Brad mehldau, es único, crea el puente de lo tradicional y lo absolutamente nuevo, con un dramatismo no escuchado antes, en este su estilo tan abosulamente personal.Te baña en música. Gracias, gracias, gracias Brad.
Cierto son tus palabras y lo que sientes al escuchar a brad; también la verdad es que el actual trio con jeff a la batería suena incluso mejor que con el antiguo batera, jeff y larry también son únicos la verdad
As much as I like this cover, I have to agree that a lot of the emotion is gone. It makes me want to hear a purely orchestral version. Strings can convey emotion much better than pianos can, especially in a live setting. Don't get me wrong, pianos are extremely expressive instruments when played well, but... This was NOT meant to be a piano-driven song.
Actually, the melody and chords are extremely similar to a Chopin Etude, I forget which one, maybe someone can help me on that one. So, it practically begs to be played on the piano.
I think Brad's take on this piece is far more expressive and moody than the original. It's tempo is undoubtedly less dirged, but the amount of feeling brad puts through those keys trumps any notion so simple as tempo.
I found a new album by a guy from New Orleans that sounds like Brad Mehldau meets Keith Jarrett Trio. It's called True Stories and you can get it on iTunes. You can also look it up under Jesse Boyd Trio.
If you TRULY loved both of these elements than you would respect this piece. Someone who loves two elements seperately but dislikes them when together is very confused.
This comment has received too many negative votesshow
I love free jazz, I love radiohead...
And apart from the fact this kind of technical playing is amazing... I really don't like this piece, especially it being a radiohead cover and loosing every sence of emotion... to me.
its good, but it just doesnt really fit with a jazzy feel. the song is overall too depressing for that. its like trying to put a tutu on a serial killer..its just kind of awkward
i think you misinterpreted what i wrote. i said the original version, as depressing a feel as its creators intended it to have, doesn't fit well with an upbeat jazzy twist to it. it just feels weird and awkward. i love jazz.. but this just sounds weird in my opinion.
I love jazz too but I dont think this sounds weird at all. Of course I listen to odd jazz artist like Ornnet Coleman ( Free Jazz sax player) and other groups such as Jaga Jazzist
A) I didn't say Radiohead were depressing, or emo. Depression is a common and well done theme in writing music, and you would be totally ignorant if you thought some Radiohead songs weren't depressing
B) Considering this song was, lyrically and otherwise. wrote specifically for Romeo and Juliet, i'd say its got a fairly depressing theme to it
i would say thought provoking not depressing. Was romeo + juliet not one of the great plays. People dont walk away from it feeling depressed, they feel almost enlightened.
You can't tell me there arn't elements of depression in suicide. Yes, i do agree that there is an overall feeling of enlightenment in Romeo and Juliet, that, i totally agree with you on, but theres absolutely no way there isn't any depression in R&J. Radiohead's musical interpretation of said play is, undoubtably, depressing. Of course, that's just my interpretation however.
Like any great artist, Brad can play that song a thousand different ways but also being that artistic he improvises so well and so he doesn't even know how it'll come out.
Jarrett fans are like those people who go to French restaurants to get shat on by the waiter. They always use that word "master"; it sounds vaguely classical. They like Jarrett because he seems like "high" art. But - let's face it: How many fucking times can you record "My Funny Valentine"? His trio - if not his solo playing - is beautiful, but there is no subversive quality to the music. If it weren't for Jack's killing ride cymbal, it would be a real yawn fest.
I am a big fan of both. Jarrett is darn untouchable when he devolves into lyrical improvisations (end of La Scala, Paris, Kyoto) or gospel-tinged groove (Koln, much of his trio). Mehldau's rythmic and harmonic work is far more advanced, and his left hand has indeed opened a dramatic space for improvisation. Some of Keith's atonal work in his Solos is deviant and boring, but it is occasionally very far left (see Tokyo 2002). Both are fantastic, and neither deserved disavowal.
krelianx, I completely agree with you. I really do love both artists. Keith because of his beautiful lyricism. He improvises as if playing a written out solo.. Very melodical and beutiful. Brad because of his technical, time, and rhythmic chops. He also plays very subtle and lyrical when it comes to ballads. His left hand counterlines and motific development and classical harmony is a very hip and sophisticated compbination.
