However before purshasing I will appreciate very much you could tell me if your course teaches the student how to build this voicings on his own, thinking and hearing musically and harmonically, considering voice leading and understanding what to do and why, or just how to pick "engineered" chords from a big collection(to be learned finally) of compatible choices of consonant or disonant posibilities available for each degree note in the bass or melody?
@pianopolis Hi, in detail we discuss the concepts of consonance and dissonance and resolution. Every chord in our course is assigned a numeric value corresponding to its level of "dissonance".
You are advanced musician and what you play is very nice, but you name chords wrongly. This can confuse especially beginners. There is not a true that you can put any chord between two chords however there is many to choose from. I would agree that bass notes are unlimited but again it depends on the context. There are some rulles out there that should be explained. I strongly recommend you to study some theory before you make video like this mate. All the best.
You only need to know 4 types of chords in jazz or gospel 90% of the time, that is minor 7th, major 7th and dominant 7th. There are 12 key signatures in music times those 4 chords means you need to only know 48 chords. There are some slight variations but that is all there is.
Most songs don't use all the 12 keys signatures, so you don't need to learn all 48 at first.
@fakesoundsjazz1983 The "random" voicings are from our course material. We have 20-30 random voicings that you can choose for each melody note. We have engineered the voicings so that all of the choices work.
I have a question. Why do you take the first voicing (Bass: Ab Up:Gb, Bb, Db and Eb) as Ab chord without playing the 3d which would be Cb or C natural. Someone else it would take it as Gb major with 9th on the base.
@noYTsongs Hi, I am sometimes lazy and do not give the full chord name in my videos. The chord is an Ab9sus - sus indicates that the 3rd has been raised (suspended) to a 4.
@noYTsongs Or as the Gb chord with Ab in the bass. A great way to create a thick suspended sound. My favorite on this vid is the Gb with E in the bass.
wait, so if ur playing with a choir/orchestra and ur playing r u oging to b playing just random chords, or chrods that are in the key of the song. im sorry if its an obvious question to any pianist im a drummer who wants to learn how to play the piano and learn about notation and musical terms and so forth.
great video helped alot got thru the chords like butter and good explaining of how to move between chords wondeful vid thankx will help alot in my musical production
It's hard to hear the voicing with the organ patch you chose. I'd use something more like a Fender Rhodes or elec piano patch to hear the clarity of the individual notes in the chords - the organ sound has too many harmonics confusing the ear (though it sounds good nonetheless). Just a suggestion.
im a new keyboard player just trying to get my cd off the ground and this help me out alot i wish i could find more videos like this on youtube but on fl studio there is no gospel videos showing how to do this o fl studio 9
Yooo listen i feel u and i get ur Concept.....Just ignore those that dont get the concept and get bug down in the details.......not everyone can be creative thats y they dont get it and start talking bout naming things...Good post
@boobonic I guess for me its different I play by ear so i get it... and to all that have studied and took many lessons much respect to you I wasn't as lucky. but have been blessed to play with some of the greats in jazz & R&B.let the music flow people trust your ears if it sounds good to you what else matters :)
wow so many people are focusing on what chord it is LOL you can know all the chords and not be able to play for ish. focus on what he is trying to teach go learn your notes on the next lesson ya Haters.
@Marcusblade chords have names for a reason. when he says play a C chord and he's not playing the chord called C, it's counter intuitive. it is a "C" chord, but considering that there are like 20 "C" chords he's not making it any easier. this guy seems to have a good amount of chord theory and voice leading knowledge under his belt, so someone coming to this video with less experience is likely to feel a little left out as he explains how "simple and easy" it is.
Great video!!!!! If some of these guys would just play what you're telling them they'd find that this is excellent info for someonre just starting to play passing chords. I think you intimidated some people by being able to actually teach though cause some of these comments sound like they were made by very insecure musicians. Lighten up!!! let the man teach!!!
I am trying to figure out why this works is it because of the melody notes in the passing chords stay the same. Its seems that the third, which is an important note in any key has something to do with why these certain chords will work.
@Darkknight39 The bass does NOT always determine the chord. You can have the 3rd of the chord in the bass or any other part of the chord as the bass. That doesn't make it the name of the chord.
