The playing of a child mentality. Leaves a lot to be desired.
First of all, he is a 'soprano' pianist--no bass.
This is most evident when he plays the 2nd page with the left hand tenor melody detached and unheard while only the right hand downward chromatic scales can be heard.
There are no tops to be heard on the upward chromatic of the main subject.
Completely mechanical and unmelodic playing of them.
The broken chords between the two hands at the retransition are uneven.
Freire probably has the most efficient piano playing mechanism (weight controlling) down. Just watch his Godowsky die Fledermaus, it is like he was playing on feather.
This is one of the most difficult pieces for piano! Playing softly with those hard technique elements it's amazing! The best version of this etude is the Horowitz's; then Pletnev's
@sissichopin91 this absolut not one of the most difficult pieces.there is not only one hard part.the only hard thing is this tempo,but every mozart sonata would be harder in this tempo.
@Achtelnote It 'so difficult to play so fast, fast and smooth.
we must distinguish between the technical difficulty and artistic difficulties. I also think that Mozart (with Schumann) is more difficult to render. But this etude is technically one of the most difficult etudes i know.
@sissichopin91 then you know not alot etudes.i needed only one week and a half to play it on my tempo quarter=100.but i needed for chopin op.10/4 6 weeks only for playing all the notes.
@sissichopin91 the only funny are you.im piano teacher,studied in munich richard-strauss-conservatoire and i always have pupils who play this etude.it is really very easy to learn.try it,only easy patterns and chromatic scales.
@sissichopin91 the only funny are you.this is really very easy to learn.try it,only easy patterns and chromatic scales(and one diatonic g-flat major).
I think he's quite capable of playing it with his left hand only he chooses to incorporate his right had because it sounds better (I actually use this when I play the piece now)
You are presumptuous and condescending to think I don't know much about scale playing, marcxopoco. You also seem to think that making life easier is cheating. If you were not seeing Freire playing, would you have known he was distributing notes between the hands? Do you really think he couldn't have played it as written if he had so chosen?
@marcxopoco When a pianist of this calibre does things like that it's purely for sound/comfort, and hardly can be named cheating anymore. You can make sure that he can play it like it's 'supposed' to, but at this stage this piece is no more a study for him, but more of a concert piece. Don't simplify scores when studying, but when performing you can do whatever you want IMO, as long as it sounds good and the simplifying of the score doesn't result in a loss of tension in the music.
It's hard to describe the feeling with this kind of playing (I recently have been "Getting" it); You have to not "Press" into the key, but it is more like your fingers are just falling into the key. Notice that he is not playing legato at all, there are breaks between the notes. Trying to play it at speed staccato helps alot. As does trying to feel for the keys with the free fingers.
Nelson Freire wasn't 6 he was 15 when this was recorded, it was a hard recording to obtain for many years, stunning in every way, I "saw" Freire in Vienna in the '80's, he stands out in a crowd very much, his playing as well.
It looks much more difficult than it really is. There are basically only chromatic scales that are played up and down and some chromatic variations. Chromtic scales are by far the easiest.
1) Optimal hand adjustments to put fingers in their optimal position.
2) Use gravity and arm power transmitted thru fingers...fingers do minimal work to make arch and get key accelerating...doesn't waste any energy "keybedding".
Pure Letchitzky what you write - also the basis of the teaching of Tobias Matthay, Rosina Lhevine, and Cecile Gennhardt. With this clip of Mr. Friere we have the perfect illustration.
Sounds nothing like hofmann.Not quite .We have hofmann in Mosk Caprice espagnole ,guitarre fingerwork extraordinary but much more charm.Freire has that too just not here . he is not trying to be too elegant but its better than study .Horowitz uses schmaltzy charm here.i wonder y Freire plays it like this .New objectivist sch of 60's dunno. Noone will ever have Hof control ,genius.If only there was more lhevinne,Rosenthal .Hmaelin Hough,Libetta (a beauty to boot) do the charm bit.
He played it wonderfully and perfectly but I'm not ALL that amazed since it took me 3 days to learn this song. Its really easy, as long as you know how to pay your chromatic scales. I'm just amazed at the guy who wrote these etudes Moskowski is wonderful.
This man a nArgerich friend has always had the most amazing facility and technique.That chromatic scale is as perfect even as horowitz.I ve always wanted to see him play.He is one of the top .Horowitz is more charming in this etude but they are from different periods and schools.This guy does have charm in his godowsky "stanchen".