The problem with the Jarrett comments here do not lie with him and how he is as a musician(he obviously has proved his abilities), but with the argument(s) of his position of greatness. Note that they tend to include something akin to "there cannot be anyone greater than this guy (insert name here)". Too bad that that is fallacious reasoning...at least we now know who the "best" are and can close this chapter on the Music Rulebook, 12th edition...it was fun while it lasted...HA!
the only Keith Jarrett I know is the Koln Concerts, and I find it so ham-handed and unlistenable. and what in hell is remarkable about this fluffy lounge music? yechh.
how people can say that keith jarrett is in a totally different class to brad mehldau is beyond me...both are geniuses,and jazz artists with more talent than you or i will ever have have acknowledged this. mehldau IS the real deal..possibly the most exciting pianist since evans;the way he has freed up the left hand and expanded the possibilties of the piano is quite amazing.
Jarret vs Brad? No way... Jarrett is master of masters, there is no more questions. All classical stuff, all jazz things... amazing personality and pianist as well. Piano giant of all times - this is Keith.
I don't dislike Mehldau, but no one can compare him to the master Keith Jarrett. There's not even the slightest possibility... While Brad is really good on the piano, Jarrett IS the piano.
"I don't dislike Mehldau, but no one can compare him to the master Keith Jarrett."
Agreed. I hate The Koln concerts...but, listen to a cd called "Personal Mountains" and decide who the master is. The sound Keith has. His sensitivity. If he covered this tune, you'd notice the difference. Better dynamics, more sensitivity. Listen for yourself, at 5:00 minutes in /watch?v=vHL-X85Ggao
Yes but if i liked everything I would nt have a taste would I??
I have very broad tastes in all sorts of things thank you very much and am very open minded. Why do you think Im listening to this? I thought it sounded interesting and maybe Id like it so I sought it out but I did nt. i think the fact that you are nt willing to accept anothers opinion makes YOU rather self rightous and NARROW MINDED.
Why do you worry about taste?Broadening your taste is about learning to enjoy more things,more enjoyment out of life,if you're worried about how your taste looks then you listen to music for the wrong reasons. You're opinion to not like it is fine. My problem was with thecomment "what learn to like something that I don't like why?". Some of my favorite songs/bands/albums have been ones I hated at first and grew to like. Evolving in your musical spectrum is why I don't listen to Hanson anymore.
i love rossy's drumming and think it's a much better match to brad's playing than ballard's. rossy is so abstract yet in the pocket at the same time. i saw the original trio with rossy numerous times at the village vanguard and i really miss that group. the trio with ballard is playing all weekend there, but every show is completely sold out! good for brad, but bad for me since i wanted to go!
yeah rossy, especially on tunes like this that are very dynamic, tears it up. he plays just whats needed and step on anyones toes. i like this video and wish i could of seen it live
being a drummer and very much a fan of the original trio, i was sad to see Rossy go. I think Rossy and Mehldau played together for so long that their rhythmic senses, respectively, developed together. I think Rossy's playing helped develop Mehldau's rhythmic phrasing that we know so well. Of course this is natural for any group that plays together for so long... miss Rossy in this group, and in general, i don't think he gets the props he deserves among drummers
a cool thing is to observe them on the similar ground and check all the things you are and solar from albums tribute by jarrett and aott 4 of brad. i think brad's performance is even very much influenced by jarrett. but it's just different. brad in his own way transcends keith. uses different material which is his own. go brad!! :-)
I agree with SindriMar; you really cannot compare the two; they're from different eras, and this whole thing of it doesn't swing right is bs. Coltrane di not swing in the traditional sense and was reprimanded for
years before he was suddenly lauded for it, so just be ok with the thought that maybe there really is no competition in legitimate music. Maybe.
To doublearejazz: I know that the Keith Jarrett Trio is one of the greatest jazz piano trios of all time and their interplay and music is astounding. But I think it's pretty ignorant and naive to call Brad Mehldau and his trio "talented students." I think the reason you say this is because of you expect them to play in the same tradition as the Jarrett trio, or to play in a certain 'standardized-this is what it's all about' way.
But the fact is, the Mehldau trio isn't trying to 'swing' and create 'good jazz' in the same way the Jarrett trio is doing it. Mehldau has totally different inspirations and aesthetic values and his music is not a bad representation of the Keith Jarrett Trios music. He's just doing his own thing and it has reached an unbelievably high level of artistry. If you don't like it, well, that's a totally different story...
Thank you for spewing more ignorance. Now go back and play your jarrett 89 again. Why are you posted on every mehdlau clip if you hate him so much. quit wasting our time.
