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From: facs1900b
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  • I love this man, he is the best.

  • Burton..the best...all the moderns drivel like 20th Century inspired, wet, "new men."

  • Jackson Hedley!

  • An argument against one master and for another instead of talking about how great BOTH were?!?! c'mon...

  • Siddown, Kenneth. But thank you for playing. ;)

  • Jacobi actually got me to better understand this monologue. Brilliant!

  • Derek Jacobi never made a wrong or boring move on stage or screen in his life. Branagh should have been content to direct and cast "Hamlet." Daniel Day Lewis would have been stunning in that production. As for Mel Gibson's movie, well, it did finally end.

  • One question, please: Is this from a film version of Hamlet or is this the play that was filmed? Thank you to the kind person that answers.

  • I would listen to Derek Jacobi read the phone book. My favorite actor, and even he has questions about Shakespeare authorship.

  • "To sleep..." and yes, I'm just about ready to do that...

    Watched all of the majors at this piece tonight, SDJ, Branagh, Gibson, Burton, Olivier... Burton, magnificent as he is, still didn't phrase it as though he knew what the words meant; Gibson was surprisingly good; Branagh was unique, but the flashes of SDJ watching him through a two-way mirror stole it from him; Olivier was surreal.  Winner (if such a designation doesn't trivialize this cornerstone of Western Civilization): SDJ,by a nose.

  • The greatest Hamlet that I have ever seen. Olivier is great, but Jacobi is greater.

  • Tennant is my favourite Hamlet, but Jacobi is my very close second.

  • This man is Hamlet God......Derek Jacobi = love.

  • Wow! I heard every word (which is more than I can say for every other version I've seen). And I love the sarcasm and craziness he gives it. By far the best version of this soliloquy I've ever heard.

  • Amazing....effortless......Ham­let mocking his own indecision, flabbergasted and lost.

    Jacobi is one of the best

  • I love how he goes from playing Hamlet in this version to playing Claudius in the Branagh...and he's great at both!

  • did ppl in shakespeare's day talk to themselves a lot?

  • @zeratulghost048 I think they were called people then...

  • I have the utmost respect for Sir Derek Jacobi, but his reading here is not to my taste. I can see why some people would like it, though. He delivers each line with admirable earnestness. However, I prefer the speech spoken with a kind of focused puzzlement - as if Hamlet were trying to find in his own words the key to his philosophical impasse.

    Incidentally, I never took the speech as about him considering suicide. I took it as more as him lamenting the general lose-lose absurdity of life.

  • Best execution of the line "to be or not to be" I have ever heard

  • Well, this is a rendering that rivals Gibson's! I love Derek Jacobi and didn't know this was out there! I like when Hamlet is played with that worry and fear, that vulnerability. I think Shakespeare meant him thus as this type of rendering of the character is when one can best understand the meaning in his language. Jacobi is really superb in everything, from I, Claudius to Frasier! Now I have to look up more DJ as Hamlet ...hooray! Thanks so much for posting this!

  • Brilliant.

  • in my opinion, he is saying these words very genuinely, he clearly understands their meaning, he says them with such authenticity and passion. But there is just one thing I have a slight problem with, this is meant to be a soliloquy, he shouldn't be directly directing the words towards the audience, but rather, I feel he should be thinking out-loud to himself; by making eye-contact I know he was just trying to connect, but I feel as if it takes the authenticity away; JUST MY OPINION.

  • 0:25

  • 0:25

  • Mel Gibson made a better Hamlet :D

  • He says "To sleep... perchance, to--DREam." as though he is crapping himself midway.

    Completely untruthful, ridiculous.

    You want to see some good Shakespearean acting? Look up Ian McKellen doing Macbeth's "Tomorrow, and tomorrow, and tomorrow."

  • this is the 8th damn time I have had to watch the to be or not to be speech in the past couple days, enough already!

  • he is not starring at the camera.the audience is the focus always.

