The 1904 recording, in my opinion, is the single greatest recording of singing in the history of recording. Yes, I realize that it is a bold statement to make, but if one can recognize just how prescient Caruso was in his intent of emotional output and fluidity of technique, you can realize that this was a once in a lifetime achievement. Not to mention, this was sung in ONE TAKE!!!!!
@Nello7 I said as much on the remastered 1904 recording I heard before finding this one. Even thought the remastered job doesn't do Caruso's voice justice, I realized that it was the single best performance I've ever heard by a tenor. I believe this is what Bel Canto singing was meant to be. Though not perfectly sung, it's a masterful display of complexity and raw talent.
Tom, thank you very much for that very interesting comparison. The legendary 1904 remains hands down my personal favorite. I also prefer the much slower tempo of 1904: 4:33 of singing versus 3:38 in 1911.
Although Bjoerling is my favorite tenor and Alfredo Kraus is is an exemplar of lyric singing, I prefer the 1904 Caruso recording to any other I've heard.
Fantastic, thanks!! You know my favorite has been the 1904 recording (and one of my favorite renditions of the piece ever) but I may reconsider now! He sounds more lyric in the 1904 but considerably darker, more powerful in the 1911-
the second recording here does an unusually good job of capturing his timbre and the power of his voice. particularly 6:13 onward- wow! gives you a glimpse of what we are missing! If only all Caruso recordings were that good- a recording of "Come un bel di di maggio" I recently heard sounded like it was made underwater!
Yes, unfortunately one often has to 'add' one's own vision/imagination to how he really sounded. Some recordings/restorations are better than others and this of the 1911 recording is pretty good. - Gives one an idea of why people were willing to pay the equivalent of $1,000.- to hear him sing in a single performance.
Not to be a gay, but i finished watching that movie and i have a very good ear, the 1904 recording was the one used in that movie..you probably just got confused or something..
SUBLIME!!! Thank you my friend for sharing this Wonderful video of Great Performance of ENRICO CARUSO (1873-1921).
MrGer2295 1 month ago in playlist More videos from tomfroekjaer
love the popcorn in the recording
thedukeofjazz 4 months ago
I really like the 1904 recording. Where did you get it? I've been searching for a cd that has this version on it, but I haven't found it.
psyxysp 4 months ago
@psyxysp This is from "Naxos The Complete Caruso." the 1904 version is found on vol.2.
Google these:
CARUSO, Enrico: Complete Recordings, Vol. 2 (1903-1906)
RCA The Complete Caruso
Prima Voce The Early Recordings with Enrico Caruso
Digital restoration with modern orchestration (see my upload) - google:
Enrico Caruso the digital comeback
Best regards, Tom
tomfroekjaer 4 months ago
@psyxysp Forgot one. It's also available on the soundtrack to the Woody Allen film "Match Point"
tomfroekjaer 4 months ago
@tomfroekjaer I didn't know that. Thanks!
psyxysp 4 months ago
The 1904 recording, in my opinion, is the single greatest recording of singing in the history of recording. Yes, I realize that it is a bold statement to make, but if one can recognize just how prescient Caruso was in his intent of emotional output and fluidity of technique, you can realize that this was a once in a lifetime achievement. Not to mention, this was sung in ONE TAKE!!!!!
Nello7 4 months ago 2
@Nello7 I tend to agree with you that the 1904 recording may be the greatest recording of the tenor voice ever made.
tomfroekjaer 4 months ago 2
@Nello7 I said as much on the remastered 1904 recording I heard before finding this one. Even thought the remastered job doesn't do Caruso's voice justice, I realized that it was the single best performance I've ever heard by a tenor. I believe this is what Bel Canto singing was meant to be. Though not perfectly sung, it's a masterful display of complexity and raw talent.
wiseroldfart 2 months ago
Tom, thank you very much for that very interesting comparison. The legendary 1904 remains hands down my personal favorite. I also prefer the much slower tempo of 1904: 4:33 of singing versus 3:38 in 1911.
OperaFanCantor 6 months ago
Although Bjoerling is my favorite tenor and Alfredo Kraus is is an exemplar of lyric singing, I prefer the 1904 Caruso recording to any other I've heard.
TheVerdiBaritone 10 months ago
Caruso es el mejor!!! en todos los tiempos
EsteNoEsUnSujeto 10 months ago
Great singing! Purity of the voice, keeping it simple and direct, yet intense! Thanks, tomfroekjaer!
nadaniente115a 2 years ago
Thanks Tom for the comparison. I prefer the second recording.
Kentoo48 3 years ago
You're welcome, Kentoo48.
Did Wunderlich record this??
tomfroekjaer 3 years ago
Yes he did Tom Its on site here.. check my videos
Kentoo48 3 years ago
Thanks - the tricky translations. Listened and he's great.
tomfroekjaer 3 years ago
Fantastico. Caruso è chi presenta il cambio del piano per l'arpa
IlgruppoDiDocci 3 years ago 3
It's amazing how after a century his voice still communicates like no one else's ever.
racheleleeba 3 years ago 3
Yes, I've been wondering about this too.
Is it - like the old Greek philosophers and the Indian wise men claimed - that time doesn't really exist for the spirit?
tomfroekjaer 3 years ago
Fantastic, thanks!! You know my favorite has been the 1904 recording (and one of my favorite renditions of the piece ever) but I may reconsider now! He sounds more lyric in the 1904 but considerably darker, more powerful in the 1911-
both great.
ShawDAMAN 3 years ago
Yes, till now my favorite definately has been the 1904 version, but the 1911 certainly has some powerful, mezmorizing quality...
tomfroekjaer 3 years ago
the second recording here does an unusually good job of capturing his timbre and the power of his voice. particularly 6:13 onward- wow! gives you a glimpse of what we are missing! If only all Caruso recordings were that good- a recording of "Come un bel di di maggio" I recently heard sounded like it was made underwater!
ShawDAMAN 3 years ago
Yes, unfortunately one often has to 'add' one's own vision/imagination to how he really sounded. Some recordings/restorations are better than others and this of the 1911 recording is pretty good. - Gives one an idea of why people were willing to pay the equivalent of $1,000.- to hear him sing in a single performance.
tomfroekjaer 3 years ago
@ShawDAMAN: a bit delayed answer ....The 1911 was the version used in Woody Allen' film "Match Point" from 2005....
tomfroekjaer 2 years ago
Not to be a gay, but i finished watching that movie and i have a very good ear, the 1904 recording was the one used in that movie..you probably just got confused or something..
escotoeric 2 years ago
@escotoeric: yes, you are right ! Just listened to soundtrack and it is indeed the 1904 version. Don't know why I got it mixed up :-)
tomfroekjaer 2 years ago
GRANDIOSO!!!!!è poco
Danke
lidoazzurro 3 years ago
You are welcome. Another great Neapolitan tenor that never will be forgotten! Maybe the greatest of them all...
tomfroekjaer 3 years ago