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I think Jorge does a great Job. Although he pushes tempo from the beginning and sustains it, Brad plays along with it fine. I think that the live element gets you excited to play faster so that might have been the case in this performance.
They are really good. I saw Mehldau live in Central Park (NYC) a couple of years ago and he was awesome. He did play at least one Radiohead song (Paranoid Android, if I remember correctly).
you're entitled to your opinion...you might be right...but you must be nuts. it's interesting to hear the criticism people have posted for some of the masters. it's like the comment i read regarding paul chambers that said "he sounded out of tune." he was good enough for trane, right. with this trio its about the communication and they all lock up, i think. (this isn't meant to be a preachy scolding comment.e njoy them for what they are. awsome!
I have a version of this song on my page if you want to check it out. But it doesn't compare to Mehldau's version of it. He's too good. He can play anything he wants.
Great Musicians, great song and a great live ambient. All this and the fact that Brad reminds me of the early jazz that brings peaceful and quiet moments. He also looks like Schroder from Charlie Brown episodes, laying his head onto the keyboard.
I love it when Mehldau or the Bad Plus or whoever cover a pop/rock song and all the fans of the original artists start crying that they ruined it. BOO HOO!
Does any body know whos playing the kit. He's wonderful, very musical. I thought mabey Jeff Ballard but a close look was all I needed to see it wasn't Jeff.
When Jorge Rossy left the group and was succeeded by Jeff Ballard, the first thing I noticed was the cynbals. Ballards cymbals seemed to have more of the upper harmonics. Haven't decided which I like better
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watch?v=bfIXqupPX5g
turnerwarehouse 1 week ago
he would like to be inside the piano, this is fucking bueautifull....
MrTotoMMW 2 months ago
radiohead was inspired by chopon
Jedum 9 months ago in playlist Brad Mehldau
If Brad Mehldau had Jeff Ballard as his drummer instead of Jorge Rossy in his trio most likely would never reach such a status within the jazz world
jazzmaster184 10 months ago
At the moment he is the greatest piano jazz man, Bill Evans a nine, then Brad a ten.
nimzowitsch2010 1 year ago
@nimzowitsch2010 They will be glad to know.
cadaveresquisito 8 months ago
The drummer is amazing!!!
DarkHalo08 1 year ago
How can he play with that posture?
DarkHalo08 1 year ago
@DarkHalo08 that's the way yorke plays. maybe he is acting the part?
fauxkamie 11 months ago
@DarkHalo08 He's Brad Melhdau, he can do whatever he wants.
generalbenson 4 months ago 2
meravigliosa....ma non si trova "Blame It On My Youth"?:-(
cristinasco 1 year ago
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is this available as mp3 or dvd?
rBennich 1 year ago
is this available as mp3 or dvd?
rBennich 1 year ago
@rBennich
download Goldwave free sampler and make your own mp3 in real time
gavgams 1 year ago
honk,honk,honk,honk,honk,honk,honk,homnk,honk,hnok,honk, truck time
minirew 1 year ago
This is nowhere as powerful as the original.
topsy420 2 years ago
So Brilliant...
Brad Mehldau is at the top of my list. I learned this song last night.
Avagadrostein 2 years ago
I've been lookign for this song... thanks!!
shampiu 2 years ago
try "exit music yesberger stewart" for an interesting comparison - this piece has great jazz potential
basketsofcambodia 2 years ago
grazie tesoro... mi piaci :-)))
lhapo91 2 years ago
I often wonder what Chopin would have thought if he listened to this piece.
losghost 2 years ago 5
he made a career out of being one of the greatest jazz musicians ever.
drutch230 2 years ago 4
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did this guy make a career of covering radiohead on the piano?
rp03bs1 2 years ago
diosssss que belleza...
buscadoradeoro 2 years ago
por favorrrrrrrrrrrr! { :'D
Mary23Music 2 years ago
Este video, como sus conciertos son únicos.
Maravillosoamente dramáticos
Febe Fuentes
raquelfoster1 2 years ago 2
Brad mehldau, es único, crea el puente de lo tradicional y lo absolutamente nuevo, con un dramatismo no escuchado antes, en este su estilo tan abosulamente personal.Te baña en música. Gracias, gracias, gracias Brad.