It is nice to share this video... And I agree that this video is about showing "passing chords".... But you are the one to start putting names to the chords... and by the way wrong names. For example, you are playing the most common chord progression in music (even what people call "classical music")... and is calling the "2-5-1" progression. The tonality that you are playing is in Db (1). The chord that you named "Ab" chord in reality is a Ebm11...why? You don't need to play the root but..
It is nice to share this video... And I agree that this video is about showing "passing chords".... But you are the one to start putting names to the chords... and by the way wrong names. For example, you are playing the most common chord progression in music (even what people call "classical music")... and is call the "2-5-1" progression. The tonality that you are playing is in Db (1). The chord that you named "Ab" chord in reality is a Ebm11...why? You don't need to play the root but...
Yo. I see this was posted 4ever ago so i may have missed the boat but i just had 2 throw out there that this is all cool tricks but 2 somebody who knows Anything in the realm of classical training its going 2 confused the baJesus out of them. This is bangin' material, but if 1 was 2 grow up in classical training they'll more than likely get an aneurism watching this.
Maybe a vid on maj and min 7s? Flat 2s? Inversions? Secondary functions? This is pretty advanced jazz theory yo... just a thought
@madameve actually, matthewwiley was more correct, given this context. You SHOULD be the one thanking HIM. Your chords sound fine, but as far as naming them properly, you seem to be misinformed about not only music theory, but math as well. It DOES matter whether you call something sharp-five versus flat-six, etc. YOUR spelling is misleading and MORE confusing than his, mainly because you are inconsistent in your mixing of sharps and flats. YOU called the key Eb and shifted to D#, not HIM.
@madameve Just trying to help, man. You obviously have a great ear. I teach jazz piano at a Division I University and just wanted to point out that the root is not always in the bass (as in this case). Enjoyed listening to you play :)
@madameve you really should have called it that in the video then because I thought the same as that commenter....when I think F chord I think F Major or MAYBE F minor but you're playing something like that, an F min 9#5...explain THAT in the video...
@madameve No. The way you've spelled this chord is incorrect.
F ... Ab ... C# ... MUST BE Eb
or
D# ... F ... Ab ... C#
Chords must always be made up of odd-numbered scale degrees to be spelled correctly. For example, there is really no such thing as a C6 chord (commonly misspelled as C-E-G-A. In other words, you can never properly use 2, 4, 6, 8, 10, etc in naming of chords.
Nicely explained. This is probably the most simplistic explanation I've heard so far. You are right, there are alot of rules on what a passing chord can be, or what a passing chord consist of. Any tone can be a passing chord, it really depends what type of feel the musicians wants to evoke. A passing chord may not harmonically sound right as a chord by it's self. But in context, it adds alot of color. The learning curve for passing chords is really high. Alot of building blocks are involved.
the first passing chord is a Absus or Absus4 with the F bass note and Adding a Ab not as the 5th note. I am not a music expert but if you look at any chord chart you will see these are extra notes which is up to your imagination.
@lexxon11 The purpose of this video was not to name chords but to talk about passing chords. If you must know, the first chord is an Ab9sus. There is no F in bass note in this chord. Where did you get that from
This is really amazing. I cannot tell you how thankful I am for this lesson. But can you explain to 12 tone system. Like for certain chords, do we use certain any 12 tone. Are the 12 tone different in certain 2 chords that are use? That what confusing me.
the point is that you're in the key of Db. And you have to call the cords in a tutorial based on It's related key. In that case a Gb. Besides. No matter how you try to defend that, That's not an Ab cord. You need to take that bad theory to someone who doesn't know theory. Don't come at me with that foolishness. Learn your cords. Don't offer me bad theory. Go learn yours before you try to teach people and mess them up.
