زخمه های بیش از اندازه تند زدن در سازهای تار و بویژه سه تار پسندیده نیست و استادان بزرگ از آن همواره دوری میکنند. نتها استاد وزیری بود که کار ایشان هم در تار نتیجه ای نداد. تار را باید بشیوه تارنوازی نواخت. زخمه های تند را به سنتور بسپارید.
@Goshtasppur ostad be nazare man ke zibast , khosoosan in ke tar dar zamane ghajar be hamin shekl navakhte mishode , , hamin tor por salabt o por sorat o ba eine hal gooya va vazeh
Such musicians deserve a lot of respect simply because of being able to produce such an amazing piece of art out of their instrument. At least it is my opinion.
Please read the information in the upper right hand (More About this Video...). His name is Behzad Ravaghi by the way. What do you think of his playing?
once upon a time most players had unique style. now we hear something we have not heard before and we ask "is this persian ?" once universal university method of teaching became popular more and more players sound the same. it was better when there were more different styles of teaching , playing and less uniformity pressure. it was free art.
شما تکنیک وزیری را با شور و احساس جوانیتان آمیخته کرده اید و چقدر مسرت بخش است که از سبک آقای لطفی فاصله عظیمی گرفته اید. پیشنهاد میکنم که به استاد جلیل شهناز هم عنایت کنید و سازتان را هم حس عمیقتری خواهید بخشید.متاسفانه نام شماو هنرمند تنبک نواز قید نشده است. یاحق
It is Persian. To be more accurate the introduction is from the Advanced Radif of Vaziri and the rhythmic melody is a reformation of a very famous Mazandarani folk song, "Joni-Joni" but I know where your question is coming from, the Tar player has an unusual high technique for Persian Tar and he is also from Tabriz.
زخمه های بیش از اندازه تند زدن در سازهای تار و بویژه سه تار پسندیده نیست و استادان بزرگ از آن همواره دوری میکنند. نتها استاد وزیری بود که کار ایشان هم در تار نتیجه ای نداد. تار را باید بشیوه تارنوازی نواخت. زخمه های تند را به سنتور بسپارید.
Goshtasppur 2 years ago
@Goshtasppur ostad be nazare man ke zibast , khosoosan in ke tar dar zamane ghajar be hamin shekl navakhte mishode , , hamin tor por salabt o por sorat o ba eine hal gooya va vazeh
razz83persia 1 year ago
very nice
thanxx
persianmusic09 2 years ago
zarbi bessiar ustad bood, afarin, afari, afarin
mashaallah58 2 years ago
the pauses and restraint exercised in 200 - 240 is breath taking
khazai 3 years ago
Tombak in bulgarian means belly :-)
stogerov 3 years ago
gashange
firebreathone 3 years ago
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GatoradeVideos 3 years ago
Besiar ziba. Az postetoon sepasgozaram.
afsoos1386 3 years ago
Such musicians deserve a lot of respect simply because of being able to produce such an amazing piece of art out of their instrument. At least it is my opinion.
peacelover11 4 years ago
anybody knows the name of the Tar Player?
Kamankash 4 years ago
Please read the information in the upper right hand (More About this Video...). His name is Behzad Ravaghi by the way. What do you think of his playing?
smartestdimension 4 years ago
very charectristic style accompanied by a very respectable performance.thanks
Kamankash 4 years ago
fantastic...Precise and sensible playing.
thanks
Kamankash 3 years ago
Well done. The playing was very technical and nice. It reminds me Vaziri's play.
Specially I like the dashti introduction part.
Keep practicing!
nrc1977 4 years ago
once upon a time most players had unique style. now we hear something we have not heard before and we ask "is this persian ?" once universal university method of teaching became popular more and more players sound the same. it was better when there were more different styles of teaching , playing and less uniformity pressure. it was free art.
raknrollin 4 years ago 2
beautifully said Raknrollin
peacelover11 4 years ago
شما تکنیک وزیری را با شور و احساس جوانیتان آمیخته کرده اید و چقدر مسرت بخش است که از سبک آقای لطفی فاصله عظیمی گرفته اید. پیشنهاد میکنم که به استاد جلیل شهناز هم عنایت کنید و سازتان را هم حس عمیقتری خواهید بخشید.متاسفانه نام شماو هنرمند تنبک نواز قید نشده است. یاحق
hamsab 4 years ago
احسنت بسیار عالی مینوازید ! چه خوب است که رنگ ساز استاد بیکجه خانی را به مشام دل میرسانید.موفق باشید
taherhamid 4 years ago
This is not persian is it?
AzerianPride 4 years ago
It is Persian. To be more accurate the introduction is from the Advanced Radif of Vaziri and the rhythmic melody is a reformation of a very famous Mazandarani folk song, "Joni-Joni" but I know where your question is coming from, the Tar player has an unusual high technique for Persian Tar and he is also from Tabriz.
smartestdimension 4 years ago