Febe Fuentes
raquelfoster1 2 years ago
Cierto son tus palabras y lo que sientes al escuchar a brad; también la verdad es que el actual trio con jeff a la batería suena incluso mejor que con el antiguo batera, jeff y larry también son únicos la verdad
fezny 2 years ago
suena mejor con jordi rossy en la bateria, jeff es muy bueno , pero con rossy es mas mistico...
nauj323 2 years ago
that's what inspired radiohead to write this song!!!!!!
esteban57764 2 years ago
other way round, it's a cover
gricka31 2 years ago
I think he was talking about the Chopin in E Minor comment.
zachindie 2 years ago 3
stupid comment
butolina 2 years ago
awesome!!!
NinoEsakia 2 years ago 2
omg
avnmiranda 2 years ago
Thanks a lot!
arironful 2 years ago
Can anyone tellme the pronunciation of Mehldau, please? Thanks
arironful 2 years ago
Mehldau sounds like mel-dow (rhymes with cow)
GeorgieB1 2 years ago 4
its a pretty cool twist to this awesome Radiohead song.
reCupcake 2 years ago 4
Fantastic!
dearmalika 2 years ago
brividi!
frynki 2 years ago
wow~
lovethefeve 2 years ago
fuck, this guy does radiohead amazingly.. wow!
DEVILSREJECT000 2 years ago 4
Davvero un pianista fenomenale!!!
sugarve 2 years ago
amaizing
QuincyJonesProds 2 years ago
do caralho!
cinejornal01 2 years ago
chopin was inspired by radiohead
cosmichippoted 2 years ago 47
I knew I saw Chopin at one of the shows. Crazy time travelling musicians!
notChris25 2 years ago 34
@cosmichippoted HAHAHAHAHA!
6KaMaL6 1 year ago
do you think radiohead inspired by chopin?
extralargos 2 years ago
Brad is like an artist with a blank canvass.
He creates a masterful painting which we can enjoy a nd interpret in our own way.
philipcwelch 2 years ago
"Exit Music" was inspired by Chopin - Prelude in E minor.
aviadpi 2 years ago 2
really- thanks for sharing that!
lovethefeve 2 years ago
I love the Meldhau trio.
rickdafrog 2 years ago
beautiful・・・・ Rossy! Thank you!
tama221 3 years ago
As much as I like this cover, I have to agree that a lot of the emotion is gone. It makes me want to hear a purely orchestral version. Strings can convey emotion much better than pianos can, especially in a live setting. Don't get me wrong, pianos are extremely expressive instruments when played well, but... This was NOT meant to be a piano-driven song.
MusicalMinority 3 years ago
Actually, the melody and chords are extremely similar to a Chopin Etude, I forget which one, maybe someone can help me on that one. So, it practically begs to be played on the piano.
MattLeGroulx 2 years ago 3
I think Brad's take on this piece is far more expressive and moody than the original. It's tempo is undoubtedly less dirged, but the amount of feeling brad puts through those keys trumps any notion so simple as tempo.
Phronesis27 3 years ago
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This is not Exit Music but CHOKE :(
fmaurat 3 years ago
I found a new album by a guy from New Orleans that sounds like Brad Mehldau meets Keith Jarrett Trio. It's called True Stories and you can get it on iTunes. You can also look it up under Jesse Boyd Trio.
andreacello 3 years ago
If you TRULY loved both of these elements than you would respect this piece. Someone who loves two elements seperately but dislikes them when together is very confused.
BlingMasterFunk 3 years ago
"Only happy when I'm making people feel bad about their opinions...my only joy in life"
nveshecco 3 years ago 2
This comment has received too many negative votes show
I love free jazz, I love radiohead...
And apart from the fact this kind of technical playing is amazing... I really don't like this piece, especially it being a radiohead cover and loosing every sence of emotion... to me.
se7ense7 3 years ago
Is the drumer Jeff Ballad?
Jarrettty 3 years ago
Apparently it's Jorge Rossy. Says so in the description atleast.
DeLoi123 3 years ago
Yes, he is. Jorge Rossi, one of the best of his generation.
jignacioromano 3 years ago
This is perfect autumn romance (-;
bouffaine 3 years ago
the best in the world!!
handsmusical 3 years ago
sup ppl!