Last time I checked, at least for the last 100 years (Ab) is in the key of Db. The chord naming tutorial is available to you. Please learn your scales before you even begin to talk about your (bad) theory.....I will not respond to this foolishness again..
the first cord is a Gb maj in your right hand with an Ab in the bass hand. You're in the D flat scale. You have proper names but for the confused people who want to know what you're doing i'll leave at that. Pretty wack to be givin out this bad info. People trying to learn so that they can play with other musicians. Straighten up. Ab, wow
I thought I was not seeing something here but the first chord madameve called an Ab might be an Ab11 but one would think it would more accurately be named Ab\Gb6 or a Gb6add9 and the second Chord would be a Db\Ab6 or Ab6add9. Admittedly I'm a novice at chord naming but I've check my chord books and that's what I find.
Dude...the tones are at random and the chords are based on those RANDOM tones...AND THEY ARE "GOSPEL" chords on those tones.....The pupose of this video is nto to identify chords but to identify a concept.... If you want to know the chords look at another one of my videos or get the course which details all 600 chords
Dude, when you say you're gonna play "notes at random" in the chord progression you use later in the video, you used the same chords you were using in the rest of the video. These chords aren't random, all of them are gospel chords. If this was a good tutorial it would say what the gospel chords you're using are; you're not identifying them right, although it's possible to figure them out anyway from the keys, your music theory is off.
Dude, most of those chords aren't really the chords you say. Theyre like Db/placenotehere most of the time. ah but i get the drift anyway. I'll apply this to my rock band haha
When you say : go ahead play an F chord.. Dude, that is not an F chord.. it is a D flat chord over an F bass..ok.. its actually a D flat 9th chord cause you have an e flat in there.. so you really have a D flat chord over the 3rd in the bass F ..yeah.. it sounds fine..but its not an F chord..its a Dflat chord with an altered bass note.. just wanna help.. :)
If you want to be technical, if there is an F in the bass as the root it can be considered an F cord. Either F minor or F Major with sharp and flat whatever notes. You can always call a chord something else if you want. Just wanna help... :-)
I think this is awesome and I give you lots of thanks for this video...but what is the theory behind this? Yes, you gave us some pretty nice chords, but what is the theory, so that we can develop other chords that match?
Because if you just depend on the book, sure, you'll MEMORIZE many notes, but not the theory of it..
little confused about the passing chords... they sound awesome, but when you say F I'm strictly thinking F-A-C, but i'm noticing a bunch of flats that are spicing it up. Is you're right hand staying true to the Ab scale?
He isn't statying true to the scale. What he means is that there are twelve different bass notes that you can base a chord off of to put between chords in your progression. But there are far more than twelve possible chords. He doesn't really go into what actual chords you can use, though.
The chords are picked on the fly. Its really probably a coincidence that there are common tones. The only thing that you have to memorize are the chords for each tone. And its up to you how many chords you choose to memorize. I would say that the minimum is 12. Does that help?
What is the quality of most of these passing tones? They look like your 6 9sus b5 chords. Then your V chord... Is it a Ab7 4sus add9? Can I typically use that for most V chords? This is some flippin sweet stuff--thanks for posting it. ;)
That V is actually an Ab9sus... The 7 is implied when you say you have a 9th chord.... and yes you can use the 9sus for any V. The passing tones are all different qualities and are listed in the course.
This sounds great, congratulations!
However before purshasing I will appreciate very much you could tell me if your course teaches the student how to build this voicings on his own, thinking and hearing musically and harmonically, considering voice leading and understanding what to do and why, or just how to pick "engineered" chords from a big collection(to be learned finally) of compatible choices of consonant or disonant posibilities available for each degree note in the bass or melody?
pianopolis 6 days ago
@pianopolis Hi, in detail we discuss the concepts of consonance and dissonance and resolution. Every chord in our course is assigned a numeric value corresponding to its level of "dissonance".
madameve 6 days ago
@pianopolis We have a volume dedicated to how to name these chords and create voicings from the name.
madameve 6 days ago
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Very good your visit my channel if you like my music to subscribe to my channel ok?
MichelKeyJazz 1 month ago
You are advanced musician and what you play is very nice, but you name chords wrongly. This can confuse especially beginners. There is not a true that you can put any chord between two chords however there is many to choose from. I would agree that bass notes are unlimited but again it depends on the context. There are some rulles out there that should be explained. I strongly recommend you to study some theory before you make video like this mate. All the best.
miroslaw7 1 month ago
You only need to know 4 types of chords in jazz or gospel 90% of the time, that is minor 7th, major 7th and dominant 7th. There are 12 key signatures in music times those 4 chords means you need to only know 48 chords. There are some slight variations but that is all there is.