  • The one thing that I really don't like with Jacobi's recitation is the fact that he looks right to the camera. Hamlet is speaking to himself. His only "business" on stage seems to be to tell the audience the lines. I really see not person toiling with the underpinning question that Hamlet is posing to himself. Without the video, just listening to Jacobi, I actually like what he does vocally in a few instances. However over all I find this to be sub-par as recitations of Shakespeare go.

  • Perhaps the best recitation of this soliloquy I have ever heard... Certainly among the best.

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  • @angelofsorrow21 LOL.......yeah, P Diddy woulda done it a lot better.

  • I was lucky enough to have my first experience with Hamlet be this Masterpiece Theater production, on public television of course! Or, maybe bereft of luck, in terms of enjoying others' portrayals of the disturb'ed Dane.

  • My favourite, so far, I must say. ^_^

  • Beautiful handling of the verse, but there's nothing beneath it. Jacobi's rendition of "To be or not to be" here is simply a guy rambling on about something he finds mildly interesting. There's a lack of any sort of meaningful stakes behind it.

    Of course, Jacobi has always struggled with this soliloquy. (He's more recently decided that it should be delivered in its entirety to Ophelia, but I think that may be simply because he doesn't know what else to do with it.)

  • Derek Jacobi, a favourit Hamlet of mine, is not imposing a doubt as romantic Shakespeare cliché. No.. his thoughts are simply private: a vulnerable Hamlet, his despair is on the rim of insanity. His voice vibrates the feeling perfectly...the content counts here not only the beautiful words. At the and he tends to be indifferent: he had made a decision. Spirit of evil is nearby.....

    The BBC series are a must see!

  • Such an amazing actor, this is how Shakespeare should be portrayed in theater.

  • This is quite an incredible performance! His emotion is very strong and clear. He really makes you think by the tone of his voice that he is sitting around, mulling these thoughts over a cup of tea. I really love how comfortable he sounds with the monologue, too! Great performance!

  • Derek Jacobi is the best Hamlet. Nobody at all can touch him. Plus he made, a sexy Hamlet!

  • This is supposed to be a soliloquy, right? Then, why is he obviously talking to either a camera, an audience or somebody else in that place? Hamlet's supposed to be talking to HIMSELF. Also, he used the wrong tones and times to say the famous soliloquy

  • Gielgud's heir?

  • You didn't finish! WHY I cry, WHY?

    Please post the full version, it is better that way.

  • You can actually UNDERSTAND what he's saying because of how great Sir Derek's talent is.

  • Best Hamlet Ever, Easily x 

  • @ShatteredxSpiritx Better than Garrick? Booth? Barrymore? Gielgud? Burton? Burbage? Olivier? Evans? Kean? Bernhardt? and countless other fine actors? Wow...are you really that old, or do you channel those performances to make your authoritative judgment that Sir Derek (who doesn't even think The Bard wrote the play) was THE BEST EVER?!!!

  • @1948BigCy 1. Actually, I 'm 14. 2. They were good, but he is my favourite for his amazing talent at portraying emotion. 3. What does it matter what his opinion in that is? He is amazingly talented, and I enjoy his work :)

  • @ShatteredxSpiritx I respect your opinion; I was responding to your silly comment that this performance is the BEST EVER. Say it is the best you've ever seen, or something sensible like that. I saw this years ago and was impressed, so I bought the tape. I now find it ponderous. Derek is effete and his acting overdone for a TV adaptation IMO. Claire Bloom, tho, is stunning as Gertrude...

  • I love you, Derek. Best Hamlet ever.

  • This man is absolutely brilliant.

  • Jacobi is extraordinary-He actually becomes his roles. It is as if he puts on a mask and costume, enters the stage and suddenly, it isn't a stage, he isn't a mere actor, but a marvellous, astonisingly complex character- not merely repaeting the lines of a genius-but feeling, using and simply holding them in such a way, he becomes the man he is portraying. Truly breath-taking!