19/f home alone with webcam Ok
cereoman657 3 years ago
thanks for letting us know. we'll be sure to.... ummmmm yeah...
godswiph 3 years ago 3
its good, but it just doesnt really fit with a jazzy feel. the song is overall too depressing for that. its like trying to put a tutu on a serial killer..its just kind of awkward
huginandmunin 3 years ago
each musician has his own style. If its not jazz, then what would you classify it as?
omreetheG 3 years ago
i think you misinterpreted what i wrote. i said the original version, as depressing a feel as its creators intended it to have, doesn't fit well with an upbeat jazzy twist to it. it just feels weird and awkward. i love jazz.. but this just sounds weird in my opinion.
huginandmunin 3 years ago
ok, I get what you're saying.
omreetheG 3 years ago
I love jazz too but I dont think this sounds weird at all. Of course I listen to odd jazz artist like Ornnet Coleman ( Free Jazz sax player) and other groups such as Jaga Jazzist
Twizzy006 3 years ago
Radiohead ain't depressed music, it goes further than depression.. They aren't sad emo guys, they just understood some things and live in acceptance.
ptrLeGrand 3 years ago
A) I didn't say Radiohead were depressing, or emo. Depression is a common and well done theme in writing music, and you would be totally ignorant if you thought some Radiohead songs weren't depressing
B) Considering this song was, lyrically and otherwise. wrote specifically for Romeo and Juliet, i'd say its got a fairly depressing theme to it
huginandmunin 3 years ago
i would say thought provoking not depressing. Was romeo + juliet not one of the great plays. People dont walk away from it feeling depressed, they feel almost enlightened.
timtomskins 3 years ago
You can't tell me there arn't elements of depression in suicide. Yes, i do agree that there is an overall feeling of enlightenment in Romeo and Juliet, that, i totally agree with you on, but theres absolutely no way there isn't any depression in R&J. Radiohead's musical interpretation of said play is, undoubtably, depressing. Of course, that's just my interpretation however.
huginandmunin 3 years ago 2
Like any great artist, Brad can play that song a thousand different ways but also being that artistic he improvises so well and so he doesn't even know how it'll come out.
kwixotic 3 years ago
Such a superb version. A vast improvement on the Radiohead original. So much more nuance to Mehldau's interpretation.
GerryKohler 3 years ago
this guy is unbelieveble , he makes that tune better than it is
basstaman79 3 years ago
psihodelic fake
mrZurke 3 years ago
Who wrote this song? This guy or Radiohead?
Jilliodeath 3 years ago
Thom York from Radiohead wrote it. I would like to hear Thom York sing this with Mehldau.
Kitschead 3 years ago
wow this is incredible. love how it has kind of a jazzy feel to it but still remains true to the radiohead avant-garde sound.
leonkennedy74 3 years ago
I would hesitate to call radiohead's sound 'avant-garde'. It is like the opposite of a free sound. That being said I love their music.
rleidle 3 years ago
keith jarret is brad`s hero! no doubt about it..
ebutuvul 3 years ago
There are good artist, there are fantastic artist.
And then, there are Keith Jarret.
fyrstm 3 years ago
does anyone have the sheet music?! it would be greatly appreciated
sourmelk 3 years ago
:-))
musikzzzz 3 years ago
This is totally awesome...... I mean TOTALLY AWESOME.
myjeanjones 3 years ago
Jarrett fans are like those people who go to French restaurants to get shat on by the waiter. They always use that word "master"; it sounds vaguely classical. They like Jarrett because he seems like "high" art. But - let's face it: How many fucking times can you record "My Funny Valentine"? His trio - if not his solo playing - is beautiful, but there is no subversive quality to the music. If it weren't for Jack's killing ride cymbal, it would be a real yawn fest.
brnllndgmntz 3 years ago
I am a big fan of both. Jarrett is darn untouchable when he devolves into lyrical improvisations (end of La Scala, Paris, Kyoto) or gospel-tinged groove (Koln, much of his trio). Mehldau's rythmic and harmonic work is far more advanced, and his left hand has indeed opened a dramatic space for improvisation. Some of Keith's atonal work in his Solos is deviant and boring, but it is occasionally very far left (see Tokyo 2002). Both are fantastic, and neither deserved disavowal.
Krelianx 3 years ago 4
very well put. it takes awhile for Jarretts atonal work to grow on even the most sophisticated listener
jacofanatic 3 years ago
krelianx, I completely agree with you. I really do love both artists. Keith because of his beautiful lyricism. He improvises as if playing a written out solo.. Very melodical and beutiful. Brad because of his technical, time, and rhythmic chops. He also plays very subtle and lyrical when it comes to ballads. His left hand counterlines and motific development and classical harmony is a very hip and sophisticated compbination.
jazzmuziq 3 years ago
no, I, for instance, like jarrett because he alone gives me the best trip of my life if i just close my eyes, on the dark, with high volume.