Most songs don't use all the 12 keys signatures, so you don't need to learn all 48 at first.
Markpianist1 1 month ago
What is the price of the full course?
youvinnie 2 months ago
sweet tutorial.. quick question.. when you "randomly" pick a passing chord, how do you decide what kind of voicing you're using?
fakesoundsjazz1983 2 months ago
@fakesoundsjazz1983 The "random" voicings are from our course material. We have 20-30 random voicings that you can choose for each melody note. We have engineered the voicings so that all of the choices work.
madameve 2 months ago
thanks 4 this chords, God bless you.........
MyChecolate 2 months ago
As a music teacher, what hes saying here is important to being an expressive player in any genre .
illnastic 4 months ago
Wow. Pay for some audio.
jpenneyatyahoodotcom 4 months ago
I have a question. Why do you take the first voicing (Bass: Ab Up:Gb, Bb, Db and Eb) as Ab chord without playing the 3d which would be Cb or C natural. Someone else it would take it as Gb major with 9th on the base.
noYTsongs 7 months ago
@noYTsongs Hi, I am sometimes lazy and do not give the full chord name in my videos. The chord is an Ab9sus - sus indicates that the 3rd has been raised (suspended) to a 4.
madameve 6 months ago
@noYTsongs Or as the Gb chord with Ab in the bass. A great way to create a thick suspended sound. My favorite on this vid is the Gb with E in the bass.
TheSusancb123 2 months ago
wait, so if ur playing with a choir/orchestra and ur playing r u oging to b playing just random chords, or chrods that are in the key of the song. im sorry if its an obvious question to any pianist im a drummer who wants to learn how to play the piano and learn about notation and musical terms and so forth.
ImaFez 7 months ago
great video helped alot got thru the chords like butter and good explaining of how to move between chords wondeful vid thankx will help alot in my musical production
epiphany187 8 months ago
Hello my channel then know of chords and harmony GOSPEL ..
Hope you enjoy and subscribe to help promote my videos ..
I count on the kindness and help you;.....
thank you and god bless
MichelKeyJazz 10 months ago
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sotopagla 10 months ago
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TheAssirampiano 10 months ago
It's hard to hear the voicing with the organ patch you chose. I'd use something more like a Fender Rhodes or elec piano patch to hear the clarity of the individual notes in the chords - the organ sound has too many harmonics confusing the ear (though it sounds good nonetheless). Just a suggestion.
dude999998 10 months ago 2
@dude999998 yes... we do use that voice anymore......
madameve 10 months ago
i agree ,beautiful though !
JACKSON2012music 4 months ago in playlist ejercicos piano
im a new keyboard player just trying to get my cd off the ground and this help me out alot i wish i could find more videos like this on youtube but on fl studio there is no gospel videos showing how to do this o fl studio 9
Mr214Mikeb 11 months ago
THANKS !!!!!!!
goodgooglegoo 1 year ago
why do i get diffrent sound when i play what he plays? does it matter if i play just piano not orgran?
BlaqMusik 1 year ago
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thaz waz up! Artis Brown
gary'indiana
bhebrews1214 1 year ago
Yooo listen i feel u and i get ur Concept.....Just ignore those that dont get the concept and get bug down in the details.......not everyone can be creative thats y they dont get it and start talking bout naming things...Good post
solinho2 1 year ago
R u hitting minor 9th in between? Or minors
bornagainroma 1 year ago
I just want to say you are awesome sir! I just want to memorize all the 12 chords
Toussaint45 1 year ago
@boobonic I guess for me its different I play by ear so i get it... and to all that have studied and took many lessons much respect to you I wasn't as lucky. but have been blessed to play with some of the greats in jazz & R&B.let the music flow people trust your ears if it sounds good to you what else matters :)
12pokachu 1 year ago
Does it matter if you play minor chords? Even if the song is in a major key?
