Added: 1 year ago
From: phono1337
Views: 7,049
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  • By the way, I had both and the 202 sequencer is far too complicated and too long to get really good results, no wjite noise and not all LFO waveforms. I am very happy with my 101 although I have to admit that they sound quite similar.

  • @ corc7614 The SH 101, no doubt...!

  • Sounds well drexciyan :)

  • Excellent demo- thanks so m. for this. I just got a 101 ($700- worth every penny). I am unable to get it to sync to my Boss DR55 which does output +5v, which is what the 101 should accept... What should my settings be on the keyboard to sync the arp or sequencer to the DR55? Thanks for any help on this...

  • @sunilsolanki not sure on the DR-55, you should measure the output with a dvm or scope to make sure its sending the signal.

  • Very Cool .....thanks

  • Wow thanks!

  • Thank you! So great.

    

  • Very cool mate! Inspirational!!

  • If you had a choice, would you purchase the SH 101 or the MC 202?

  • your tuts / videos are fantastic ...thanks

  • Fucking wicked man!!

    Enjoying your vids...really helpfull!

  • Fucking wicked man!!

    Enjoying your vids...really helpfull!

  • Cool pattern. I guess logarithmic envelopes are mandatory for drum synthesis. Envelope Modulation of pitch and audio-rate modulation of VCA are also helpful to have.

    For instance, handclaps are made with sawtooth modulation of VCA while sending it a bandpassed noise signal. Cymbals and hats can be made with two pulse waves detuned with dissonance, then run through a 4 pole highpass filter with generous amounts of resonance. If one pulse freq. modulates the other, even better.

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