Relvaceos 3 years ago
yo no entender.. nada
bliss1981 3 years ago
The problem with the Jarrett comments here do not lie with him and how he is as a musician(he obviously has proved his abilities), but with the argument(s) of his position of greatness. Note that they tend to include something akin to "there cannot be anyone greater than this guy (insert name here)". Too bad that that is fallacious reasoning...at least we now know who the "best" are and can close this chapter on the Music Rulebook, 12th edition...it was fun while it lasted...HA!
allcanitbe 3 years ago
the only Keith Jarrett I know is the Koln Concerts, and I find it so ham-handed and unlistenable. and what in hell is remarkable about this fluffy lounge music? yechh.
schnav 3 years ago
how people can say that keith jarrett is in a totally different class to brad mehldau is beyond me...both are geniuses,and jazz artists with more talent than you or i will ever have have acknowledged this. mehldau IS the real deal..possibly the most exciting pianist since evans;the way he has freed up the left hand and expanded the possibilties of the piano is quite amazing.
lagathy 3 years ago
i think you are forgetting mccoy tyner
pjgrabowski 3 years ago
Jarret vs Brad? No way... Jarrett is master of masters, there is no more questions. All classical stuff, all jazz things... amazing personality and pianist as well. Piano giant of all times - this is Keith.
aldcor 3 years ago
think how good he could play if he wasn't listening to someone on the phone. this drumming is so cool.
gerbschmitt 3 years ago
True..Keith Jarret is sick. But still..Mehldau really knows what he's doing. All the things you are, in 7/8..omg awesome..
Sulfarose 4 years ago
Anyway, great cover!
Relvaceos 4 years ago
I don't dislike Mehldau, but no one can compare him to the master Keith Jarrett. There's not even the slightest possibility... While Brad is really good on the piano, Jarrett IS the piano.
Relvaceos 4 years ago
"I don't dislike Mehldau, but no one can compare him to the master Keith Jarrett."
Agreed. I hate The Koln concerts...but, listen to a cd called "Personal Mountains" and decide who the master is. The sound Keith has. His sensitivity. If he covered this tune, you'd notice the difference. Better dynamics, more sensitivity. Listen for yourself, at 5:00 minutes in /watch?v=vHL-X85Ggao
guitarguy10000 3 years ago
gand palhacox
Lonegoth31 4 years ago
Ehm, how do you say... I want to.. go.. to.. Amerika. ..I want to see this Brad of Mehldau's.
Is life complete when go to see this Brad mehlderhausen? ...I think so.
Please help father- dying of AIDS.
Genemusic111 4 years ago
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NudeGirlvoj35 4 years ago
This comment has received too many negative votes show
Just cant get into all that improvising compleatly ruins it for me. seems really out of place with the music.
dajc76 4 years ago
Learn to appreciate basic jazz, that might help a bit.
crieswhicharewings 4 years ago 3
what, learn to like something that I dont like, why? I appreciate it technically but it offends my ears..
dajc76 3 years ago
Oh goodness, you wouldn't want to take the time to learn something that you don't like...why on earth would you want to do that.
I mean, that way, you could broaden your horizons and allow your tastes to evolve.
But goodness, you wouldn't want to do that--would you?
crieswhicharewings 3 years ago
Yes but if i liked everything I would nt have a taste would I??
I have very broad tastes in all sorts of things thank you very much and am very open minded. Why do you think Im listening to this? I thought it sounded interesting and maybe Id like it so I sought it out but I did nt. i think the fact that you are nt willing to accept anothers opinion makes YOU rather self rightous and NARROW MINDED.
dajc76 3 years ago
Why do you worry about taste?Broadening your taste is about learning to enjoy more things,more enjoyment out of life,if you're worried about how your taste looks then you listen to music for the wrong reasons. You're opinion to not like it is fine. My problem was with thecomment "what learn to like something that I don't like why?". Some of my favorite songs/bands/albums have been ones I hated at first and grew to like. Evolving in your musical spectrum is why I don't listen to Hanson anymore.
crieswhicharewings 3 years ago
Rossy is brilliant working on cymbals...