By the way, you are amazing man, I never knew this technique. Now I need to learn my chords lol
trixstaakanick 1 year ago
wow so many people are focusing on what chord it is LOL you can know all the chords and not be able to play for ish. focus on what he is trying to teach go learn your notes on the next lesson ya Haters.
Marcusblade 1 year ago 3
@Marcusblade Well said.... Thank you....
madameve 1 year ago
@Marcusblade chords have names for a reason. when he says play a C chord and he's not playing the chord called C, it's counter intuitive. it is a "C" chord, but considering that there are like 20 "C" chords he's not making it any easier. this guy seems to have a good amount of chord theory and voice leading knowledge under his belt, so someone coming to this video with less experience is likely to feel a little left out as he explains how "simple and easy" it is.
boobonic3 1 year ago
Great video!!!!! If some of these guys would just play what you're telling them they'd find that this is excellent info for someonre just starting to play passing chords. I think you intimidated some people by being able to actually teach though cause some of these comments sound like they were made by very insecure musicians. Lighten up!!! let the man teach!!!
MrMusicdude007 1 year ago
Can you really call it an Ab chord when it's just Gb with Ab in the bass?
wcr4 1 year ago
thank you so much!! :)
uyangamusic 1 year ago
good vibz,i want more sample,how much it would cost for ull book of chords
shane666666666666666 1 year ago
good vibz,i want more sample,how much it would cost for ull book of chords
shane666666666666666 1 year ago
um how are u playing that when your hands r not on the piano?
lexie10126 1 year ago
@lexie10126
lexie10126 1 year ago
Lol @ the people who are here to critique a video that was designed to help people.
jido35 1 year ago 2
I am trying to figure out why this works is it because of the melody notes in the passing chords stay the same. Its seems that the third, which is an important note in any key has something to do with why these certain chords will work.
Superpook2000 1 year ago
THE BASS ALWAYS DETERMINES THE CHORD... GET OF DUDES BACK
THANks for the vid.
Darkknight39 1 year ago
@Darkknight39 The bass does NOT always determine the chord. You can have the 3rd of the chord in the bass or any other part of the chord as the bass. That doesn't make it the name of the chord.
jfranman 1 year ago
Yeow! There are many ways to systematise your music. Whatever helps you improvise, and/or communicate with other musicians will work.
Mooser42001 1 year ago
SOrry man, about that....
You sound like u really learn ur music dread..keep it up
gumbs2007 1 year ago
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Hi!
It is nice to share this video... And I agree that this video is about showing "passing chords".... But you are the one to start putting names to the chords... and by the way wrong names. For example, you are playing the most common chord progression in music (even what people call "classical music")... and is calling the "2-5-1" progression. The tonality that you are playing is in Db (1). The chord that you named "Ab" chord in reality is a Ebm11...why? You don't need to play the root but..
elmaestrojuarez 1 year ago
Hi!
It is nice to share this video... And I agree that this video is about showing "passing chords".... But you are the one to start putting names to the chords... and by the way wrong names. For example, you are playing the most common chord progression in music (even what people call "classical music")... and is call the "2-5-1" progression. The tonality that you are playing is in Db (1). The chord that you named "Ab" chord in reality is a Ebm11...why? You don't need to play the root but...
elmaestrojuarez 1 year ago
thank you for your explaining ~
I wonder How to choose chord quality of passing chord..it doesn't matter? or any rull to choice?
PARKYONGSEO 1 year ago
absolutely amazing, a mental fortress just fell down in ;my mind!!! thank you!!!!
joyfuldiamond 1 year ago
it doesn't look liekt you named the chords right... you're naming just the bass line. now i am confused :S
andreluxury 1 year ago
yes it is a (C) chord. C in the root with a (Bb) (Eb) and (Ab) It's a C min7#5
madameve 1 year ago
you play the root c but your not playing the c chord i dont get it
djkillah215 1 year ago
4:51 oooooh
u2good2b4gotn 1 year ago
that sounds kinda nastyyy still. i hope you bring out many more videos.
andreluxury 1 year ago
You are free to choose any passing chord!!! Any one of hudreds!!!