Nelson Freire is one of the most amazingly facile virtuosi of the present age. For some unknown reason, his career in the U.S. did not really take off to the extent his great talent deserved. He has often performed insanely difficult duet literature with Martha Argerich, and his rather cool nature seems to work very well with Argerich's almost uncontrolled passionate nature. So wonderful to see him in this video!
this etude is easy to critisize and hard to play
RediForKing 5 months ago
newbcake its actually really hard cause u need to play it so fast.
asdfadlord 6 months ago
So light, so free!
AldenHardaway 6 months ago
I just heard Horowitz play this far better than the juvenile Freire, decidely faster.
Even Pletnev is much better than this.
marcxopoco 7 months ago
@marcxopoco what do you mean by better? Horowitz, Pletnev and Freire are such unique artists... they don't deserve simplistic analysis like yours.
I see that you have personal issues with Nelson... not of my business anyway...
abajour 6 months ago
The playing of a child mentality. Leaves a lot to be desired.
First of all, he is a 'soprano' pianist--no bass.
This is most evident when he plays the 2nd page with the left hand tenor melody detached and unheard while only the right hand downward chromatic scales can be heard.
There are no tops to be heard on the upward chromatic of the main subject.
Completely mechanical and unmelodic playing of them.
The broken chords between the two hands at the retransition are uneven.
marcxopoco 7 months ago
@marcxopoco How can you compare Horowitz and the 14 year old genius of Freire? You are such an amateur...
sergiodsimon1 1 month ago
@sergiodsimon1 , How do you know he is 14?
marcxopoco 1 month ago
@marcxopoco He might not be 14, I'd say 16 or 17 but definitely not older.
thejesusfreak919 1 month ago
@thejesusfreak919 If that is true, he is very good for that age.
marcxopoco 1 month ago
@marcxopoco He definitely is
thejesusfreak919 1 month ago
remarkable technique...one of the best pianists of our time...
vfavato 8 months ago
the piano sounds just a amazing!
do you know what brand it is?
it's one of the best pianos I've ever heard
RediForKing 1 year ago
BRAVO...!!!!
sregnathan 1 year ago
F*ck I LOVE this etude, the second melody is mesmorizing. To bad I cant play it yet .... _<
RemovdSande11 1 year ago
Absolutely remarkable technique. Very humbling.
paulcopeland 1 year ago
in 1:05 do u think guys hear somthing strange?? i think i do
AlvinSong2025 1 year ago
Freire probably has the most efficient piano playing mechanism (weight controlling) down. Just watch his Godowsky die Fledermaus, it is like he was playing on feather.
jefftam1234 1 year ago
Great...old piano style
belialah 1 year ago
5***** 5***** 5***** 5***** 5*****
ykpatr 1 year ago
This is one of the most difficult pieces for piano! Playing softly with those hard technique elements it's amazing! The best version of this etude is the Horowitz's; then Pletnev's
sissichopin91 2 years ago
@sissichopin91 this absolut not one of the most difficult pieces.there is not only one hard part.the only hard thing is this tempo,but every mozart sonata would be harder in this tempo.
Achtelnote 1 year ago
@Achtelnote It 'so difficult to play so fast, fast and smooth.
we must distinguish between the technical difficulty and artistic difficulties. I also think that Mozart (with Schumann) is more difficult to render. But this etude is technically one of the most difficult etudes i know.
sissichopin91 1 year ago
@sissichopin91 then you know not alot etudes.i needed only one week and a half to play it on my tempo quarter=100.but i needed for chopin op.10/4 6 weeks only for playing all the notes.
Achtelnote 1 year ago
@Achtelnote you are funny.
You know few etudes.
Log on the video where you play this etude: come on!
sissichopin91 1 year ago
@sissichopin91 the only funny are you.im piano teacher,studied in munich richard-strauss-conservatoire and i always have pupils who play this etude.it is really very easy to learn.try it,only easy patterns and chromatic scales.
Achtelnote 1 year ago
@sissichopin91 the only funny are you.this is really very easy to learn.try it,only easy patterns and chromatic scales(and one diatonic g-flat major).
Achtelnote 1 year ago
@sissichopin91 is blowing air out his ***.
This piece consists of chromatic scales and easy neighbor note triplets going down in sequence.
It would not be considered "one of the most difficult pieces for piano" by anyone but a youtube blowhard.
marcxopoco 7 months ago
@marcxopoco Playing this etude like this version or Horowitz's or Pletnev's makes this piece extremely difficult.
sissichopin91 7 months ago
a very beautyful playing. Bravo.
xcomposerpianistx 2 years ago
..i envy him
fooitstinazheng 2 years ago
Bardzo Pięknie 6******Bardzo Kocham Muzykę To Moje Uczucie Muzyczne 6******
ykpatr 2 years ago
I love his recordings
They are so funny and light, etudes, obviously
michal1810 2 years ago
He cheats on the left hand rund runs that come in the middle of the piece.