yosoycore 4 years ago
sometimes when i listen to the art of trio albums i think i like rossy better than ballard. am i the only one
justinricheyBASS 4 years ago 4
i love rossy's drumming and think it's a much better match to brad's playing than ballard's. rossy is so abstract yet in the pocket at the same time. i saw the original trio with rossy numerous times at the village vanguard and i really miss that group. the trio with ballard is playing all weekend there, but every show is completely sold out! good for brad, but bad for me since i wanted to go!
powerofslack1 4 years ago 4
yeah rossy, especially on tunes like this that are very dynamic, tears it up. he plays just whats needed and step on anyones toes. i like this video and wish i could of seen it live
justinricheyBASS 4 years ago
Some people are just better off teaching.
Some are just better off emoting.
CildLeftBehind 4 years ago 3
being a drummer and very much a fan of the original trio, i was sad to see Rossy go. I think Rossy and Mehldau played together for so long that their rhythmic senses, respectively, developed together. I think Rossy's playing helped develop Mehldau's rhythmic phrasing that we know so well. Of course this is natural for any group that plays together for so long... miss Rossy in this group, and in general, i don't think he gets the props he deserves among drummers
Spur101 4 years ago 3
just brilliant
answersquestioned 4 years ago
brilliant - it's just so fascinating when the cover stops and the improvisation begins, still ahering to the original. Very good indeed :)
awortep 4 years ago
a cool thing is to observe them on the similar ground and check all the things you are and solar from albums tribute by jarrett and aott 4 of brad. i think brad's performance is even very much influenced by jarrett. but it's just different. brad in his own way transcends keith. uses different material which is his own. go brad!! :-)
milaggie 4 years ago
I agree with SindriMar; you really cannot compare the two; they're from different eras, and this whole thing of it doesn't swing right is bs. Coltrane di not swing in the traditional sense and was reprimanded for
years before he was suddenly lauded for it, so just be ok with the thought that maybe there really is no competition in legitimate music. Maybe.
rtifishul 4 years ago
This is pure brilliance.
Rhodes1978 4 years ago
To doublearejazz: I know that the Keith Jarrett Trio is one of the greatest jazz piano trios of all time and their interplay and music is astounding. But I think it's pretty ignorant and naive to call Brad Mehldau and his trio "talented students." I think the reason you say this is because of you expect them to play in the same tradition as the Jarrett trio, or to play in a certain 'standardized-this is what it's all about' way.
SindriMar 4 years ago
i agree. they are both totally different players.
DarenSirboughMusic 4 years ago
Your a Portnoy fan for christs....
Mezkal14 4 years ago
But the fact is, the Mehldau trio isn't trying to 'swing' and create 'good jazz' in the same way the Jarrett trio is doing it. Mehldau has totally different inspirations and aesthetic values and his music is not a bad representation of the Keith Jarrett Trios music. He's just doing his own thing and it has reached an unbelievably high level of artistry. If you don't like it, well, that's a totally different story...
SindriMar 4 years ago 2
ke hermoso es el piano!...
Lushinger 4 years ago
Brad Mehldau is the greatest pianist in the world. Corea, Petrucciani, Evans and Hancock had their time, but now it's Brad..
mhpjazz78 4 years ago
This comment has received too many negative votes show
to isilti2:
listen jarrett trio "tribute" ( 89´) - take: "just in time" and and you ll see that these guys are, compared with jarrett trio, only
talented students...
...if u are a musician and wont be good dont spend your time on this : better listen masters !!!
its a friendly advice ..
peace brother!
doublearejazz 4 years ago
Thank you for spewing more ignorance. Now go back and play your jarrett 89 again. Why are you posted on every mehdlau clip if you hate him so much. quit wasting our time.
sugnasty2000 4 years ago
He's right... hurry up and close your mind before something gets in!
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negalady 4 years ago
I think Jorge does a great Job. Although he pushes tempo from the beginning and sustains it, Brad plays along with it fine. I think that the live element gets you excited to play faster so that might have been the case in this performance.
DarenSirboughMusic 4 years ago 3
Fuck music criticism man.
Come on. This is a beautiful performance. yes Jorge is all on top of the beet. But Brads playing is sublime.
So just shut the fuck up and accept reality!
CildLeftBehind 4 years ago 4
siete i mostri...grazie ale-LDC
ludica77 4 years ago
They are really good. I saw Mehldau live in Central Park (NYC) a couple of years ago and he was awesome. He did play at least one Radiohead song (Paranoid Android, if I remember correctly).
mtv333 4 years ago
man Jorge pushes that thing like a freight train. it's awesome.