But take on discount:
- chord function
- voice movement
and it will be fine))))
fedalxis 1 year ago
Yo. I see this was posted 4ever ago so i may have missed the boat but i just had 2 throw out there that this is all cool tricks but 2 somebody who knows Anything in the realm of classical training its going 2 confused the baJesus out of them. This is bangin' material, but if 1 was 2 grow up in classical training they'll more than likely get an aneurism watching this.
Maybe a vid on maj and min 7s? Flat 2s? Inversions? Secondary functions? This is pretty advanced jazz theory yo... just a thought
jstephens2006 1 year ago
Clearly explained. Non jargonistic. Excellent.
tangman314 1 year ago
yes, can you please go through half steps and whole steps.......i've been studying the surrounding the note and passing chords..........
sciencescience2682 1 year ago
the first passing chord isn't an F chord. It's a Db2/F
matthewwiley 1 year ago 5
@matthewwiley Thanks for an enharmonic name to confuse everybody.
That chord is an F min 9#5
Root =F, m3 = Ab, #5=C#, 7= D#, m3 = Ab
madameve 1 year ago 6
@madameve
There isn't a ninth in that chord.
Absus4/F or Fm7b13 or Fm7#5 - it's up to your interpretation.
seppsmund 1 year ago
@madameve It didn't confuse me!? ...although I do have a little knowledge in music theory....
carneyce 1 year ago
@madameve actually, matthewwiley was more correct, given this context. You SHOULD be the one thanking HIM. Your chords sound fine, but as far as naming them properly, you seem to be misinformed about not only music theory, but math as well. It DOES matter whether you call something sharp-five versus flat-six, etc. YOUR spelling is misleading and MORE confusing than his, mainly because you are inconsistent in your mixing of sharps and flats. YOU called the key Eb and shifted to D#, not HIM.
TheMagickeys 1 year ago
@madameve Just trying to help, man. You obviously have a great ear. I teach jazz piano at a Division I University and just wanted to point out that the root is not always in the bass (as in this case). Enjoyed listening to you play :)
matthewwiley 11 months ago
@madameve you really should have called it that in the video then because I thought the same as that commenter....when I think F chord I think F Major or MAYBE F minor but you're playing something like that, an F min 9#5...explain THAT in the video...
GRonnoc 7 months ago
@madameve No. The way you've spelled this chord is incorrect.
F ... Ab ... C# ... MUST BE Eb
or
D# ... F ... Ab ... C#
Chords must always be made up of odd-numbered scale degrees to be spelled correctly. For example, there is really no such thing as a C6 chord (commonly misspelled as C-E-G-A. In other words, you can never properly use 2, 4, 6, 8, 10, etc in naming of chords.
2211JW 1 month ago
Man, I'm a guitar player but this is extremely helpful for me as I am basically a blues/rock, rb player trying to transition to gospel. Very good!
romienomie 1 year ago
VERY NICE COURSE IM GETTIN IT
Zordo11 2 years ago
Nicely explained. This is probably the most simplistic explanation I've heard so far. You are right, there are alot of rules on what a passing chord can be, or what a passing chord consist of. Any tone can be a passing chord, it really depends what type of feel the musicians wants to evoke. A passing chord may not harmonically sound right as a chord by it's self. But in context, it adds alot of color. The learning curve for passing chords is really high. Alot of building blocks are involved.
IronMicey911 2 years ago
Thanks for the red pill:) You completely made getting a new wineskin a requirement!!
wysiwysell 2 years ago
the first passing chord is a Absus or Absus4 with the F bass note and Adding a Ab not as the 5th note. I am not a music expert but if you look at any chord chart you will see these are extra notes which is up to your imagination.
lexxon11 2 years ago
@lexxon11 The purpose of this video was not to name chords but to talk about passing chords. If you must know, the first chord is an Ab9sus. There is no F in bass note in this chord. Where did you get that from
madameve 2 years ago 4
This is Gflat6/ with 5th note, I have no idea about the A flat bass note I guess thats added onto the voicing.
lexxon11 2 years ago
how you know which key to hit
Cookie3515 2 years ago
@Cookie3515 magic
andreasrieger 1 year ago
como carajos hace para tocar??? tiene dedos lazer?
leiitoguiitar 2 years ago
I haven't even started but your course is a true blessing! Thanks before hand!
intanashcts2g 2 years ago
these chords arnt traditional what kind are they please tell me i really need to know
Emileano1 2 years ago
This is really amazing. I cannot tell you how thankful I am for this lesson. But can you explain to 12 tone system. Like for certain chords, do we use certain any 12 tone. Are the 12 tone different in certain 2 chords that are use? That what confusing me.
