment is golden
rickypix 2 years ago
the best way ive ever heard it played before.
ilovealexanderrybak 2 years ago
bella esecuzione come sempre bernstein il meglio
pianopio 2 years ago
It's to bad Mozart didn't write for trombone.
grumpyjellybean 2 years ago
occasionally there's a trombone in his scores (Magic Flute overture has one). an uncommon instrument to have in an orchestra in his time
thesir27 2 years ago 2
One of the best interpretations I've heard...
majortom51970 2 years ago 3
7:23 - 7:28 sounds like a last glimmer of hope, in which the flute is begging for forgiveness, only to be answered by frustration. Mozart always seems to have subtle hints of emotion that break free of his near limitless control, and I am convinced that no one understood this better than Bernstein.
davidjb100 2 years ago 8
wow that sounds sorta poetic lol But that is a good way to put it.
FAWPro 2 years ago
Why thank you! Lol.
davidjb100 2 years ago
i think the tempo here isn't necessarily something that should be debated because, remember, this was done specifically so that he could discuss it before/after. if you watch the other videos related to this, you'll notice that he's talking a lot about the harmonic progressions and whatnot.
fitzgerald1337x 2 years ago
The best interpretation I ever heard !
atralfalgar 2 years ago
I quite enjoy the tempo. I like it faster too, but it's easier to appreciate the harmonic shifts at this tempo. It feels more Mozartean at this speed.
eoghdes18 2 years ago 3
I LOVE it!!!
CsOH23 2 years ago
This is my favorite tempo. Every other version sounds too fast to me.
member2798 2 years ago 30
Mozart noted: Molto (!) Allegro
DDBconducts 2 years ago
@member2798 hmm see i like it sped up. i think it adds to the agressive and spastic nature this piece seems to have...
tokeification 1 year ago
@member2798 what year is this?
890phil890 1 year ago
@890phil890 1973.
member2798 1 year ago
@member2798 I completely agree. I've always thought they took this too fast. Don't know what tempo Mozart had in mind when he wrote it, but it really doesn't matter much does it.
mightyafrowhitey 5 months ago
Try Furtwangler. It is the best.
adhamfeteha 2 years ago 2
Furtwangler almost always is. :)
eoghdes18 2 years ago
Yes, I think the tempo is too slow. We must see that in the score Mozart writes MOLTO ALLEGRO, so I think it could be a little faster. If not, the repetition (Eb D D, Eb D D, Eb D D Bb) of the beggining of the first theme has to have a progressive crescendo to balance the efect of the repetition and it sounds, in consequence, too much romantic. Compare, if not, the version of Harnoncourt and you'll clearily see how the tempo affects the expression and phrasing.
cvpmus 2 years ago
Great, impassioned performance of the g minor symphony! I like Bernstein's interpretation much better than Karajan's.
AustinShowen 3 years ago 17
It's great. Not the best acoustic. NOT Symphny Hall.
marccreate 3 years ago
I like this performance
Adamalgorithm 3 years ago
Personally, I think they're playing it too slow
hapzone 3 years ago
Interesting observation.
Maybe we as a society have adapted to a higher-paced lifestyle?
How would the people of Mozart's day have interpreted Bernstein's tempo of conducting?
We can only speculate.
miltyu97 3 years ago
That makes sense although I prefer it played at a faster speed-the Italian tempo means something like very fast in English so I feel it should be played a bit faster. I think you are right about how people would have thought about it hundreds of years ago, though.
hapzone 2 years ago
bersteins recording with the vienna philharmonic is much better, but this is very good, too.
1ragnar1 3 years ago
I would've liked the tempo a tiny bit faster.
MI6MI5 3 years ago
Leonard Bernstein is good. Although, when it comes to Mozart he tends to interpret his works on the slower side. Its worth listening to but this is not one of the definitive interpretations. Herbert von Karajan and the Berliner Philhmarmonker are one of the few to own that distinct honor. In some respects I do believe that there is some "less than world-class" music being made here. The interpretation is rather dull and uninspiring.
bearkabob 3 years ago
i agree this piece has a bit more paaion than lenny has given it. mind you he is one of the best, probably the best when it comes to beethoven's ninth or mahler. but this is certainly not one of his best
vikramkrishnan 3 years ago
It wasn't a Karajan specialty either. Karajan lets the notes blur into each other, the strings cloak and cloud all the other instruments - it sounds spongy and bland, much slower than the actual tempo he chooses. I'm talking about his Berlin years of course, his 50s stuff could be good - though never really was much of a Mozartean. Interesting that Lenny chooses a much more appropriate tempo for the piece at the piano, did he fear the orchestra wouldn't be able to keep up with him?
Nachtmarchen 3 years ago
Furtwangler was a complete incompetent when it came to classical/early romantic music. His Beethoven symphonies are appalling, and his Mozart Requiem should be taken of the market it's so bad!
eoghdes18 2 years ago
lmao at the guy spaced out at 3:56
nileppezdude 3 years ago
how on earth is this performance sloppy?
ilmaestro18 3 years ago 2
Pretty damn sloppy for an orchestra of the big five.
nreitman 3 years ago
One of the greatest conductors the world has ever seen conduction one of the greatest orchestras the world has ever seen. Excellent video! Thank you!
scutterbotch08 3 years ago
I can play it on my Flute.
sakuno1996 4 years ago
Damn flautist was holding the flute so wrong it wasn't even funny.
ThaSchwab 4 years ago
lol. I'm not a flautist, but I'd like to be, so I'm interested - how is she holding it wrong? It looks slanted to me, interfering with where the mouth sits over the... hole. lol
thelightisahead 3 years ago
She was holding it VERY low. It's supposed to be parallel to her mouth, or at least close to.
ThaSchwab 3 years ago
Ahhh I see, I did wonder if that was it. It's silly how players who are meant to be part of a professional orchestra can make such glaring errors!
thelightisahead 3 years ago
I've been in both marching bands and orchestras from elementary to high school, the only time you are required to hold the flute parallel to your mouth is for marching competitions based on uniformity and presentation points. There isn't a more correct or incorrect way to hold your flute in orchestra type environment.. We also have to remember that these players all auditioned to be there, professional orchestras are very exclusive and only accept top caliber instrumentalists.
nijikon5 3 years ago
whatever position that allows that flutist or any instrumentalist play and sound at their best, is fine by me. That is Doriot Dwyer by the way the first woman to play in an American Orchestra(BSO). So I think she did something right to earn that chair.
dasteufelhund 3 years ago 2
We used to play this often in the Edmonton Symphony way back in the mid-70s. It is great to hear it again. Why is it not played more often?
Bruce
jaxsyd 4 years ago
Because these are the days on people who are too lazy to learn hard pieces and would rather be happy in their ignornace of being good at simple works.
Blackdragon595 3 years ago
I love it!
sakuno1996 4 years ago
we performed this in high school and was ambitious project that propelled many of us to All-City Orchestra in NYC, Thanks Mr. Solotoff!
TeachTomCR 4 years ago
Amazing. I love this, thanks so much for posting this!
Clayford27 4 years ago 2
Thank you very much!
sourcemerlin1 4 years ago
Beautiful, thanks for the video.
foda23 4 years ago