DarenSirboughMusic 4 years ago
Does anyone else feel like Jorge rushes the beat too much on the ride cymbal?
PortableCurtis 4 years ago
you're entitled to your opinion...you might be right...but you must be nuts. it's interesting to hear the criticism people have posted for some of the masters. it's like the comment i read regarding paul chambers that said "he sounded out of tune." he was good enough for trane, right. with this trio its about the communication and they all lock up, i think. (this isn't meant to be a preachy scolding comment.e njoy them for what they are. awsome!
rhumbaphone 4 years ago
he gives me the sensation like he rushes and causes a few extra beats when he solely plays with the right stick at some parts..i agree with you
isilti2 4 years ago
well,not bad..but jarrett trio is a "heaven" for it..
:-)!
..you wonna see/hear something innovative -
how to improvise classical music ?!
look for video : "bach sarabande jazz guitar"
or visite renatorozic dot com ..you ll be nicely surprised ..
:-)
doublearejazz 4 years ago
Wow, you think Jarret is better than this?
That's apples and oranges pal.
Mehldau is the modern day jazz piano god. he takes harmony where Jarret only wish he could envision.
Sorry, for this 21st century man, Mehldau wins.
I hope you enjoy those Jan Garbarek records as well.
FoxNewsLies 4 years ago
Stupid comment from a moron.
paradidd 4 years ago
no habia escuchado a este pianista, me recuerda un poco a keith jarret.
s05110057 4 years ago
I have a version of this song on my page if you want to check it out. But it doesn't compare to Mehldau's version of it. He's too good. He can play anything he wants.
DarenSirboughMusic 4 years ago
took my breath away, i didn't think i could love this song more, but i think i like this version better
modestbuddhist 4 years ago
Great Musicians, great song and a great live ambient. All this and the fact that Brad reminds me of the early jazz that brings peaceful and quiet moments. He also looks like Schroder from Charlie Brown episodes, laying his head onto the keyboard.
oscartheone 4 years ago
He gets so into it doesn't he. After a while it looks like his fingers take control of his body lol. Now that's scary
DarenSirboughMusic 4 years ago
heres my version of it. trying oh so hard as well lol.
watch?v=b-GPJw7UttA just add the youtube part to it at the beginning
DarenSirboughMusic 4 years ago
This is from Art of the Trio 3. He's such a brilliant musician.
JeztheDude 4 years ago
Brad is the musician of year 2000 no doubts. Unfortunately lately his concerts suck......
deadkanes 4 years ago
Does anybody know on which album of B.M. I can find that track? A-A-A-A-Awesome!
wunderblockfilm 4 years ago
You can find it on Art of the Trio, Volume 3.
paleolithicera 4 years ago
I love it when Mehldau or the Bad Plus or whoever cover a pop/rock song and all the fans of the original artists start crying that they ruined it. BOO HOO!
Soul74 4 years ago
One of the greatest pop songs of all times played by a grreat musician.
Claudio Durgone, Sassari,Sardinia
EricDolphyOutToLunch 4 years ago
shit hot
randommental 4 years ago
This amazin g drummer is named Rossy, an italian guy who played in Mehldau`s Trio for the last ten years.
lesterGun 4 years ago
Thank You. Blessings.
GaryStanionis 4 years ago
Does any body know whos playing the kit. He's wonderful, very musical. I thought mabey Jeff Ballard but a close look was all I needed to see it wasn't Jeff.
GaryStanionis 4 years ago
Yeah his name is Jorge Rossy. I love his cymbals. I hope to have some like that someday
delliejonut 4 years ago
When Jorge Rossy left the group and was succeeded by Jeff Ballard, the first thing I noticed was the cynbals. Ballards cymbals seemed to have more of the upper harmonics. Haven't decided which I like better
ptrptms 4 years ago
Remember that that chick, chick, clicky sound is very much from the stick, not the cymbal. He has nice cymbals though, very dark and rich.
richie535 4 years ago
Thanks for posting this...awesome!
thechallengeresponse 4 years ago
It's a great version and very apropiate for a film outro, at least until they start playing fast. I don't like "fast jazz" too much.
miguelcanel 4 years ago
I love the way brad feels the music... Is like he's not even thinking what he's playing... awesome!
ranfismusic 4 years ago