Aphablueforce 2 years ago
can Any body out there show the passing chords on a guitar? a tutorial will be great
centavoos 2 years ago
funny how if you change the bass to Gb it sounds like a GbM6
but if you keep the Ab ..it sounds like an Ab9sus4....hmmm...aural skills anyone?
you were right tho...this was a good laugh
roscoeroscoe 2 years ago
less music and a double helping of sermon for you.
aknowneemus 2 years ago
@aknowneemus any suggestions?
roscoeroscoe 2 years ago
We will do you a favor and leave your responses and comments for the world to see.......we all need laugh sometimes
madameve 2 years ago
the point is that you're in the key of Db. And you have to call the cords in a tutorial based on It's related key. In that case a Gb. Besides. No matter how you try to defend that, That's not an Ab cord. You need to take that bad theory to someone who doesn't know theory. Don't come at me with that foolishness. Learn your cords. Don't offer me bad theory. Go learn yours before you try to teach people and mess them up.
zeebite2005 2 years ago
Last time I checked, at least for the last 100 years (Ab) is in the key of Db. The chord naming tutorial is available to you. Please learn your scales before you even begin to talk about your (bad) theory.....I will not respond to this foolishness again..
madameve 2 years ago
the first cord is a Gb maj in your right hand with an Ab in the bass hand. You're in the D flat scale. You have proper names but for the confused people who want to know what you're doing i'll leave at that. Pretty wack to be givin out this bad info. People trying to learn so that they can play with other musicians. Straighten up. Ab, wow
zeebite2005 2 years ago
I suggest you download a copy of my book the chord naming system. This chord is an Ab9sus.
madameve 2 years ago
I thought I was not seeing something here but the first chord madameve called an Ab might be an Ab11 but one would think it would more accurately be named Ab\Gb6 or a Gb6add9 and the second Chord would be a Db\Ab6 or Ab6add9. Admittedly I'm a novice at chord naming but I've check my chord books and that's what I find.
nateajj 2 years ago
the passing chords here are always altered domiant chord.
ajfx 2 years ago
i like ur stuff idk notes but i can play by ear love it. keep up tha gud work. MadKeys is what u r
javaun106 2 years ago
That's good stuff. I like how you are giving an outline with room to PLAY!!! Improvise...not robot stuff.
5 stars man.
micktimo 2 years ago
Dude...the tones are at random and the chords are based on those RANDOM tones...AND THEY ARE "GOSPEL" chords on those tones.....The pupose of this video is nto to identify chords but to identify a concept.... If you want to know the chords look at another one of my videos or get the course which details all 600 chords
madameve 2 years ago
Dude, when you say you're gonna play "notes at random" in the chord progression you use later in the video, you used the same chords you were using in the rest of the video. These chords aren't random, all of them are gospel chords. If this was a good tutorial it would say what the gospel chords you're using are; you're not identifying them right, although it's possible to figure them out anyway from the keys, your music theory is off.
connectwired 2 years ago
well technically that "F" chord is either an F+7 OR a first inversion Db9 because of the third as the base note.
but i'm just intentionally being difficult, that's all.
justshutupdamnit 2 years ago
well for the theory heads u name ur chord of the bass note but in thys case a lil different
TerryFangaz 2 years ago
Dude, most of those chords aren't really the chords you say. Theyre like Db/placenotehere most of the time. ah but i get the drift anyway. I'll apply this to my rock band haha
FakeFlourescentSkies 2 years ago
When you say : go ahead play an F chord.. Dude, that is not an F chord.. it is a D flat chord over an F bass..ok.. its actually a D flat 9th chord cause you have an e flat in there.. so you really have a D flat chord over the 3rd in the bass F ..yeah.. it sounds fine..but its not an F chord..its a Dflat chord with an altered bass note.. just wanna help.. :)
Doumbeck 2 years ago
I'm thinking he already transposed cause those bass notes are killing me.