He plays the downward portion of each left hand run with the right hand.
marcxopoco 2 years ago
I think he's quite capable of playing it with his left hand only he chooses to incorporate his right had because it sounds better (I actually use this when I play the piece now)
mgager06 2 years ago 8
@mgager06: don't worry about marcxopoco, just trying to demonstrate sophistication. Yeah we can read the score too.
elgar34 11 months ago
I don't think that redistributing stuff between the hands is "cheating". It's not like he's leaving notes out or anything like that.
troppofiato 2 years ago
You don't know much about scale playing, troppo.
It is much easier to play the downward scale with the right hand.
Playing that downward scale with the left hand as Mozskowski wrote it is the hardest spot in the piece, scale-playing wise.
Friere avoids the difficulty by using the right hand to take over .
marcxopoco 2 years ago
You are presumptuous and condescending to think I don't know much about scale playing, marcxopoco. You also seem to think that making life easier is cheating. If you were not seeing Freire playing, would you have known he was distributing notes between the hands? Do you really think he couldn't have played it as written if he had so chosen?
troppofiato 2 years ago
@marcxopoco
that part where he uses right hind for L.H part is really helpful, it simplifies that passage
even Horowitz does the same, check out, the video of horowitz outtakes
Myyadda1 1 year ago
@marcxopoco When a pianist of this calibre does things like that it's purely for sound/comfort, and hardly can be named cheating anymore. You can make sure that he can play it like it's 'supposed' to, but at this stage this piece is no more a study for him, but more of a concert piece. Don't simplify scores when studying, but when performing you can do whatever you want IMO, as long as it sounds good and the simplifying of the score doesn't result in a loss of tension in the music.
eribani 7 months ago
@eribani,
Any competent player could play this with the left hand--as written and fingerred by Mozkowski.
It's a simple F major scale for the left hand.
marcxopoco 7 months ago
Eccellente
cm50gr3250 2 years ago
Impressive technique. That piece is VERY difficult. I couldn't play it even in 10 years.
NickyRamone77 2 years ago
That ending is absolutely amazing.
jojodi 2 years ago 4
danm, he can play fast. its actually not that easy of a piece
markhallansen 2 years ago
... but this piece he doesn`t play very fast - it`s a moderat tempo
kaisersjoachim 2 years ago
yes he does. that tempo is way above moderate.
markhallansen 2 years ago
Smooth
w3sp 2 years ago
awsome ... he is my fafourite preformer of this pice.
hjiuhfhrehui 2 years ago
It's hard to describe the feeling with this kind of playing (I recently have been "Getting" it); You have to not "Press" into the key, but it is more like your fingers are just falling into the key. Notice that he is not playing legato at all, there are breaks between the notes. Trying to play it at speed staccato helps alot. As does trying to feel for the keys with the free fingers.
javacisnotrecognized 3 years ago 2
holy bananas this is amazing.
victoriaarene 3 years ago
supeeeeeeeeeerrrrrrrrrrrrrrr tout simplement proooooooooo
istreba 3 years ago 3
no doubt a complete success
oas1s2004 3 years ago
Wonderful!!!!!!!!!!!
Pianoloverok 3 years ago
awesome...a great virtuosi!!!
cortesepiloto 3 years ago
Out of all the videos i watched, his has the most clarity of all. Love it, wish i could play it clear as he does.
MrRockin 3 years ago 2
Nelson Freire wasn't 6 he was 15 when this was recorded, it was a hard recording to obtain for many years, stunning in every way, I "saw" Freire in Vienna in the '80's, he stands out in a crowd very much, his playing as well.
galaxyrainguy 3 years ago 2
my fingers refuse to move like that :(
b3ti3 3 years ago 2
Fantastic Technique
Fnkyazn67 3 years ago
just fantastic
PhilippeLernould 3 years ago
It looks much more difficult than it really is. There are basically only chromatic scales that are played up and down and some chromatic variations. Chromtic scales are by far the easiest.
newbcake 3 years ago 8
the end is killing me though
DuranXL 3 years ago
Playing anything this well is difficult.
assindiastignani 3 years ago 3
Dear god, How is this possible? how!??!?! WILL SOMEBODY ANSWER ME!??!?!
newton2060 3 years ago
1) Optimal hand adjustments to put fingers in their optimal position.
2) Use gravity and arm power transmitted thru fingers...fingers do minimal work to make arch and get key accelerating...doesn't waste any energy "keybedding".
3) Lots of practice.
