Thanks for sharing this wonderful piece of music. Delius--and Eric Fenby--thought nobody understood his music as well as Sir Thomas Beecham. This wonderful recording shows why. Thank you for sharing with all of us.
Delius always sounds like a different composer when Sir Tommy does him! 3½ minutes of magic, surprisingly Russian-sounding. And doesn't the bumptious baronet look like a Lothario in that photograph?
The recording and performance sound very well, no doubt following the example set by Sir Thomas himself. There is a whiff of cigar and fine leather about this recording.
Very nice indeed. A remarkably light touch that works very well here. He was a great musician, and a very public spiritied man; his contribution to the establishment of the serious international operatic repertoire in Britain was a magisterial effort.
Unfortunately, in "Beecham: A Centenary Discography" by Michael Gray (Holmes & Meier / 1979), there appears to be no references to individual instrumentalists. Sorry! All the same, thank you for listening!
How we miss Sir Thomas Beecham! Few contemporary conductors have his charisma and ability to make the orchestra sing. Wonderful man and this is a great recording. Thank you for letting us hear it again and in (for me) such splendid sound. Vivian
Thanks for sharing this wonderful piece of music. Delius--and Eric Fenby--thought nobody understood his music as well as Sir Thomas Beecham. This wonderful recording shows why. Thank you for sharing with all of us.
kevindsunshinestate 1 month ago
Elegant and polished performance.Thank you for posting, dear Doug.
SuperLuckydream 2 months ago
Delius always sounds like a different composer when Sir Tommy does him! 3½ minutes of magic, surprisingly Russian-sounding. And doesn't the bumptious baronet look like a Lothario in that photograph?
Great posting, Doug.
AulicExclusiva 3 months ago
The recording and performance sound very well, no doubt following the example set by Sir Thomas himself. There is a whiff of cigar and fine leather about this recording.
rupepill 5 months ago 2
@rupepill
I like that... well said, Rob!
CurzonRoad 5 months ago
Yes, Leon Goossens was the LPO first oboe when this recording was made. - John Austin, Australia
jrakg 6 months ago
Thank you, Doug. Thank you for the introduction to La Calinda....absolutely beautiful! Great photo of Sir Beecham. Maya
mayatatyana1 6 months ago
Thanks Doug !!!
:-)
francesca7564 6 months ago
@francesca7564
Thank YOU, Francesca!
CurzonRoad 6 months ago
Very nice indeed. A remarkably light touch that works very well here. He was a great musician, and a very public spiritied man; his contribution to the establishment of the serious international operatic repertoire in Britain was a magisterial effort.
EdmundStAustell 6 months ago 2
@EdmundStAustell
Again, a longtime favorite. Thank YOU, Edmund!
CurzonRoad 6 months ago
With Leon Goossens on the oboe at the opening, I assume?
webrarian 6 months ago
@webrarian
Unfortunately, in "Beecham: A Centenary Discography" by Michael Gray (Holmes & Meier / 1979), there appears to be no references to individual instrumentalists. Sorry! All the same, thank you for listening!
CurzonRoad 6 months ago
How we miss Sir Thomas Beecham! Few contemporary conductors have his charisma and ability to make the orchestra sing. Wonderful man and this is a great recording. Thank you for letting us hear it again and in (for me) such splendid sound. Vivian
stuartliff 6 months ago
@stuartliff
Good Morning, Vivian:
And thank you!
All Best.
Doug --
CurzonRoad 6 months ago