roddiggy4eva 2 years ago
If you want to be technical, if there is an F in the bass as the root it can be considered an F cord. Either F minor or F Major with sharp and flat whatever notes. You can always call a chord something else if you want. Just wanna help... :-)
deecm22 2 years ago
thank you so much
runyou1982 2 years ago
can this be used using pedal tones
mr88keyz 2 years ago
I don't know how I stumbled across this video series but I'm glad I did. I'm finding some useful info. Makes me want to go practice.
mrmusicplz 2 years ago
thanks for breaking it down.
es72372 2 years ago
wat key is this?? Ab? its about creativity
jobimboy 2 years ago
wow u are supposed 2 be able to think of a 6 chord pass in a split second in the middle of church
tallen0679 2 years ago
wow
swapz1025 3 years ago
Man, it takes you three whole minutes to arrive at the first passing chord...
BuckshotLaFunke 3 years ago 12
Which course specifically teaches this technique, cuz I don't have much $! I want to order this teaching!
tarzene 3 years ago
This only makes sense if you only play in once key.
12 chords, PER KEY.
more like 144 chords...
utopianmusic 3 years ago
you need to watch the other tutorials
MsMusician4U 3 years ago
great stuff again from madameve; keep it on!
tzoaye 3 years ago
This is awesome. May the Lord bless you for sharing your talent and knowledge!
mzklover 3 years ago 7
All of your videos are very helpful. Thank you very much.
PianoPastor 3 years ago 2
I think this is awesome and I give you lots of thanks for this video...but what is the theory behind this? Yes, you gave us some pretty nice chords, but what is the theory, so that we can develop other chords that match?
Because if you just depend on the book, sure, you'll MEMORIZE many notes, but not the theory of it..
but lots of thanks!
wizard1017 3 years ago
Hey, how did you get the keyboard to play by itself? DId you connect it to another keyboard via midi... it seems live and not prerecorded.
hearandplay 3 years ago
he recorded it while he was talking and recorded the sound while he was talking, then replayed it for the video so we could see the notes.
Xtcgaming1 3 years ago
It looks like you said hearandplay he connected a controller keyboard via midi. Its definately recorded in one go:P hense some of his mistakes.
christiandude191087 3 years ago
Where are you from ?
moody1722 3 years ago
little confused about the passing chords... they sound awesome, but when you say F I'm strictly thinking F-A-C, but i'm noticing a bunch of flats that are spicing it up. Is you're right hand staying true to the Ab scale?
billyhigdon 3 years ago
He isn't statying true to the scale. What he means is that there are twelve different bass notes that you can base a chord off of to put between chords in your progression. But there are far more than twelve possible chords. He doesn't really go into what actual chords you can use, though.
pimpfreshmasterc 3 years ago
this is only sample information. he has a book with the full information. nothing is 100% free nowadays. but very useful information
MsMusician4U 3 years ago
The chords are picked on the fly. Its really probably a coincidence that there are common tones. The only thing that you have to memorize are the chords for each tone. And its up to you how many chords you choose to memorize. I would say that the minimum is 12. Does that help?
madameve 3 years ago
thanks very usefull chords!
glebo2007 3 years ago
ow! i sure learned someting 2day
536173h 3 years ago
not very clear in your explanations
princessRMU 3 years ago
wow great points..."musicians with
restrictions"..thats me, yeah...and
"free to choose"...yes let there
be freedom. thanks for this!
pdautg 3 years ago
what's the number system in minor keys can you go over that
blackcowboy816 3 years ago
What is the quality of most of these passing tones? They look like your 6 9sus b5 chords. Then your V chord... Is it a Ab7 4sus add9? Can I typically use that for most V chords? This is some flippin sweet stuff--thanks for posting it. ;)
justice1606 3 years ago
That V is actually an Ab9sus... The 7 is implied when you say you have a 9th chord.... and yes you can use the 9sus for any V. The passing tones are all different qualities and are listed in the course.
madameve 3 years ago
this is sick thanks for posting
JBproductionz 3 years ago
just awsome man just great
daveweckl1 3 years ago