  • personally I prefer Tennant,s performance though sir Derek is still the greatest actor ever!

  • Never cared much for this rendition.

  • Impressionant!!! I think that it is very difficult to play this part,only someone with great talent can cope with this role.

  • my favourite Shakespeare's play

  • BBC versions are always the best! :D

  • I love Sir Derek's Hamlet. His interpretation of this monologue is unique because instead of approaching it as brooding and moody, he delivers it very thoughtfully, introspectively. I can see how that might startle someone who's used to this done more darkly. In the context of Jacobi's full performance, it makes perfect sense--it's one of the few times we see him not acting insane.

  • Derek Jacobi is doing King Lear in London this upcoming winter. I'll do whatever I have to in order to get over there from Texas.

  • He has the nicest bum I've ever seen.

  • terrible.

  • There is only Sir Derek, right now. Everyone else is running for second money. Don't think so? Check out his Alan Turing. Ben Kingsley is about the only living actor in his league since Paul Scofield passed away

  • I love how his emotional state keeps up the with rapid and antithetical changes in intellectual perspective, especially in the 'to die, to sleep no more... perchance to dream' bit.

  • Although I don't like some of his choices and tactics, it is still very very good. Branaugh needs to really take notes here; especially on variety. Jacobi clearly has the thought before he speaks. He has a situation that he is actively trying to solve; that is acting.

  • While I really like Branagh's film for being extremely well made and thus far the only adaptation of the entire second quarto text, I find Derek Jacobi's performance of the troubled prince to be the best I have seen.

    He also did a brilliant performance in the BBC adaptation of 'Richard II', which is probably Shakespeare's most underappreciated play.

    How anyone can consider his acting bad astounds me.

  • At least he has the gall to look a bit distressed, seeing as he's supposed to be thinking about topping himself. Branagh delivered this like he was talking about the weather.

  • @IzDiaries Who the hell is your weatherman!?

  • I saw the whole thing on stage. The best Hamlet I've ever seen, with depth and meaning.

  • Derek Jacobi FTW.

  • understand that Hamlet is supposed to be mad. As this madness brings his instinctive-ness to life. To actually take action to what he says.

  • oh God, he seems crazy

  • Last Wave Film made a great version of that scene.

  • @HogwartsCastle 1980

  • I've never seen this performance - it's definitely my favorite To Be Or Not To Be -- he nailed it!

  • its the bbc one i think

  • Yeah, the 1980 version.

  • The first time I saw this clip, I thought it seemed a bit ridiculous, but then I watched it again and really concentrated... what a unique performance! I don't think he overacts- I think he does precisely what the text calls for.

    I'd be so interested to see what a performance of this in Shakespeare's day looked like.

  • he sounds really crazy

  • He probably should sound crazy considering he's talking about offing himself..

  • Thanks for posting this, it's been a long time since I saw this jacobean version, my favourite by far!

  • Not enough laser beams for you?

  • You calling Derek Jacobi's "Hamlet" "crap" shows just what you know about one of the greatest living Shakespearean actors today - absolutely NOTHING. This man set the bar for this role, as Kenneth Branagh, who considers him his mentor, readily admits.

  • @steiffbar if it moves you it moves you, knowledge has little to do with it, this is a lighter interpretation in my opinion that isnt as touching, still very good though, just not the style i like it .

  • @steiffbar It is crap. He delivers the soliloquy like a parlor trick, and completely divorced from the circumstances of the play.  He comes in with some form of preparation (albeit an extremely superficial one, he looks like he is mildly nervous about a date) and completely drops it, stepping up to recite the soliloquy as though it were a Halmark card.

    He is an example of an old school of Shakespearean acting, a very presentational school that has died out (thank god), for a very good reason.

  • Just the best Hamlet I've ever seen. He IS Hamlet.