4) Talent
In that order of importance approximately.
carlhopkinson 3 years ago
Pure Letchitzky what you write - also the basis of the teaching of Tobias Matthay, Rosina Lhevine, and Cecile Gennhardt. With this clip of Mr. Friere we have the perfect illustration.
assindiastignani 3 years ago
This comment has received too many negative votes show
He is 6 years old.
newton2060 3 years ago
I love him anyway.. no matter what he chooses to play , though i prefer Chopin and Rach for him.
LadyNRedShoes 4 years ago
Sounds nothing like hofmann.Not quite .We have hofmann in Mosk Caprice espagnole ,guitarre fingerwork extraordinary but much more charm.Freire has that too just not here . he is not trying to be too elegant but its better than study .Horowitz uses schmaltzy charm here.i wonder y Freire plays it like this .New objectivist sch of 60's dunno. Noone will ever have Hof control ,genius.If only there was more lhevinne,Rosenthal .Hmaelin Hough,Libetta (a beauty to boot) do the charm bit.
lovesGenet 4 years ago
looks so effortless...
kurvasignup 4 years ago 3
intellectual, virtuosic, musical, and everything else
filthysoap 4 years ago 3
Very good performance!
amishan92 4 years ago
that kicked ass
scottbos68 4 years ago
I think it's "Moszkowski" ;-)
AMusicAddict 4 years ago 3
cazzone
7milord7 4 years ago
Perfect
Such note, such sound.
Bravo Freire!
igor327 4 years ago
go to the mall and be like everyone else then
stareway 4 years ago
I'm 15, my piano teacher just assigned me this piece... help me...
Nilfnar 4 years ago
be nelson
08ndl 4 years ago
Fantastic!!! Virtuoso Freire, realy amazing!
lorycortese 4 years ago
I found the sheet:d im gonna try
DuranXL 4 years ago
He played that exactly as it was meant to be played. Not even Horowitz could play it as clearly.
Bravo!
reddoghud 4 years ago
god-like control of this furiously difficult tempo
carlhopkinson 5 years ago
Fabulous! Nelson Freire is one of the greatest pianists alive! Thanks for posting this! Please post any more that you have!
sll10 5 years ago
i must have the sheet music for this thing:S:(
DuranXL 5 years ago
where did you get this video from, does he have a dvd out or something?
kayserben 5 years ago
3 days huh?
wborgstro 5 years ago
it seems like he manages to play each note so crisply as if every note in the scale is played staccato, such control.
kayserben 5 years ago
amazing he is the smoothest player I've ever seen
bsarnold1 5 years ago
i'm better :-)
lhiasczkter 5 years ago
He is the best pianist in your time. But he doesn't like to make records, this it's no god.
RIV2 5 years ago
He played it wonderfully and perfectly but I'm not ALL that amazed since it took me 3 days to learn this song. Its really easy, as long as you know how to pay your chromatic scales. I'm just amazed at the guy who wrote these etudes Moskowski is wonderful.
okikoreagurl 5 years ago
By the video he probably recorded this when he was around 16 years old (today he's white hair and beard).
He is very virtuous, I've seen him alive many times, but his strong virtuosity is the feeling put at the performance. Simply the best of our time.
allinvideo 5 years ago
:O :O:O:O OMGWTFPWN
bur1gur1 5 years ago
Perfect !
felipegama 5 years ago
This man a nArgerich friend has always had the most amazing facility and technique.That chromatic scale is as perfect even as horowitz.I ve always wanted to see him play.He is one of the top .Horowitz is more charming in this etude but they are from different periods and schools.This guy does have charm in his godowsky "stanchen".
lovesGenet 5 years ago
omgosh....unbelievable....
TodaySurreal 5 years ago
good playing but not Cortot
chad410 5 years ago
Es una maravilla de digitación.
Robufnoru 5 years ago
T'is swell performance
Bulacanos 5 years ago
He glides through those keys like wind!
bariguru 5 years ago
Nelson Freire is one of the most amazingly facile virtuosi of the present age. For some unknown reason, his career in the U.S. did not really take off to the extent his great talent deserved. He has often performed insanely difficult duet literature with Martha Argerich, and his rather cool nature seems to work very well with Argerich's almost uncontrolled passionate nature. So wonderful to see him in this video!
emtube 5 years ago
Hey, this is Nelson Freire, amazing Brazilian pianist! Now the people is specialist in hands, oh my god...This pianist should be much more known.
gncoelho 5 years ago
lol.. it even shows his face.. thats nothing like Cziffra...
tompilk 5 years ago
The pianist is definitely Cziffra. I can recognize those hands anywhere.
WumpaCrash 5 years ago
...never mind.
WumpaCrash 5 years ago
You know what that piece lacked?
Key shooting!
Am I right?
Gorytinklebird 5 years ago
awesome
linderbrock 5 years ago