  • BEST HAMLET EVER!!!!!!

  • I feel like he overacted this. A lot of times, what shakespear wants cones out in the works themselves. Youi don't have to over acti it.

  • I still want to see a genuinely dark Hamlet, with grit, curled up, overcome with grief.

  • i like how he seems to go slightly insane when acting acting hamlet :p

  • I detect a tiny bit of Dr. Orpheus.

  • Am I the only one here because Jackson Publick told be to?

  • my favourite Hamlet of them all - I also love Branagh but the way Jacobi delivers those lines makes them feel natural and so easy to understand!

  • I think he caputures Hamlet's mood better than anyone....and his prediciment

  • I'm confused now, well sort of... Watching Gibson's version I was annoyed by the fact he says pitch instead of pith... now I've watched Jacobi's several times, but this is the first time I've noticed he also says pitch...but why? It's supposed to be pith and I know both actors say pith correctly in one or two.. or more other scenes... just seems odd to me that they both deviate the same way I guess, lol. Anyway, either way it is said I've found myself addicted to this work from Shakespeare.

  • 'Pith' is in the original Folio version of Hamlet but in the second Quarto you will find 'pitch'.

  • Ah, thanks for explaining that!

  • Has anybody ever declaimed Shakespeare's dialogue as though it was occuring to him on the spot as well as SDJ?

  • I enjoyed it very much. Thank you really for posting this..

  • There's something about this Hamlet that makes him, modern. I have seen many different actors playing this part and they are all different, they all give something new to these lines. I wish I had seen this actor doing this on stage. The camera work has its limitations when someone is on stage and not in a studio. But still, I enjoyed it.

  • hamlets a sloppy frog.

  • yes, he is.

  • OMG I just got chills

  • LOLOLOLOLOL TRUE THAT

  • Jacobi has been called the best Hamlet of the 20th century.

  • Great actor

  • I didn't think he was crazy enough. I felt at this point in the play, the lines between hamlet's madness that he is portraying and his actual madness that some scholars say existed are starting to become blurred, and I wasn't feeling it. But still a very good actor.

  • NOW I understand that speech!

    Thank you Mr. Jacobi, you've saved my A-Level

  • Nace Face Jacob

  • Jacobi is the best Hamlet ever. And one of the greatest stage actors, ever.

  • At first I hated him, but now @_@ I can't stop listening to him cite this soliloquy. The way he recite this is like...awesome. @_@ ASLDJFASKL;FDAJ TO BE OR NOT TO BEEEEEEEE!!!!!

  • guys. you got to watch the entire play and how he builds his world up till this point in the play.

  • He does the BEST melancholy Hamlet EVER!

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  • An unfortunate consequence of a poor education in regards to the source material. Silly dilly.

  • isn't this the guy who played claudius in the branagh version?

  • Ew. What the hell!? This is terrible.

  • This is from the very popular BBC version (PAtrick Stewart was in it)

    Although by today's standards it seems dated, it was very well done.

  • omfg lolz pwned

  • To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks

  • is there an echo in this tomb

  • Maybe in this soliloquy Jacobi is not particularly brilliant, but his overall interpretation of Hamlet is superb. It is far superior to Sir Laurence Olivier's one, which in my opinion fails to render the huge ironic side of Hamlet's character. And I say this out of mere fairness, as someone who usually is very very partial to Olivier, and not a great fan of Jacobi.

  • i agree with you! just as i would have said, so thank you :)

  • I believe it must be noted that this performance consists of Jacobi speaking mainly to a camera/audience-a style of film that, although powerful at times, should be noted to weaken this particular performance in some perspectives...It condradicts his inward conflict, questioning the audience rather than himself.

    Please, feel free to respond, but note I am only a student trying to make observations in order to progress in my thespian knowlege.

  • i think u r right.

    hamlet is primary talking to himself NOT to

    a camera!

  • Comment removed

  • But a key element of this scene (by most interpretations) is that Polonius and Claudius are watching him, and that helps Claudius get support for his plan to send Hamlet to England. It's not an aside, it's a soliloquy. That is to say, he's talking to himself, not to anyone. But he is being watched, so he can be heard.

  • Indeed it runs the risk of looking too much like Hamlet is performing, as opposed to thinking, but looking into the camera draws the audience into his argument.

    I much prefer this version to the Branagh one as you can see an actual argument, a debate.

  • @missbabyice I'm not really agreed with you. Hamlet looks so self-conscious, but Hamlet wasn't self-conscious. He was maybe the most worriing person ever.

    I agree that it is nice that he looks into the camera, but that is not what Hamlet should do. He has to make a choice between life or death. That is a very difficult choice for Hamlet to make.

  • Self-conscious is exactly what Hamlet is. 'Conscience doth make cowards of us all.' It may be a hard choice but he's aware of it.

  • But for the self-hugging and a few strange inflections, I really like this version by Jacobi. It's nice to see the soliloquy delivered with a bit of guts instead of the usual passive navel-gazing.

  • If Jacobi has guts in this soliloquy, mean you haven't really seen other interpretations like: Kenneth Branagh or Mel Gibson. Guts is more than a powerful voice... I am not saying that Jacobi is not a good Hamlet i am just saying that were some others, better than him.

  • Branagh, guts? I don't think so. Although there's nothing wrong with the quality of his performance, Branagh's soliloquy is delivered in little more than a whisper on the verge of tears. It's anguished and frustrated, but sure as hell not gutsy.

    Gibson's version DOES have more to it, but so what? It just means there's two such performances instead of one. My original point still stands: too many interpetations have Hamlet as a maudlin, self-absorbed, whiney, procrastinating drip.

  • cheese

  • Check out my version of this scene

  • oops... sorry about the double post

  • 'despised love' is correct;

    as in you love someone but they don't reciprocate, so you end up despising the emotion, or them for not loving you back, etc.

    The word "dispriz'd" is used in the first folio edition of Hamlet, whilst "despis'd" is used in the earlier Quatro format version of the play. Most critics use this earlier version.

  • "Full of sound and fury, signifying nothing..!"

    You say I'm incorrect, and yet you give no evidence to back up your claims. Both words were used in different editions of the play, as I said. Such an emotive response shows a distinct insecurity in your beliefs. It's quite sad that you get so worked up over a single word in a play... Come back when you have some perspective and evidence that I'm wrong.

    Too intelligent and too important? Arrogant more like... at least that's how you come across.

  • Surely, if you knew anything about Shakespeare, you'd know his almost fetish-like love for using juxtaposition and oxymorons.

  • I like how he speaks to the audience as opposed to other actors who speak to themselves.

  • Nope, it's despised love

  • I LOVE Jacobi's Hamlet. So honest, mature and fiery...probably my favourite Hamlet ever. Thank you so much for sharing this again! :)

  • slam this tight lil ass =]?

    hey man. im naked!! Vh

  • 400 years later, and this play is still so far ahead of its time. Brilliant as ever.

  • No, he means 400. Dummy.

  • Perfect. How rich this Hamlet part is... just compare with Branagh, Olivier, Gibson... it's always a different approach. Fascinating. I love how you can feel the deep anxiety in Jacobi's voice.

  • he was the first one to make me actually understand Shakespeare and not just take it in as a string of meaningless words... genius!

  • Derek Jacobi makes me swoon.

  • Ahh Derek Jacobi

    Always wonderful to see him, though I keep expecting him to stutter (I'll always see him as Claudius)

  • You can hear Derek Jacobi through Kenneth Branagh's voice... Derek was his biggest influence to become an actor, and this clip says it all.

  • Sorry but the start of this is quite funny

  • Truly,

    have you seen this whole Hamlet? - thank goodness for an actor who can add humour into the tradgedies